Horror in the 90s The Unborn

The Unborn (1991) 

Directed by Rodman Flender 

Written by John Brancato, Michael Ferris

Starring Brooke Adams, Jeff Hayenga, K Callan, Kathy Griffin, Lisa Kudrow 

Release Date March 29th, 1991 

Box Office Gross $1.15 million dollars 

The Unborn is part of a special subgenre of 90s horror, the laughable kind. Okay, fine, it's also a movie that wants to tap into the fears inherent in struggling to become a new parent and bring life into the world, but the film is truly laughable in that effort. Goofy special effect babies, over the top, shrill performances, and artless direction render The Unborn part of the Corman Classics, a group of cheap, often quite terrible films that Roger Corman artlessly pumped out of his mass manufactured movie company. While Corman's legend has earned a reappraisal for the careers he helped to launch, we should not forget the huckster Corman was at heart, a salesman crafting and selling faulty products at low, low prices. 

Poor dewy-eyed Brooke Adams has the thankless task of playing the lead role in The Unborn. Adams plays Virginia, a children's book author who has been trying for several years to have a child with her milquetoast hubby, Brad, offering bland support and dodging any blame for their failure to conceive. In a desperate, last-ditch effort, the couple has agreed to see an experimental doctor with a new scientific approach to helping couples conceive. The new method is terrifying and painful involving a dark operating room and large needles. The production design is cheap but the lack of lights, at the very least, does create a sense of the unnatural. 

The special new doctor is Dr. Richard Meyerling (James Karen), a man who has worked miracles for other families, though the nature of these miracles are slowly coming to light. In fact, the family that recommended that Virginia see Dr. Meyerling suffers a tragedy when the daughter born from Dr. Meyerling's experimental procedures begins showing sociopathic tendencies that end with her murdering her little brother while he slept. Other women have ended up before their baby is born and one woman, a new friend of Virgina's, ends up in a coma. 

Find my full length review at Horror.Media 

Movie Review Terminator Salvation

Terminator Salvation (2009) 

Directed by McG 

Written by John Brancato, Michael Ferris 

Starring Christian Bale, Sam Worthington, Anton Yelchin, Moon Bloodgood

Release Date May 21st, 2009

Published May 20th, 2009 

I have not been able to get over the idea that John Connor was not initially meant to be the lead character in Terminator Salvation. As a fan of each of the Terminator movies, even the much maligned Terminator 3:Rise of the machines, I was flabbergasted that the character prophesied as the leader of the human resistance in the future of this time travel action fantasy could somehow be relegated to being a supporting character.

Now having seen Terminator Salvation, some of my fears have been alleviated and others were elevated. Christian Bale's John Connor is the lead in this story but the whole thing is stolen by Sam Worthington as Connor's nemesis/ally Marcus.

Terminator Salvation begins in 2003 with the execution of a man named Marcus. He was convicted of the murder of three men including his own brother, and he welcomes his fate. Before he is put to death, Marcus agrees to donate his body to science, specifically to Cyberdyne systems. Fans of the series are already intrigued, the uninitiated will have to wait and see.

Shifting to the future, 2018, we find John Connor not yet the leader of the resistance. He is the leader of a small band of fighters somewhere in California taking its orders from leaders aboard a submarine constantly moving in the Pacific to avoid detection by SkyNet. When most of Connor's team is destroyed in a recon mission, Connor finds that SkyNet, the robotic system that became sentient in 2007 and destroyed most of the human population, is taking human hostages.

The big question for Connor at the moment is why are robots dedicated to killing humans suddenly capturing them. The leaders of the resistance aren't nearly as interested, especially since a recent raid has given them a new weapon for fighting the machines. They think they can blow up SkyNet using this new weapon but to do so will kill the prisoners, something Connor will not allow.

The real game changer here however is Marcus who somehow finds himself alive in 2018. What he doesn't know is that he is the evolution of what SkyNet has been planning for years, a bonding of human and machine that can be used to infiltrate and destroy.

If that last bit sounds like a spoiler then you must not have seen the trailer for Terminator Salvation. Even still, the opening minutes of the movie make certain that Marcus's fate is well known before it is revealed to him later in the film. It is one of the flaws of Terminator Salvation that what should be a major stunner of a plot point is given away with such poor plotting.

Indeed, director McG, best known for Charlie's Angels, doesn't care so much about plot as he does about special effects. How else to explain how McG could move ahead with a Terminator movie where John Connor is not the lead. Clearly, he doesn't care about this story.

On the bright side, McG cares deeply for his special effects and he has created some of the most seamless and effective special effects since maybe the Lord of the Rings movies. The machines are stunningly lifelike and the big special guest, the Governator himself Arnold Schwarzenegger comes to life in ways you cannot imagine, especially considering that the Governor never stepped foot on the set.

The effects of Terminator Salvation are so impressive that the film's many, many flaws become forgivable. The fact that McG tramples all over the Terminator mythology, tossing bones here and there with little in jokes for the fans, is forgivable unless you are truly hardcore. The wooden, charisma free performance of Christian Bale, forgivable because he's so good at letting the effects be the star.

I am surprised to say that I can even forgive the almost complete lack of plot, forgivable because I was so very entertained by this next generation of computer tech. Schwarzenegger's astonishing cameo alone is nearly enough for me to recommend the movie.

Terminator Salvation is not for those who prefer movies that tell an actual story. Nor is it for those of you, a very small number I am sure, who are desperately tied to the Terminator mythology. It is however for those like me who love a good roller coaster ride and those who are very, very forgiving and especially it is for anyone impressed by things shiny and loud.

If 'blowed up good' makes you break out in chuckles you are definitely the audience for Terminator Salvation.

Movie Review Surrogates

Surrogates (2009) 

Directed by Jonathan Mostow

Written by John Brancato, Michael Ferris 

Starring Bruce Willis, Radha Mitchell, Rosamund, Boris Kodjoe, Ving Rhames

Release Date September 25th, 2009

Published September 25th, 2009

Bruce Willis is the last of his kind it would seem, a real star. People go to the movies to see Bruce Willis. His plots don't really matter. The stories he tells and characters he plays have grown more and more outrageous and ludicrous and yet fans still turn out. The latest example is the likely number one movie of this late September weekend, Surrogates.

This derivative story of a murder in a world where sentient robots carry out the daily lives of real humans never rises to anything more than an exercise in genre and thus carries no real interest on its own merits. And yet, people turn out. Willis is a star and the only reason to spend money on Surrogates.

Set just over a decade from our own time, Bruce Willis stars in Surrogates as FBI Special Agent Greer. With his partner Peters (Radha Mitchell) Greer investigates the first murder in over a decade. Violence has grown almost non-existent in the last decade as more and more humans replaced themselves with sentient robots called Surrogates.

These Surrogates, or surrys as some call them, can't grow old, get sick and if one is damaged it is simply repaired or replaced. All the while humans control the surrey with their minds from the comfort and safety of their homes. I am told that this technology is not merely the stuff of science fiction but a real possibility.

Things are all hunky dory until Greer and Peters are called to the scene of an assault and are shocked when a pair of surrogates are linked to a pair of dead users. Somehow, the weapon employed by the assailant managed to kill the robot and its controller. The implications are staggering to the characters in the movie but anyone with a degree in plot dynamics already has the gist of the lame conspiracy thriller soon to unfold.

The plotting is obvious, especially after we are subjected to the shady corporate villains and equally shady military types who emerge as early suspects. All are going to be involved in some way and in some fashion punished per the plot requirements of such simpleminded storytelling devices.

On the bright side, all of the mediocre story is told through the always compelling presence of Mr. Willis and the capable, if predictable, direction of Jonathon Mostow (Terminator 3). Willis on his worst day is more compelling and charismatic than most of the men in his line of work. His cocksure walk, bullet head and ferocious spirit give him an unpredictable quality that brings life to even the most predictable of plots.

Willis is our tour guide through the lame plot and while he is engaged, so are we. You have to be a fan of his brand of brusque charisma to enjoy Surrogates. If not, don't bother because it is really all that this movie has going for it.

Movie Review Primeval

Primeval (2007) 

Directed by Michael Katleman

Written by John Brancato, Michael Ferris 

Starring Dominic Purcell, Orlando Jones, Brooke Langton, Jurgen Prochnow 

Release Date January 12th, 2006 

Published January 14th, 2006 

The all consuming maw of the movie release biz requires constant new releases to fill the void. Thus, movies that once would have gone directly to the video stores are making their way to theaters. That is no doubt how a movie as dopey and star free as Primeval managed a wide theatrical release. This goofball giant gator flick has the budget, cast, and effects of a direct to DVD feature and yet took up residence on more than one thousand screens recently.

In the wilds of Africa there is a killer more deadly than even the government versus revolutionary violence that dominates much of the continent. This killer has taken thousands of lives and eluded capture and death with great ease. The killer is an ancient creature, a giant alligator that strikes with the quickness of a cat and the killing power of the shark from Jaws.

In New York one of the world's leading investigative reporters Tim Manfrey (Dominic Purcell) has been assigned to investigate the giant gator in Africa. With his cameraman Steven (Orlando Jones) and a tagalong reporter, Aviva (Brooke Langton) whose specialty is animal stories, Tim will accompany a scientist, Matthew Collins (Gideon Emery) who claims that he can capture the giant gator without harming it.

Leading the expedition into the wild is a grizzled international travel guide named Jacob Krieg (Jurgen Prochnow). Krieg claims that he has seen the giant gator and that it killed his wife. Needless to say, Jacob is a proponent of pouring buckets of bullets and dynamite on the giant gator until its pieces are roasting over an open fire.

You can skip ahead in this plot without much effort. Predicting that we will have a showdown between the animal loving scientist and the great white hunter or that the animal loving scientist will be a whiny wuss about it, is not much of a stretch of your mental muscles. In fact, nothing in Primeval is likely to challenge the intellect, something I'm sure producers would tout.

Primeval is an odd project choice for director Michael Katleman. A TV veteran, Mr Cattleman's best work has been on shows like Gilmore Girls, Everwood and Dawson's Creek. Not exactly the resume of a guy working on a giant alligator movie. That resume may explain why the action of Primeval is awkward to the point of laughable and the special effects are pitched at the level between Ed Wood and classic Star Trek.

Orlando Jones continues to be movie poison. How he continues to find work in feature films after a career that includes roles in The Replacements, Double Take, Say It Isn't So, and The Time Machine, is one of the great mysteries of Hollywood. I'm sure Jones has some kind of talent but when it comes to feature films he seems to seek out the absolute worst material and manages to somehow make it worse. His role in Primeval borders on racist caricature.

Jurgen Prochnow is not exactly the kind of movie poison that Orlando Jones is, though his casting has a similar effect of signaling bad material. The difference is that Prochnow has become such a bad actor that he brings a certain level of camp to his roles. Check him out in the video game movie House of the Dead where he pitches his performance perfectly to director Uwe Boll's level of talent. Prochnow could be Boll's muse.

It's the new movie business paradigm, feed the beast. The beast is the week to week call for new products to populate the hundreds of thousands of movie screens in multiplexes across the country. This new paradigm guarantees that movies like Primeval that you would have wandered past in video stores just five years ago will now pop up on the big screen, feeding the unending crave for new products.