Movie Review: Black Adam

Black Adam (2022) 

Directed by Jaume Collet Serra 

Written by Adam Sztykiel, Rory Haines, Sohrab Noshirvani 

Starring Dwayne The Rock Johnson, Pierce Brosnan, Aldis Hodge, Sarah Shahi

Release Date October 21st, 2022 

Published October 21st, 2022

Black Adam is the film version of a shrug. It's a movie that exists and doesn't effect the world in any way. It's a mild, distracting, passing fad. I don't dislike Black Adam, but I am struggling to care about its existence at all. I admire Dwayne The Rock Johnson but he's distinctly average when not working with a great director and Jaume Collet Serra is not a great director. Serra is a serviceable director, a studio hack. Serra is the director you hire if you want a movie to be remarkably average. That's the best description I can think of for Black Adam, remarkably average. 

Black Adam tells the story of the fictional Middle Eastern country Kahndaq. For centuries Kahndaq has been subject to numerous conquering armies and dictators. Only once in history has the country been able to fight back against oppression. This was through the sacrifice of a Champion who stepped forward to destroy a great evil. This came at a great cost however, as the Champion, known as Teth-Adam (Dwayne Johnson), created immense destruction through his God-like powers in his attempt to stop evil. For this destruction, Teth-Adam was imprisoned for centuries in a tomb in Kahndaq. 

In present day Kahndaq, a researcher and professor, Adrianna Tomaz (Sarah Shahi), has discovered Teth-Adam's final resting place. This happens to also be where a crown of ancient evil power is located. Tomaz aims to take the crown and hide it away so that no one can wield its terrifying power. When she and her partners are nearly captured by an invading force, Tomaz uses her knowledge of ancient languages to recite a chant that raises Teth-Adam from the dead. Adam destroys the men who are chasing Tomaz and they begin a tentative alliance. 

Finding out that the 5000 year old meta-human Teth-Adam has been raised from the dead, Amanda Waller (Viola Davis in a minor cameo) dispatches the Justice Society to take Teth-Adam into custody. The Justice Society is led by Hawkman (Aldis Hodge), and his partner Dr. Fate (Pierce Brosnan.). Joining them for this dangerous mission are newcomers Atom Smasher (Noah Centineo) and Cyclone (Quintessa Swindell), meta-humans whose superpowers mirror those of Ant-Man and Storm from the Marvel Universe. 

The middle portion of Black Adam is taken up with The Justice Society facing off with Black Adam while ill-defined baddies take advantage of the chaos to try and steal the ancient cursed crown. The fight between Black Adam and The Justice Society amounts to a lot of chaotic wheel spinning. The one nice thing I can say about it is that Pierce Brosnan as Dr. Fate emerges in this portion of the movie as the most charismatic and interesting character in the movie. The debonair former James Bond plays an aging superhero with magic powers with a strong sense of dignity and good humor. It's honestly one of my favorite Pierce Brosnan performances in some time. 

As for Dwayne The Rock Johnson, well, he's okay. This is not a challenging role for Dwayne Johnson. He already looks the part of a superhero so playing the part was halfway done when he accepted the role. The problem comes in the scripting and direction which has Johnson partnered with a nattering teenager named Amon (Bodhi Sabonguo) whose function is to be a fount of exposition and then to be placed in danger to spark a big action scene. He's also played as a counterpoint to underscore the bravery of Black Adam's son who, in a flashback scene, is shown to have been the true freedom fighter in his family. 

Click here for my full length review of Black Adam at Geeks.Media 

Movie Review: Doom

Doom (2005) 

Directed by Andrzej Bartkowiak 

Written by David Callaham, Wesley Strick 

Starring Karl Urban, Dwayne The Rock Johnson, Rosamund Pike 

Release Date October 21st, 2005 

Published October 22nd, 2005 

I am a huge fan of The Rock. The guy is charismatic, he's cool, he's big and surprisingly funny. That talent was on display in both of his previous roles in the action movies The Rundown and Walking Tall. So what happened to Doom?  Director Andrzej Bartkowiak somehow manages to strip The Rock of his charisma, his humor and any of his other appealing qualities for this human vs. aliens video game retread. Doom had little going for it when it was conceived. Take away the only really appealing element it had in Dwayne Johnson and you have one of the worst films of the year.

On Mars a futuristic research facility has sent out a distress signal of unknown origin. Scientists and archaeologists have disappeared and no one in the facility seems to know why. Enter the Sarge (Dwayne 'The Rock' Johnson) and his team of marine mercenaries. Sent to mars to find the missing scientists and help the corporation recover proprietary data, they soon find themselves up against an enemy that may or may not be human.

Hey wait... isn't that the plot for Resident Evil 2? Remove the trip to outer space and toss in Milla Jovovich in some skimpy ass-kicking outfit and you have essentially the same movie. There are even zombies in Doom and possibly, this point was not all that clear, a virus.

Funny thing, there were no zombies at all in the video game on which Doom is based. Of course there weren't any characters in the game either. Instead of The Sarge or Grimm (Karl Urban) or Destroyer (Deobia Oeparai) or the Kid (Al Weaver) you had the first person point of view of a gun that you used to blast alien monsters.

Creative license, I'm sure, was necessary for adapting Doom to the big screen but this departure is rather extreme and made worse by the fact that it's a near complete rip off of another bad video game adaptation. It's bad enough Hollywood studios cannot resist making video games into movies but do they have to make them knockoffs of other video game movies? UGH! 

We might have predicted the kind of disaster that is Doom considering the director. Polish born director Andrzej Bartkowiak, has the kind of resume that only Uwe Boll could envy. Bartkowiak directed two atrocious Jet Li flicks, Romeo Must Die and Cradle 2 The Grave and, most egregiously, he brought Steven Seagal's Exit Wounds to the big screen, a cinematic nightmare of incalculable proportions.

Consider ourselves lucky Bartkowiak did not include Mr. Seagal in Doom. The combination of this already bad idea with Seagal might have caused time and space to collapse upon itself in a cosmic gag reflex hurling us all into the ether. Sorry, I'm just saying maybe things could have been worse.

In a nod to gamers Doom retains the first person shooting scenario that is one of the games trademarks. Unfortunately, once we enter the first person mode, which happens for much of the last 20 minutes of the film, watching Doom becomes very much like watching someone else play a videogame and knowing you don't ever get a turn.

The one thing the film had going for it was The Rock. Sadly, cast as taciturn, humorless pseudo cyborg killing machine The Rock loses every last bit of the personality that made him a star. The action genre that The Rock has quickly risen to dominate, in terms of the classic one man against the world Stallone-Schwarzenegger-Van Damme action genre and not the genre as a whole, is built on physicality and personality. Removed from that mold Rock is just another beefcake behemoth with a gun.

Walking Tall was an old school action flick that played to the strengths of Rock's personality while being just different enough from the old school to seem fresh and fun. The Rundown is an out and out buddy comedy that really allowed Rock to cut loose with that fresh charismatic smile and surly but exciting demeanor that I had hoped would become his trademark. Doom is a major step backward for the man once known in the world of professional wrestling as 'the most electrifying man in sports entertainment'.

Just who is the audience for Doom? Teenage boys who loved the videogame might find something to enjoy. But even the least discerning teenage male must have his limit. Doom is an abysmal mess of genre knockoffs and an outright theft of another movies plot and action. And the movie it steals from, Resident Evil 2, isn't very good either so you can imagine how bad a knockoff would be. 

Throw another hack director into the movie marketplace. Andrzej Bartkowiak joins Uwe Boll and the king of all hacks Paul W.S Anderson in the ranks of directors dragging the standards of Hollywood filmmaking to new lows. Where is the justice? Woody Allen, Jim Jarmusch and other auteurs struggle to find financing for their work, often having to leave the country as Allen did for his latest film Match Point, to find the funding to make one small picture.

Hacks on the other hand are finding ever growing budgets and clout. I know Hollywood is a business but that does not make such practices right. Watch Doom and tell me you disagree.