Showing posts with label Michael Davis. Show all posts
Showing posts with label Michael Davis. Show all posts

Movie Review Shoot'em Up

Shoot'em Up (2007) 

Directed by Michael Davis

Written by Michael Davis 

Starring Clive Owen, Paul Giamatti, Monica Bellucci 

Release Date September 7th, 2007

Published September 7th, 2007

What do you get when you mix Quentin Tarentino, Robert Rodriguez, the Wachowski brothers, Sam Peckinpah and Bugs Bunny? You get the sly, ultraviolent action flick Shoot'Em Up starring Clive Owen. Directed by Michael Davis, Shoot'Em Up is arguably the most violent movie of all time. It's also one of the biggest laughs of 2007. Part spoof and part hardcore action pic, Shoot'Em Up is the unholy culmination of the culture of violence in cinema.

Oh, and it's just damn entertaining.

When we meet Smith (Clive Owen), the ostensible hero of Shoot'em Up, he's sitting on a bus bench eating a raw carrot. Is he waiting for the bus? Is he a homeless guy? We have no idea. We can tell however, that when a frightened, pregnant woman, obviously in labor, runs by and is chased after by a man with a gun, that Smith is terribly annoyed to have his vegetable chomping idyll disturbed.

Involving himself in the situation, Smith takes out the guy with the gun. Unfortunately, that isn't the only guy with a gun who wants this woman and her baby dead. Indeed, an entire team of assassins, led by Mr. Hertz (Paul Giamatti), wants to make sure that mother and son do not get out alive. They do get mom but not before Mr. Smith helps her give birth, cutting the cord with a 9 millimeter shot.

This further offends Mr. Smith's delicate sensibilities and thus begins a war between hundreds of trained killers and one man with a gun and a baby.

Shoot'em Up is the most over the top violent movie in history. Schwarzenegger, Stallone and Seagal on their best day never fired this many bullets or killed this many bad guys. Nor have any of those action legends dispatched bad guys in so many unique, violent and comical ways. The violence, as directed by Michael Davis is a riff on those classic action cliches cemented in the 80's action classics like Rambo or Commando.

Shoot'Em Up at once is a loving homage to hardcore violence and an Airplane-esque send up of any film that ever tried to play this type violence as straight dramatic action. It's a difficult balancing act that is pulled off to near perfection by director Michael Davis. The director is aided greatly by cinematographer Peter Pau who gives every scene a hyper-realized stylishness.

The only problem with Shoot'Em Up comes when it tries to be about something other than being a violence delivery system. The conspiracy theory at the center of the plot is comical but treated with such seriousness and cynicism that it becomes a burden and a drag on the fun of the goofball violence that is the raison d'etre of Shoot'Em Up.

The Bugs Bunny allusions in Shoot'em Up are an endless source of humor. Whether it's Smith's love of carrots, his many endless escapes or his pitch perfect delivery of "What's Up Doc" after dispatching a bad guy. It all works to great comic effect. The carrot is a sensational, unexpected running gag. Keep an eye on the many uses of the carrot, including a visual pun on carrots being good for your eyesight.

That Clive Owen is still not a major star is a shock to me. Owen is both a skilled actor and a charismatic presence and a handsome fella. And yet he can't seem to break through at the box office. His terrific performance in last year's Children Of Men escaped both audience and awards attention. The thriller Derailed was a sleazy mistake while Closer was another mysterious failure.

Only Sin City has been proven a success but not one that Owen claims for himself (ensemble cast, popular director and graphic novel). Shoot'Em Up succeeds fully on Owen's star presence and gruff charisma. Smith is a reluctant hero at first but quickly becomes motivated and extremely violent for reasons that are entirely his own.

Paul Giamatti is a terrific foil as a comic bad guy. Though he elicits some big laughs, Giamatti ably delivers more menace than you might expect from the sensitive sad sack from the Oscar nominated Sideways or the avuncular artist of American Splendor. Giamatti knows his way around a fire arm but it is in directing his endless horde of henchmen where this character comes to life. The humorous bumbling of the bad guys and Giamatti's priceless apoplexy are golden moments in Shoot'em Up.

Violent to a degree that would turn Sam Peckinpah's head, Shoot'em Up is at once an homage to and a send up of classic Schwarzenegger-Stallone-Van Damme action epics. No film has likely fired this many bullets or dropped this many bodies and done so with as much style and wit. That is not to say that I loved Shoot'Em Up. The plot is beyond ludicrous and the various twists and conspiracies become rather irritating.

Nevertheless, the violence is so entertaining and Clive Owen is so much fun, I have to recommend Shoot'Em Up.

Movie Review Monster Man

Monster Man (2004)


Directed by Michael Davis


Written by Michael Davis


Starring Eric Jungmann, Justin Urich, Aimee Brooks, Michael Bailey Smith


Release Date February 13th, 2004


Published October 6th, 2003


There are a number of films released every year that we never hear of. Some of them like the little seen drama After April are very good, some like the street drama Rhapsody should never have seen the light of day. Many more are like the low budget horror flick Monster Man, a slightly above average little film that not many people have seen or may ever see.

Monster Man stars Eric Jungmann as Adam, a nerdy little guy on a road trip to tell the girl of his dreams that he loves her before she gets married to some other guy. Joining Adam on his trip is Harley (Justin Urich), a former friend who wasn't asked to come along. Harley also had a thing for Adam's girl and even had the fling that Adam never got. That's just one source of tension between the former friends, Harley's over the top obnoxiousness only makes things worse.

In fact, it is Harley's obnoxious behavior in a redneck bar that draws the attention of locals who don't take kindly to out-of-towners. It's not long before the two roadtrippers are being followed by a very pissed off redneck in a monster truck. After escaping the monster truck and hiding out in a hotel, the guys find they have a stowaway; a gorgeous hitchhiker named Sarah (Aimee Brooks). Boy did she pick the wrong car, as the monster truck driver continues his pursuit. Along the way, there are stops in more little redneck bars, gas stations and farmhouses, all with horrifying consequences.

Monster Man is a combination of Jeepers Creepers and Joyride but with a great deal more humor. Writer-Director Michael Davis attempts to do the impossible in Monster Man by combining humor and horror without sacrificing real scares and real laughs. The script is an excellent balance of scatological banter between the leads and disgusting blood and gore from the bad guys. It really is an impressive piece of work.


Unfortunately, the cast of the film isn't up to the task. Jungmann is way too much of a wuss to sell the physical moments of the film. His transformation from wimp to hero never registers. Urich is even less impressive, combining the obnoxiousness of American Pie's Stifler with the disgusting antics of Animal House's Bluto without a modicum of John Belushi's underlying sweetness.

As for Aimee Brooks, the former star of the camp soap opera Passions is a perfect fit for the delicate mixture of humor and horror. Michael Davis shows a real talent for scripting and shooting. With a better cast, he could make a truly terrific film. With his work, he elevates this rather unoriginal premise with great humor and plenty of blood, guts and creepiness.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...