Basic (2003)
Directed by John McTiernan
Written by James Vanderbilt
Starring John Travolta, Samuel L. Jackson, Connie Nielsen, Taye Diggs, Giovanni Ribisi, Tim Daly
Release Date March 28th, 2003
Published March 27th, 2003
Just over a year ago, director John McTiernan hit a career low point that made The Last Action Hero look like an Oscar winner. The 2002 remake of Rollerball was a painful cinematic experience for the audience and probably the filmmaker as well. McTiernan soldiers on, literally in fact, with his new military thriller Basic. Re-teaming Pulp Fiction partners John Travolta and Samuel L. Jackson, McTiernan has improved on his last effort; then again, how could he not?
Travolta, back in military mode for the first time since 1999 trash thriller The General's Daughter, here plays another troubled outsider called into the military fold to investigate a murder. Sergeant Nathan West(Jackson) and a group of six recruits went into the jungle training grounds of Panama and only two people came back. Both men, Lieutenant Kendell(Giovanni Ribisi) and Lieutenant Dunbar (Brian Van Holt) say Sergeant West was killed, but that is where the similarities in their stories end. While Travolta's Tom Hardy--who is paired with a military investigator, Lieutenant Osborne (Connie Nielsen)--interrogates each man, two very different stories evolve as time ticks away before the FBI and military police step in and take the case over.
The camp commander, Colonel Styles (Tim Daly), needs the case cracked before the Feds get there or the camp will be shut down. Of course, his motives come into question, as do the motives of everyone in the film, as the plot begins to spin out of control with flashback on top of flashback. The film's plot is based on so many lucky guesses and well-timed confessions, that by the time it arrives at its final twist, you're too exhausted to care. Whether it was too much editing and settling for shorthand clues that the audience never sees or simply a poorly-constructed plot one is left to wonder.
If you are looking for a Pulp Fiction reunion, there isn't much to get excited about Travolta and Jackson share very little screen time. However, Travolta is well teamed with Nielsen. The two spark with flirty dialogue even while at each other's throat over who is in charge. Travolta is in full-on cool mode, much like his performance in Broken Arrow--all swagger, bravado, and charisma. Jackson, on the other hand, though he is played up as a star, really only has a cameo in the film. He's barely there. In typical Sam Jackson manner, he still manages to make an impression.
Of course, if one is to compare Basic to any of Travolta's past films, the obvious one is The General's Daughter. In both films, Travolta plays a cop on the outskirts of the military called into an investigation that could lead to a scandal. Both are murder investigations with mysterious circumstances and witnesses with conflicting accounts and there is even a soldier with a powerful general for a father who wants things to keep quiet. Thankfully, the general remains off screen. The difference between Basic and The General's Daughter is entertainment value.
Where Basic tires you with twist after twist, The General's Daughter has the advantage of salacious subject matter and trashy novelizations to titillate the audience and distract from the formula thriller twists. Basic doesn't have that to fall back on and thus, outside of Travolta, it's just no fun. The further I get from the film, the more the cracks in the plot become big gaping holes. Unlike many critics though, I cannot lay all the blame with screenwriter James Vanderbilt because some of these ideas, especially the ending, seem to have been made up as they went along.
Basic is an improvement for John McTiernan over Rollerball. (Then again, repertory theater versions of Rollerball would improve over that film.) McTiernan is in a slump and rumors of a Die Hard sequel are out there. Maybe a return to such familiar ground is what the man needs. That or maybe just a nice long vacation.
