Movie Review Norman: The Moderate Rise and Tragic Fall of a New York Fixer

Norman: The Moderate Rise and Tragic Fall of a New York Fixer 

Directed by Joseph Cedar 

Written by Joseph Cedar 

Starring Richard Gere, Lior Ashkenazi, Hank Azaria, Steve Buscemi, Michael Sheen, Dan Stevens 

Release Date April 14th, 2017 

As a critic, it’s hard not to get tired of seeing the same kind of movie over and over again. Conventional three-act stories with stock heroes and predictable villains or simple romances with happy endings get tiresome after a while. It’s really nice to experience a movie with a different style, even if that movie isn’t entirely satisfying. The new movie Norman: The Moderate Rise and Tragic Fall of a New York Fixer is, at the very least, a nice departure from the norm.

Norman Oppenheimer is rather strange and kind of pathetic. He is the type of man who insinuates himself into the business of others. When we meet Norman, he is accosting the assistant of a high-powered New York financier and attempting to finagle a meeting that he hopes might make him some money. Norman’s business isn’t much of a business, you see; he considers himself a consultant whose job is to connect one person to another person in hopes that each will give him something for making the connection between the two.

We get no sense of how successful Norman is as a ‘consultant’ but he has a nice suit, and when he meets an Israeli politician who he sees as a business opportunity, he’s able to drop a big bucks present on him, though not without wincing at the price. Norman hopes to get the politician, Micha Eshel (Lior Ashknazi) to attend a dinner being held by another New York big shot in hopes that making the connection will create opportunities for himself.

Three years after this scheme fails, we find that Norman and Micha have remained friends and for once Norman’s schmoozing has paid off. Micha is now the Israeli Prime Minister and when he spies Norman at a New York fundraiser, he welcomes him as if he were family — family he doesn’t speak to regularly and does not return phone calls to, but still family. Norman’s new connection, no matter how tenuous, remains lucrative to him as the financiers who would not meet with him before are suddenly eager to do business.

Find my full length review in the Geeks Community 

Classic Movie Review House of Games

House of Games (1987) 

Directed by David Mamet 

Written by David Mamet 

Starring Joe Mantegna, Lindsay Crouse 

Release Date October 16th, 1987 

That David Mamet is one of the greatest writers for the stage and film we’ve seen in the past 30 years is well known. But, in 1987, he was a playwright who dabbled in screenwriting, and no one had seen him direct anything not on the stage. Thankfully, Mamet was so in demand that he could make a demand to direct his first film, which debuted 30 years ago this weekend. The movie is called House of Games and Mamet proved that not only was he a master of words, but he could direct the hell out of a movie.

House of Games stars Lindsey Crouse, Mamet’s then wife, as Margaret Ford, a successful psychiatrist and author who is stuck in a rut. The success of her book has her longing for more excitement in her life, as returning to her routine of seeing patients holds little of anything new for her. Even when one of her patients, an inveterate gambler, pulls a gun and threatens to kill himself, Margaret seems non-plussed. She manages to get him to give her the gun, and then finds that he is on the verge of suicide over a debt he owes to a gambler.

Frustrated with her inability to actually affect positive change in her patient, she decides that she might be able to rid him of his debt and give him a chance at recovery. That night, she arrives at a bar, called The House of Games, where she quickly finds the gambler, Mike (Joe Mantegna), who holds her patients’ marker, though the $25,000 he claimed to have owed is only a mere $800.00. Mike offers to wipe the debt clean if Margaret helps him in a poker con against a rich Texan he’s playing against in a back room. She agrees and the real plot of House of Games begins to whir into motion.

Joe Mantegna is a terrific actor, but he's never been better than when directed by his friend, Mamet. Mantegna walked the boards for numerous Mamet productions in Chicago and New York and he understands Mamet’s rhythm in a way that few other actors have ever taken to it. Not the most handsome guy, Mantegna manages to come off sexy in House of Games for the sheer ballsy confidence of his con-man character. When he reads Lindsey Crouse’s tells and explains to her how he knows that she wants to sleep with him more than she wants to write a book about him, it’s a scene as hot as any sex scene.

The dialogue and the con-man theory on display in House of Games is far more important than the film’s plot. When the twist happens at the beginning of the third act, it’s hard to feel sorry for the person who is being conned, as it feels as if it should have been obvious. A scene where the con is laid bare while a character listens from a safe, hidden, distance plays as darkly comic rather than a shocking reveal, and I can’t help but feel that Mamet intends it just that way.

Find my full length review in the Geeks Community 

Movie Review Maudie

Maudie (2017) 

Directed by Aisling Walsh 

Written by Sherry Wright

Starring Sally Hawkins, Ethan Hawke 

Release Date April 14th, 2017 

Published September 15th, 2017 

I’ve never been a fan of the heartstring tuggers. I find such things cloying and manipulative and I am far too cynical such things. And yet, even I am not immune to having my heartstrings tugged. The recently released biopic Maudie, starring the lovely Sally Hawkins, plucked every string like a classic string quartet. The story of real-life Nova Scotia-based artist Maude Lewi,s who achieved minor fame in the 1950s for her homespun paintings, is the rare tear-jerker with the cinematic skill to back up the uplift.

Maude, (Sally Hawkins) or Maudie to her family and friends, is a mousy woman who struggles with debilitating arthritis in her hands and ankles. She’s struggled to get by throughout life but has managed to carry one pregnancy. The baby was sadly lost just after birth, but otherwise she’s lived in the shadow of her brother and aunt who believe they know what is best for her. However, when Maude’s brother Richie sells her family home without telling her, Maude finally finds the courage to strike out on her own.

At the local market in her small-town home in Nova Scotia, Maude hears the local fishmonger, Everett Lewis (Ethan Hawke), advertising that he’s looking for a woman to clean his small home. Seeing an opportunity, Maude accepts the position and willingly endures Everett’s brutish, shy bullying. Ill-suited to female company, Everett is defensive and mean at first but slowly warms to having Maude around and the two begin a very slow walk toward the altar.

One day, when Everett fails to deliver fish to the summer home of a visiting New York socialite, Sandra (Kari Matchett), the socialite comes to Everett and Maude’s home to get her fish delivered. While there she spies Maude’s brilliantly beautiful and childlike paintings and is struck by their beauty. When she gets her fish, Sandra negotiates to also receive some hand-painted post cards from Maude. The cards are a hit, and they begin to sell at the local market as well.

Find my full length review in the Geeks Community at Vocal. 

Movie Review Stronger

Stronger (2017) 

Directed by David Gordon Green 

Written by John Pollono 

Starring Jake Gyllenhaal, Tatiana Maslany, Miranda Richardson, Clancy Brown

Release Date September 22nd, 2017 

Published September 24th, 2017 

Stronger stars Jake Gyllenhaal as Jeff Bauman, a man who lost his legs to the bombing at the 2013 Boston Marathon. Before the marathon, Jeff was just an anonymous Costco employee who loved the Red Sox and wanted to reconcile with his girlfriend Erin (Tatiana Maslany) who dumped him because he rarely showed up when he was supposed to. On April 15, 2013, Jeff finally showed up at the Boston Marathon in the hope that his homemade sign cheering Erin on to the finish line might win her back.

Stronger was directed by David Gordon Green who directs the film with an aim for authenticity. The raw style of the early portion of Stronger is as powerful as the story itself as the look of the film captures a feeling of real life. Once the bombs go off and we know that Jeff has been badly injured the story turns to Erin who wasn’t sure that Jeff had come that day as he’d so often failed to show up. Her search to find out if he’d actually been there that day is incredibly affecting especially as she finds herself overrun by his brutish Boston family and friends who aren’t so kind to the girl who dumped their boy.

Maslany is a wonderful actress whose face communicates nearly as much as her words. She’s wearily beautiful, sad but strong. She feels guilt for having been the reason that Jeff was there that day but there is a limit to how bad she’s willing to feel about it. It’s a powerhouse performance and one that I hope will remain in people’s minds through the awards season. Maslany’s best scene is yet another break up between her and Jeff where she refuses to be his emotional punching bag and puts aside her pity for his loss in order to protect herself from his emotional abuse. The scene is raw and emotional and weighty, and Maslany is brilliant.

Naturally, however, Stronger lives and dies on the performance of Jake Gyllenhaal and it is yet another powerful and effective performance. Gyllenhaal crafts a wart and all performance as Jeff Bauman and the film is smart to embrace all sides of this complex man who refused to see himself as a hero who survived a terrorist attack but rather as just a victim. In his mind, all he did was get blown up, he doesn’t see that surviving was heroic in its own way and living beyond the loss and pain was inspiring.

Find my full length review in the Geeks Community on Vocal 

Movie Review Friend Request

Friend Request (2017) 

Directed by Simon Verhoeven 

Written by Matthew Ballen, Phillip Koch, Simon Verhoeven 

Starring Alycia Debnam Carey, William Mosely, Connor Paolo, Brit Morgan 

Release Date September 22nd, 2017 

Published September 23rd, 2017 

Friend Request is yet another failed attempt to combine social media and horror. It really shouldn’t be that hard to combine the two when you consider the daily horrors that social media enacts upon us when we simply pick up our phones, but filmmakers have thus far made the combination look impossible. Social media has numerous innate existential horrors that could be exploited by a smart filmmaker, but the question seems to come back to how you can exploit that for a body count and so far, no one has been able to pull that off.

Friend Request stars Alycia Debnam-Carey as Laura, a popular college student with a strong group of close friends. How do we know that Laura is popular? Because we see her Facebook friend number flashed on the screen in scenes where she is not on Facebook. The film very much wants us to know that Laura’s friend count is super important to the plot.

Laura’s life of accepting friend requests from internet strangers is upended when she meets Marina (Liesl Ahlers) an unpopular loner who has no Facebook friends until Laura takes pity on her and accepts her friend request. Marina is of the belief that if you become friends on Facebook then you become friends in real life, but when she is not invited to Laura’s birthday party, her illusions are shattered, and she takes her own life.

Things aren’t over from there, however, as it turns out that Marina was a witch and has used her laptop as a portal into the online world where her magic gives her control over Laura’s Facebook account where she posts a video of her own suicide and causes Laura to lose friends from her friend count. Not kidding, the film pauses to give us a graphic of Laura’s friend count going down.

Find my full length review in the Geeks Community on Vocal. 

Movie Review Jeanne Du Barry

Jeanne Du Barry (2024) 

Directed by Maiwenn 

Written by Maiwenn 

Starring Maiwenn, Johnny Depp 

Release Date May 3rd, 2024 

Published May 2nd, 2024 

Jeanne Du Barry is a vanity project for writer-director-star Maiwenn. She wanted to play the famed courtesan and film on elaborate sets and wear big fancy costumes and, to her credit, she got exactly what she wanted. It's all very elaborate and it showcases Maiwenn as a talented scenarist and a compelling screen presence. I don't find the film to be particularly entertaining, but it's impressive that she was able to accomplish her entire vision. I am genuinely impressed with so much of her work here, but the movie left me just not caring.

Jeanne Du Barry was born an innocent and independent young commoner. When she came of age, she went to Versailles and to support herself, she became a popular courtesan for the elite men of Paris. Her wild reputation eventually caught the attention of King Louis XV (Johnny Depp) who brought her to his court. Having impressed the king with her spirit, intelligence and... other assets, Jeanne becomes the King's companion, his favorite of numerous mistresses at the King's beckoned call. But Jeanne is not content to be merely the favorite, she aims to win the King's heart and his favor. 

The biggest obstacles to Jeanne's ambition, and her safety and security, are the King's daughters. A coterie of young vipers, the King's daughters sneer and jeer Jeanne while desperately envying her position within the King's inner circle. As Jeanne continues to capture the King's fancy, the daughter's plot to keep her from being able to marry or even capitalize on the King's love and affection. Jeanne's position at court hangs in the balance as the future Queen of France, Marie Antoinette, then known as the Dauphine (Pauline Pollman) carries the power to make or break Jeanne's future with just a few whispered words. 

Find my full length review in the Geeks Community on Vocal 

Classic Movie Review What Ever Happened to Baby Jane?

What Ever Happened to Baby Jane? (1962) 

Directed by Robert Aldrich 

Written by Lukas Heller 

Starring Bette Davis, Joan Crawford 

Release Date October 31st, 1962 

Published May 1st, 2024 

I did not know what I was getting myself into when I agreed to make What Ever Happened to Baby Jane the classic for our I Hate Critics Movie Review Podcast. By reputation, the film is a camp classic filled with over the top histrionics on the part of stars Bette Davis and Joan Crawford, actors who famously hated one another. I especially had an odd cultural perception of Joan Crawford based on her life after being a movie star. Crawford's career is a blind spot for me, I've never felt compelled to look into her film work. This is due to the reputation assigned to her based on Mommy Dearest, the book and movie adaptation that pain Crawford as a maniacal egotist, a bully and a monster. 

Bette Davis on the other hand, I've seen a lot of Bette Davis. I'm a big fan. Davis' can do more with a withering glance, a simple shift in her eyes, than most actors can do with an entire film's worth of screen time. To borrow the parlance of the gay community, she serves C### proudly and unashamedly. I have a huge crush on her, and I may need a therapist to understand why find Bette Davis so attractive. I don't think I have a humiliation kink, but part of me wants to have young Bette Davis to look me up and down and reject me with the kind effortless grace with which she devastated her many, many unworthy co-stars. 

My personal fetishes aside, What Ever Happened to Baby Jane(?) shifted my perceptions of both Crawford and Davis, revealing Crawford's incredible subtlety while underlining Davis's uncanny ability to get under your skin. She can terrify and destroy you with words and or deeds. She's a monster but one whose monstrousness is wielded bluntly and with intensity. Underlying the monster, however, is a desperately broken heart that has become a broken psyche and the fact that Bette Davis is capable of capturing a broadly performed, camp, monster while finding and slowly revealing her vulnerability is yet another trait that sets Davis apart from other actors. 

Find my full length review in the Geeks Community on Vocal