Movie Review Princess Cyd

Princess Cyd (2017) 

Directed by Stephen Cone

Written by Stephen Cone 

Starring Rebecca Spence, Jesse Pinnick, Ro White 

Release Date November 3rd, 2017 

Princess Cyd is a movie that may make you uncomfortable, but it will also charm you and make you laugh. The film is a frank discussion of a teenage girl discovering her sexuality and for many, me included, this is not an easily digestible subject. That said, Princess Cyd happens to be a remarkably sensitive, smart and funny coming of age story with fully realized and charming characters. It’s a film that reminds us all how important it is to talk about and explore topics we may find awkward or uncomfortable.

Cyd (Jesse Pinnick) is a 16-year-old girl who loves soccer and is perhaps a little too eager to start the adult portion of her life. When she is offered the chance to get away from her often-depressed father and stay with her Aunt Miranda (Rebecca Spence) in Chicago for several weeks she jumps at it. Miranda doesn’t know what she’s getting herself into. That’s not to say that Cyd is some bad girl troublemaker, but being middle-aged and childless, Miranda may not be ready for the challenge of a 16-year-old girl.

For her part, Miranda is a successful bestselling author who finds her love and fulfillment in her books and her many friendships. She’s happy to take Cyd on for a few weeks but when Cyd starts to challenge her life choices, things begin to get uncomfortable. Here, a lesser movie would set the stage for dramatic confrontations, big teary, showy arguments and some sort of dramatic falling out that leads to some stock reunion over string laden score. Thankfully, Princess Cyd is not that movie.

Written and directed by rising filmmaker Stephen Cone, Princess Cyd sets Cyd and Miranda at odds and then uses sensitivity, listening and understanding to carry the way toward a resolution. That may not sound exciting but when you’ve grown used to big, giant emotions in mainstream Hollywood movies, it’s nice to watch smart, sensitive characters work through their issues by having an intelligent and emotional conversation.

Find my full length review in the Geeks Community on Vocal 

Movie Review The Rift: Dark Side of the Moon

The Rift Dark Side of the Moon (2017) 

Directed by Dejan Zecevic 

Written by Barry Keating, Milan Konjevic 

Starring Ken Foree, Katarina Kas, Monte Markham, Dragan Micanovic

Release Date December 10th, 2017 

The Rift: Dark Side of the Moon is a strange little low-budget sci-fi horror movie that has no business being as fun as it is. This American-Serbian production from director Dejan Zecevic is well paced, fun and quite creepy. Movies like The Rift are a nice reminder that low-budget sci-fi horror is still being made and can still be quite fun despite our pop cultural prejudice in favor of big budgets, big studios and big movie stars.

The Rift: Dark Side of the Moon stars Katrina Kas as Liz, an American sleeper agent in Belgrade. Liz has been inactive for two years following the death of her son when she is asked to return to the field. The agency, the CIA, has asked Liz to accompany Agent Smith (Ken Foree) to the site of a crashed American satellite outside a small village in Serbia. Joining the mission are a Serbian secret agent named Darko (Dragan Micanovic) and an American scientist and former Astronaut named Dysart (Monte Markham).

Once the team arrives at what they are told is the location of the satellite they find themselves being shot at. A local family has apparently discovered the satellite and is holding it. Darko is shot and thought dead attempting to enter the family’s tiny farmhouse but things are not all that they appear. There is a young boy who appears on the verge of death, you might call him zombie-like. His parents are eventually shot by Liz and Agent Smith in self-defense but are they really dead?

Most importantly, where is the satellite and why is there a man in a full spacesuit in the family basement? The answer, I promise you, is so much fun, but I will leave you to discover that by seeing The Rift: Dark Side of the Moon for yourself.

Find my full length review in the Geeks Community on Vocal. 

Movie Review The Disaster Artist

The Disaster Artist (2017) 

Directed by James Franco

Written by Scott Neustadter, Michael H. Weber 

Starring James Franco, Dave Franco, Seth Rogen, Alison Brie, Ari Graynor, Josh Hutcherson 

Release Date December 1st, 2017 

Pathos—a quality that evokes pity or sadness.

Pathos seemed to be the defining characteristic of Tommy Wiseau’s abysmal debut feature The Room. The film evoked pathos because it was quite pitiably terrible in every fashion. The film was/is complete and utter nonsense from beginning to end with the witless Wiseau creating a star vehicle for himself despite his complete lack of talent and then directing the whole mess despite his complete lack experience and talent.

Something strange has happened over the years with The Room. No, it hasn’t somehow miraculously improved with time. Rather, it remains terrible, but not pitiable. The film has become a genuine and quite unexpected hit. Fans, yes, real fans, have emerged not to defend the quality of the film but to defend the remarkable experience they’ve had in discovering the film. People quite unabashedly love The Room and by extension its bizarre creator.

Enter The Disaster Artist, a new comic take on the creation of this once pathos-laden effort. The Disaster Artist does not seek to mock the pathos of The Room and Tommy Wiseau but rather, to get to the heart of the genuine side of the appreciation of this once pitiable effort. The Disaster Artist succeeds by reveling in the genuine success enjoyed by the film since it was so poorly crafted and somehow slunk into our collective pop culture in 2002.

The Disaster Artist stars James Franco as Tommy Wiseau. Franco’s Wiseau is a fearless weirdo, probably because he doesn’t’ realize other people find him weird. He has what looks to be a stiff wig of long black hair, an inexplicable accent that he refuses to acknowledge and is deeply paranoid of anyone asking about his life and especially his age. He goes so far as to warn his new friend, Greg Sestero (Dave Franco) to never speak of him in public, never talk about where his money comes from and never acknowledge the enigma that is Tommy Wiseau.

Find my full length review in the Geeks Community on Vocal 

Movie Review Love Beats Rhymes

Love Beats Rhymes (2017) 

Directed by Rza 

Written by Nicole Jeffeson-Asher 

Starring A'zealia Banks, John David Washington, Jill Scott, Lucien Laviscount 

Release Date December 1st, 2017 

Love Beats Rhymes is the kind of movie that just doesn’t get made enough. This is a sweet, sensitive, and smart movie about a young, ambitious black woman who decides that she can have all that she wants, school, career, a good man, and that all it takes is a little hard work and desire. I wish more movies had the courage to tell young women that you don’t have to compromise all the time and that you can demand all that you want and work toward getting it.

Love Beats Rhymes stars Azealia Banks as Coco, a rapper with a crew that performs at rap battles in New York City. You might immediately put her in a box as if you already know who she is but you would be wrong. Coco isn’t just a talented rapper. She’s also a college student several credits away from graduating with a degree in accounting, all while she pursues a record deal. Most movies force drama by making characters choose one or the other. It’s refreshing to see a movie character, especially a young black woman, a far too rare lead character, allowed to be so ambitious.

As I said, Coco only needs a few more credits for her degree and when a friend tells her that Poetry 101 is an easy grade, she jumps at the chance, assuming that, as a hip hop artist, poetry will be a breeze. Coco finds herself challenged immediately by her professor, Nefari Dixon (Jill Scott), who has a low opinion of hip hop, especially in relation to poetry, which she puts on a high pedestal. Coco also clashes with Professor Dixon’s teaching assistant, Derek (Lucien Laviscount), who shares the Professor’s disdain for hip hop.

Naturally, Coco and Derek’s antagonism is cover for their mutual attraction and soon enough, nasty words give way to loving coos and their relationship comes under the scrutiny of the jealous professor, jealous of someone taking her handsome TA and of the talent of Coco who, when she finally discovers real poetry, takes to it with talent and passion. The love triangle aspect of Love Beats Rhymes is a rather forced cliché intended to inject drama late in the third act, in a very Robert McKee fashion, but the rest of Love Beats Rhymes is so winning I can forgive a few overly familiar moments.

Find my full length review in the Geeks Community on Vocal 

Movie Review I, Tonya

I, Tonya (2017) 

Directed by Craig Gillespie 

Written by Steven Rogers 

Starring Margot Robbie, Sebastian Stan, Julianne Nicholson, Allison Janney 

Release Date December 8th, 2017 

It’s hard to pin down director Craig Gillespie. On one hand, he directed the wonderfully warm and quirky Lars and the Real Girl in 2007 but also directed the awful, unfunny "comedy" Mr. Woodcock that same year. Gillespie has since directed the remarkably dull sports flick Million Dollar Arm, the forgettable and unnecessary horror remake Fright Night and the wildly underrated and too quickly forgotten The Finest Hours. So, is Gillespie a great director or a hack? Is he an auteur or a Hollywood carpenter, cobbling together studio products?

Gillespie’s latest effort, the sports-bio-pic, I, Tonya doesn’t necessarily answer these questions. On the one hand, the film is quite entertaining with a rock star lead performance by Margot Robbie and an Academy Award level supporting performance by Allison Janney. On the other hand, the editing is often muddled as to who is recalling what portion of the story via the faux-documentary structure of the film and the tone is rather dissonant, inviting laughs one moment while asking to be taken seriously in others, especially those related to domestic violence.

I, Tonya tells the story of the life of the infamous figure skater Tonya Harding (Robbie). Tonya grew up with an abusive mother, Lavona (Janney) and a mostly absent father who taught Tonya how to hunt deer with precision and then ran away so as not to be destroyed by Tonya’s mother. As awful and abusive as Lavona Harding was, she instilled a toughness in her daughter that would become her hallmark as she rose through the ranks of American Figure Skating.

Tonya was thrown into the remarkably competitive and cutthroat world of competitive figure skating at just three years old, according to this story anyway. By the time she was five years old, Tonya had won her first competition against girls much older than her and by her teen years she was in high level competitions with the goal of making it to the Olympics. All the while Tonya faced down her abusive mother and a stuffy, unwelcoming figure skating world that seemed to have no place for someone as outlandish as Tonya, preferring the demure, classical music style competitors over Tonya’s less cultured, rock n’roll, power, and strength style.

Find my full length review in the Geeks Community on Vocal 

Movie Review Three Billboards Outside Ebbing, Missouri

Three Billboards Outside Ebbing, Missouri (2017) 

Directed by Martin McDonagh

Written by Martin McDonagh

Starring Frances McDormand, Woody Harrelson, Sam Rockwell, Abbie Cornish, Peter Dinklage 

Release Date November 10th, 2017 

Three Billboards Outside Ebbing, Missouri stars Frances McDormand as Mildred Hayes, a mother whose daughter was brutally raped and murdered. The crime has not been solved after eight months and a frustrated Mildred is at her wit's end when she sees three empty billboards on a lonely street side outside of the town of Ebbing. Hoping to light a fire under the local Chief of Police, Jim Willoughby (Woody Harrelson), Mildred books all three billboards with a message directed at the chief.

It’s not long before Chief Willoughby is at Mildred’s door and a series of events unfolds that you will not be able to predict. Everyone from the Chief’s loyal deputy, Jason Dixon (Sam Rockwell) to the billboard owner Red (Caleb Landry Jones) to everyday folks like James (Peter Dinklage), who has a crush on Mildred, gets drawn into the ensuing chaos. Some, like Dixon, are the cause of the chaos. Others, like Red and James along with Mildred’s son Robbie (Lucas Hedges), get swept up in the story.

Written and directed by Martin Mcdonaugh, director of the remarkable In Bruges and the middling Seven Psychopaths, Three Billboards Outside Ebbing, Missouri is lacking in McDonough’s usual biting wit but is nevertheless infused with the same angry energy of his previous films. Mcdonaugh is a writer-director fascinated by injustice, righteous anger, and the destructive power of guilt and those themes are dominant and well-explored in Three Billboards Outside Ebbing, Missouri.

Frances McDormand is a force of nature. Her grief-stricken performance in Three Billboards could not possibly be more effective. Mildred’s grief comes from being a mother but also from a deep well of guilt, especially over the shocking final words she shared with her daughter Angela (Kathryn Newton), seen in a powerful flashback scene. Mildred wants the police to go to all lengths to catch her daughter’s killer and McDormand gives us the tragic sense that revenge may be all the feeling she has left.

Find my full length review in the Geeks Community on Vocal 

Movie Review The Man Who Invented Christmas

The Man Who Invented Christmas (2017) 

Directed by Bharat Nalluri 

Written by Susan Coynne 

Starring Dan Stevens, Christopher Plummer, Jonathan Pryce 

Release Date November 22nd, 2017 

The Man Who Invented Christmas is a remarkably dull movie. Regardless of the good intentions and the good ideas at the heart of the film, the story and specifically the character of Charles Dickens, never get going. The story about how Charles Dickens came to write A Christmas Carol likely wasn’t all that dramatic; most writing isn’t particularly dramatic, in and of itself. But where The Man Who Invented Christmas fails is in finding some aspect of Dickens that was interestingly dramatic while he wrote his masterpiece. Instead, we have an almost insufferable lead character on a predictable journey toward a well-known outcome.

The Man Who Invented Christmas stars Dan Stevens as Charles Dickens. Having published three flops in a row, Dickens is facing financial ruin if his next book isn’t a hit. An encounter with a miser at a reading of one of his more popular works leads Dickens to the creation of Ebenezer Scrooge who, in the universe of Dickens’ mind, comes to life in the form of a sad, angry, and acerbic old man (Christopher Plummer). Scrooge interacts with his creator, and this is to be the processes through which we watch Dickens form his classic.

The gimmick is cute at times and Plummer is by far the best thing in the movie, but there isn’t much else to The Man Who Invented Christmas beyond this gimmick. More of Dickens’ A Christmas Carol characters come to life, but they occasionally vanish, as well, when he gets distracted by his real-life problems, which include an unexpected visit from his goodhearted but freeloading parents, Jonathan Pryce and Ger Ryan.

Stevens’ performance as Dickens is fidgety and not particularly charismatic. He whines and moans and worries about losing everything and ending up in a workhouse like the one he was left in briefly as a child. He’s occasionally bitter, but otherwise is your average workaday nice guy who happens to beautifully string words together into stories when the mood strikes him. The Man Who Invented Christmas portrays the creation of A Christmas Carol as a particularly painful bit of creative work, but since we know he doesn’t fail, there doesn’t appear to be much at stake.

Find my full length review in the Geeks Community on Vocal