Classic Movie Review Judgment Night

Judgment Night (1993) 

Directed by Stephen Hopkins 

Written by Lewis Colick 

Starring Emilio Estevez, Cuba Gooding Jr., Jeremy Piven, Stephen Dorff, Denis Leary 

Release Date October 15th, 1993

Published October 16th, 2023 

The most interesting aspect of 1993's action flick, Judgment Night is how star Emilio Estevez held the producers over a barrel. Estevez is rumored to have been very low on the list of actors that the producers wanted for the lead role of Frank in Judgment Day. Naturally, they were chasing a big star, Tom Cruise. That didn't work so they went to Christian Slater who also passed on the role. The role was then passed on by John Travolta and Ray Liotta before landing at the feet of Emilio Estevez. The production had a small window to actually shoot and complete the film and with that, the studio offered Estevez the role because he was available and so many others said no. And then Estevez asked for $4 million dollars for the role and he got it. 

That's way more interesting than what happens in this dopey urban action drama which posits a mostly empty downtown Chicago a fully dystopian Chicago that is desperately violent but also a ghost town. Four buddies are traveling to the big city from the suburbs in order to attend a boxing event. Frank (Estevez) is joining his best friend Mike (Cuba Gooding Jr), Frank's brother, John (Stephen Dorff), and their obnoxious, pushy, irritating pal Ray (Jeremy Piven) for the trip to the city. 

Because his personality apparently isn't obnoxious enough, Ray decides to scam his way to borrowing a gigantic motor home to take the four friends to the city for the fight. Unfortunately, the group fails to account for Chicago traffic on a night when there is a giant sporting event and they wind up missing the start of the event while trapped on an expressway. With time slipping away, Ray makes an illegal turn and uses an off-ramp to try and sneak around traffic. The group ends up in the dystopian future set of Chicago, unrecognizable to suburban yokels like themselves. 

As the group bickers about being lost, Ray hits a pedestrian with the motor home. Forced to stop by his friends, Ray frets about going to jail as his buddies tend to the injured pedestrian. To say this pedestrian is having a rough night would be an understatement. Not only was hit just hit by a motor home, he'd been shot in the gut just before the accident. Clutching a bag full of ill-gotten cash, the man begs for help and the friends force Ray to try and find a hospital, despite his desire to abandon the injured man and try to avoid going to jail. 

Mike takes over driving and the group is on the run, choosing to try and chase a police car on its way to call. That's when the motor home is struck by a car and forced off the road. The motor home finally comes to rest trapped between two buildings. The men in the car that hit them turn out to be gangsters led by Fallon (Denis Leary). They break open the back of the motor home to snatch the injured man and they kill him. They then want to kill the witnesses to that killing and set off after our suburban commandos who rush off into those famously empty Chicago streets. 

Find my full length review at Geeks.Media 

Movie Review: The Reaping

The Reaping (2007)

Directed by Stephen Hopkins

Written by Carey Hayes, Chad Hayes 

Starring Hilary Swank, David Morrissey, Idris Elba, AnnaSophia Robb, Stephen Rea 

Release Date April 5th, 2007

Published April 4th, 2007

Is Hilary Swank finally feeling her Oscar curse? After winning two Oscars, a feat only two other actresses in history can claim, Swank continued her strong run with the terrific drama Freedom Writers. That film however, despite solid reviews was not a box office winner. Now comes the low-point of Ms. Swank's post Oscar career. The Reaping is a dull witted, thrill-less thriller. A horror film with little or no horror. A religious based scare-fest that fails to be either really religious or scary.

In The Reaping Hilary Swank plays Katherine Winter a former missionary turned college professor whose hobby is debunking religious miracles. She touts having visited 47 miracles and found 47 scientific explanations for the so called miracle. Her loss of faith is related to her time in Africa with father Castigan (Stephen Rea) where her husband and pre-teen daughter were slaughtered by fearful tribesmen who believed the sacrifices would save the lives of others.

Catherine's latest debunking assignment takes her to a small town in Louisiana called Haven. There a science teacher, Doug (David Morrissey), is trying to convince the townsfolk that they are not under attack from the ten biblical plagues. The plagues that the people believe are being visited upon them are believed by many to be coming from a teenage girl (Anna Sophia Robb) whose brother died under mysterious circumstances.

Since the death of the girl's brother, the river surrounding the town has seemingly turned to blood, frogs are falling from the trees, and soon each of the biblical plagues will have made an appearance, killing dozens of people. Is it god, the devil, or does this teenage girl represent one or the other? These are the questions that Catherine must answer before the next plague becomes the last.

I'll say this for Hillary Swank in The Reaping, she has never looked this good before. Swank has always been unconventionally attractive but in The Reaping she is tanned and toned and her sometimes severe features have been toned down through some sort of cosmetics work and all of this really works for her. If I was recommending movies solely on the attractiveness of the star, I would totally recommend The Reaping.

That however, is not something I would ever actually do. As great looking as Hillary Swank is in The Reaping, the movie is a dopey series of clichés leading to an ending more predictable than your average romantic comedy. Director Stephen Hopkins (The Life and Death of Peter Sellers) is not untalented. The problem is the story he's telling isn't all that compelling.

The Reaping plays like an above average production of one of those lame ass Left Behind movies where highly religious characters spout this and that about God's love until the wicked are smited and the righteous live on. Bad actors, overly earnest dialogue, and low budget aesthetics give those films a camp appeal that might have made The Reaping a ripe parody. Unfortunately, this high budget flick is deathly serious about its dopey, superstitious plot.

Is this the Oscar curse finally catching up with Hillary Swank? Maybe? Maybe not? The failure of The Reaping seems to be more a function of genre than of superstition. Aside from last years The Omen remake, religious themed horror flicks haven't delivered big scares since the 70's. Movie's like Bless The Child, Lost Souls and Skeleton Key have all starred beautiful starlets battling satanic forces and each has stunk out loud.

Is that because we are simply tired of rote plots and tired situations? Probably. It may also be that the old fire and brimstone doesn't really do much to put fear into people anymore. In a post 9/11 world, can the perceived horrors of potential damnation compete with the real life horrors in front of our eyes? The Reaping is also rather outdated in its reliance on the supernatural in an era where a more realistic, visceral and bloody style of horror dominates the market.

Whatever the reason, supernatural or otherwise, The Reaping is a failure. Not scary enough for horror. Not bad enough for camp, the film flickers on to the screen and simply lays there. Hilary Swank looks gorgeous and is impeccably talented but even two Oscars can't roust these characters and this situation into anything lively enough to be called entertaining.