Movie Review The Blackening

The Blackening (2023) 

Directed by Tim Story 

Written by Tracy Oliver, Dewayne Perkins 

Starring Grace Byers, Jermaine Fowler, Melvin Gregg, X Mayo, Sinqua Walls 

Release Date June 16th, 2023 

Published June 19th, 2023 

The Blackening is a very funny and refreshing take on horror comedy. From the clever mind of director Tim Story and star/co-screenwriter Dewayne Perks and Tracy Oliver, The Blackening takes on numerous horror tropes and puts a new, exciting and often very funny twist on them. This is more than just because the cast is black, it's because the treatment of those well-worn tropes is inventive and really funny. The characters are unique and yet familiar, falling in line with classic horror tropes while upending the tropes with smart dialogue and clever sequences. 

The Blackening opens on a cabin the woods. Morgan (Yvonne Orji), and her boyfriend, Shawn (Jay Pharoah), engage in a series of meta-jokes as they come face to face with a bizarre and deeply problematic board game called The Blackening. Forced to play the game by some unseen bystander, the couple engage in the game and fail almost immediately when neither can name a black character who survived a well-known horror movie. The meta of the moment comes when Orji theorizes that Omar Epps and Jada Pinkett were killed off first in Scream 2 because they were big names that the production could not afford. Orji and Pharoah being, arguably, the best-known members of this cast, deliver this dialogue with a terrific comic knowingness. 

The rest of their party arrives soon after, though Morgan and Shawn are nowhere to be found. Arriving first are the threesome of Allison (Grace Byers), Lisa (Antoinette Robinson), and Dewayne (Dewayne Perkins). They have come for what is supposed to be a weekend of drugs, alcohol and college debauchery in honor of a 10-year college reunion. Lisa, however, has a secret motive. She's reconnected with her college boyfriend, Nnamdi (Sinqua Walls), much to the aggravation of Dewayne who recalls the number of times that Nnamdi cheated on his best friend. 

Later arriving is King (Melvin Gregg), a former thug, according to the dialogue, not my interpretation, King is now a man of peace and zen who makes a point of mentioning that he's married to a white woman. That will become kind of important in one of the film's standout comic horror moments. The final guests arriving are Shanika (X May0), the absolute scene stealer of The Blackening, and Clifton (Jermaine Fowler), someone who may or may not have actually been invited to this reunion. He claims he was invited by Morgan but since she's MIA, there is no way to prove that. 

Find my full length review at Geeks.Media 

Movie Review: Barbershop

Barbershop (2002) 

Directed by Tim Story 

Written by Don D. Scott 

Starring Ice Cube, Cedric the Entertainer, Troy Garity, Eve, Keith David, Anthony Anderson

Release Date September 13th, 2002 

Published September 12th, 2002 

Recently the question was asked what rapper was the best actor. The answer? Ice Cube, and he deserves the accolade. Cube proved he had something with his debut in Boyz In The Hood. But it was Friday that showed Ice Cube was going to be around for a while. Now with Barbershop, Cube may finally shake the rapper actor label altogether and just be seen as an actor.

In Barbershop, Cube is Calvin, owner of a Chicago barbershop once owned by his grandfather and his father. Calvin, however, isn't satisfied running the family business, he would like to run his own record company from his basement. As the day unfolds Calvin decides to sell the shop to a local hustler played by Keith David. 

Meanwhile we get to know Calvin's employees. There is the grizzled vet Eddie (Cedric The Entertainer), the college kid Jimmy (Sean Patrick Thomas), African immigrant Dinka (Leonard Howze), former gangbanger Ricky (Michael Early), the lone white guy Isaac (Troy Garity) and the girl Terri (EVE). Each has their own problems, Ricky is a two time felon who if he gets in trouble again will spend the rest of his life in jail. 

His trouble is compounded by his no good cousin JD (Anthony Anderson) who uses Ricky's truck to steal a newly installed ATM machine from a market just down the street from the barbershop. Terri has a no-good boyfriend who she can't seem to shake, while Dinka is nursing a serious crush on her. Isaac, because he's white, can't get any customers, and is feuding with Jimmy who thinks he knows everything because he went to college. Then there is Eddie. Eddie is the ringleader, he begins the conversations and says everything on his mind no matter what anyone thinks. As Eddie, Cedric The Entertainer delivers the film's funniest performance.

For me though the movie was about Ice Cube. As we watch Barbershop we watch as Ice Cube the actor becomes more mature and relaxed. Cube is in command playing an older wiser character, a guy with dreams that have passed him by who is just now seeing what is real and important. The character of Calvin holds the movie together while observing it from the outside. Calvin is hardly ever involved in the barbershop conversations but he is always watching and his perspective is the audience's perspective. As he realizes how important his shop is to the neighborhood, we in the audience do as well. It is a marvelous performance.

Barbershop does have its flaws, particularly Anthony Anderson as JD. Anderson is becoming a cliché, playing the same character over and over. In Barbershop his constant mugging is tiresome and unnecessary. The film could have done without his entire subplot. Still, Barbershop is a very good movie. For me the most important thing in comedy is consistency. Most films take too long setting up jokes that aren't funny enough to justify the time taken to set them up. In Barbershop, laughs come early and often, making for one of the funniest movies of 2002.

Movie Review: The Fantastic Four

Fantastic Four (2005) 

Directed by Tim Story 

Written by Michael France, Mark Frost 

Starring Chris Evans, Jessica Alba, Michael Chiklis, Ioan Gruffaud, Julian McMahon, Kerry Washington

Release Date July 8th, 2005 

Published July 7th, 2005 

What is it that those testosterone freaks from the gym say? Come hard or don't come at all? As overly aggressive as that sounds it's about setting a standard. When a film sub-genre features films as amazing as the two Spiderman movies, the original and new Batman flick and three X-Men movies any film that follows in that genre had, as they say, better come hard or not at all.

In the case of The Fantastic Four the 'not at all' would have been a better choice. Compared to it's superhero brethren Fantastic Four is an outright disaster. On it's own terms it has appeal to small children and the very, very forgiving amongst us. Unfortunately, I'm not all that forgiving.

Comic fans have been familiar with the powers of the Fantastic Four for nearly forty years. For the uninitiated, Reed Richards (Ioan Gruffaud) aka Mr. Fantastic, has the ability to stretch any part of his body. Sue Storm, (Jessica Alba) aka Invisible Girl, as her name implies, can become invisible. Sue's brother Johnny Storm, (Chris Evans) aka The Human Torch, can turn his entire body to flames and finally Ben Grimm, (Michael Chiklis) AKA The Thing, who's whole body is made of unbreakable rock.

The movie tells the origin story of the Fantastic Four as well as their arch nemesis Victor Von Doom (Julian McMahon). On a space mission to investigate a mysterious energy field the Fantastic Four and the benefactor of the mission, Victor, are struck by this unique energy field and transformed into their fantastic forms.

Johnny Storm loves his new abilities; taking full advantage of his flammability to make a splash with the media. It is Johnny who gives the team nicknames and dubs them The Fantastic Four. Ben Grimm on the other hand cannot stand his rock formations which cost him his marriage and makes him the target of derision and eventually the police. Reed and Sue take a more scientific perspective as they seek ways to cure the mutations.

Victor Von Doom was also transformed and similar to Ben's rock; Victor is slowly turning to steel. At first he reacts like anyone would; using his billions of dollar to find a cure, but, then a case of movie evil sets in and Victor decides to be a world conquering super villain. When Victor uses his new steel form to control electricity and commit crimes only our fantastic heroes can stop him.

Director Tim Story and screenwriters Mark Frost, Michael France and Simon Kinberg remain mostly faithful to Stan Lee's origin story. In fact Tim Story even incorporates some of legendary comic artist Jack Kirby's visuals, such as a scene in which Ben Grimm stops a semi truck in it's tracks. The scene is shot from behind Ben with the truck coming straight for him and mimics a story board from the very first Fantastic Four comic.

The script also remains faithful to the family dynamic that Stan Lee established in the comics. Reed Richards with his graying temples and maturity is a natural father figure. Sue Storm is more of a de-facto mother character, she seems to young for the role but her romance with Reed makes it necessary. And of course Johnny and Ben with their childish rivalry are perfect bickering brothers. Lee mined this dynamic for humor not often found in the super hero genre.

The film however fails in it's few attempts at similar humor. The romance between Gruffaud and Alba is clumsy and fumbled and the rivalry between Johnny and Ben works only to make both seem oafish and imbecilic. Not helping matters is that each of the actors seems to be playing different beats. Gruffaud is impassive even when given a punch line while Alba just seems embarrassed. Michael Chiklis is playing a serious dramatic vibe which is at odds with the mildly ludicrous tone set by director Tim Story.

Something in Tim Story's direction amps up the comics least appealing aspects. The family humor of the comics was occasionally hokey as is much of the premise of the Fantastic Four. We accept it because of Lee's ability to make us care about these characters and Jack Kirby's exceptional drawings. Brought to physical life; the contrived nature of the comic is exposed by actors who seem unable to grasp the concept of their characters. The acting is far too serious and stern and thus remains humorless, that is except for Chris Evans as Johnny Storm.

Evans seems to be the only cast member having a good time with this material. He captures the goofy spirit and headstrong vitality of Johnny Storm. If the other actors had played a similar vibe Fantastic Four would be a whole lot more enjoyable.

Then there is Julian McMahon who chews the scenery like Jeremy Irons on a bender. To say that McMahon is over the top would be a grand understatement. McMahon plays Victor Von Doom like a silent film era villain, all grand impressive gesticulations and over pronounciations. He needs only a mustache to twirl to make this character a perfect parody.

A quick aside, did anyone else keep flashing back to Mallrats and wondering, like Brody, about whether Reed Richards could stretch his 'entire' body or if the Thing... well you know. It's horribly wrong, but one of the pleasures of a subpar movie is the invoked memories of far superior films. I will take the puerile Mallrats over the over amplified Fantastic Four any day.

I cannot deny that there is one really eye catching series of action scenes in Fantastic Four. The scenes set on the Brooklyn bridge where each of the Fantastic Four demonstrate their super powers for the first time, is a pretty terrific set of actions. Quickly edited, tautly paced, and well executed with CGI effects, these scenes demonstrate the unrealized potential of Fantastic Four.

One great series of scenes, however, are not nearly enough to rescue such a mess of a movie. Director Tim Story, who did a terrific job with the much smaller Barbershop; seems completely overwhelmed by the scope and scale of the Fantastic Four. With all the money and CGI he could ever need, Story fell into the trap of forgetting that his actors and his story need direction as much as his effects.

Fantastic Four demonstrates an opinion of mine that it takes a great director to bring the fantastic elements of a super hero movie to life. Sam Raimi and Spiderman, Bryan Singer and X-Men, Tim Burton and now Christopher Nolan with Batman. Tim Story is a good director but as Fantastic Four demonstrates he is not a great director.

Movie Review: Fantastic Four Rise of the Silver Surfer

Fantastic Four Rise of the Silver Surfer (2007) 

Directed by Tim Story 

Written by Don Payne, Mark Frost

Starring Chris Evans, Jessica Alba, Michael Chiklis, Ioan Gruffaud, Kerry Washington, Julian McMahon, Andre Braugher, Laurence Fishburne 

Release Date June 15th, 2007 

Published June 14th, 2007 

What is so disappointing about The Fantastic Four and the sequel Rise of the Silver Surfer is that director Tim Story shows a great talent for big time action scenes. The first film had a pair of impressive action and effects scenes that showed the potential of the series. Rise of the Silver Surfer builds on that with bigger and better effects, especially the stunningly rendered CG Surfer.

The big effects and big action act as unintentional commentary on the non-action, non-effects scenes. As great as the action is, the acting, dialogue and storytelling of Rise of the Silver Surfer are sloppy, slipshod and at times embarrassing.

As we rejoin the story of the Fantastic Four, Reed Richards (Ioan Gruffaud) AKA, Mr. Fantastic is about to wed Sue Storm (Jessica Alba) aka The Invisible Woman. Ben Grimm (Michael Chiklis) aka The Thing, is Reed's best man and Johnny Storm (Chris Evans) aka The Human Torch is walking his sister down the aisle. Well that was the plan but as the media circus swirls about; a bigger threat has hit the earth.

A silver alien on a surf board is disturbing the environment of the entire planet, creating giant holes all over world. Reed quickly discovers that this is not the first time the Silver Surfer has attacked a planet, his arrival has lead to the end of a planet within 8 days. With the Silver Surfer comes the arrival of a planet eating entity called Galactus.

To stop the Surfer and Galactus the Fantastic Four will have to team with their enemy, a fully recovered Victor Von Doom (Julian McMahon) who was the first to make face to face contact with the Surfer. Naturally, Victor has designs on the Surfer's planet destroying powers.

In Rise of the Silver Surfer director Tim Story delivers pretty much the same results he delivered with the first Fantastic Four movie, big action and effects with ill-conceived character bits and shockingly dull witted dialogue. It's an odd result considering that Story came to the Fantastic franchise after directing the smart, funny, character driven comedy Barbershop.

The results become even more curious when you see the script credited to Mark Frost; the same Mark Frost who teamed with David Lynch to create the complicated, layered and slighly loopy Twin Peaks. The talented director and writer seem to never be on the same page in Rise of the Silver Surfer. Frost's twisted approach to the characters combines a fifties style earnest heroism with an attempt at being hip and modern and it fails rather miserably.

As for Tim Story, he directs as if unconcerned about the characters and their awkward, embarrassing moments. Story's sole concern is the action and effects and his attention to detail is really impressive on that front. The effects and action are as impressive as anything in Spiderman 3 or Pirates of the Caribbean: At World's End. The blockbuster comparisons end their however because where those blockbusters are as character driven as they are effects driven, Rise of the Silver Surfer is an effects only enterprise.

The Silver Surfer, voice of Laurence Fishburne, is a tremendously successful special effect. The CG creation is seamlessly integrated with the human cast to the point where the Surfer suffers as much as the real actors, this awful, awful script. Yes, the Silver Surfer is a bit of a letdown when he speaks, with his windy ethereal voice and vaguely menacing pronouncements. Still, as a special effect, as an example of how the world of CG technology has progressed; the Silver Surfer is among the most impressive things you will see at the movies this year.

As for the human cast of Fantastic Four, the same issues that plagued the first film continue to plague this film. Jessica Alba remains super hot but still miscast as the too young Sue Storm. Ioan Gruffaud continues to be a charisma free leading man noticeably uncomfortable as a comic book superhero. And Michael Chiklis; though he is physically perfect for the role of The Thing, his comic moments are as awkward as the punchlines he's supposed to deliver.

The only one who seems perfectly cast and comfortable with even the goofiest dialogue and most embarrassing attempts at humor and earnestness is Chris Evans. Achieving just the right mix of cheeseball self awareness and cocky attitude, Evans' Johnny Storm is the one character who makes something of this regrettable mess. It helps that Johnny is the only one of the four whose subplot has some juice.

When Johnny confronts the Surfer for the first time he has his molecules scramble to the point where if he touches one of the other Fantastics he switches powers with them. His impulsive nature and desperate need to get his power back leads to more trouble in conflicts against the Silver Surfer but, of course, when the time comes he gets to prove himself. In a terrific showdown with Victor Von Doom, Evans's Human Torch gets the biggest and best action moment of the movie.

The less said about Julian McMahon's fey Victor Von Doom the better. McMahon's performance is by far the most embarrassing of anyone.

The fact is that after a somewhat disappointing domestic launch for the original Fantastic Four many thought the series was through. Somehow the film managed to find a large international audience and the pot of gold proved to be enough to overcome the creative bankruptcy. How unfortunate that the creative bankruptcy continues and engulfs another potential franchise in Rise of the Silver Surfer.

Now, not one but two legendary Marvel comics are wrapped up in one mediocre movie franchise.