Showing posts with label Luke Goebel. Show all posts
Showing posts with label Luke Goebel. Show all posts

Movie Review Eileen

Eileen (2023) 

Directed by William Oldroyd 

Written by William Oldroyd, Luke Goebel 

Starring Thomasin McKenzie, Anne Hathaway, Shea Whigham 

Release Date December 8th, 2023 

Published December 8th, 2023 

Someone is sitting in a car on the side of a lake with smoke filling the vehicle. Someone is apparently committing suicide by smoke inhalation. The scene shifts back in time, the owner of the car, whom you presume is the person committing suicide in the opening scene. We meet our main character, Eileen (Thomasin McKenzie) as she's in this same car, sitting next to this same lake but this time she's surrounded by other cars. She's alone in her vehicle while watching other cars where people are making out. She starts to touch herself but thinks better of it. Opening her car door, Eileen grabs some dirty snow and stuffs it down the front of her dress, seeming to quell her burning loins. 

Sexual repression and inexperience has a big role to play, or so you assume, in Eileen as our mousy protagonist comes out of her shell when basking in the glow of an older and more worldly woman. Eileen works as an assistant secretary at a prison somewhere in Massachusetts. Her days are the same, working, going unnoticed, suffering from sexual frustration, and going home to her drunk bully of a father, a former cop named Jim (Shea Whigham). Having been retired or fired from being the chief of police, he now spends everyday getting drunk and waving his service revolver around. 

Only Eileen appears capable of calming him down though her means of doing that is to fetch him a fresh bottle. Eileen's life is altered forever when she meets to the prison psychiatrist, Rebecca (Anne Hathaway, in full Hitchcock blonde mode). Rebecca seems to adopt the mousy and shy Eileen as the only person close to her in age and attractiveness. Eileen seemingly seduces the inexperienced Eileen who realizes that she doesn't mind having an older woman attracted to her romantically. This doesn't go anywhere but, it does provide motivation for a third act twist that's intended to be shocking but feels more random, as if the story needed to create drama that just hadn't emerged to that point. 



Movie Review Causeway

Causeway (2022) 

Directed by Lila Neugebauer 

Written by Elzabeth Sanders, Luke Goebel, Ottessa Moshfegh 

Starring Jennifer Lawrence, Bryan Tyree Henry, Linda Emond 

Release Date November 4th, 2022 

Published October 29th, 2022 

Apple TV 

12 minutes 49 seconds into Causeway... 

What have we learned?  Jennifer Lawrence is a former soldier dealing with PTSD. Having been shipped home to recover she'd entered a halfway house facility and was cared for by Sharon, a nurse. We don't know exactly what the nature of Lynsey's injuries are. We don't see any physical scars. We see her unable to walk at first. We see Sharon having to help her do tasks such as use the bathroom. We see her going through physical therapy and learning to walk again. 

And, before she leaves Sharon's care, Lynsey is running again and has recovered her physical capacity to the point where she thinks she's ready to redeploy. Sharon tells her to slow down. At the point where we have stopped, Lynsey is leaving rehab with Sharon and will be returning to her hometown. She claims that her mother will be picking her up at the bus station and that her brother may or may not be around as well. 

In terms of the filmmaking, director Lila Neugebauer favors dark, naturalistic interiors. The darkness of the cinematography is a visual companion to the darkness of Lynsey's mental state. Thus, when seen jogging and driving a car, and seeming happy, the lighting of the scenes is brighter, sun peeking through clouds, if you don't mind the metaphor. On the bus however, as Lynsey is riding home, we are back in the dark interior. Rain on the bus window, no lights on inside the bus, deep black shadows surrounding Lynsey as she takes a pill and darkness dominates the scene despite the fact that she's seated next to a window. 

Is 12 minutes 49 second long enough to be considered an opening act or do we have to wait a little longer to make that determination? These 12 minutes and 49 seconds are important to establishing who Lynsey is and what she's struggling with but are they merely exposition? They do seem to lack energy, though I can't imagine how one might get energy into such scenes. I'm curious but not wholly satisfied with the start of Causeway. 

Lethargy is part of Causeway but I don't mean that as a negative. Indeed, the tone matches the setting, a hot New Orleans summer. Lynsey gets a job as a pool cleaner and the hard work and sweat, paired with how generally tired Lynsey's brain injury has left her, the lethargy makes sense, it's part of the story. It also creates a tone of struggle and catharsis that presents physically while building to the emotional catharsis. 




Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...