Showing posts with label Ryan Simpkins. Show all posts
Showing posts with label Ryan Simpkins. Show all posts

Movie Review The House

The House

Directed by Andrew Jay Cohen

Written by Brendan O'Brien, Andrew Jay Cohen

Starring Will Ferrell, Amy Poehler, Jason Mantzoukas, Ryan Simpkins

Release Date June 30th, 2017


The movie "The House," starring Will Ferrell and Amy Poehler, is a comedy about a married couple who start an illegal casino in their suburban home to pay for their daughter's college tuition. Unfortunately, the film fails to deliver on its comedic potential, resulting in a disappointing and unfunny experience.

The movie's premise revolves around Scott and Kate, played by Ferrell and Poehler, who find themselves in a financial bind when their daughter's college scholarship falls through. Desperate to find a solution, they turn to their friend Frank, who suggests they open an illegal casino in his house. The idea is simple: capitalize on the boredom of their suburban neighbors and their willingness to gamble.

However, "The House" suffers from a lack of originality and comedic execution. The humor relies heavily on clichés and excessive improvisation, which often falls flat. The characters lack depth and feel more like caricatures than real people. The film's reliance on improv, without a strong directorial hand to guide the narrative and performances, results in a series of disjointed and unfunny gags.

One particularly cringeworthy scene involves Ferrell's character accidentally cutting off a man's finger during a cheating dispute. The scene is chaotic and drawn out, with the intended humor completely lost in the poorly executed slapstick. This scene exemplifies the film's overall comedic failure, where jokes are rushed and poorly executed, leaving the audience with a sense of discomfort rather than amusement.


The weak script and lack of direction also highlight a recurring issue in Will Ferrell's filmography. While Ferrell is a talented comedic actor, his movies often suffer from a lack of discipline and focus. Films like "Blades of Glory," "Talladega Nights," "Step Brothers," and "Semi-Pro" all had comedic potential but ultimately disappointed due to an overreliance on improvisation and a lack of narrative cohesion.

In "The House," jokes are thrown at the audience without proper setup or payoff. Character traits are introduced randomly and then overplayed, resulting in tedious and unfunny gags. For example, Ferrell's character's fear of numbers is played for laughs but quickly becomes tiresome due to its lack of context and development.

The film's overall tone is grating and uninspired. Even the opening credits, featuring the cliché song choice of "My House" by Flo Rida, feel forced and unfunny. The attempt to draw a parallel between the movie's title and the song's lyrics is painfully obvious and lacks any comedic value.

In conclusion, "The House" is a disappointing comedy that fails to deliver on its potential. The film's reliance on clichés, excessive improvisation, and weak script results in a series of unfunny and forgettable gags. The characters lack depth and the overall tone is grating and uninspired. "The House" serves as a reminder that even talented comedic actors like Will Ferrell and Amy Poehler need a strong script and directorial vision to create a truly funny and memorable film.


Movie Review The Exorcism

The Exorcism (2024) 

Directed by Joshua John Miller 

Written by M.A Fortin, Joshua John Miller 

Starring Russell Crowe, Ryan Simpkins, Chloe Bailey, David Hyde Pierce, Adam Goldberg 

Release Date June 21st, 2024 

Published June 20th, 2024 

Russell Crowe is in a strange period of his career. The former leading man, heartthrob, and box office star, is now a sideshow act in the world of horror. I'm not saying it's a downgrade, but going from being an Academy Award nominee to starring in multiple movies centered around exorcists or or exorcism is certainly not what anyone would have predicted regarding a man who was once one of the most bankable stars in Hollywood. Crowe's career was derailed by alcohol and bad behavior and now he finds himself in a genre famous for actors slumming it hoping for a hit and a comeback. 

Just last year, Crowe starred in the odd, so bad it's good, exorcism horror flick, The Pope's Exorcist. That film was so successful that Crowe is making a sequel in 2025, marking the third exorcism-centric film in a period of three years. That's weird right? I'm not crazy, that's just a bizarre turn of events. For his second exorcism movie in two year, Crowe stars in The Exorcism in which he plays a down on his luck former leading man actor who takes a role in a horror movie where he plays a priest who is leading an exorcism of a possessed teenager. The meta is apparently coincidental but nonetheless inescapable.

Find my full length review at Horror.Media, linked here. 



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