Spoiler Alert: Let's Talk About the Ending of Tar

Tar (2022) 

Directed by Todd Field 

Written by Todd Field 

Starring Cate Blanchett, Nina Hoss, Noemie Merlant, Mark Strong 

Release Date October 7th, 2022 

Published October 31st, 2022 

In Theaters Now... 

What is writer-director Todd Field trying to say in his new movie, Tar? There are a myriad of readings currently being debated online and each seems to have some merit. There is, in the end, no right answer. If we separate the art from the artist, then what Todd Field is trying to say doesn't matter as much as how we interpret what he is saying. My interpretation of Tar is a mixed bag of evocative and provocative ideas and low humor that only occasionally lands. 

Tar stars Cate Blanchett as Lydia Tar, a famed conductor. Lydia is about to achieve a lifelong dream, to have conducted recordings of the work of Conductor Gustav Mahler. Sitting at the head of the table at the Berlin Orchestra, Lydia believes that conducting Mahler's 5th Symphony will cement a legacy built over a life time crawl to the top in merciless pursuit of the comforts and adoration of fame. Lydia Tar has cut metaphorical throats to get where she is and yet she doesn't realize how tenuous her grasp on power truly is. 

In this article I am going to wander around within several ideas and presentations in Tar that struck me after watching it. I will be employing spoilers and since I am recommending that you see Tar, if you haven't seen it yet, I urge you to jump off and come back after you see it. Tar is not so much a movie that can be 'spoiled' in the traditional sense but I do believe the experience of Tar is one better served by not knowing where the story is going. 

Lydia Tar is a conductor of an orchestra, specifically, the prestigious Berlin Philharmonic. The role of Conductor is an interesting one, rich with meaning and teeming with questions. What exactly is the function of a conductor? Why is a conductor necessary? Why do conductors get so much credit for directing the performance of people doing the actual, physical work of the orchestra? Tar is not direct about answering these questions though they are explored a little when we see Lydia in her work environment. 

The conductor of an orchestra brings order to chaos. It's a fantasy of power with a group of exceptionally talented people at the top of their field all at the mercy and direction of a wand wielding egotist. The musician may have the talent to make transcendent music from their instrument but no matter their talent, they are at the mercy and whim of someone not playing an instrument. Naturally, Lydia Tarr conducts her life as she conducts her orchestra, furiously exerting control, rigidly demanding conformity to her will. This, of course, is her downfall. 

The things that Lydia Tarr cannot control or conduct to her will, she ignores. Out of sight, out of mind is the substance of her worldview, especially when it comes to the discordant troubles in her life. One such trouble is a former student with whom Lydia may or may not have had an affair with. Lydia abruptly cut ties with the student and in doing so, harmed the woman's career and education. The former student is spiraling into depression according to glimpses of emails to Lydia's assistant, played by Noemie Merlant. 

Lydia cannot control this situation so she ignores it until a tragedy occurs. Even then, Lydia is unrepentant, and continues to avoid the problem, a privilege often conferred upon the powerful, the ability to turn their back on their problems via their privilege. A theme presented throughout Tar is Lydia's growing sensitivity to noise. The clicking pen of her orchestra colleague, a metronome left ticking in a cupboard, and other such seemingly insignificant noises become a torture to Lydia's psyche. 

Click here for my full length article at Geeks.Media 

Movie Review Imitation Game

Imitation Game (2014) 

Directed by Morten Tyldum 

Written by Graham Moore 

Starring Benedict Cumberbatch, Keira Knightley, Matthew Goode, Rory Kinnear, Charles Dance

Release Date November 28th, 2014 

Published November 25th, 2014 

"Sometimes it is the very people no one imagines anything of who do the things no one can imagine."

The above line is a lovely bit of inspirational sentiment. I ask you to say it aloud to yourself. Now, imagine that line used by an actor in a movie as a bit of dialogue. It's clunky. Even in the sonorous tones of Benedict Cumberbatch in "The Imitation Game," the line sounds like someone banging a gong rather than speaking; it thuds loudly and is exposed as sentimental claptrap. 

Too much of writer/director Morton Tyldum's take on the life of legendary mathematician Alan Turing in "The Imitation Game" lands with the same kind of thud. This conventional biopic about a highly unconventional man spends a great deal of time playing at being a military thriller when it should have been a subversive, rebellious story of a complicated and tragic anti-hero. 

The failure of "The Imitation Game" cannot be laid at the feet of star Benedict Cumberbatch, who enlivens Alan Turing with great vigor and offbeat tics that are fitting with the picture of a man few people liked or understood. Cumberbatch could very well have given us the Turing biopic the world needs. "The Imitation Game" just simply is not it. 

The movie skirts Turing’s life. We see him as a World War II codebreaker, who personally earned the approval (NOT SURE BECAUSE I HAVEN’T SEEN IT YET) of Winston Churchill himself. We flash back to one of Turing's formative relationships as a closeted homosexual, and flash forward to Turing's arrest for indecency that eventually led to his alleged suicide.

There is a rich amount of story to tell here. Sadly, director Tyldum gets caught up in only the most audience-friendly aspect: World War II. 

Yes, what Turing did during the war is a remarkable and important piece of history. In short order, Turing created a machine that won World War II by cracking Germany's legendary Enigma machine. And he invented what would come to be the very first computer. Turing was the first to create a machine which, independently of human manipulation, solved equations and produced data. It's completely astounding. Yet, in "The Imitation Game," it is reduced to the function of a thriller plot involving double agents and MI6. 

The greatest injustice of "The Imitation Game" is saved for Turing's personal life. Turing was a homosexual in England when homosexuals were persecuted. In 1954 Turing was arrested for indecency after a male prostitute admitted to having been with Turing and attempted to rob Turing's home. Turing was forced to agree to chemical castration to avoid jail time. The subsequent treatment is said to have led to his depression and eventual suicide. 

Turing's death is a grotesque tragedy. But the film tosses it off in the final minutes with barely a comment. Why? My feeling is that the filmmakers and the studio lack conviction and fortitude. The thriller stuff, the World War II heroism and Sheldon Cooper-esque comedy about Turing's lack of social skills were an easier sell to a mass audience than the far bleaker but more interesting tragedy of Turing's death. 

In the end, "The Imitation Game" takes the easy way out. The filmmakers set up the most audience-friendly take on Turing, depicting his homosexuality and tragic death as inconvenient plot points on the way to the box office. What a shame. Here's hoping we get the Turing movie we deserve someday instead of this pale “Imitation.”

Movie Review The Eagle

The Eagle (2011) 

Directed by Kevin MacDonald 

Written by Jeremy Brock 

Starring Channing Tatum, Jamie Bell, Donald Sutherland, Mark Strong

Release Date February 11th, 2011 

Published February 11th, 2011

Could the wholly un-ironic hero be making a comeback? If the new action movie “The Eagle” is any indication the answer is a solid maybe. The box office is the real deciding factor on such a trend but “The Eagle” is a notable movie for bringing back the story of the unabashed hero, a flawless, stalwart do-gooder who does what he feels is right without pausing for reflection or most importantly without the armor of ironic distance from his quest.

Channing Tatum is the earnest star of “The Eagle” as Marcus Aquila the new commander of a decrepit English outpost of the Roman Empire. Marcus's father was the leader of the legendary 9th Legion, 5000 men who simply vanished in Northern England (Scotland) leading to the establishment of Hadrian's Wall, the edge of the earth for Romans.

Lost in the battle with the 9th Legion was their legendary symbol, a golden eagle that stands for Rome. Marcus aches to recover the Eagle to restore honor to his family name. After suffering an injury in battle Marcus's military career looks to have ended abruptly but after a painful recovery he is ready for a return and he has one quest in particular in mind.

With only the aid of his slave Esca (Jamie Bell), Marcus intends to cross into the unconquered territories and rescue the Eagle of the 9th.

”The Eagle” is a movie that doesn't mess around; director Kevin McDonald jumps into the fray and tells a well paced, well motivated story with an economy of dialogue and free of the kind of sardonic asides that modern action movies use as a buttress against seeming to care about the action around them.

The modern action movie began employing humor as a way of barricading itself from the criticism of the oftentimes goofy action, a way of saying 'we know how goofy this looks.' However, in becoming self aware, the action hero became self conscious and the act of heroism became a burden. “The Eagle” rejects the distance between hero and heroism and in doing so feels kind of fresh in comparison.

Channing Tatum is really the perfect star for this kind of movie. Tatum's stony visage seems incapable of winking at the audience, or of really knowing why he would be winking. Instead, Tatum bowls forward head first into the action with earnest relish and while you can make fun of his lack of depth his sturdy toughness fits the role and gives “The Eagle” some real juice.

While Tatum brings the toughness, Jamie Bell brings the acting chops. Bell steals scene after scene in “The Eagle” with his angry, determined performance. Bell gives life to Esca's back story, a slave captured from the North who may just as soon slit Marcus's throat as save his life, with his forceful words and a deathly stare.

The action in “The Eagle” is a little too much of the quick cut style that has plagued far too many modern action epics but director Kevin McDonald saves it with solid pacing and well motivated characters. His heroes have purpose and desire and while honor in battle is something that the modern action hero turns his nose up at, it's refreshing to see that type of hero make a comeback here.

”The Eagle” is a rugged, earnest action movie for audiences that have tired of the modern action hero and his ironic aside. I'm not saying that ironic self awareness is dead but occasionally it's nice to see a hero who says what he means and does what he says he's going to do without the armor of the one liner to keep anyone from taking him too seriously. There is something at stake in “The Eagle” and the hero doesn't hide from it behind a jokey insistence that nothing really matters.

Movie Review: Body of Lies

Body of Lies (2009) 

Directed by Ridley Scott 

Written by William Monahan 

Starring Russell Crowe, Leonardo DiCaprio, Mark Strong, Oscar Isaac

Release Date October 10th, 2009 

Published October 9th, 2009

Russell Crowe and Leonardo DiCaprio. Two of the biggest stars in the world starring together in a movie. That's a big deal. So why doesn't it feel as big as it should be? Body of Lies is the movie, a CIA spook movie about middle eastern politics from director Ridley Scott. Is it as simple as Body of Lies being less than a great movie? Maybe. Or it could be that Crowe's heart isn't in and thus his star power shines less bright.

Roger Ferris is the CIA asset on the ground in the middle east. The intelligence he gathers is the most valuable of anything the CIA can gather. Ferris gets closer than any military on the ground ever could by blending into the background, speaking fluent arabic and finding just the right person to get him what he needs.

Back in Langley Virginia, Roger's handler is the head of Middle Eastern affairs Ed Hoffman (Russell Crowe). Ed uses high tech gadgets and insanely expensive satellite technology to track not just the world's leading terrorist but to pinpoint Roger himself from space. This technology is put to especially good use early on when Roger and a middle eastern co-hort investigate an Iraqi terrorist hideout and end up in a fire fight. The satellite image sends exact coordinates to attack helicopters that arrive just in time to save Roger and his latest intel.

This latest discovery is big and a plan is hatched using it to suss out the location of the world's most wanted terrorist other than Osama Bin Laden. The plan is ingenious and dangerous with a moral complication that will draw an important distinction between Roger and Ed and what they are willing to do to fight the war on terror.

Ridley Scott is a pro behind the camera. His work on the gritty, sun drenched streets and vast deserts of Iraq and the crowded dusty streets of Amman Jordan is impecable. Scott's action scenes are crisp and exciting, filled with energy and suspense. The trouble for Body of Lies comes from a script without an underlying idea.

There is a plot with a sound engine in DiCaprio's very active hero. However, one is at a loss to delineate the message of Body of Lies. What are the underlying politics. What other than some kick ass action scenes made Scott want to make this movie. The story cries out for a deeper meaning beyond the pale love story between DiCaprio and a Jordanian nurse and the father/prodigal son relationship between Crowe and DiCaprio.

The major hole in Body of Lies is Russell Crowe. The Oscar winner cuts an original, somewhat quirky character, an arrogant almost bumbling bureacrat. Unfortunately, there isn't really much behind the quirks. There is no real arc to the character. Crowe's Ed Hoffman begins as an arrogant jerk and ends an arrogant jerk. He learns no lesson, gets no comeuppance, not even a sharp sock to the jaw that the character so richly deserves.

That is unlike DiCaprio's Ferris who begins as a cold blooded terrorist killer and humanizes throughout. When the dangerous game begins to unfold Ferris is careful, cautious and thoughtful where Hoffman is impetuous and self aggrandizing. My comparison here is not without reason as late in the film Scott reveals what may be his missing thesis. These two men represent the two poles of American foreign policy.

The stretch is exceedingly thin as Crowe is portrayed as a bumbler who acts without thought while DiCaprio is heroic because he is deliberative and patient. The point is as heavy handed in Scott's one scene to lay it out as it is unseen throughout most of the movie. The one scene seems a last minute desperate attempt to give the action of Body of Lies a purpose beyond its series of action. It plays simply as hamhanded and desperate.

There is great work in this movie from Mark Strong as the head of Jordan security apparatus. He and DiCaprio go head to head and the battle of wills, the melding of egos and mutual respect gives their scenes weight. Strong is a heavy presence but he like Crowe and DiCaprio suffers for not having something deeper driving him, something beyond plot requirements.

There is too much good about Body of Lies to dismiss it. Scott is still a talented scenarist even with a thin story to tell. DiCaprio is an engaging hero and Crowe at the very least is charismatic, even on auto-pilot. Body of Lies has some tremendous action and spycraft and that is enough for me to recommend it for fans of big time action.

However, Body of Lies is a good movie that could have been, should have been great.

Movie Review The Catcher Was a Spy

The Catcher Was a Spy (2018) 

Directed by Ben Lewin 

Written by Robert Rodat 

Starring Paul Rudd, Sienna Miller, Mark Strong, Jeff Daniels, Tom Wilkinson

Release Date June 22nd, 2018

Published July 8th, 2018 

The Catcher Was a Spy stars Paul Rudd as Morris ‘Moe’ Berg, a former major league baseball catcher turned international spy. Berg played 15 years with the Boston Red Sox before retiring at the end of 1938. By 1941 Berg, known as Professor Berg among his teammates, a graduate of Princeton University, sought and received a position at the Office of Strategic Services, the forerunner of the CIA.

Rudd plays Berg as a man of many secrets and discretion. An early scene finds Berg going to a bar, thought by many as a haven for gay men. When he’s followed there by a suspicious teammate, Berg turns to violence to try to cover his tracks. Later, on a baseball tour of Japan next to luminaries such as Babe Ruth, Berg took the initiative to dress in Japanese garb and covertly film footage of a Japanese naval yard. He then parlayed the footage into his position with the OSS.

Sienna Miller co-stars in The Catcher Was a Spy as Estelle, Berg’s girlfriend. The relationship is fraught by Berg’s unwillingness to commit to Estelle, his desire not to have children and Estelle’s seeming awareness of Berg’s proclivities. A side mistress is less aware leading to an argument that illustrates Berg’s commitment to being discrete, even if it means losing someone he appears to care about.

Once Berg moves toward becoming a spy we meet his new OSS boss, played by Jeff Daniels. Daniels’ blunt, blustering military man turned spy is impressed by Berg’s initiative and ambition though wary of the secrets he keeps from the secret keepers. Nevertheless, it’s the OSS chief who assigns Berg to go to Italy and eventually on to Sweden to investigate how close Germany may be to having an atomic bomb.

Along on the mission in Italy, where he faces down enemy fire from fleeing German soldiers, are an army Colonel played by Guy Pearce and a physicist played by Paul Giamatti. Their target is the well known German Physicist Werner Heisenberg, played by Mark Strong. Heisenberg was one of the few scientists who chose to stay in Germany after the Nazi take over and was appointed head of the German effort to make a bomb.

The question is, is he helping or hurting the German cause? The Catcher is a Spy is ingenious and exciting in laying out Moe Berg’s mission and what is at stake. Having been a major league baseball player turned spy, Moe has never had to kill a man and much tension and drama is built around whether he could, if called upon, kill Heisenberg to keep him from building the atomic bomb.

History tells us how that played out but if you, like me, aren’t fully aware how this turned out, it’s an exciting and exceptionally well told story. The Catcher Was a Spy was directed by Ben Lewin, a Polish director best known for his 2012 feature The Sessions starring Helen Hunt, a film that earned high praise for Hunt who was thought to be a possible Oscar contender. Hunt played a sex therapist working with a handicapped man played by John Hawkes in an equally lauded performance.

Similar acclaim could be coming for Paul Rudd who brilliantly plays Moe Berg. Rudd, known for his work as Ant-Man and as the comic foil of director Judd Apatow in several films, plays Berg very low key, almost unknowable. It’s a complex character to play, a man so insular, who kept his own council, with few broad strokes in his personality. Rudd finds smart beats to play, especially employing Berg’s talent for languages which Rudd and the story use late in the film as part of the spy play. Listen for his intentional lack of accent in an important scene, subtle but ingenious.

The Catcher Was a Spy will be a treat for anyone who loves an old school spy movie, one without the trappings of a James Bond or Jason Bourne. The film played as part of a new series of Independent Films at the Putnam Museum. The Putnam is partnering with the New York Film Critics Series to show 10 independent features unlikely to play at local multiplexes. The next feature for the month of July is yet to be announced.

You can keep an eye out for The Catcher is a Spy on on-demand services such as Amazon Prime over the next few months.

Movie Review Sherlock Holmes

Sherlock Holmes (2009) 

Directed by Guy Ritchie

Written by Anthony Peckham, Simon Kinberg

Starring Robert Downey Jr, Jude Law, Rachel McAdams, Mark Strong, Kelly Reilly

Release Date December 25th, 2009 

Published December 24th, 2009 

I am aware of Sherlock Holmes by pop culture reputation only. I have not read the novels or seen any of the films starring Basil Rathbone, the actor who I am told is the definitive Holmes on screen. My only exposure to the character is through pop cultural osmosis, references made by countless other outlets. I mention this because many others seem to find director Guy Richie's take on the legendary character offensive in some way related to their feelings for what is known of the character.

I can compare it, in a slightly odd way, to how I feel about the faux vampires of Twilight. In my opinion they aren't really Vampires. They walk around during the day, they play baseball, they are about as menacing as a bag of declawed kittens, and they are NOT vampires. I am tied to the classic version of Vampires and admittedly it creates a bias. I have no such bias for or against Sherlock Holmes.

Robert Downey Jr. stars as Sherlock Holmes who, as we join a chase in progress, is running to some sort of showdown. Along with his faithful sidekick Dr. Watson (Jude Law), Holmes has uncovered a secret society that is in the midst of a ritual sacrifice when Holmes and Watson arrive. A brawl ensues, the fair maiden is rescued and the murderous Lord Blackwood (go to bad guy Mark Strong) is apprehended.

Case closed? Hardly. The capture and eventual hanging of Lord Blackwood were all part of Blackwood's devious plot. As he tells a skeptical Holmes, he plans on resurrecting himself and leading a plot to take over the world, restoring England to the status of a world power under his leadership.

Meanwhile, Dr. Watson who has lived and worked with Holmes for years is set to move on. He has met a woman, Mary (Kelly Reilly), and is going to marry her, even if Holmes stands opposed to the idea, which is somewhat unclear but a fun source of tension for the bickering partners.

Back to the plot, on the night of Lord Blackwood's execution, after he confesses his plot to Holmes, Lord Blackwood does rise from the grave causing a massive panic in London. It's up to Holmes and a reluctant Watson to figure out how Blackwood pulled off the resurrection and stop him before he launches his takeover of the country.

Also employed in this plot is Irene Adler (Rachel McAdams), the one only woman ever to draw Holmes' attention away from sleuthing. Irene has recently returned to London with a mysterious benefactor who remains in the shadows but who will no doubt play an important role in future sequels, wink wink.

And really, isn't that all we can expect from Sherlock Holmes, a table setter for future sequels. Honestly, if you were looking for anything other than the beginning of a franchise you were on a fool's errand. Sherlock Holmes is a machine built to create a franchise and on this lowly task it is supremely successful.

The bantering between stars Jude Law and Robert Downey Jr. has the potential for greatness, in sequels. The action direction that Director Guy Richie takes these characters in shows potential that could flower in future sequels or become supremely irritating, wait and see. As for this Sherlock, it's like a starter kit for people like me who know Sherlock only by reputation but know the work of Downey and director Guy Richie like old friends.

There is a homey sort of professionalism to the work of both Downey and Richie. They are working at such a level of comfort together that things are at once pitched perfectly to create this character for future sequels and find enough friendly charm in this movie to make you want to see that sequel. Sure, you're being fleeced but in such a fond way, you don't mind so much.

Sherlock Holmes is never anything more than the beginning of a business arrangement between friends. Guy Richie, Robert Downey Jr and Jude Law pitch you these characters, their funny banter, and the idea of Sherlock Holmes: action hero and you sit idle witnessing it and welcoming it. You are agreeing that the sequel is why we are all here and that this is just the pitch.

This will be unsatisfying for some, but for those disposed to the charms of those involved, you won't mind at all. Sherlock Holmes is a welcome introduction to a character and his future endeavors yet to be brought to the screen. If this idea doesn't offend you, you are just the audience for Sherlock Holmes.

Movie Review Stardust

Stardust (2007) 

Directed by Matthew Vaughn

Written by Matthew Vaughn, Jane Goldman

Starring Charlie Cox, Claire Danes, Robert De Niro, Michele Pfeiffer, Mark Strong, Sienna Miller

Release Date August 10th, 2007

Published August 10th, 2007

From the wildly inventive mind of Neil Gaiman comes Stardust. The fantasy of Stardust combines science fiction and romance with some wondrous takes on literary legends. On the surface; director Matthew Vaughn may not seem the ideal choice for such light hearted romantic notions. A protégé of Britain's maestro of violence Guy Richie, Vaughn's first outing as a director was the Richie influenced Layer Cake, a mob story with a pre-Bond Daniel Craig.

Nevertheless, Vaughn pulls off a near masterpiece of genre fiction in Stardust.

Tristan (Charlie Cox) is a fool for romance. He has fallen in love with the most beautiful woman in all of the town of Wall, Victoria (Sienna Miller) and will go to any length to win her heart, even if it means crossing the wall. The Wall that gives Tristan's hometown its name is a magical barrier between the real world and the realm of Faerie, a kingdom ruled by kings and witches and ghosts and flying pirates.

Most citizens are unaware of what is beyond the wall, only knowing that they are never to cross that wall. Tristan however, must cross the wall when he sees a falling star crash beyond the city limits and he promises that star to Victoria in exchange for her hand. Now Tristan will cross that wall and embark on a life altering adventure.

Opposing Tristan, without knowing it, is a trio of witches led by oldest sister Lamia (Michele Pfeiffer). She needs the star in order to replenish her and her sister's powers. Also on the trail of the star is Septimus (Mark Strong). He needs the star in order to finally inherit the throne of Faerie; ahead of his brothers, four of whom have met with an ugly fate, something that the others may meet as well if Septimus is to become king.

Meanwhile, the star is actually on earth in human form. Her name is Yvaine (Claire Danes) and when she is found by Tristan, the real love story and a truly grand adventure begins.

My description of Stardust makes it sound like a trifle, however, thanks no doubt to the hard boiled influences of director Matthew Vaughn, Stardust is a good deal more tart than I let on. The early scenes between Tristan and Yvaine crackle with conflict, as any good romantic match often does. She is aware that she has been sought as a gift for another, and though he finds her striking, Tristan longs for Victoria.

The film doesn't let this torturous banter go on to long and indeed doesn't play many of the typical romantic games in order to place roadblocks in the lovers path. Matthew Vaughn and co- writer Jane Goldman do a terrific job of allowing the romance to develop naturally and create roadblocks organically rather than by what is often dictated by the history of Hollywood romance.

With a light hearted take on some rather dark materials, Stardust is classically English in wit. Take for example Prince Septimus and his brothers. As they seek the crown, four have already been disposed of in ghastly fashion, even before we meet them. Each brother sticks around after his demise; left in the final pose of their passing. This provides a number of big laughs throughout the picture as the ghosts poke about.

The film also mines laughs from an unexpected source. Robert De Niro plays Captain Shakespeare, a blood thirsty air pirate who sails the sky stealing lightning and toughening up on anyone who dares board his ship unwelcome. When the Captain encounters Tristan and Yvaine, high in the clouds, the scene is strange not just for its location but for the wit of De Niro playing against type.

Who doesn't love a great romance? Stardust has a really good one in the story of Tristan and Yvaine. It's a story rife with conflicting emotions and grand romantic gestures and a good deal of suspense. The conclusion is not shocking but it's not predictable either, Yvaine is a star and must one day return to the sky. How that is resolved is a clever bit of romantic engineering, and don't forget that the lovely Sienna Miller plays Victoria.

Stardust also has a grand adventure as we take to the skies with pirates who harvest lightning and do battle with kings and witches. It's a wonderfully literate tale that will delight readers and non-readers alike. For the literate; nods to Tolkien and Shakespeare are a treat, while never distracting from the adventure and romance familiar to everyone. This is an artful yet still populist picture that can dazzle the film buff and the parents dragged to the theater by his teenagers, all in the same scene.

Stardust is a big step forward for director Matthew Vaughn. His leap in genre from hard boiled crime to light as a feather romance and broad science fiction; is a leap most directors could not make. His range is only a small example of his talent. Watching Stardust you sense a director of great confidence, poise and imagination. Beneath the surface of sometimes surly dialogue, is the soul of a poet and a big heart. All of which will serve Vaughn well as he strives for his first masterpiece.

Stardust is almost there. A terrific example of a talent on the rise, Stardust is a crowd pleasing romantic adventure for any audience.

Movie Review Shazam

Shazam (2019) 

Directed by David F. Sandberg

Written by Henry Gayden 

Starring Zachary Levi, Djimon Hounsou, Mark Strong, Jack Dylan Grazer 

Release Date April 5th, 2019 

Published April 4th, 2019 

Shazam stars Zachary Levi in the story of a boy named Billy Batson. Billy is 15 years old, young Billy is played by Asher Angel, and an orphan. Years earlier, Billy was separated from his mother at a carnival in Philadelphia. She disappeared and young Billy is convinced that he simply needs to find her again so they can be reunited as a family. The reality that his mother never looked for him after that day is something he is eager to overlook.

Since he was 4 years old, Billy has been shuttled from several foster homes that he has abandoned to hit the streets searching for his mother. The latest home is one filled with a diverse group of kids that are Billy’s age and younger and who seem open to welcoming him to the family. That can only happen however, once Billy opens himself to his new family and that is part of the plot journey of Shazam.

The plot of the movie kicks in when Billy saves his new brother, Freddy (Jack Dylan Grazer) from some school bullies and winds up impressing the wizard known as “Shazam” (Djimon Hounsou) with his bravery. For years, Shazam has kept the spirits of the seven deadly sins locked away while he searched for someone pure of heart to take over his magical powers. He chooses Billy despite his misgivings about Billy’s selfishness in his search for his mother.

With the power of Shazam, Billy grows into a more than 6 foot tall, red-suited, white caped, gold-booted, superhero. It takes a while, but eventually, he realizes that he can switch between his superhero persona and his kid persona by saying the name Shazam. This leads to a legitimately charming sequence, overly familiar from just about every superhero debut movie, in which he and Freddy begin to test his superhero powers.

We should be put off by this sequence as we’ve seen the same thing in Iron Man, Captain America, Batman, each iteration of the Spider-Man movies, Ant-Man, et cetera. And yet, despite the cliche, these scenes do work in Shazam. I didn’t mind the cliche this time because Zachary Levy and Jack Dylan Grazer are having such a good time with these cliches. The fun they are having doing these scenes is palpable and I had fun because they were having so much fun.

It turns out, much to my surprise, that Zachary Levy was perfect for the role of a childlike superhero. My personal bias against Levy for his dimwitted performance on TV’s Chuck and his dreadful role in one of the more recent Chipmunk movies had blinded me to the legitimate talent he has for silliness. That talent for silliness is exactly what Shazam needed to separate it from the otherwise dour and glowering D.C movie universe.

D.C has a reputation for being grim, especially under the direction of Zach Snyder.This universe needed something like Shazam to force the universe into a more of a fun place to be. That vibe began with James Wan’s Aquaman, but Shazam is the first real exploration of a comedic place within the D.C universe. It’s a course correction for D.C where director-auteur Snyder seemed to believe that the only way to escape the shadow of Marvel was to go almost absurdly serious.

If D.C ever brings the Justice League together again, Shazam will provide a strong leavening force, a lightheartedness that may be the key to bringing this to a place where the Marvel movies have been from the beginning, an entertaining and fun and exciting place. The all or nothing, apocalyptic vibe of the D.C Universe was the worst part of the Superman movies and while Wonder Woman made that tolerable, we needed a movie like Shazam to bring a little light into that darkness.

This is rather ironic coming from Swedish born director David F Sandberg whose previous features were the horror movies Lights Out and Annabelle: Creation. He’s not exactly the guy you would expect to bring lighthearted fun to the DCEU but that is exactly what he’s done. Shazam has a lot of laughs, a lot of big laughs. Laughs in which we are more often than not laughing with the movie and not at the movie.

That was a major concern for me based off of the trailer for Shazam. I was concerned that I would find the movie pathetic and laugh at things that perhaps were not intended while not laughing in places where laughs were sought. I didn’t laugh much at the film’s trailer which wasn’t embarrassingly bad but was definitely awkward and leaned far too heavily on the immaturity of the character of Shazam.

The movie leans heavily on that same immaturity but given a little more room to breathe, Zachary Levy makes it work. And when it is time for the movie to take on a modest amount of seriousness in the final act, Levy makes that work as well, he earns enough of the needed weight for us to genuinely care about him and his newfound family and the peril posed by the film’s big bad, played by Mark Strong.

Here, unfortunately, is where I must talk about the flaws of Shazam. Mark Strong is unquestionably the weakest part of this movie. His Dr Sivana is remarkably unremarkable. Strong is a fine actor but I didn’t buy into his charismatic, free, whiny villain. We spend far too much time on his uninteresting backstory and he’s further undone by the underwhelming special effects that make up both the Seven Deadly Sins and the rubbery CGI Strong in the flying scenes.

Sylvana's backstory is part of why Shazam’s runtime is way too long. As enjoyable as the movie is, it is terribly bloated at more than 130 minutes. The film repeats a little too much of Billy and Shazam being frightened and incompetent and while the idea of a learning curve for a kid superhero makes sense, the film could have used a device to speed things up so that the middle didn’t sag so much. Losing a few minutes from Sivana’s full backstory would have been a good first step.

Nevertheless, even a bloated runtime and underwhelming villain didn’t prevent me from enjoying Shazam. The film has way too many good laughs and way too much fun for me to dislike it. Shazam is joyously silly and yet still a movie that can fit nicely into the overall DCEU. The four franchises needed a lighthearted shot in the arm ala Ant-Man in the Marvel Universe, and Shazam is a terrific comedic fit.

Movie Review Miss Pettigrew Lives for a Day

Miss Pettigrew Lives for a Day (2008) 

Directed by Bharat Nalluri 

Written by David Magee, Simon Beaufoy 

Starring Frances McDormand, Amy Adams, Lee Pace, Ciaran Hinds, Mark Strong 

Release Date March 7th, 2008 

Publoshed March 8th, 2008 

From the awkward title to the pre-world war two England setting there is nothing all that hip about Miss Pettigrew Lives For A Day. However, with a cast that includes Oscar winner Frances McDormand and Oscar nominee Amy Adams there is more than just potential. A terrific trailer with the palette, now the movie is in theaters and this seemingly un-hip period piece proves to be a smart, funny, romantic and sexy romp. Directed by first-time feature helmer Bharat Nalluri, Miss Pettigrew Lives For A Day offers surprises at every turn and top notch performances from two of the best actresses working today.

London in the late 1930's lived under the cloud of potential war. With Germany on the march on the continent, the British Isles were in a war stance that left many residents out in the cold. Jobs were as scarce as most resources and among the affected as our story begins is Miss Pettigrew (Frances McDormand). Having been fired from her third stint as a governess, Miss Pettigrew finds herself on the streets. When told by the employment agency that she is no longer desired as a child care worker, Miss Pettigrew takes a chance and steals a job off her ex-boss's desk.

She assumes the lead is for another governess position. However, when she arrives at the flat of Delyssia Lafosse (Amy Adams) she has a few unexpected moments. Miss Lafosse has no children. Her need is for someone to keep an eye on her. She is balancing romances with three different men who offer three very different but important choices for her. There is Tom (Phil Goldman) a playwright and producer who has the power to give Delyssia her big break in his next West End offering. Then there is Nick (Mark Strong) the owner of the nightclub where Delyssia performs and the man who bankrolls her flat and her lifestyle.

And finally there is Michael (Lee Pace) , a piano player fresh from a prison stint. He has been her loyal piano man for a long time as well as her best friend and likely her true love. Michael wants Delyssia to run away to America with him and she with him but it would mean giving up her comforts and her shot at fame and fortune. Each of these relationships comes to a head in one day with the arrival of Miss Pettigrew who accepts the job of social secretary, her real job is more well described as boyfriend wrangler. As Delyssia romances one man, Miss Pettigrew distracts and disposes of the others.

My description makes Delyssia sound like a bad person but as played by the high energy, super-cute Amy Adams she is a fresh and spirited young woman doing anything she can to survive in hardscrabble times. Adams and McDormand are perfect foils as Adams is high spirited and sexy, McDormand is level headed with a quick, observant wit. Both women bring dignity and strong willed self respect to these two desperate characters but it is their spirit in front increasingly desperate moments that is truly winning. There is nothing like watching talented actresses in roles that are their equal. It is so rare and such a treat.

The supporting cast of boyfriends and even a love interest for Miss Pettigrew, is top notch lead by the especially winning Lee Pace. Fans of the show Pushing Daisies know that Pace can play deadpan as well as loving puppy dogs. He plays both exceptionally well in Miss Pettigrew, providing the rooting interest among Delyssia's many suitors. Ciaran Hinds gets a rare good guy role as a rich, lingerie designer who decides to give up his life of models and socialites for a woman who is his equal in every way including age.

Bharat Nalluri's last effort was the massive TV movie Tsunami: Aftermath a true life tale of the survivors of the devastating wave that ravaged the coast of Thailand in 2005. That film showed he could handle large scale effects and grand emotional arcs as well as smaller human moments. Here Nalluri shows an unexpected talent for old school farce with a touch of the British Upstairs/Downstairs comedy. It's a deft, quick witted effort that also manages to be romantic and even sexy. Miss Pettigrew Lives For A Day is a terrific little movie and one of the few must sees of early 2008.

Movie Review Green Lantern

Green Lantern (2011) 

Directed by Martin Campbell

Written by Craig Berlanti, Michael Green, Marc Guggenheim, Michael Goldenberg

Starring Ryan Reynolds, Blake Lively, Peter Sarsgard, Mark Strong, Angela Bassett, Tim Robbins

Release Date June 17th, 2011 

Published June 16th, 2011 

"Green Lantern" is the latest superhero story to hit the big screen following the spring adventures of "Thor" and the summer spectacular that was "X-Men: The First Class." "Green Lantern" however, is the first of these superhero flicks to feature a big star as the big hero. Ryan Reynolds, long on the road to superstar status, plays the heroic Green Lantern and while the casting is alright there was little any star could have done to improve the rather limp story.

Hal Jordan, Our Hero

Hal Jordan is a bed-hopping, test-pilot with serious daddy issues. So serious, in fact, are Hal's unresolved issues with his late father, that he nearly crashes his plane as he distractedly recalls his dad's death. Naturally, Hal comes through the crisis alright but not without angering his best friend, and would be love of his life, Carol Ferris (Blake Lively.)

Putting aside Hal's daddy and romantic issues, he is a special guy and we know this because a purple alien guardian from another world carrying a very powerful green ring and a green lantern tells us so. Of the billions of people on earth Hal Jordan has been chosen as humanity's protector, the newest member of the universal force known as the Green Lantern Corp.

The Green Lantern Corp

Soon, Hal has a special suit and mask that are made from -- well we aren't quite sure what. The suit seems to generate directly from Hal's own skin and the fewer questions asked about the suit's (ahem) functionality (?) the better. Through his alien ring and lantern Hal can now create anything he wants using only his mind.

If we go with Hal to his training on a distant planet we are just asking for this plot description to grow far too unwieldy and since the plot isn't great to begin with let's just leave it at special voice appearances by Geoffrey Rush, Michael Clark Duncan and go to bad guy Mark Strong as sort of a good guy.

Peter Sarsgard is creepy

Back on earth Hal will have to defend humanity against a former colleague and friend, Dr. Hector Hammond (Peter Sarsgard) who has contracted an alien infection that somehow managed to make him even creepier than the massively foreheaded, dweeby, community college professor he already was.

There is also a good deal of nonsense related to a giant monster cloud of what I believe is fear energy combined with some all powerful alien creature. Honestly, I stopped caring so early on in "Green Lantern" that I tuned out whatever wasn't Ryan Reynolds being cute and Blake Lively flashing her beautiful, "Gossip Girl" half smile; truly is there a woman in the world who is so attractively bemused?

Fanboys Only

"Green Lantern" was directed by Martin Campbell who is an immensely talented director. Here, however, Campbell hits the wall with far too much fanboy nonsense and not nearly enough stuff that's interesting to people who aren't in fealty to the D.C Comics legend. I assume, because I am not familiar with the comic, that much of the stuff I found goofy and nonsensical was some kind of homage or nod to the faithful? How else do you explain it?

The thing about a great superhero movie like "Batman Begins" and "The Dark Knight" or "Spiderman 1 & 2" or the "Iron Man" movies is they were good movies first and comic book movies second. The best of the genre add the fan touches on the sides in the periphery. "Green Lantern," like "Thor," places the comic book stuff first and in doing so leaves the non-comic fan distracted and waiting for the actual story to kick in.

Not Recommended for General Audiences

When the story never really kicks in it only serves to magnify why the filmmakers included all of the comic book stuff, they didn't have enough of a compelling original story to push the fanboy stuff to the sides. I liked Ryan Reynolds and Blake Lively and the voice of Geoffrey Rush, as some kind of muscled up alien fish, but in the end that is not enough for me to recommend "Green Lantern" to a general audience.

Now, if you are a fan of the comic book Green Lantern, I do recommend the movie. You are going to get it on another level. You will enjoy the stuff I found goofy and or needless. You will get the stuff that I found distracting. You, Green Lantern fan, may just really enjoy this movie and bully for you. Enjoy.