Showing posts with label Richard LaGravenese. Show all posts
Showing posts with label Richard LaGravenese. Show all posts

Movie Review: Unbroken

Unbroken (2014) 

Directed by Angelina Jolie 

Written by Joel Coen, Ethan Coen, Richard LaGravenese, William Nicholson

Starring Jack O'Connell, Domhnall Gleeson, Miyavi, Garrett Hedlund, Finn Whitrock

Release Date December 25th, 2014

Published December 24th, 2014 

Angelina Jolie's "Unbroken" is an incredibly powerful experience. The story of real life war hero Louis Zamperini is a confidently directed film that evokes the best of Clint Eastwood, Jolie's director on "Changeling," while also showing Jolie as a sensitive, inquisitive and assured artist. Far more accomplished and commercial than her directorial debut "In the Land of Blood and Honey," "Unbroken" is the announcement of Angelina Jolie as a director of exceptional talent.

"Unbroken," based on a book by Laura Hillenbrand, tells the story of Zamperini, the son of Italian immigrant parents. He became an Olympic athlete and then a war hero, fighting in World War II in the Pacific. Zamperini, played by English actor Jack O'Connell, was just a teenager when he traveled to Germany to compete in the 1936 Olympics in Berlin. He was barely into his 20s when he was sent to the Pacific Theater and wound up spending 45 days on a raft after the crash of his B1 bomber.

For most, a plane crash and surviving for 45 days in a raft with two other soldiers would be enough for a lifetime. But Zamperini's story has barely begun. Zamperini and fellow crash survivor Russell Allen "Phil" Phillips were saved from their predicament. Unfortunately, their rescue was a Japanese war ship off the coast of Marshall Island, a Japanese stronghold in 1943. Zamperini would spend the next two years, until the very end of World War II, in Japanese prisoner-of-war camps. On top of that, his status as an American Olympic athlete earned him the ire of the sadistic Japanese camp commander Matsushiro Watanaba, nicknamed “The Bird.”

The Bird repeatedly tortured Zamperini, forcing him to race camp guards, despite his obviously emaciated condition. When Zamperini loses the race, The Bird strikes him with a bamboo cane, a sadistic device that The Bird employs almost exclusively in relation to Zamperini. A bizarre relationship develops between the two, one that Zamperini doesn't want but indulges to avoid further torture. The Bird chooses to confide in Zamperini as if they are somehow bonded. This strange bond is what pays off the film's final, triumphant moments, when The Bird gives Zamperini an almost-impossible task and Zamperini uses what strength and will he has left to stick it to The Bird.

That Zamperini survived the war is remarkable given the extraordinary obstacles he faced. Director Jolie dramatizes these obstacles in visceral, frightening fashion. The crisp, beautiful cinematography of Roger Deakins, likely on his way to a 12th Oscar nomination, gives "Unbroken" a classic Hollywood look without taking away any of the gut-wrenching power of the story. The film proceeds fearlessly from one set piece to the next, creating both a entertaining and moving portrait of an American hero without becoming simpleminded hagiography.

Much credit belongs to star Jack O'Connell, who delivers a natural, human performance. O'Connell captures the complex dimensions of Zamperini, who began the war as a devout agnostic and slowly came to give his life completely to God. Stories abound about Zamperini who, after the war, preached the word of God and traveled back to Japan to meet with the guards who tortured him for two solid years. Zamperini returned to forgive them for what they did and to tell them about the word of Jesus Christ. Zamperini allegedly even converted a couple of his former tormentors (but The Bird refused to see Zamperini).

Jolie beautifully captures the life and defining faith of Zamperini in "Unbroken." It's easy to be cynical about how someone who survived such trauma would have a “come to Jesus” moment, but "Unbroken" doesn't linger on that. Instead, Jolie sticks to the fact of Zamperini's faith that created within him the will to survive and drove him to become an inspiration to his fellow prisoners.

"Unbroken" is a remarkable portrait of heroism and triumph, filled with rich details of an extraordinary life. Here’s a man who punched a shark, even captured and ate a shark raw. He accomplished incredible feats in about a decade of his life that was so vast its individual pieces could be complete movies on their own. 

That Jolie has made this life into one singular, incredible film is another feat to be celebrated.

Movie Review P.S I Love You

P.S I Love You (2007) 

Directed by Richard LaGravenese 

Written by Steven Rogers 

Starring Hilary Swank, Gerard Butler, Lisa Kudrow, Harry Connick Jr., Gina Gershon, Jeffrey Dean Morgan

Release Date December 21st, 20007

Published December 22nd, 2007 

If the movie P.S I Love You were a person her name would be Sybil. The name synonymous for multiple personality disorder is all too fitting for a manic, tone shifting on a dime, romantic comedy about a dead guy who romances his girl from the grave.

Hilary Swank stars in P.S I love You as Holly Kennedy. Her husband Jerry has died and her mourning takes the form of her hiding out in their apartment, wearing his clothes and singing along with songs in old movies. Three weeks after Jerry's funeral, weeks where she never left the apartment, Holly's 30th birthday arrives along with a package.

It's a birthday cake with an inscription from Jerry. Also included is a tape he made from his deathbed advising Holly on how to move on without forgetting him. For the next several weeks more letters will arrive and Holly is required to follow them literally. Instructions include, buy a pretty dress, sing karaoke, travel to Ireland and finally, find another man.

Directed by Richard LaGravenese and based on a novel by Cecillia Ahern, P.S I Love attempts to weave grief and humor and the mix is awkward, uncomfortable and a little creepy. Though the central theme is dealing with loss and it's clear that the character of Jerry wants the best for his wife; by not going away the character causes more problems than he solves.

As this gimmick plays out it becomes achingly clear that P.S I Love You is not instructive, insightful or even modestly comforting in the way it deals with grief and loss. Jerry and his letters are a ploy to create a plot around which goofy romantic encounters can play out.

Throw in a character played by Harry Connick Jr. that is arguably one of the worst written characters of all time and an ending so hackneyed it makes The Wedding Planner look like The English Patient and the result is an agitating, irritating shambles of a romantic comedy.

Are we supposed to laugh at Holly or with Holly? Do we feel grief and loss or just darkly goofy? P.S I Love You is so erratic you'll likely be at a loss to feeling anything other than ripped off for the cost of the rental on DVD.

Movie Review Freedom Writers

Freedom Writers (2007) 

Directed by Richard LaGravenese 

Written by Richard LaGravenese 

Starring Hilary Swank, Scott Glenn, Imelda Staunton, Patrick Dempsey, Mario 

Release Date January 5th, 2007

Published January 4th, 2007 

Every year we get another inner-city teacher drama. The stories are meant to be inspiring, uplifting and heartwarming. They are mean to 'really make you think.' The thing about this particular plot however, is not how often it is repeated; but how often it works. Looking back, over what by now can be considered a sub-genre, the inner-city teacher drama has turned out a number of very good movies. From Stand and Deliver to Lean On Me to Dangerous Minds, the story is similar and so are the positive results.

The latest movie to lift this story line is Freedom Writers the true story of a teacher who listened to her students and allowed them to tell their story. Aside from the true story aspect, there is nothing original about Freedom Writers. What sets it apart is the savvy performance of star Hillary Swank who shows why she is a two time Oscar winner. In Freedom Writers Hillary Swank stars as Erin Gruwell a good-hearted but naive, heart on her sleeve liberal activist who has just accepted her first teaching job. 

It's 1996, the Rodney King riots are fresh in the minds of all, and Erin's new school in Long Beach California is an epicenter of racial tension after a forced integration policy began busing inner-city kids to this suburban high school. The integration has caused a racial stratification, a sort of tribalism in which people of the same ethnicity hang out together and with no one else. Racial lines are crossed at your own peril and gang violence is the price you pay. Into this situation walks wide eyed idealist Erin who feels that she can make a difference with these kids despite the cold-hearted realism injected by her supervisor Ms. Campbell (Imelda Staunton) who tries hard to temper Erin's enthusiasm.

Erin's first day is a disaster. When she brings up the story of Homer students shout back insults about Homer Simpson. When Erin makes attempts at racial humor, the silence is deathly. At home things are just as mixed up Erin's husband Scott (Patrick Dempsey) is supportive at first but soon becomes upset with the amount of time dedicated to Erin's students, while her activist father Steve (Scott Glenn) is skeptical and concerned for her safety.

You know from the formula and the true story tag that eventually Erin will get through to her kids and that they will bond like a family. What Freedom Writers director Richard LaGravenese does to set this story apart is allow his star Hillary Swank to carry the whole movie. Swank plays Erin Gruwell with an optimistic streak that never dims. Erin Gruwell manages to be fearless and clueless but never foolish. She has an innate understanding of her surroundings and though she is naive, her naivete is part of her charm and why these life hardened kids allow her in their world.

This is a tremendous performance with no wrong notes. Swank proves once again why she is an Oscar darling. She finds a rhythm to each of her performances and plays it for all it's worth. Now working in a most familiar of stories, within the constrictions of a genre formula, Swank sets the whole film apart from its familiar or even cliched elements by how she plays the role of Erin Gruwell.

Freedom Writers is a true story. The screenplay credit went to director Richard LaGravenese but it's based on the writing of the real life students of the real Erin Gruwell. Freedom Writers is the rare true story that doesn't get bogged down in making its story more cinematic than it is. Freedom Writers is focused and well paced, it reveals itself and its characters slowly and with great care. Working from the real life diaries of these students the stories are heartbreaking and LaGravenese and his cast never shy away from that sadness. To their credit they are also not consumed by that sadness.

Freedom Writers is a little too familiar but it's a story that is so well told that familiarity doesn't breed contempt or even boredom. It is yet another teacher inspires inner city students to become better citizen movies. And yet, it works. Hillary Swank is so talented that I forgot to look for the cliches, I forgot to predict what was going to happen next. I found myself investing in this story and enjoying it more than I ever imagined.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...