Movie Review Paint

Paint (2023) 

Directed by Brit McAdams 

Written by Brit McAdams 

Starring Owen Wilson, Michaela Watkins 

Release Date April 7th, 2023 

Publish April 11th, 2023 

Paint is weird. While everyone is caught up in Owen Wilson's Bob Ross impression, what's lost is a timeless story of a fragile male ego, an unrequited love story, and a story that seems to play out in a timeless void somewhere between the 1970s and the 1990s. If Wes Anderson were to direct a late night Adult Swim program, it play a little like Paint. The tone is tricky and odd but I kept finding myself charmed by it. I laughed plenty during Paint and that goes a long way to helping me forgive the messier elements of the story. 

Paint stars Owen Wilson as Carl Nargle, a big fish in the small pond of the Vermont art world. Carl's show, Paint, on Vermont's biggest PBS station, is the most watched show in the state. People's lives come to a stop to watch Carl's latest variation on a nature scene revolving around Vermont's highest peak, Mount Mansfield. Carl's a star on screen and off where he has a devoted staff of women dedicated to his needs. Wendy McClendon Covey, Lusia Strus, and Lucy Freyer, play generations of women who may or may not have been Carl's lover at some point. 

Find my full length review at Geeks.Media

Movie Review The Disappearance of Mrs. Wu

The Disappearance of Mrs. Wu (2023) 

Directed by Anna Chi 

Written by Anna Chi, Donald Martin 

Starring Lisa Lu, Michelle Krusiec, Adrian Pasdar, Joely Fisher, Archie Kao, Rochelle Ying 

Release Date March 21st, 2023 

Published April 12th, 2023 

On the one hand, seeing a story prominently feature three generations of a Asian American family on the big screen feels fresh and new. On the other hand, a movie this bad doesn't do all that much for representation for anyone. The Disappearance of Mrs. Wu is a painfully stretched sitcom episode premise that has been dragged to feature length for reasons that defy logic and entertainment value. The story of an elderly woman not wanting to spend her final days in a hospital bed isn't a terrible idea but in execution, it's a low rent bore. 

The Disappearance of Mrs. Wu centers on dyspeptic senior citizen, Mrs. Wu (Lisa Lu). Mrs. Wu is staying at a high end nursing home and is set to celebrate her 88th birthday but she's far too miserable to enjoy it. Despite what we are told is a high end nursing home experience, Mrs. Wu describes the place as a prison that her daughter, Mary (Michelle Krusiec) and her white husband, Brian (Adrian Pasdar) have sentenced her to. Mrs. Wu wants to spend her last days either in her own home or on the road in Carmel, California, where she lived the biggest moments of her life. 

After a disastrous birthday celebration, Mrs. Wu corners her granddaughter, Emma (Rochelle Ying) and Emma's best friend, Karen (Tiffany Wu), and asks them to sneak her out for an impromptu road trip. In exchange, Grandma gives Emma a VHS tape message from her late father, one she wasn't supposed to get for another year or so, on her 18th birthday. Emma and Karen then enlist the help of Mrs. Wu's best friend and caregiver, Charlotte (Joely Fisher) to help them with this scheme, and keep Grandma alive long enough to reach Carmel. 

Subplots abound in The Disappearance of Mrs. Wu and each is less interesting or relevant than the last. Karen is coming out as gay. There is nothing wrong with this except that it has no bearing whatsoever on her relationship to her closest friend, Emma, who accepts her friend's revelation with the kind of loving support one would hope to get from their childhood best friend. There seems to be an element of Queer-baiting going on as the film seems to want to create tension between the friends, perhaps with Karen having a crush on Emma, but this is hand-waved away with Karen's subplot about a long time male friend she hopes will go to prom with her. Heterosexuality safely confirmed, the LGBTQ elements are dismissed mostly unaddressed. 

Find my full length review at Geeks.Media 

Classic Movie Review Indecent Proposal

Indecent Proposal (1993) 

Directed by Adrian Lyne 

Written by Amy Holden Jones 

Starring Demi Moore, Robert Redford, Woody Harrelson 

Release Date April 7th, 1993 

Published April 19th, 2023 

Indecent Proposal tries to skirt the issue of its sweaty desperation with a softcore stylishness that had become a cliche trait of director Adrian Lyne well before he recaptured the zeitgeist with this movie. For all of the talent he clearly has and the discourse his movies have inspired, the one consistent thing about Lyne is that he enjoys watching attractive people cavort in little to no clothing while sweating profusely. If you can rely on Lyne for anything, it's getting well known stars to doff their duds to provide late night masturbatory thrills. Not there is anything terribly wrong with that. 

It's the pretense that Lyne has about his movies. Lyne appears to have quite a high opinion of his movies which, without the imprimatur of big movie stars, would be late night cable fare. High minded as Adrian Lyne may be, it's the smut that really revs his engine. In Indecent Proposal he is desperately reaching for a respectability always slightly out of reach, probably because his other hand is reaching for a particular body part that his work aims to stimulate far more than has drama might stimulate the brain. 

That said, there is no denying Lyne's talent for base mass appeal. Lyne's lurid fantasies, just on the dark side of morality, always seemed grab hold of the culture, even if only for a short time. With Indecent Proposal, Lyne made an impact with a very simple premise: What would you do if someone offered you a million dollars for sex, with the permission of your partner? I'm being quite loose with that question. The reality is it wasn't much of a question for the masses but, rather, for the male audience. Would you let your wife sleep with another man for $1 million dollars? 

Indeed, the woman in question, played by the gorgeous Demi Moore, is rather superfluous to the drama of Indecent Proposal. She's the object in play between two arrogant, possessive and deeply insecure men. That might not sound so bad except that neither the movie or the men involved, played by Woody Harrelson and Robert Redford, are remotely aware of how insecure they come off. Each wants to play the 'alpha' male with Redford's fortune proving to be the deciding factor as to who is indeed the bigger dog in this yard. 

The opportunity to explore male insecurity is thwarted by a narrative more interested in moral failings like greed and infidelity than in examining where the real failings of these characters exist, in their massive, unfulfilled egos. The film romanticizes Harrelson's jealous possessiveness, as if he hadn't encouraged his wife to sleep with Redford and was a victim of her greed and his own indecisiveness in the face of a moral quandary. Jealousy is not a cute quality, it's romantic, it's ugly and creepy and while it happens to everyone, it's not a good quality and it makes Harrelson's character more of a creep than the heartbroken romantic of Lyne's conception. 

Find my complete review at Geeks.Media 

Movie Review Blackberry

Blackberry (2023) 

Directed by Matthew Johnson 

Written by Matt Johnson, Matthew Miller 

Starring Jay Baruchel, Glenn Howerton, Cary Elwes, Rich Sommer, Michael Ironside 

Release Date May 12, 2023 

Published? 

Blackberry is a story of technology, hubris, and the ways in which the world has been brought together via technology but people remain, quite predictably, human. The story of the rise of the first trendy handheld communication device, Blackberry charts the astonishing growth and precipitous fall of a fad unlike anything before it. Blackberry became a staple of high class living in the early 2000s. The ubiquity of the Blackberry became a meme before memes were cool. No caricature of a businessman was complete without them holding a Blackberry. 

How the Blackberry thus came and went as a phenomenon is a ripe subject for a movie. After all, how does something as ubiquitous and beloved become ancient and nearly forgotten in the span of just over a decade? It's hard to quantify, even less than 20 years after the Blackberry, how big the Blackberry got and how quickly it fell out of fashion. There are few phenomenon's quite like it. Perhaps a reasonable comparison for modern audiences might be Tiger King. The famed Netflix series was the hottest thing in the world and by the time it came for a sequel, people had already forgotten the people involved. 

The Blackberry lasted longer as a product but as a pop culture staple, the comparison is pretty good. Both became afterthoughts quicker than anyone involved could have imagined. The Blackberry's remarkable fall has roots in the way modern IT has changed the landscape of innovation. Where in the early days of the industrial revolution the innovation life-cycle was decades, today, the innovation life cycle is measured in years. Things in today's IT world change so quickly that even beloved innovations can expect to be outmoded within three years. 

There's a reason why we are on the 14th generation of the IPhone in the 16 years since it was introduced by Steve Jobs and his turtle neck. Technology is now a shark that must swim even when it sleeps. The Blackberry story was the trial balloon of modern technology. Innovators need to look no further than the 2002 introduction of The Blackberry and that same product's obsolescence a mere 5 years later when the IPhone crashed the market. 

As charted in the movie, Blackberry, the writing was on the wall from the early days. Mike Lazaridis (Jay Baruchel), the brains of the operation, was always in over his head as his employees walked all over him and took advantage of his genial good nature and lack of social grace. It's no wonder now, with grave hindsight, that Lazaridis would fall victim to a hard charging snake like Jim Balsillie (Glenn Howerton). Lazaridis just wanted to make new, helpful technology, a noble pursuit. He needed a ballbuster like Balsillie to push him to deliver his best, and it worked, if only for a moment in the span of our new technological evolutionary cycle. 

The casting here in Blackberry is rather brilliant. Jay Baruchel, known as a waif and a shrinking violet, when he isn't an obnoxious denizen of a Judd Apatow film, is just the kind of guy who would get run over by a big personality like that of Glen Howerton. The former star of It's Always Sunny in Philadelphia star has a loud and brash personality that befits a scruples free businessman chasing every dollar and imposing his will upon the geeks and nerds that exist under his weighty boot. The dynamic is familiar, a genius who doesn't want the hassle of leadership and a dictator who is hungry for power at all cost come together like halves of a whole. 

Full length review at Geeks.Media 

Movie Review Evil Dead Rise

Evil Dead Rise (2023) 

Directed by Lee Cronin 

Written by Lee Cronin 

Starring Lilly Sullivan, Alyssa Sutherland, Morgan Davies 

Release Date April 21st, 2023 

Published April 21st, 2023 

The Evil Dead franchise is supposed to be fun. It's supposed to be gross, it's supposed to shock you out of your seat, but above all, it's supposed to be fun. Writer-Director Lee Cronin, the creative force behind the new re-imagining of the Evil Dead franchise has completely forgotten the fun of the franchise. Don't get me wrong, Lee Cronin is a terrific horror movie director. The gore and the weirdness he achieves in Evil Dead Rise is impressive on a technical level. But it's not The Evil Dead. 

Evil Dead Rise begins at a cabin in the woods because it has to, it's an homage to the original film setting. After a gory set piece, we go back in time by one day. We arrive at a rock club where we meet Beth (Lilly Sullivan), a guitar technician for a small scale rock band. Beth has just found out that she is pregnant and is struggling with this information. While in Los Angeles, Beth goes to see and stay with her sister, Ellie (Alyssa Sutherland), and Ellie's three kids, son Danny (Morgan Davies), daughter Bridge (Gabrielle Echols), and youngest daughter Kassie (Nell Fisher). 

The kids' father has rather recently disappeared and the family is being thrown out of their ancient apartment building because it is about to be condemned and torn down. Then, an earthquake hits and reveals a treasure trove in the basement. Curious, Danny goes searching the rubble and finds a tomb in the basement. Inside is a book made of human flesh and series of records that contain the voice of a Priest who has translated the horror Latin of the book, revealing that this is The Book of the Dead. 

You can guess what happens next, the demons are loose, people are possessed, and terror is unleashed on one member of the family after another until the movie mercifully finds a properly blood-soaked ending. It's all rather skillfully crafted, the blocking, the sound design, the overall staging of the blood and guts of Evil Dead Rise, is all first rate horror stuff. But, where's the fun? There is zero fun to be had in Evil Dead Rise and that, for a fan of the franchise, is a death knell. 

If this movie was not an official sequel of The Evil Dead franchise, I might find it more appealing. But as it is, billed as a part of a legendarily dark comic horror franchise, Evil Dead Rise just feels like a bad fit. I was reminded of how horror producers of the 70s and 80s would find a random script and attach a familiar franchise title to it as a marketing gimmick. Sometimes they might graft onto the script a very loose scene to connect it to the franchise, but it was clearly born as something else. 

Find my full length review at Horror.Media 

Movie Review Beau is Afraid

Beau is Afraid (2023) 

Directed by Ari Aster

Written by Ari Aster 

Starring Joaquin Phoenix, Nathan Lane, Parker Posey, Amy Ryan, Patti Lupone 

Release Date April 21st, 2023 

Published April 21st, 2023 

What if what Beau sees as the world around is really his internal life, externalized? This is the kind of question that toys with you when you watch a film from the remarkable, ungodly talented writer-director Ari Aster. The director of the twin masterworks Hereditary and Midsommar, Aster is a masterfully detailed and thorough director with a tone for tone and atmosphere that may just be unmatched in modern cinema. The thesis statement for my claim is Beau is Afraid, a film where atmosphere and tone stand in for just about anything you might find familiar as a film narrative. 

Beau is Afraid stars Joaquin Phoenix as Beau, a stunted, edgy, angst-riddled mess of a human being. Beau inhabits a universe where a criminal known as Stab-Man wanders the streets nude and stabbing people while building an astonishing body count. The streets are littered with filthy oddballs and just plain corpses strewn here and there by a society of haves and have nots we will only ever get a minor sense of. The point is not to make a direct comment about man's inhumanity to man, but to offer you the sight and let you make up your own mind about what is presented. 

Besides, the corpses in the street and Stab-Man aren't really things that Beau is interested, unless he's leaping over a corpse to escape the Stab-Man, and then, suddenly, these things really, really matter. The story kicks off when Beau's mother, played by the legendary Patti Lupone, is expecting Beau to get on a plane to come and see her. We've learned that Beau is not high on the prospect of seeing his mother. He tells his therapist, Dr. Jeremy, that though he loves his mother, the visit fills him with the kind of anxiety that must be treated by a high end drug that MUST be taken with water. 

You don't want to know what might happen if you take these pills without water. Regardless, as Beau is getting ready to leave his apartment, his bags and keys are stolen. Being a spineless simp for his mother's withheld affections, Beau tells Mom that he will still try and make his plane, even as he no longer has a bag or keys to his apartment, or his boarding pass, and she feigns telling him that its fine if he doesn't come, with the strong subtext being that he doesn't love her because he's not coming. 

Beau is a character to whom life happens. Beau doesn't have experiences, he has experiences inflicted upon him by an uncompromising world bent on making him do things he doesn't want to do. It's all related to his strange upbringing, the weird and uncompromising relationship with his mother, the absence of his father, and a bizarre relationship to women with deep oedipal roots and a self-loathing based fear that is not expressed but that Beau wears like a second skin. 

The trip to see his mother is the beginning of a journey for Beau that will somehow combine elements of David Lynch, David Cronenberg, and Homer's Odyssey. If that combination elements, shot through the incredibly prismatic mind of Ari Aster, appeals to you, Beau is Afraid is a must see movie. If however, you are not completely on board for some of the weirdest, most shocking, and distressing moments ever brought to the big screen, then, perhaps, this not the movie for you. 

Find my complete review at Geeks.Media 

Movie Review: Sisu

Sisu (2023) 

Directed by Jalmair Helander 

Written by Jalmari Helander 

Starring Jorma Tommila, Aksel Hennie, Jack Doolan 

Release Date April 28th, 2023 

Published April 24th, 2023 

Sisu is a Finnish word that, essentially, means extraordinary determination in the face of extreme adversity. That is a strong descriptor for the main character of the movie, Sisu, a man referred to as The Immortal for his uncanny ability to survive any kind of attack. Indeed, the former Finnish commando, Aatami Korpi, played by Jorma Tommila, does appear to be immortal. The things that Korpi survives in Sisu threaten to turn the movie into a Monty Python-esque parody of what the human body is capable of surviving. 

That the film doesn't descend into parody likely comes from how satisfying it is to watch a man brutally destroy Nazis, seemingly the last group of people we collectively enjoy watching die horribly. Rarely will you hear someone try and say, can't we just let the Nazis be, and that's the way it should be, no quarter for Nazis. Depicting Nazis being brutally decimated should not only be protected, it should celebrated and shown to actual Nazis as a warning of what we collectively will do if they think about trying to come back. 

But I digress. Sisu is told over several chapters. Chapter 1 introduces Korpi as a man mourning the death of his wife and setting out into the world to seek his fortune. Chapter 2 quickly follows and shows Korpi striking it rich, finding a rich vein of gold that should set him up for life and beyond. But, that's only if he survives to get the gold to the Finnish capital where he can exchange it for his life changing fortune. This task is rendered impossible when Korpi is accosted by Nazis who are fleeing in the dying days of World War 2. 

It's 1944 and Finland has been convinced to come over to the side of the allies and banish the already fleeing Nazi army. Running away with their tale between their legs, the Nazis can't help but try to start something with an old man just trying to reach the next outpost. Korpi doesn't want trouble but the Nazis sure do and when they attack, they find out that the old man they believe they can bully and rob on their way of town is not the man to mess with. Indeed, Korpi brutally murders his attackers but in doing so, he catches the attention of a fleeing German convoy, one equally eager for a reason to fight. 

The convoy turns back to attack Korpi and a brutal and deadly game of cat and mouse ensues with Korpi somehow surviving multiple bullet wounds, losing his horse to a mine in a stomach-churning scene of violence, and a near drowning. He will survive even more than that as Sisu plays out its story but that's for you to discover when you Sisu. Korpi also gives as good as he gets as he inflicts deathly wounds on Nazis using any manner of bloody, bloody, violence. As I said earlier, it's incredibly satisfying seeing Nazis on the receiving end of this kind of brutality.

It certainly doesn't make up for the real life crimes of Nazis but since we are not currently murdering Nazis, there is a reasonable satisfaction in seeing figurative Nazis get slaughtered. If you're mad that I am saying this about NAZIs, you might want to have a long talk with yourself or maybe a therapist and consider why someone talking about the brutal, bloody, eviscerating of Nazis bothers you. Most people don't deserve this but Nazis do. Being a Nazi is not an ideology, it's not a debate, it's just wrong and should be met with that in mind. 

Find my complete review at Geeks.Media.