Movie Review Megalopolis

 Megalopolis 

Directed by Francis Ford Coppola 

Written by Francis Ford Coppola 

Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito, Aubrey Plaza, Jon Voight 

Release Date September 27th, 2024 

Published September 30th, 2024 

I was very excited about Megaloopolis at the time it debuted at the Cannes Film Festival earlier this year. The reaction from critics and audiences at Cannes was divided to a remarkable extreme with some calling it a work of genius and others calling it a complete disaster. In my experience, movies that are that divisive tend to have value in that they are unlikely to be boring. As someone whose profession often centers around watching mainstream, cookie cutter, movies, the notion of a genuinely original and completely unpredictable movie is very exciting. 

What a disappointment it was then, to watch Megalopolis and feel nearly nothing for the movie. While I remain impressed by the intention and originality of Megalopolis, the dominant feeling I have after watching Megalopolis is apathy. Disappointment is a close second but not the disappointment of being let down by Francis Ford Coppola but rather, the disappointment that Megalopolis left me so indifferent. I wanted to feel invigorated by a feeling of either the joy of seeing a visionary epic or by seeing something so utterly incomprehensible as to cause awe. 

Neither of those feelings emerged. Instead, the lasting feeling inspired by Francis Ford Coppola’s deeply personal $120 million dollar gamble is emptiness, a complete lack of any significant emotion whatsoever. And that feeling sucks. I know that isn’t the most elegant way of stating my feelings but it is honest and to the point. I hate that Megalopolis left me feeling next to nothing. Not pity for the actors stranded in Coppola’s muddled vision, none of the giddiness inspired by seeing something truly original, simply nothing whatsoever. 

Megalopolis stars Adam Driver as Cesar Catalina, a visionary architect with a dark past. Living in the country of New Rome, and functioning as the country’s chief designer, Catalina finds himself at the center of controversy over his newest creation, Megalopolis, a city of the future that may or may not displace many from the poor neighborhoods of the capital city. Catalina’s chief critic is the Mayor of New Rome, Franklin Cicero (Giancarlo Esposito). Cicero believes that Catalina is mortgaging the struggling present of New Rome in favor of the expensive pipedream of Megalopolis. 

Find my full length review in the Geeks Community on Vocal.Media linked here.