Movie Review Empire Records

Empire Records (1995)

Directed by Allan Moyle 

Written by Carol Heikkinen 

Starring Liv Tyler, Renee Zellweger, Robin Tunney, Debi Mazar, Anthony LaPaglia, Rory Cochrane 

Release Date September 22nd, 1995 

Published September 21st, 2015

Sugar High

Sometimes you love a movie beyond any rational reasoning. This movie speaks to you in a way that it does not speak to anyone else. The film speaks to something personal for you and regardless of objective viewers that find flaw the film is strangely perfect in your mind. “Empire Records” is one of those movies for me; I love it beyond my ability to weigh its quality objectively.

“Empire Records” tells the story of nearly a dozen characters over one truly eventful day. We begin the night before the big day. Lucas (Rory Cochrane) has been given the rare honor of closing Empire Records for the day. It’s a simple task, count the money and don’t touch any of the boss’s beer, cigars or his drum kit. Lucas will violate each of these rules before absconding with the day’s take of more than 9 grand and heading off to Atlantic City.

Record Town

Lucas’s heart was in the right place. You see, Joe (Anthony La Paglia)  is being forced to give up the store and let it become a ‘Record Town;’ a lame chain store with rules that will likely mean the firing of all of Lucas’s friends and co-workers. He’d hoped that a good night in A.C would earn the money to buy the store and save everybody’s job. Instead, he loses everything and sets the table for a very long day.

The following morning Joe arrives at Empire to confused calls from his bank and an angry call from his boss Mitchell (Ben Bode) wondering where the money is. Meanwhile, Lucas has disappeared and A.J (Johnny Whitworth) is pestering Joe for advice about telling Corey (Liv Tyler) that, after 5 years working together, he’s in love with her.

Rex Manning Day

Corey meanwhile has other things on her mind than poor, heartsick A.J. Today is ‘Rex Manning Day’ at Empire Records and Corey intends on giving her virginity to the washed up pop star, played with oozing smarmy charisma by “Grease 2” star Maxwell Caulfield. Corey is egged on by her best friend Gina (Renee Zellweger) a girl who knows a little something about throwing herself at boys. Gina is the smutty yin to Corey’s innocent yang.

In another of the film’s subplots Robin Tunney plays goth goddess Debra who makes a splashy first impression arriving at work with a full head of hair before shaving herself bald in the bathroom. She also has a bandage on her wrist from a failed suicide attempt that may or may not have something to do with her relationship with Berko (Coyote Shivers) a fellow employee and wannabe rock star.

Special Appearance by 'Warren Beatty' 

Rounding out the cast is Debi Mazar as Rex Manning’s unhappy assistant, Ethan Embry as the gregarious metal head Mark, Kimo Willis as vinyl connoisseur Eddie and Brendon Sexton, now one of the stars of the stellar AMC mystery series “The Killing,” as a shoplifter who claims the name Warren Beatty after getting caught stealing. None of these characters has much of a character arc but each is given a moment and each takes full, entertaining advantage of it.

This wonderful ensemble gels perfectly under the direction of Allen Moyle who’s best remembered for the 1990 teen angst drama “Pump up the Volume” and the 1980 teen comedy “Times Square.” Moyle never had a real hit movie but his contribution in the world of movie soundtracks cannot be diminished.

Pump up the Volume

Moyle’s soundtrack for “Pump up the Volume” introduced a generation to the odd qualities of Leonard Cohen on the same soundtrack as Richard Hell, Bad Brains with Henry Rollins, the Beastie Boys and Sonic Youth. The soundtrack to Moyle’s “Times Square” may have been the reason that film was made at all. That soundtrack included Joe Jackson, The Cars and, most notably, the first U.S appearance by The Cure.

Naturally, the “Empire Records” soundtrack is also packed with great music. The Cranberries, Evan Dando, Gin Blossoms, Toad the Wet Sprocket, Edwin Collins and Cracker each contributed a song as did star Coyote Shivers whose song “Sugar High” is also performed in the film with additional vocals by Renee Zellweger.

A Musical Interlude

Not included on the soundtrack but in the film itself is music from The The, Dire Straits, Throwing Muses and AC/DC. There are times when Empire Records stops for a momentary musical interlude. The cast dances and sings along for a moment and then we are back into the story. It’s awkward at times but also appropriate, this is a record store after all, there had better be some great tunes.

I love the music and the musical interludes of “Empire Records.” As ridiculously indulgent as the music moments are, I am drawn to them because the cast is drawn to them. I want to be a part of their fun. That’s why I love “Empire Records,” it’s a harmless fantasy about what you wish work could be, friends listening to music, occasionally dancing, falling in love and generally having a good time.

Rock n' Roll Fantasy

Empire Records is my fantasy workplace filled with hot babes like Liv Tyler and Renee Zellweger and mentors like Rory Cochrane’s Zen weirdo and Anthony La Paglia’s inconceivably loyal boss. I want to work with these people and love with these people and join their independent family and listen to music with them.

My love for Empire Records is irrational from a critical perspective; I could find flaw with the filmmaking and storytelling if I wanted but I choose not to. It’s just one of those movies that slips past my guard and reaches a place in my heart that is beyond rationality. I’m sure you have an “Empire Records” of your own.

Movie Review: The Secret Lives of Dentists

The Secret Lives of Dentists (2002) 

Directed by Alan Rudolph 

Written by Craig Lucas 

Starring Campbell Scott, Hope Davis, Denis Leary 

Release Date N/A 

Published November 25th, 2002 

Campbell Scott is one of those rare actors with an eye for a good script. His deliberateness has made him a darling of the indie scene ever since 1991's Dying Young and 1992's Singles threatened to pigeonhole him as a romantic leading man. His varied roles in films include Big Night, The Spanish Prisoner and last years remarkable if little seen Roger Dodger. For his latest role, Scott has taken yet another chameleon like turn. In The Secret Lives of Dentists, Scott plays a role that is the exact opposite of his role in Roger Dodger but with an equal amount of skill and bravery.

In Secret Lives, Scott is David Hurst, a dentist married to another dentist Dana Hurst (Hope Davis). They live together with three daughters and work together at their family dental practice. Like many marriages, the surface is perfect but simmering beneath is a cauldron of unrequited emotion and misunderstood feelings. As Dana is preparing for a local theater performance, David is being accosted by a difficult patient played by Denis Leary. Adding to David's problems is his youngest daughter who will only stop crying when he is around and refuses her mother.

With all of these distractions, it's not surprising that David is slow to realize his wife's straying affection. Dana is leaving work at odd hours, returning home later than expected and the final clue comes when David visits her backstage at her theater performance and sees her kissing another man. Dana has no idea that he saw her and the balance of the film is David deciding how to confront his wife.

This is not a new story, we've seen numerous takes on this same subject. What is different however is Campbell Scott's measured, intellectual performance and director Alan Rudolph's deft mix of David's inner and outer worlds. Denis Leary is at first a character in reality then he becomes part of David's conscience, functioning as a physical expression of David's unexpressed anger. Who better than the fireball comedian Leary to play rage?

The Secret Lives Of Dentists functions on a psychic level where most films can't. The script by Craig Lucas, adapted from a novella by Jane Smiley, plays out David's psyche with wit and smarts and without the gimmicky feel that usually comes with such a subject. Aside from one dream sequence in which Robin Tunney, David's dental assistant, sings the song Fever while Leary plays the trumpet, the film avoids obvious flights of fancy.

I really loved how the film dealt with David's inner turmoil as it's main story and balanced it with scenes of everyday family life that in reality wouldn't pause for marital crisis. The family in the film has everyday problems goings on. Kids have to get to school and bills have to be paid. And when one of the girls gets the flu, the illness works it's way through the whole family, a very real life relatable moment that would be pushed aside in most films in favor of heightened melodrama. Here, this detail is a reminder of all of the things constantly competing for everyone's attention. 

This is a terrific cast, Campbell Scott particularly. In a role that is a polar opposite of last year’s Roger Dodger, Scott shows range that his father, the legendary George C. Scott, would envy. The knock on Campbell Scott early in his career was that he would never achieve his father's powerful presence. What Campbell doesn't have in presence he makes up for in bravery, range and acting. Roger Dodger should have been his first Academy Award nomination, but it wasn't. Here's hoping that injustice can be made right by nominating him for this role