Movie Review Columbus

Columbus (2017) 

Directed by Kogonada 

Written by Kogonada 

Starring John Cho, Haley Lu Richardson, Rory Culkin, Parker Posey 

Release Date August 4th, 2017 

The film language of Columbus is quite striking. Director Kogonada elegantly eschews expository dialogue in favor of allowing his camera to deliver essential information. The story of Columbus centers on a pair of lost souls, Jin, played by John Cho, and Casey, played by Haley Lu Richardson. Jin and Casey bond over the architecture in the city of Columbus, Indiana, which has a unique architectural history to it.

Architecture is a major theme of Columbus, as Kogonada puts the incredible designs in Columbus in the foreground but never at the expense of his characters. The architecture of Columbus compliments the characters and their evolving friendship, often marked by Casey’s list of her top five favorite buildings in Columbus. The architecture of the buildings is a great deal like the architecture of this budding friendship with its unusual foundation, and the use of glass, a hallmark of the city’s architecture, and a strong reflection of the growing transparency of emotion between Jin and Casey.

You may think from my description that you know where this story is headed, some sort of romance between Jin and Casey. You are not entirely wrong, but you are not entirely right either. I will not spoil it for you; I will only say that Columbus is much smarter and more thoughtful than some romantic comedy. This is a character study and Kogonada has constructed a pair of very compelling and complex lead characters.

That is enough of a description for you, so let us return to film language and highlight why I love Kogonada’s direction; especially considering this is his first feature and he demonstrates tremendous craft for a first-time feature filmmaker. Part of the story of Columbus concerns Jin’s father, having traveled from Seoul, South Korea to Columbus for a talk on architecture. While there, he falls ill and into a coma and this brings Jin from Korea to Columbus.

Find my full length review in the Geeks Community on Vocal. Find my full length review in the Geeks Community on Vocal. 

Movie Review: A Very Harold and Kumar 3D Christmas

A Very Harold and Kumar 3D Christmas (2011) 

Directed by Todd Strauss-Schulman

Written by Jay Hurwitz, Hayden Schlossberg

Starring John Cho, Kal Penn, Neil Patrick Harris, Paula Garces, Daneel Ackles

Release Date November 4th, 2011

Published November 3rd, 2011

"A Very Harold and Kumar 3D Christmas" is gloriously offensive. There are scenes of such specifically offensive humor that I really don't feel comfortable describing what takes place in any kind of detail. With that offensiveness stipulated, let me state clearly that I loved this movie. I'm not sure I can recommend it, but I love. "A Very Harold and Kumar 3D Christmas" finds our friends Harold (John Cho) and Kumar (Kal Penn) having grown apart. Harold has chosen to become a grown up. He has a job on Wall Street, a house in the suburbs and he and his wife Maria (Paula Garces) are trying to have a baby.

Kumar on the other hand has stunted his maturity. Kumar is a degenerate pothead, who we see buying pot and smoking up with a mall Santa Claus in the opening scenes of the film. Kumar lost his job because he failed a drug test and lost his girlfriend (Daneel Ackles) because of his slothfulness. Our heroes are reunited when a package appears at Kumar's apartment addressed to Harold. Kumar delivers the package to Harold's house and from there the latest H & K adventure begins and proceeds in the most irreverent and stunningly offensive fashion.

Also returning for "A Very Harold and Kumar 3D Christmas" is the brilliant Neil Patrick Harris who finds new and wondrous ways to send up himself. Harris came out a few years ago and naturally Harris makes great sport of his homosexuality in "A Very Harold and Kumar 3D Christmas." Thomas Lennon gets in on the fun in A Very Harold and Kumar 3D Christmas. Lennon, best known for "Reno 911," plays Harold's straight-laced suburban best friend Todd. Poor Todd and his baby daughter Ava get dragged into H & K's adventure and what happens to little Ava will have many parents in the audience either rolling with laughter or asking for their money back at the box office.

I can't stress this enough, if you are offended by drugs, sex, violence, racial humor and such, you don't want to attempt to watch "A Very Harold and Kumar 3D Christmas." This movie presses the most offensive hot buttons and does not let up for more than 90 minutes. A particularly offensive and completely hilarious scene involves paying homage to the holiday classic "A Christmas Story" in a way that you must see to believe. There is also a reference to "Annie Hall" involving the baby girl Ava that is startlingly funny.

"A Very Harold and Kumar 3D Christmas" is up there with "Bridesmaids" as one of the funniest movies of 2011. I completely loved this movie and I cannot recommend it for any audience. The film is so outlandish and so very, very, very R-rated that only a select audience will be able to tolerate the well beyond risqué humor. How "A Very Harold and Kumar 3D Christmas" did not get saddled with an NC-17 rating is beyond me; the film definitely is offensive enough to deserve it. If you are not easily offended, you are going to love "A Very Harold and Kumar 3D Christmas."

Movie Review Star Trek

Star Trek (2009) 

Directed by JJ Abrams

Written by Roberto Orci, Alex Kurtzman

Starring Chris Pine, Zachary Quinto, John Cho, Simon Pegg, Zoe Saldana, Eric Bana, Winona Ryder

Release Date May 8th, 2009 

Published May 7th, 2009 

On the great sci-fi divide between trekkies and followers of the force I am squarely in the Skywalker camp. I have nothing against Trek. In the 90's in fact I had a brief love affair with Star Trek The Next Generation. That lasted until Deep Space Nine came along and bored the crap out of me. That was followed by three exceptionally mediocre Next Generation movies that did little to bring me around to the Starfleet way, even as George Lucas was damaging my memories of his holy trilogy with his unholy prequels.

Now, I cannot be sure where I stand. After seeing J.J Abrams revamp the Star Trek legend with energy, wit and edge of your seat summer movie adrenaline, I am tempted to turn my loyalties over to Captain James Tiberius Kirk. Blasphemy? Maybe to Star Wars fanatics, but even those who've fought this battle for years must first see this exceptional new Star Trek before excoriating me for allowing Trek into places in my movie loving heart where only the Force had been before.

Star Trek the reboot begins with the birth of James T. Kirk aboard a starship Captained by his father George. It wasn't initially captained by George Kirk but after being attacked by a Romulan ship captained by the empirious Nero (Eric Bana) it was left to First Officer Kirk to go down with the ship as he evacuated the crew, including his in labor wife (House star Jennifer Morrison in a terrific cameo). George Kirk's heroism will no doubt be the model for his son.

Later in life, James T. Kirk (Chris Pine) is a rebellious Iowa farm boy with little thought of the future despite a knack for leadership and the instincts of a warrior. Thankfully, these traits are recognized by the captain of the Enterprise, Captain Pike (Bruce Greenwood) who challenges Kirk to join StarFleet. His father became an officer in just 4 years, James says he can do it in 3.

Parallel to Kirk's story is that of Spock (Zachary Quinto, TV's Heroes top villain Sylar). The son of a Vulcan elder and a human woman, Spock is the Vulcan equivalent of an outcast, one who is capable of emotion as much as he is subject to the rigorous logic that Vulcan's thrive on. It is the human side of Spock that leads him to Star Fleet and his Vulcan mastery of knowledge and combat that quickly makes him a leader.

These two men are destined to clash but history tells us that great things will come of those clashes, including a timeless friendship. This leads us to the main question many will have about Star Trek, how does it fit the Star Trek canon? The answer will be different for different audiences.

Those with the most strict fealty to Star Trek lore may poke a few holes. Those with no loyalty will set phasers on the film's use of time travel and call it a cheat. People who think like me however, not strictly tied to lore, willing to put aside the laws of physics in favor of a good time, will find clever the ways in which Director Abrams and writers Roberto Orci and Alex Kurtzman have found to use Trek lore and yet chart their own path to a whole new franchise.

It's a spectacularly clever device, one I won't divulge here, only to say that it isn't unfair to call it a cheat. That said, if you call it a cheat, summer movies clearly are not your cup of tea. A summer popcorn adventure is not subject to all of the rigors of typical movies. Movies that strive to mean more to our lives, movies that attempt to communicate deep human truths and reveal the soul of man are a different breed from the Star Trek-Star Wars-Iron Man movies which occasionally stumble across truths but are geared more toward the visceral excitement that is just as valuable.

People tend to trash the thrill as a base emotion. Maybe it is, but would you want a life without thrills? Star Trek delivers thrills on several different levels and I couldn't get enough. The film is first an action packed popcorn movie with spectacular effects. It is second a film that takes characters with rich histories and makes functional use of those histories to thrill us with surprise. And on another level, this is an origin story that introduces a group of charismatic heroes and fosters a newfound attachment to them. On one level trekkies will geek over this glimpse into the lives of their longtime heroes. On another level, the uninitiated will find well grounded new heroes with new stories to tell in unique and exciting fashion.

Star Trek is a visceral summer movie experience that will make you squirm in your seat, catch your breath and laugh all in the space of mere moments. J.J Abrams has a mastery of the action movie form that might be unexpected of a television veteran and while I wish he would keep the camera static during the quieter scenes, he is forgiven for likely being overly excited to get to the loud stuff, the loud stuff being so darn fun.

Fun is the operative word here. Pure Summer Movie, popcorn fun from scene one to the very end. Movies like Star Trek are why we go to the movies in the summer instead of being outside where we belong, you just can't have this much fun anywhere else.

Movie Review Harold and Kumar Escape From Guantanamo Bay

Harold and Kumar Escape from Guantanamo Bay (2008) 

Directed Jon Hurwitz, Hayden Schlossberg

Written by Jon Hurwitz, Hayden Schlossberg

Starring John Cho, Kal Penn, Rob Corddry, Neil Patrick Harris

Release Date April 25th, 2008

Published April 25th, 2008

Harold and Kumar Go To White Castle was a harmless little stoner comedy with two likable if not all that well known stars. That same description still fits as Harold and Kumar get sequelized in Harold and Kumar Escape From Guantanamo Bay. John Cho and Kal Penn are becoming better known and they have a lovable chemistry but saddled with gags that likely will not age well in the years to come, they come up short in Escape from Guantanamo Bay. 

Picking up where the original film left off, Harold and Kumar are just an hour away from boarding a flight to Amsterdam where Harold (John Cho) hopes to win the heart of Maria (Paula Garces). Kumar is supporting his buddy but the opportunity for some legalized weed smoking in the sin capital of Europe holds just as much appeal for him.

Unfortunately for Harold, Kumar cannot wait to get to Amsterdam before he gets high again. Fashioning a device he claims is a smokeless bong, Kumar intends to get high in the airplane bathroom when his bong is glimpsed by another passenger and he is mistaken as a terrorist with a bomb. Coming to his aid, Harold too is called a terrorist and the plane is sent home so our heroes can be arrested.

Confronted by an overzealous homeland security agent (Rob Corddry), Harold and Kumar wind up at the terrorist holding facility at Guantanamo Bay desperate to escape. They hope to reach Texas where a well connected friend might get them out of trouble. That friend happens to be marrying Kumar's ex Vanessa (Daneel Harris) adding some tension to the situation.

That plot gives Harold and Kumar a little motivation. The crux of Harold and Kumar Escape From Guantanamo Bay however is lowbrow gross out humor (two characters get peed on, amongst other gross out gags), a whole lot of drug humor, and some daring if clumsy racial humor. Race played a small but pivotal role in the original film as H & K faced off with a number of racists and stereotypes.

In Escape From Guantanamo Bay the racial component of the story becomes far more prominent. Kumar's skin color gets him pulled out line for extra security checks at the airport. On the plane an old woman is horrified to be on the flight with Kumar, imagining him as a terrorist. Finally, Rob Corddry's Homeland Security agent engages in every imaginable stereotype as he investigates Harold and Kumar's escape.

Equal opportunity offenders, Harold and Kumar themselves judge books by their cover especially in a detour through Alabama and an encounter with a backwoods resident with a number of surprises in store. As I said, the racial humor of Harold and Kumar is clumsy at best. It has the wit of one of those drunken college parties meant to protest political correctness but is really just mildly racist.

Most damaging however is that Harold and Kumar Escape From Guantanamo Bay is not nearly as funny as it thinks it is. Many scenes show Harold and Kumar and their supporting cast delighting in their antics to a degree of joy and humor well beyond anything the audience is feeling. I'm glad they had a good time, I just wish I had had a better time watching.

Movie Review Searching

Searching (2018)

Directed by Aneesh Chaganty

Written by Sev Ohanion, Aneesh Chaganty

Starring John Cho, Debra Messng 

Release Date August 31st, 2018

Published August 30th, 2018

2018 has seen some remarkable experiments in form. Steven Soderbergh’s ingenious thriller Unsane was filmed on multiple IPhones and crafted one of the most exciting and suspenseful movies of the year. And, the movie we’re talking about today, Searching, from director Aneesh Chaganty, ranks right alongside Unsane as a terrific experiment in form and as a thriller. The film was shot entirely from the perspective of a computer monitor. That sounds as if it would be a tough watch but Searching is so much better than you think it is.

Searching stars John Cho as David Kim, a devoted father and a recent widower. David dotes on his daughter, Margo (Michelle La), mostly via video chat and social media messenger. Margot is an overachiever, or at least that’s what David believes. Soon he will come to find he doesn’t know his daughter as well as he thought he did. Searching is not just an experiment in form, it’s a challenging subject for parents who might want to take a closer look at their kids on social media.

After some mundane exchanges about taking out the garbage and money set aside for piano lessons we get to the meat of the plot. Margot is supposed to be studying late with friends but then, she doesn’t come home. We see, in the middle of the night, David gets a pair of skype calls from Margot but he misses them, he’s asleep. When he wakes and calls Margot, she doesn’t answer and when he finds she’s not at school, he calls the police.

So much of Searching is just John Cho’s worried face and it is a testament to his charisma and star power that Searching is so compelling. Cho’s frantic expression is engrossing and his search for clues is our search for clues. Instead of being over his shoulder as he searches, we’re in his computer following the evidence that he gathers via Margot’s computer, her social media, her bank account and her phone.

The mystery of Margot’s whereabouts is riveting and the shooting style, that inside the computer screen looking out of perspective, feels urgent and exhilarating. It’s exactly what you and I would be doing in the same situation. Scouring social media, opening our kids computers and digging through their email for any digital trail they may have left. What David finds is what any of us might find if we investigated a typical teenager and the mystery of whether Margot ran away or was kidnapped raises the stakes throughout the story as evidence tips one way and then the other.

Searching is one of the least talked about success stories of 2018. The film was made for a budget of $1 million dollars and the film grossed over $70 million dollars, making it one of the best return on investment movies of the year. That the film also happens to be a tremendous work of art makes Searching truly admirable. And, now that the film is available on Blu-Ray and DVD it should only become more successful.

Indeed, television may add a dimension to the movie in some ways, making the experience more intimate, like looking at your own computer. The theatrical experience of Searching worked but this is one of the rare movies where home video may enhance the experience. That’s saying something considering Searching is already a really great movie. I can’t recommend it enough for the high level mystery and John Cho’s brilliant performance.

Searching should inspire modern filmmakers to take more chances with form. This film and Unsane are rare among modern movies, taking advantage of modern tech to create a whole new genre of movies that I expect is still in infancy and will only become a bigger genre over time. Unsane will likely be the more influential of these movies but Searching demonstrates boundaries in form that can be pushed and that will undoubtedly have a legacy.

Movie Review Harold and Kumar Go to White Castle

Harold and Kumar Go to White Castle (2004) 

Directed by Danny Leiner

Written by Jon Hurwitz, Hayden Schlossberg

Starring John Cho, Kal Penn, Neil Patrick Harris, Ryan Reynolds, Anthony Anderson, Malin Akerman

Release Date July 30th, 2004 

Published July 29th, 2004 

I can’t be the only one for whom the words “From the Director of Dude Where’s My Car” are not reassuring. That said, you can’t judge a filmmaker by his only film. Director Danny Leiner deserves a chance to make a second impression. However, when I heard that his Dude follow-up was called Harold and Kumar Go To White Castle, I was less than enthusiastic. From the depths of low expectations can spring something amazing and Harold and Kumar Go To White Castle is amazing for the fact that it doesn’t suck.

Harold and Kumar are your typically mismatched pair of lifelong friends. Harold (John Cho) is a neurotic investment banker who is constantly put upon by his co-workers. Kumar (Kal Penn) has a high IQ and the test scores to go to any med school in the country, but he’d rather live off of his dad’s money and smoke some weed.

Well Harold and Kumar have that in common, they both smoke weed and when a White Castle commercial pops up on television they know exactly where to cure the munchies that accompany smoking the chronic. Kumar thinks he knows where the closest White Castle is but you know this is a buddy comedy road movie so this will not be that easy.

On the way to White Castle, Harold and Kumar encounter a group of skinhead extreme sports guys, a backwoods hick with a taste for group sex, an escaped leopard, racist cops and Neil Patrick Harris. Yes, that Neil Patrick Harris in the best of numerous cameos that also include Jaime Kennedy, Anthony Anderson and an unrecognizable Christopher Meloni as the previously mentioned backwoodsman.

The unique thing about Harold and Kumar is the smart satirical way it treats race. Harold is Korean, Kumar is Indian, but neither is defined by their ethnicity. They face racism at every turn and eventually they fight back in funny anarchic fashion, stealing cars, breaking into and out of prison, riding a leopard (see it for yourself).

Cho and Penn are a pair of terrific comic actors. Great chemistry, timing and charm. These two are really likable and you can’t help but cheer for them every humiliating, degrading step of the way. The few scenes they share with Neil Patrick Harris in a cameo as himself are absolutely hysterical. We have seen this type of career send up before, The Simpsons are famous for tweaking an actor’s past persona for ironic laughs, this time it’s somehow fresh and smart. That is because Harris is so committed and Cho and Penn sell the jokes so well.

Director Danny Leiner still has a way to go before we start praising his technique but this is unquestionably an improvement over Dude Where’s My Car. Of course, ninety minutes of blank screen would be an improvement over that film, but I’m trying to pay the guy a compliment. Harold and Kumar is a stoner comedy with all the stoner comedy beats and expected jokes. It’s juvenile and wades into the muck of gross out humor that genre does best.

Harold and Kumar would be valuable for just providing the rare starring role for a Korean guy and an Indian guy. It transcends that because those guys are actually very funny.

Movie Review Mirai

Mirai (2018) 

Directed by Mamoru Hosada 

Written by Mamoru Hosada 

Starring Rebecca Hall, Victoria Grace, John Cho, Daniel Dae Kim 

Release Date August 12th, 2018 

Published August 12th, 2018 

Mirai may be the best challenger to Ralph Breaks the Internet in the race for the Best Animated Feature Oscar. This minimalist, dreamy, family drama from director Mamoru Hosoda evokes the best works of Hayao Miyazaki and it’s not merely because they share Asian characteristics. Like the best of Miyazaki’s work, Hosada’s Mirai is a deeply humane and gorgeous work brimming with empathy, wonder and humor. 

Mirai tells the story of 4 year old Kun. Heretofore an only child, Kun appeared to be excited about having a sibling when mom and dad left for the hospital, leaving him with his grandmother. But, now that the baby, Mirai, is home and getting all of mom and dad’s attention, Kun is not happy. In fact, Kun openly states that he hates Mirai. Being that he is 4 years old his words don’t carry much weight but he appears to mean it as much as he is capable of understanding complex emotions. 

Kun’s journey will be about learning to accept the world as it is and not as he wants it to be and that journey is filled with wonder and imagination. Having had a fight with his mother, Kun retreats to his backyard which finds overtaken by a bizarre fantasy world. Here, Kun meets his dog Yuko, but in human form. Yuko tells Kun that he felt the same way about Kun when he came along and replaced Yuko as the center of the parent’s world. 

Yuko, being the soul of a dog, doesn’t have much insight beyond what I just mentioned but he’s mostly a way of introducing these remarkable fantasy sequences. The standouts of the fantasy sequences come when Kun meets Mirai from the future, as a teenage girl. Mirai needs Kun’s help because she can’t be seen by their dad. The consequences are unseen on screen but the sense of the dangers of time travel are brushed over in a lovely, writerly way. 

Kun has two more huge encounters that will help him to shape who he will become but I won’t reveal those here, you need to see the movie. These formative daydreams have an urgency and vitality that is missing from many of modern Hollywood’s animated creations, outside of Pixar, of course. The dreamy animation and the loosely flowing story that floats in time and, in one beautiful scene, floats in space spreading a sort of euphoria over the audience as it goes. 

The animation of Mirai is first rate and the English language cast is first rate. John Cho voices Kun’s father and Rebecca Hall is the voice of Kun’s mother. Hall’s ability to communicate warmth and tenderness and be almost comically cruel can be a tad jarring but there is a reason for her unique portrayal that comes out in another fantasy sequence, equally a must see as the others I have alluded to. 

Mirai is showing as a limited engagement in the Quad Cities this weekend and will be made available for on-demand streaming in a few weeks.