Movie Review The Babadook

The Babadook (2014) 

Directed by Jennifer Kent

Written by Jennifer Kent 

Starring Essie Davis 

Release Date May 22nd, 2014 

Published June 28th, 2024

Until a recent edition of my podcast, the I Hate Critics Movie Review Podcast, available wherever you listen to podcasts, I was not aware that The Babadook, the incredible low budget horror movie that became an underdog smash in 2014, had an connection to the LGBTQ community. Then, as we were deciding on a classic for the final week of Pride Month, my co-host, Jeff Lassiter, suggested The Babadook. And I was puzzled.

I wondered if writer-director Jennifer Kent was connected to the LGBTQ community or perhaps star Essie Davis. But I have seen no indication of either speaking about their personal lives over the past 10 years. That's when Jeff explained a funny anecdote that, for reasons unexplained, Netflix had included The Babadook in a collection of Pride Month Movies. This led to members of the LGBTQ community embracing The Babadook as a pride movie in an ironic or sarcastic manner that became a genuine embrace. It became a meme in the LGBTQ horror community that the monster itself, the Babadook, of the title was queer.

“The Babadook” stars Davis as Amelia, a put-upon single mom dealing with an increasingly troubled child. Amelia’s son Samuel (Noah Wiseman), like many children, believes he has a monster under his bed. This fact has kept his mother up late many nights in attempts at reassurance. Samuel’s monster takes on a name from a bizarre children’s book that Amelia does not recall having purchased, ‘The Babadook.’

‘The Babadook’ is not, in fact, a children’s book but rather an illustration of upcoming events that will change as events change in the home. This, of course, is not a new concept in horror but there is a twist here that only the observant audience member will be able to pick up on. What’s truly clever about “The Babadook” the film is how this book and all of the varying cliches of possession/demon horror movies are routed to a single emotional point, the death of Amelia’s husband on the day that Amelia gave birth to Samuel.

Read my full length review in the Pride Community on Vocal. 

Classic Movie Review Jason Goes to Hell The Final Friday

Jason Goes to Hell The Final Friday (1993) 

Directed by Adam Marcus 

Written by Jay Huguely, Dean Lorey 

Starring John D. LeMay, Kane Hodder, Erin Gray, Allison Smith, Steven Culp, Steven Williams 

Release Date August 13th, 1993 

August 17th, 2023 

It's weird and rare to see a horror movie franchise parody itself and yet, that's exactly what we get in the opening moments of Jason Goes to Hell: The Final Friday. The film opens on a beautiful woman alone at a summer camp. She's making all of the mistakes that a victim of Jason Voorhees makes. She's getting naked and then running around in just a towel. Naturally, of course, this grabs Jason's attention and he begins his usual methodical pursuit. And then the see is turned on its head. Floodlights fill the scene, the woman as well as dozens of FBI Agents pull guns and explosives are used to blow Jason Voorhees to little bits. 

This sequence features a shot of Jason's mask flying toward the screen and a shot of Jason's still beating heart which is pretty cool. For a moment, only a moment, it seems as if Jason Goes to Hell: The Final Friday, might have a sense of humor and purpose in taking this aging franchise in an interesting new direction. And then, the movie flies completely off the rails. If you could think of a worse direction to take Jason Voorhees and this franchise you would be meeting quite a challenge. The decisions made by director Adam Marcus and writers Jay Huguely and Dean Lorey are so insane that they defy any attempt to defend them. 

So, with Jason blown to bits how does the story continue? Jason's charred pieces are taken for an autopsy. The coroner in charge of Jason's body, for reasons that cannot be explained, decides to eat Jason's heart. It's implied that something supernatural, something Jason is doing from beyond the grave, is causing this otherwise normal guy, to eat Jason's heart but that doesn't make this scene any less insane. Eating Jason's heart turns the coroner into Jason Voorhees but he still looks like the coroner. As the coroner, Jason sets about murdering the staff of the coroner's office and begins seeking a way to keep himself alive. 

To let us know that Jason is still around, we occasionally see Jason, full hockey mask and overalls regalia intact, in reflections. You know, in case we forgot what movie we were watching. For real, we might actually need the reminder as Jason Goes to Hell is set to retcon more of Jason's backstory to serve this new narrative. In a move that baffled long time fans, Jason is revealed to have a sister, played by a slumming former television star, Erin Gray. She has a daughter who is about to give birth and Jason wants to get in that baby in order to be reborn into a new body. 

Thus, Jason kills his way through several bodies, he can't sustain the bodies he enters by vomiting himself from one victim to another. All while he searches for his sister and the baby that he hopes he can enter and be reborn. Why and how a mindless killing machine like Jason Voorhees would suddenly have this supernatural body swapping power to the knowledge of how to use these powers is beyond any attempt to explain. He just now has these powers just as he now has a sister that he never had before. Look, if you're going to question it, you're not going to enjoy Jason Goes to Hell. I know, I didn't enjoy it. 

Well, I should say, I didn't enjoy it in any way that the filmmakers intended me to enjoy it. On a derisive level, I did have a little fun making fun of Jason Goes to Hell: The Final Friday. The sight of various characters in the guise of Jason Voorhees vomiting Jason from one body to the next is a gross but hilarious visual. I laughed at poor Erin Gray who seems to be lamenting every moment that she spends being in this movie. Gray was once a popular and beloved television star and its clear that being part of a late in life sequel to a dying horror franchise is not how she saw her career playing out. Her dead behind the eyes delivery borders on intentional comedy. 

Find my full length review at Horror.Media

Classic Movie Review Sorcerer

Sorcerer (1977) 

Directed by William Friedkin 

Written by Walon Green

Starring Roy Scheider, Bruno Cremer, Francisco Rabal, Amidou 

Release Date June 24th, 1977 

Published August 16th, 2023 

In our final tribute to famed director William Friedkin, myself and my co-hosts on the Everyone's a Critic Movie Review Podcast watched and talked about Friedkin's much maligned and recently reconsidered 1977 thriller Sorcerer. When it was released, Sorcerer was written off by many critics and it was considered a failure for not reaching the box office heights of Friedkin's twin classics The Exorcist and The French Connection, a standard that was desperately unfair to this far more challenging movie. 

Sorcerer was a remake of The Wages of Fear, a challenging, cynical, and deeply uncommercial French movie that was based on an equally bleak and unrelenting book. Sorcerer thus was never designed as a typical blockbuster with the kind of wide appeal that creates box office success. It's a tribute to Friedkin's dedication as an artist and his hubris as a businessman that he would try use his clout to make a deeply uncommercial movie into a success. It didn't work, but he did make one hell of a great movie. 

But don't ask my why it was called Sorcerer, that title is complete nonsense. The story of Sorcerer introduces us to four desperate men fleeing from what is likely an early death. Each has a criminal background that was a recipe for dying before their time. Wanting to prolong their miserable lives, each man escapes to South America where work is scarce and survival is a struggle. There are few jobs and the one potentially well paying gig is so ludicrously dangerous it may not be worth doing. 

Oil companies are destroying the natural beauty of the South American jungles. When one of their oil rigs catches fire the only way to stop it is to blow it up. For that, they need nitroglycerin, a volatile explosive, one that is deeply unstable. The slightest jostling could set off the explosive and destroy anyone in the vicinity of it. Nevertheless, the oil company is offering good money to transport nitroglycerin via truck over the uneven ground of the jungle to their oil well fire. They need four men for the job and, of course, the four desperate men we've met before are the men for the job. 

With nothing to lose, these four lost souls must rebuild trucks that are capable of running smoothly enough not to set off the nitroglycerin while sturdy enough to make it over the mountainous jungle terrain where paved roads are a non-existent luxury and dirt paths are often covered over by landslides due to the rainy season. It's a fool's errand that only men at the very end of their tether would attempt to take on. That's the backdrop of Sorcerer that sets us on a path of intense, grim, nasty scenes that you watch through your fingers as you gasp for every tension filled breath. 

Sorcerer is like Ice Road Truckers on steroids. If you've never seen that History Channel reality series, it follows truckers who carry supplies across the most perilous terrain in the world as they risk dropping their giant semi-trucks through ever more perilous and icy terrain. Sorcerer may not be on ice but the landscape of loose dirt and gravel feels just as perilous. Add to that the nitroglycerin in the back of the two trucks on this journey and you get the sense of the pressure cooker of suspense that is Sorcerer. Where the thought that a TV show can't necessarily film and share the death of its protagonists, removing a little of the suspense of Ice Road Truckers, a movie is not bound by this and it feels as if we could lose any one of our main characters in Sorcerer at any moment. 

One of the reasons that Sorcerer was a bad bet to be a big hit was Friedkin's decision to cast actors not familiar to American audiences. Aside from Roy Scheider, fresh off the success of The French Connection and Jaws, the cast is almost entirely unknown to American audiences. This was a calculated choice by Friedkin as because we don't know these actors, we can't assume which one might survive and which one might die. A movie star provides a comfort that they will be around for a while in a movie they are the star of. Hiring unknown actors however, creates doubt that has a big role to play in the breathtaking suspense of Sorcerer. 

Find my full length review at Geeks.Media 

Horror in the 90's Jacob's Ladder

Jacob's Ladder (1990) 

Directed by Adrian Lyne 

Written by Bruce Joel Rubin

Starring Tim Robbins, Elizabeth Pena, Danny Aiello

Release Date November 2nd, 1990 

Box Office $26.9 million 

Director Adrian Lyne is known best for his sexy, sweat-soaked thrillers about cheating husbands, scheming women, and rich guys who pay for sex. So, seeing that he's also the director of a gritty, Vietnam era horror movie like Jacob's Ladder is a little jarring. Now, of course, he does throw in needless nudity, Elizabeth Pena's breasts are lovingly captured on screen for no particularly good story reason, but otherwise, Jacob's Ladder is a grand departure for the tawdry director of admittedly zeitgeist grabbing sex thrillers. 

Jacob's Ladder tells the story of a deeply haunted Vietnam vet named Jacob, played by Tim Robbins. Jacob nearly died in Vietnam after his unit was the subject of a violent surprise attack. Jacob himself was stabbed in the gut and had to have his intestines pressed back into his body before he could be taken back to the base hospital. Jake remembers being gutted by a bayonet but he also has another memory that he cannot quite reconcile. Just prior to his being stabbed, Jacob's unit seemed to be having severe hallucinations and overdoses. 

Is it a dream or a memory? Jacob cannot tell. However, when Jacob survives a pair of attempts on his life and compares notes with some of the members of his unit, it appears that there may indeed have been more to this firefight than a surprise attack. Meanwhile, Jacob isn't sleeping, he's in desperate pain from a back injury. Thankfully he has a benevolent chiropractor named Louie (Danny Aiello) who acts as friend, confessor, therapist and guardian angel. Louis is seemingly the only one able to comfort the ever-tormented Jacob. 

On top of his traumatic near death in Vietnam, Jacob lost a son before the war. Gabriel (Macauley Culkin), was struck and killed while riding his bike. Jacob's life has been a mess ever since. Despite having two other children, Jacob fell apart, his marriage to his wife, Sarah (Patricia Kalember) fell apart and then Jacob nearly died. It's no wonder that he can barely function and gave up life as a Park Avenue Shrink for a relatively more peaceful and less stressful job as a postal worker. Boomers and Gen-X'ers are making dark jokes right now, millennials are a bit confounded and thinking yes, being a postal worker would be less stressful.  Both sides are right. 

Anyway, that's Jacob's Ladder. Jacob barely functions, survives a few attempts on his life, has a couple more near-death experiences and begins seeing demons. He has meltdowns at any function he attends, when he's not sick he's obsessed with his time in Vietnam. He's slowly destroying his relationship with his girlfriend, Jezzie (Elizabeth Pena), while she may have a secret related to what is happening to Jacob. What is real and what is a hallucination begins to intermingle into a confusing mélange of disconnected horror images that all mean nothing when the ending is revealed. 

Find my full length review at Horror.Media 

Documentary Review Filling in the Blanks

Filling in the Blanks (2023)

Directed by Jon Baime 

Written by Jon Baime 

Starring Jon Baime, Phillip Schafer 

Release Date August 15th, 2023 

Published August 14th, 2023 

Who are you? What makes you, you? Is it your name? Your parents? Your genetic makeup? What do you know about you for sure. An in-built anxiety that many have is related to the fact that, though, obviously, we were there when were born, we didn't start developing and saving memories for several more years. We are entirely reliant upon our parents and other family members, to piece together the portions of our childhood where we were not yet fully developed enough to remember anything. That's a big deal, not having those memories can have a profound long term effects. 

Imagine if you had the building blocks of your own life toppled by a secret from before you had awareness enough to know what happened? All that you have relied on your parents, grandparents, or siblings to recall for you was a lie. Foundational truths about who you are can be brushed away by a breeze when a major lie is revealed. Case in point, documentary filmmaker Jon Baime. He has first hand experience of having the formative years of life explode before his eyes. Jon took a DNA test and found out that his father is not his biological father. 

All those years of formative memories, questions about why his brothers don't look like brothers. Questions about his mother's experience of childbirth, about whether or not he can trust anything his parents have ever told him in his more than 50 years on Earth is now in question. Jon's brothers are also not biologically related to their father. The oldest of the siblings also seeks out his bio-family while Jon finds himself welcomed by half-siblings and cousins that he never knew existed. He even finds his biological father is a man named Hesh, who also welcomes Jon like family. 

Find my full length review at Humans.Media 

Movie Review The Last Voyage of the Demeter

The Last Voyage of the Demeter (2023) 

Directed by Andre Ovredal 

Written by Bragi Schut Jr, Zak Olkewicz 

Starring Corey Hawkins, Aisling Franciosi, Liam Cunningham, David Dastmalchian 

Release Date August 11th, 2023

Published August 13th, 2023 

The Last Voyage of Demeter is the second attempt this year by Universal Pictures to tap the Dracula I.P for box office dollars. The first attempt, Renfield, was a disaster business-wise. Whether you enjoyed Renfield or not, the movie cost $65 million dollars and made $26.7 million at the box office. The Last Voyage of Demeter cost Universal and Amblin Entertainment more than $45 million dollars and on its opening weekend, Demeter made a meager $6.5 million. This is no reflection on the quality of The Last Voyage of Demeter but rather on the marketing of the movie which failed to convey the horror elements of the movie well enough to rope in that often very loyal market. 

As for the movie, it's far better than the reputation the film now has another Dracula related box office failure. The film stars Corey Hawkins, a tremendous young actor who appears doomed to supporting roles after his leading man play here failed at the box office. Hawkins plays a man named Clemens who purports to be one of the first black doctors to graduate from Cambridge University. However, because of the severe racism of the time, Clemens was unable to find work after his graduation. He then accepted a position in Romania only to find that he'd been offered the position by someone who didn't know Clemens was black. 

Now, having been stranded in Romania for an unspecified amount of time, Clemens finds a potential way to get home to England. A ship called Demeter is set to transport cargo around the Horn of Africa and back to England, a two and a half month trip. They need hands and after locals refuse to board the ship, having seen carvings and symbols on the cargo that they recognize as evil, Clemens finds himself hired as Ship's Doctor and Deck Hand. He's also getting a share of a small fortune that the crew of the Demeter has been given for this trip, a sum large enough to get the Captain (Liam Cunningham) and his first mate, Wojchek (David Dastmalchian) to ignore the many, many red flags going up regarding this trip. 

It should not be very hard, nor should it be considered a spoiler, to know that the cargo is, in fact, the body of Count Dracula (Javier Botet), his many possessions, and a young woman, Anna (Aisling Franciosi), who is set to be Dracula's traveling snack until he starts chowing down on crew members. Plans change when the box containing Anna breaks during the trip and she's rescued by Clemens. Dracula then is forced to start feeding on livestock and then step up to eating the crew while leaving just enough of them alive to finish the journey to England. 

Find my full length review at Horror.Media 

Classic Movie Review The French Connection

The French Connection (1971) 

Directed by William Friedkin 

Written by Ernest Tidyman

Starring Gene Hackman, Roy Scheider, Fernando Rey, Tony Lo Bianco 

Release Date October 7th, 1971 

Published August 11th 2023 

I don't get it. I don't get what anyone sees in The French Connection. I've tried. I've seen The French Connection a half dozen times. Each time I watch I try and see what so many others, including my idol, Roger Ebert sees in this beloved action movie. For the life of me, I just don't see it. The characters are thin, the action that is supposedly pulse-pounding feels plodding as I see it, and that car chase that has been raved about for more than 50 years is only impressive because it looks genuinely dangerous. I guess we're lucky no one was killed. That's supposed to be impressive. 

I do believe that the elements of The French Connection should work. William Friedkin is a very good director. I have recently written about his exceptional work much later in his career on a pair of outlandish but artful and exciting movies, The Hunted and Bug. I also have a great deal of love and respect for Gene Hackman. Hackman is one of the greats of 1970s cinemas, an icon who kept up his remarkable legacy of great work through to the end of his career via well-earned retirement just as Friedkin returned to the big screen. Roy Scheider, the cinematography, the dirty, grimy milieu, all add up to what should have been a really great movie. So why do I find The French Connection so mind numbingly dull? 

The French Connection tells the wide-ranging story of a drug deal. It begins in France where, presumably, an undercover cop is brutally gunned down. The opening scene of The French Connection lingers for ages as we watch the cop watch his targets, a French businessman named Alain Charnier (Fernando Rey), and his henchman, Pierre (Marcel Bozzuffi). He follows them from one location to another, and then goes for a walk and buys a baguette and appears to be calling it a day. He grabs his mail, and he gets shot in the face. 

Then we head to New York City where Detective Popeye Doyle is dressed as Santa Claus and talking to some kinds. Out of the corner of his eye, Doyle is watching a bar nearby where his partner, Cloudy (Roy Scheider) is undercover and waiting for a perp to make a move. When the perp does make a movie, a chase ensues. Eventually, in a back alley, after Cloudy gets stabbed in the hand, the perp is caught, and Doyle purposefully confounds the suspect by asking him if he 'Picked his toes in Poughkeepsie. Why? Who the hell knows. It never comes up exactly why Doyle does this. I had to google it to find out that it was a nonsense phrase intended to cause confusion during an interrogation. 

Toes aside, we then watch as Doyle and Cloudy get on the scent of a new player in the local drug business. Sal Boca (Tony Lo Bianco) is a small-time shop owner who dreams of moving up in the drug racket. He's become connected to a top guy, a money man and Kingpin named Weinstock. Having made another connection with the aforementioned French guys, Sal has positioned himself to potentially pull off the biggest international heroin smuggling operation in history. Millions of dollars of the purest heroin on the market being brought into the country via a French movie star named Devereaux (Frederic de Pasquale). 

Find my full length review at Geeks.Media