Movie Review The Man Who Invented Christmas

The Man Who Invented Christmas (2017) 

Directed by Bharat Nalluri 

Written by Susan Coynne 

Starring Dan Stevens, Christopher Plummer, Jonathan Pryce 

Release Date November 22nd, 2017 

The Man Who Invented Christmas is a remarkably dull movie. Regardless of the good intentions and the good ideas at the heart of the film, the story and specifically the character of Charles Dickens, never get going. The story about how Charles Dickens came to write A Christmas Carol likely wasn’t all that dramatic; most writing isn’t particularly dramatic, in and of itself. But where The Man Who Invented Christmas fails is in finding some aspect of Dickens that was interestingly dramatic while he wrote his masterpiece. Instead, we have an almost insufferable lead character on a predictable journey toward a well-known outcome.

The Man Who Invented Christmas stars Dan Stevens as Charles Dickens. Having published three flops in a row, Dickens is facing financial ruin if his next book isn’t a hit. An encounter with a miser at a reading of one of his more popular works leads Dickens to the creation of Ebenezer Scrooge who, in the universe of Dickens’ mind, comes to life in the form of a sad, angry, and acerbic old man (Christopher Plummer). Scrooge interacts with his creator, and this is to be the processes through which we watch Dickens form his classic.

The gimmick is cute at times and Plummer is by far the best thing in the movie, but there isn’t much else to The Man Who Invented Christmas beyond this gimmick. More of Dickens’ A Christmas Carol characters come to life, but they occasionally vanish, as well, when he gets distracted by his real-life problems, which include an unexpected visit from his goodhearted but freeloading parents, Jonathan Pryce and Ger Ryan.

Stevens’ performance as Dickens is fidgety and not particularly charismatic. He whines and moans and worries about losing everything and ending up in a workhouse like the one he was left in briefly as a child. He’s occasionally bitter, but otherwise is your average workaday nice guy who happens to beautifully string words together into stories when the mood strikes him. The Man Who Invented Christmas portrays the creation of A Christmas Carol as a particularly painful bit of creative work, but since we know he doesn’t fail, there doesn’t appear to be much at stake.

Find my full length review in the Geeks Community on Vocal 

Movie Review Coco

Coco (2017)  

Directed by Lee Unkrich 

Written by Adrian Molina, Matthew Aldrich 

Starring Anthony Gonzalez, Gael Garcia Bernal, Benjamin Bratt, Alanna Ubach 

Release Date November 22nd, 2017 

It’s hard for me to look at a Pixar movie as just another movie. The computer animation company has built such a remarkable run of quality work that it feels like something more than just a string of hit cartoons. Pixar movies combine heart, humor, pathos and great art unlike any other company on the planet. Toy Story, Ratatouille, The Incredibles, and the like aren’t just any other kids movie, they are highly regarded works of art.

So it pains me to report that Pixar’s latest effort Coco is just another animated movie. Don’t misunderstand, it’s better than your average animated movie and certainly aspires toward the works of art that came before it in the Pixar canon, it just comes up a little short of the Pixar standard. With a pat story and flat characters, Coco has some lovely moments but never soars the way Pixar classics have soared before. Yes, I’m complaining because Coco is great but not brilliant.

Coco stars the voice of Anthony Gonzalez as Miguel, the curious son of a family that has banned music from their hearts and homes for decades. Too bad for Miguel then that he was born with an undying song in his heart. When he isn’t shining shoes for his family shoe business, Miguel is dreaming in music and longing for the moment he can take up a guitar and play for an excited audience. His chance arrives during a celebration of the Dia De los Muertes, the Day of the Dead, a legendary celebration when it is believed the spirits of the dead can, for one night, return to the world of the living.

A competition is to be held for musicians in the town square and all Miguel needs is a guitar so that he may jump on stage and celebrate his love of music. Unfortunately, before he can head for the square, his secret is uncovered by his imperious grandmother who winds up destroying his guitar. It seems that the family has been banned from listening to or playing music since Miguel’s great-great grandfather left behind his wife and daughter, Miguel's great grandmother, Coco, to play music in nightclubs.

Find my full length review in the Geeks Community on Vocal. 

Movie Review The Square

The Square (2017) 

Directed by Ruben Ostlund

Written by Ruben Ostlund 

Starring Claes Bang, Elisabeth Moss, Dominic West, Terry Notary

Release Date November 23rd, 2017 

The Square, the 2017 winner of the Cannes Film Festival’s highest honor, the Palme D’or, is a provocative and strange film. At times, the film defies description in its oddity and yet its points and purposes regarding political correctness as an excuse for the rich to ignore the poor are relatively obvious and on the nose. Directed by Ruben Ostlund, whose Force Majeure was far more interestingly provocative than The Square, the film has beautiful cinematography and a handful of the most interesting scenes in any movie in 2017.

Christian (Claes Bang) is the curator of a famed museum in Stockholm that specializes in Avant Garde performance art. The museum has recently received a very, very generous donation all the while the streets of Stockholm are teeming with the homeless and the helpless. Surely this type of money could be used for something better than a museum where the lead attraction appears to be an installation of piles of orderly gravel.

The new exhibit that this donation will help fund is another Avant Garde piece titled The Square. The Square is a lighted geometric square located in front of the museum. It is accompanied by a plaque indicating that "The Square" is a place of understanding and equality, to paraphrase the high-end pretension. Christian now must find a way to market the installation and the museum board has turned to a pair of millennial artists who have a unique viral campaign in mind.

That would be enough of a plot and metaphor for some movies but it’s not enough for Ostlund, who prefers to tell his story by putting the handsome and successful Christian through the ringer. When we meet Christian, he is walking to work when a young woman comes screaming out of the distance. The woman claims a man is chasing her and threatening her life. However, when Christian and another man stop to defend the poor, frightened woman, Christian winds up getting pickpocketed, and his seeming good deed proves to be the first of many indignities to befall our hero.

Find my full length review in the Geeks Community on Vocal

Movie Review Film Stars Don't Die in Liverpool

Film Stars Don't Die in Liverpool (2017) 

Directed by Paul McGuigan

Written by Matt Greenhalgh

Starring Annette Bening, Jamie Bell, Vanessa Redgrave, Julie Walters, Stephen Graham

Release Date November 16th, 2017

I fell in love with Gloria Grahame, as so many movie fans did, in her pitch perfect performance in In a Lonely Place, one of my all-time favorite films. Grahame plays one of those self-possessed, take-no-crap dames that always seemed to play opposite Bogart. He loved strong women, breaking down their defenses was what made him a screen icon, and them the envy of women everywhere. Grahame stood out, however, as she allowed herself just a little more vulnerability than the others, a note of extra sadness to go with the sass.

Gloria Grahame was rushed out of Hollywood before we truly got to know her. Her crime? Growing older and refusing to play along with Hollywood executives eager to capitalize on her beauty without respecting her talent. Screenwriter Frank Cottrell Boyce recalled in a piece he wrote about the movie Film Stars Don’t Die in Liverpool, how Grahame lost the iconic role of a gangster’s moll turned lady in Born Yesterday when she refused to ride alone in a limo with producer Howard Hughes. That’s Gloria Grahame in a nutshell, beautiful and uncompromising.

Annette Bening stars as Gloria Grahame in Film Stars Don’t Die in Liverpool and she nails the beautiful and uncompromising parts of Gloria Grahame while also exploring that vulnerability and sadness that marked the Grahame I remember from In a Lonely Place. Jamie Bell co-stars in the film as Peter Turner, an aspiring Liverpool stage actor who lived in the same rundown tenement building as Grahame while she starred in one of the few stage productions in the world that would have her.

The two met and forged a relationship that might seem icky from the outside, a May-December romance that one might assume was about an older woman’s desire and a young man’s egotistical notion of ladder climbing. That’s not this story. That’s not this couple. In the hands of director Paul McGuigan and writer Matt Greenhalgh, there appears to be little age difference at all, but rather a meeting of twin spirits, genuinely excited to find one another.

Find my full length review in the Geeks Community on Vocal. 

Movie Review Roman J. Israel Esq

Roman J. Israel Esq. (2017) 

Directed by Dan Gilroy 

Written by Dan Gilroy 

Starring Denzel Washington, Carmen Ejogo, Colin Farrell 

Release Date November 17th, 2017 

There is just something off about Roman J. Israel Esq. The pieces are all there for a good movie but something intangible is lacking. That is strange considering we are talking about a Denzel Washington movie that is part character piece and part legal thriller. These commercial and artistic elements should work well together, especially considering that Denzel Washington is one of our finest actors, but it just doesn’t come together as I am assuming it was intended.

Roman J. Israel Esq. is a lawyer in Los Angeles who doesn’t try cases. Roman has worked with his friend Carter Johnson (Amari Cheatom) for decades, having come up together as both students and civil rights activists. Their dynamic seemed perfectly suited to Roman; he was the man behind the scenes, the savant who has memorized the legal code, and Carter was the charismatic attorney better able to articulate the law in front of a judge and jury.

Together, Roman and Jackson defended the small timers, the people being rushed through a corrupt system intended to fill privatized prisons by corrupt prosecutors burnishing their win loss records for future private practice opportunities. Roman would be too disgusted and incapable to manage among such people. So, naturally, that is where the story of the movie, written and directed by Dan Gilroy, intends to send poor Roman: into the system he loathes.

When Carter has a heart attack, Roman finds himself first having to go to court, something he is ill-suited for. Then, when the practice is set to be shuttered by Carter’s family following his death, Roman is further unmoored, forced to accept a job with one of Carter’s disciples, George Pierce (Colin Ferrell), a former idealist turned high-end defense attorney as concerned with marketing and bottom lines as he is with the guilt or innocence of his clients.

Find my full length review in the Geeks Community on Vocal 

Movie Review Kingdom of the Planet of the Apes

Kingdom of the Planet of the Apes (2024) 

Directed by Wes Ball 

Written by Josh Friedman 

Starring Owen Teague, Freya Allen, Kevin Durand, William H. Macy, Peter Macon 

Release Date May 10th, 2024 

Published May 10th, 2024

Kingdom of the Planet of the Apes is a remarkable adventure. Smart, extraordinarily accomplished, and very entertaining. Directed by Wes Ball, Kingdom of the Planet of the Apes is a layered and thorough adventure which uses the story of the Apes to reflect our modern culture. It's a statement movie that is easy to miss if you prefer just looking at Kingdom of the Planet of the Apes as an action adventure and special effects extravaganza. The statement is a full-throated rebuke of fascism and the notion that any one person or ape should be allowed to become a dictator. 

It's also about how being a dictator can blind you to the truth. The character of Proximus Caesar has all of the tools to know that his desperate clinging to power and the piety with which he approaches his vision of ape superiority is going to be his downfall. Yes, you could argue that this merely mirrors the approach of Dr. Zaius in the original Planet of the Apes but this would require you to ignore the world we live in right now where we have a burgeoning movement of people who wouldn't mind installing a dictator who will rule with an iron fist, punish their enemies, and reward those who choose to be loyal to them. 

Kingdom of the Planet of the Apes stars Owen Teague as Noa, a young ape looking to prove himself to his father, one of the elders and leaders of the Eagle Clan. Noa's clan is known for keeping Eagles who will hunt and gather fish to bring back to the clan. A rite of passage in the clan is for those coming of age to travel into the wild and find an Eagle egg to bring back to the clan. The egg will then be taken care of until hatched and then the Eagle is raised by that young person to be their Eagle. The opening action of the movie is a terrific set piece in which Noa and his closest friends, Soona (Linda Peckham) and Anaya (Travis Jeffery). It's a terrific sequence that establishes Noa as brave, resourceful and headstrong. 

The plot kicks in when members of a clan directed by Proximus (Kevin Durand) attack Noa's clan. Many apes are killed while most of the clan is captured and brought back to the Kingdom of Proximus to act as slaves aiding Proximus in retrieving a treasure trove of items that once belonged to man. In a twist on the original convention of the 1968 original Planet of the Apes, Proximus is aware of how Apes and man once lived together. He's aware of the plague that nearly wiped-out humanity, leaving the survivors mute. Most importantly, via his relationship with a human being who can speak, played by William H. Macy, Proximus knows that there are weapons in the vault he's found, and he wants them. 

Find my full length review in the Geeks Community on Vocal. 

Movie Review Lady Bird

Lady Bird (2017) 

Directed by Greta Gerwig 

Written by Greta Gerwig 

Starring Saorise Ronan, Laurie Metcalf, Timothee Chalamet, Beanie Feldstein, Lucas Hedges, Tracy Letts

Release Date November 3rd, 2017 

Lady Bird is a remarkably emotional experience, even if you’re not a teenage girl from Sacramento. Writer-director Greta Gerwig has, in her first directorial effort, relayed a masterpiece of the coming-of-age genre. Lady Bird is a wonderfully human, sympathetic, and smart movie, more in touch with real human emotion than most films of its kind. The film ranks next to my other favorite movie of 2017, The Big Sick, as that all too rare humane masterpiece.

Lady Bird, real name Christine, though she does loathe to be called that, Lady Bird is the name she chose for herself, is an iconoclast. At 17 years old, she has a strong sense of what she wants but not what to do with that information. What she wants is what so many 17-year-old girls wants, to be away from her mother. Don’t misunderstand; there is nothing particularly wrong with Lady Bird’s mother, Marion (Laurie Metcalf), she just tries to make Lady Bird more realistic, and Lady Bird can’t have that.

Marion isn’t a perfect mother. She does criticize too much and is pushy in the way many moms are. She’s also recently the only significant income in her family of five, including her recently unemployed husband Larry (Tracy Letts), their son Miguel (Jordan Rodriguez), and Miguel’s live-in girlfriend Shelly (Marielle Scott). And, of course, Lady Bird who seems to have no concept of the limitations her family lives within, locked within her bubble of teenage self-involvement.

Boys have become a new focus of Lady Bird’s attention. Attending a Catholic all-girl school, she was rather sheltered until she found out about the school’s partnership with a nearby boy’s school to perform musicals. With her best friend Julia (the wonderful Beanie Feldstein), Lady Bird pursues acting, if only to indulge her theatrical nature and meets Danny (Lucas Hedges), a stand-out actor, up for the lead part. The teenage romance between Lady Bird and Danny is one of the most perfect presentations of first love that I have ever seen on screen, and I have seen a few teen romances in my time.

Find my full length review in the Geeks Community on Vocal. 

Movie Review Thelma

Thelma (2017) 

Directed by Joachim Trier 

Written by Eskil Vogt, Joachim Trier 

Starring Elli Harboe, Ellen Dorrit Petersen, Kaya Wilkins 

Release Date November 22nd, 2017 

Thelma is a fascinating and immersive supernatural drama that never fails to surprise. Director Joachim Trier, on his third feature following the remarkable duo of Reprise and Louder than Bombs, has crafted the most unlikely and unusual coming of age story that I have ever seen. Bristling with the awkward tension of newly discovered sexuality and a dangerous supernatural awakening, Thelma is among the most refreshing takes on the coming-of-age tale you could possibly imagine.

Thelma (Elli Harboe) is a sheltered teenager who has left home for the first time to attend college. Thelma’s over-protective parents, Trond (Henrik Rafaelson) and Unni (Ellen Dorrit Petersen), hover over every aspect of her life, calling nightly to ask about everything from classes to what she’s having for dinner. For the first few weeks of class Thelma is so tied to her phone by her parents’ calls that she fails to get out and learn to make friends.

Thankfully, that begins to change when Thelma meets Anya (Kaya Wilkins). Anya was in the college library when poor Thelma had what appeared to be an epileptic seizure. Anya cradled her head until the seizure passed, and paramedics arrived. Later, Thelma and Anya meet again at the school pool, and they make plans to hang out. Sheltered Thelma is excited to have made her first friend, so excited that she fails to see that Anya is thinking of her as potentially more than a friend.

As Thelma awakens to Anya’s feelings and begins to process her own feelings that she can hardly begin to understand from her cloistered religious upbringing, the film begins to take a dark turn. Thelma’s epileptic seizures, unbeknownst to her, have begun to affect the outside world, as if she were sending powerful psychic waves into the universe. As she seeks treatment for her seizures, Thelma begins to recover memories of her powers having a similar kinetic power when she was a child. This revelation leads to a shocking reveal.

Find my full length review in the Geeks Community on Vocal. 

Movie Review Wonder

Wonder (2017) 

Directed by Stephen Chbosky 

Written by Stephen Chbosky, Steven Conrad, Jack Thome 

Starring Julia Roberts, Owen Wilson, Jacob Tremblay, Mandy Patinkin, Daveed Diggs 

Release Date November 17th, 2017 

Wonder is a real, well, wonder. Rarely do tear-jerkers work as well as what director Stephen Chbosky assembles here. Everything in Wonder seems set to be a clichéd way of sucking out tears. A child with a facial deformity, a pair of goodhearted parents, a sick dog, these are all elements that under the guidance of a lesser director, would be used to physically assault audiences in the search for tears. Stephen Chbosky is, quite thankfully, a terrific director and he employs these elements in the way a good director does.

Wonder stars the exceptional young Jacob Tremblay as Augie Pullman, a boy born with a facial deformity that caused him to go through several life-altering surgeries. Auggie is about to go to public school for the very first time on the insistence of his mother, Isabel (Julia Roberts). Isabel has home-schooled Auggie for the first years of his school life but at nearly 10 years old, she feels it’s time for him to be around other kids, to begin trying to find normalcy.

Auggie is enrolled in a private school run by Dr. Tushman (Mandy Patinkin) who has instructed several students to welcome Auggie and be his friend. Auggie is initially troubled but eventually earns a genuine friend in Jack (Noah Jupe), though not without the pitfalls of youthful struggle. The journey of Auggie toward a normal life at school would appear to be the focus of Wonder but director Stephen Chbosky, who shares screenplay credit with Jack Thorne and Stephen Conrad, smartly breaks up Auggie’s story with those of Auggie’s sister, Via (Izabel Vidovic), Via’s friend Miranda (Danielle Rose Russell), and Jack, each of whom is given the chance to give layers of much needed and welcome life and story to their characters.

The screenplay for Wonder is quite smart about not pushing Auggie’s story so much that it becomes cloying or pushy, and Tremblay does a wonderful job of giving Auggie a life we genuinely care about versus just relying on the facial deformity and a simpleminded face off with a villainous bully. Tremblay is a character beyond the face and the film is smart to let Tremblay explore the space of Auggie. Chbosky gives everyone in the cast weight and care, and the way their struggles underline Auggie’s struggling is exceptionally well-done by all involved.

Find my full length review in the Geeks Community on Vocal. 

Movie Review Angelica

Angelica (2017) 

Directed by Mitchell Lichtenstein 

Written by Mitchell Lichtenstein 

Starring Jena Malone, Janet McTeer, Tovah Feldshuh 

Release Date February 7th, 2015 

Angelica starring Jena Malone has had quite a struggle to get to the big screen. The film was completed and shown to festival audiences all the way back in 2015. Only now, however, is this Mitchell Lichtenstein-directed Victorian-era thriller starring Jena Malone finally making it to a release date. I have no insight as to what has held the film back from release, though the strange and ambitious story and daring sexuality may have had a role to play. Angelica is not a movie that mainstream marketers would love to be assigned.

Angelica tells the story of Constance, the mother of Angelica, both of whom are portrayed by Jena Malone in an apt, if slightly confusing choice. Constance is working in a small shop when she meets Dr. Joseph Bardon, or Bardoni, (Ed Stoppard) though he prefers to downplay his Italian roots. Bardon falls for Constance immediately and begins to court her and soon marry her. This being the Victorian age, Constance is a virgin at marriage and when the two have sex on their honeymoon it is a revelation for her.

This revelation unfortunately turns harrowing when Constance nearly dies giving birth to their first and only child, Angelica. Doctors, being quarrelsome, Victorian fools, inform Constance that due to the difficult pregnancy and birth that she can no longer have sex. This is nonsense, of course, but this being Victorian era England, it’s a common bit of a bad advice and it goes immediately to Constance’s head. As Constance denies her desires for her husband and begins spending nights curling up with Angelica to avoid him and sublimate her desires, something strange begins to take hold of the household.

As Angelica grows older and Constance continues to freeze out her husband on doctor’s orders, they practically call her a whore simply for wanting to sleep with her husband for pleasure. Constance begins to have visions of some sort of viral presence floating in the air near her daughter. This floating specter takes on several, almost corporeal forms and Constance feels them in a way that seems to reflect the desires of her husband and herself. Slowly, Constance convinces herself that her sexual desires are manifesting as an attack on her daughter, as if a demon were punishing her sexual desire by threatening the child.

Find my full length review in the Horror Community on Vocal 

Movie Review Mark Felt: The Man Who Brought Down the White House

Mark Felt: The Man Who Brought Down the White House (2017) 

Directed by Peter Landesman

Written by Peter Landesman

Starring Liam Neeson, Diane Lane, Marton Csokas, Ike Barinholz, Tony Goldwyn 

Release Date September 29th, 2017 

It baffles me that any filmmaker could screw up making a movie about Mark Felt. How is it possible to fumble a subject so timely, important, historic, and filled with all of the great cinematic trappings. I’m left baffled by the movie Mark Felt: The Man Who Brought Down the White House. This Liam Neeson-starring drama should have been a slam dunk. This a subject that should be front and center in the day and age of a President who faces pressures that only Richard Nixon could truly relate to.

Mark Felt (Liam Neeson) is an FBI lifer, J. Edgar Hoover’s right hand. Felt is credited by some as being the man who restrained some of Hoover’s worst instincts in the director’s later years, or at least the film would have you believe that. When we meet Mark Felt in the titular movie about him, he is facing down Richard Nixon’s West Wing staff who’ve heard rumors that Hoover is ready to step aside. The implication of the conversation is that if Felt can show he will play ball with the White House, he will be the next FBI Director. When Felt demonstrates his loyalty to Hoover over Nixon, the die is cast.

When Hoover passes away, Felt and his team are thrown into a political maelstrom. L. Patrick Gray (Martin Csokas) is named interim director and being that he was just Nixon’s man in the Justice Department prior to this posting, Felt is aware of where Gray’s loyalties lie and what that means for the independence of the FBI. When Watergate hits, things only grow more harrowing and Felt, a man dedicated to keeping secrets, suddenly finds himself in the position of having to reveal them.

Mark Felt: The Man Who Brought Down the White House has a story that is all teed up for the filmmakers. The story is rife with political intrigue and spy play on top of having a historic significance that could not ring more familiar and timelier. Unfortunately, writer-director Peter Landesman is just too clumsy to bring it together. Landesman’s writing and direction are all over the place, especially the script which is a shamble of expository dialogue and sloppy scene-setting.

Find my full length review in the Geeks Community on Vocal

Movie Review Mudbound

Mudbound (2017) 

Directed by Dee Rees 

Written by Dee Rees, Virgil Williams 

Starring Carey Mulligan, Garrett Hedlund, Jason Clarke, Jason Mitchell, Mary J. Blige 

Release Date November 17th, 2017 

Is Hollywood finally being forced to grow up? On one hand, no, as the fact that Superhero movies still dominate our box office allows us all an escape hatch back to childish notions of good and evil. On the other hand however, a grown up conversation about race and racism has emerged as a significant narrative in Hollywood 2017 and it’s a conversation for grown-ups only. Get Out, Jordan Peele’s exceptional meta-horror movie, began the conversation with a spoonful of genre horror to help the medicine go down. Detroit, followed this past summer by serving up some recent true crime history.

Now, as the Academy Awards approach, Mudbound arrives as arguably the most serious and troubling movie about race of 2017. No one who sees Mudbound will be able to shake it. Dee Rees’ plodding, yet terribly visceral film works its way into the weary bones of the viewer and becomes part of you whether you want it or not. The picture of the ugly parts of southern racism is unshakable and the tragedy of the ending, though leavened by an upbeat finale, is burned into your memory.

Mudbound stars Jason Mitchell as Ronsel Jackson. Ronsel’s family works a small plot of land in the deepest part of Mississippi. Having had the land that was promised to them at the end of slavery taken from them by force, they’ve forged a land for themselves by their own sweat and determination. Rob Morgan plays Hap, Ronsel’s father and the local preacher. Mary J. Blige is Florence, Ronsel’s stalwart mother. When Ronsel hears of World War II on the radio, he decides to join the army, a decision that his mother can hardly bear, leaving him with her back turned and her eyes to God.

Parallel to the Jackson family story is that of the McAllan Family. Henry McAllan (Jason Clarke) was an engineer doing well for himself in Tennessee. When Henry met Laura (Carey Mulligan) there weren’t many sparks flying, but healthy respect was enough, given the times. The two are married and meet up with Henry’s dashing brother, Jamie (Garrett Hedlund) just as he is off to Europe to fly bombers in World War II. Jamie and Laura have an immediate connection, but neither are brazened enough to give it life.

Find my full length review in  the Geeks Community on Vocal 

Movie Review Justice League

Justice League (2017) 

Directed by Zack Snyder, Joss Whedon

Written by Chris Terrio, Joss Whedon 

Starring Henry Cavill, Ben Affleck, Amy Adams, Gal Gadot, Ezra Miller, Jason Mamoa, Ray Fisher, Jeremy Irons, Diane Lane, J.K Simmons 

Release Date November 17th, 2017 

The problem with Justice League and the problem with the entirety of the DC cinematic universe is the vision of Zach Snyder. I realize that laying the blame for what many perceive as a significant failure on one person is a little unfair, but hear me out. I like the movies that Zach Snyder has made in this universe. I like Justice League but the fact of the matter, for me, is that these movies fail to transcend into being truly great movies because Zach Snyder isn’t a great director, just a pretty good one.

Justice League picks up the story of the DC cinematic universe in the wake of the death of Superman (Henry Cavill). The world is darker and a little more chaotic following the loss of Superman, and no one feels that loss quite as much as Bruce Wayne-Batman (Ben Affleck). Bruce feels that he is responsible for Superman’s death and the danger that the world faces without its savior. Worse yet, there are new beings that have arrived on Earth that feed on the fear that has risen in the world minus Superman.

These new beings are commanded by a being called Steppenwolf (the voice of Ciaran Hinds) who intends to take over the world by uniting three cubes known as the Mother Boxes which when combined will remake the Earth as a hellscape under Steppenwolf’s command. The first Mother Box is located in Themiscyra, the homeland of Diana Prince-Wonder Woman (Gal Gadot). Alerted by her mother Hypolyta (Connie Nielsen), Diana seeks out Bruce Wayne and the two set about putting a team together.

Up first is eager motormouth Barry Allan AKA The Flash (Ezra Miller). Barry is easily won over by a visit from Bruce Wayne though he warns that he’s never done battle before. Much more difficult to convince is Arthur Curry AKA Aquaman (Jason Mamoa). Until his home of Atlantis comes under attack by Steppenwolf, Aquaman appears content to stay in the ocean. Afterward however, Arthur Curry is spoiling for a fight.

Find my full length review in the Geeks Community on Vocal 

Movie Review Call Me By Your Name

Call me By Your Name (2017) 

Directed by Luca Guadagnino 

Written by James Ivory 

Starring Armie Hammer, Timothee Chalamet, Michael Stuhlbarg, Amina Casar 

Release Date November 24th, 2017 

Luca Guadagnino is the poet of idle sexuality. His A Bigger Splash captured the sadness and tragedy of lost love while barely raising its pulse above that of the luxurious, idyllic location, a beachfront European coast where clocks don’t seem to exist. Yes, that film has a tragedy in it that drives the engine of the plot but Guadagnino’s interest lies not with exploring that tragedy but in lingering within the lives of people whose path is toward tragedy, but not a journey defined by that tragedy.

Guadagnino’s latest movie, Call Me By Your Name, appears to be on the same path as A Bigger Splash but has more ambition. Call Me By Your Name is a coming of age romance that mirrors the setting of A Bigger Splash, Guadagnino’s home country of Italy, but the film eschews the notion of a typical narrative aiming toward a conclusion that ties the narrative in a fashion that resembles a movie ending.

Call Me By Your Name stars Timothee Chalamet as Elio, the son of Academics, Lyle and Annella Perlman (Michael Stuhlbarg and Amira Casar). Elio’s life is made up of long swims, hikes, brief encounters with Marzia (Esther Garrel), his would be girlfriend, and the hours he spends listening to classical music and writing out the notes he hears in longhand, one of the more unique hobbies I’ve seen in a film character.

Elio’s teenage Idyll is upended by the arrival of his father’s grad-student assistant Oliver (Army Hammer). Oliver has taken over Elio’s bedroom and immediately begins to invade his thoughts. For the first time in his young life, Elio is looking at a man sexually and it creates an immediate tension between he and Oliver whose attempts at being friendly to Elio only seem to complicate matters further.

Find my full length review in the Geeks Community on Vocal 

Movie Review My Friend Dahmer

My Friend Dahmer (2024) 

Directed by Marc Meyers 

Written by Marc Meyers 

Starring Ross Lynch, Anne Heche, Alex Wolff, Dallas Roberts, Vincent Kartheiser 

Release Date November 3rd, 2017 

My Friend Dahmer starring Disney Channel veteran Ross Lynch is a unique and daring examination of the serial killer before the killing. Based on the true life graphic novels of John 'Derf' Backderf, a real life classmate of Jeffrey Dahmer at a small town high school in Ohio, My Friend Dahmer doesn’t aim to sympathize with the killer. Rather, like so much of the best true crime media, My Friend Dahmer feeds our fascination with what if and why scenarios. Our minds can’t resist trying to make pieces fit together and true crime adaptations are one way we seek to bring order to chaotic histories.

Jeffrey Dahmer was odd from the very beginning of his life. As a teenager, he collected roadkill that he would bathe in acid so that he could harvest their bones. To what end? He wanted to know what the animals’ insides looked like. It’s a characteristic familiar to many who follow true crime and killers, the bizarre and dangerous fascination with anatomy. It’s the kind of character trait that today might be a red flag but was mostly hidden from people in 1978.

John ‘Derf’ Backderf, portrayed in the film by Alex Wolff, befriended Dahmer as a lark. After witnessing Dahmer have some kind of episode in the hallway of their High School, an episode Derf saw not as a cry for help but as a hip prank, he and two other friends approached Dahmer to form a club based on his prank freak outs that they would document and play witness to at school, at the mall and at grocery stores. It’s easy to see why teenagers would find Dahmer's act to be a subversive, disruptive bit of comedy but from the frame of today, with our growing knowledge of mental illness, it’s not hard to see that Dahmer was seeking attention that wasn’t entirely comedic.

Find my full length review in the Criminal Community on Vocal 

Movie Review Murder on the Orient Express

Murder on the Orient Express (2017) 

Directed by Kenneth Branagh 

Written by Michael Green 

Starring Kenneth Branagh, Tom Bateman, Penelope Cruz, Willem Dafoe, Judi Dench, Josh Gad, Johnny Depp 

Release Date November 10th, 2017 

Hercule Poirot (Kenneth Branagh) is the most famous detective in the world. It is 1935 and Poirot is leaving Israel, having solved a crime that likely prevented a religious genocide. His work is that important, apparently. Poirot hopes for some rest and relaxation but unfortunately, he’s been called back to London on a matter of grave importance. The fastest way to travel in 1934 is the train known as the Orient Express, a bullet train from Istanbul all the way to Paris.

Misfortune follows the great detective, however, as he meets Mr. Ratchett (Johnny Depp) on the train and quickly deduces his criminality. Ratchett wants to hire Poirot to watch his back on the train ride but Poirot declines as he knows Mr. Ratchett is not who he claims to be. The true identity of Mr. Ratchett becomes the hook on which the rest of the plot of Murder on the Orient Express hangs. A murder occurs the night after Poirot and Ratchett’s tete a tete and Poirot is pressed into action to deduce the killer.

The list of suspects is long but as luck would have it, the train has been felled by an avalanche, leaving Poirot plenty of time for chatty snooping. Among the suspects are Ratchett’s cheating accountant MacQueen (Josh Gad), Ratchett’s servant Masterman (Derek Jacobi), a wealthy Princess (Dame Judi Dench), her maid (Olivia Colman), a German scientist (Willem Dafoe), a doctor (Leslie Odom Jr.), a governess (Daisy Ridley), a missionary (Penelope Cruz), a dancer and his ailing wife, and a husband-seeking missile named Miss Hubbard (Michele Pfeiffer).

Complicating matters further for Detective Poirot is that each and every one of the passengers I just mentioned are lying. Agatha Christie was a master of this sort of plot, navigating it with tantalizing detail. She, some have claimed, perfected the red herring and in Murder on the Orient Express, she brilliantly navigated a full sea of red herring. That director Kenneth Branagh evokes Christie’s legend is the true charm of the new film version of the legendary novel.

Find my full length review in the Geeks Community on Vocal

Classic Movie Review The Stunt Man

The Stunt Man (1980) 

Directed by Richard Rush

Written by Lawrence B. Marcus, Richard Rush

Starring Peter O'Toole, Steve Railsback, Barbara Hershey 

Release Date June 27th, 1980 

Published May 8th, 2024 

The Stunt Man is a wildly inventive and entirely incoherent exercise in style and storytelling. Directed by Richard Rush, The Stunt Man has an intriguing premise that gets overshadowed by a director eager to experiment with film style and editing. I appreciate what Richard Rush is going for but it's a failed experiment as the stylistic touches and innovations leave us with a story that is impossible to follow because scenes are missing or truncated in service of Richard Rush's desire to play with the toys and tools of filmmaking. 

The intriguing story of The Stunt Man finds a former Vietnam Veteran, played by Steve Railsback, on the run from the cops for an unknown crime. Cornered at a diner, the vet manages to sneak away. However, in the process of his getaway, the vet wanders into a movie scene as it is being shot. A stunt man is performing a car stunt and angrily drives right at the vet who is standing on a bridge that happens to be the location for this scene. In fear for his life, the vet throws a large rock at the car barreling towards him that causes the car to drive off the bridge. 

The stunt driver is killed and the incident is witnessed and filmed by the film's director, Eli Cross (Peter O'Toole). Once again, our unnamed vet flees the scene. This time he winds up at a nearby resort where he once again sees the movie in production. A beach at the resort is being strafed by fake gunfire by a stunt plane. Smoke covers the area as bombs fall and when the smoke clears, the audience of resort patrons are shocked to see mangled bodies and corpses strewn across the beach. Their shock and horror becomes good natured laughter as the director calls cut and the stuntmen and extras lift themselves out of the and and remove their broken, burned and battered fake body parts and wounds. 

As the vet surveys the scene, he watches as an elderly woman approaches the lead actor for an autograph. She wanders down the beach and the vet follows her curiously, wondering where she could be headed. It's a good thing that he does because the old women slips on some rocks and falls in the ocean, forcing the vet to leap in and save her. Soon after, the woman removes her makeup and reveals herself to be movie star Nina Franklin (Barbara Hershey). Nina was testing the believability and durability of her old lady makeup, which she claims to have done herself. Nevertheless, she allows the vet to rescue her to a standing ovation of the assembled crew, including the director. 

Find my full length review in the Geeks Community on Vocal. 

Movie Review The Idea of You

The Idea of You (2024) 

Directed by Michael Showalter

Written by Michael Showalter, Jennifer Westfeldt 

Starring Anne Hathaway, Nicholas Galitzine 

Release Date May 2nd, 2024 

Published May 7th, 2024 

With this many talented people involved, I am shocked at how boring and basic The Idea of You turned out. Michael Showalter has proven to be an adept and quirky filmmaker. His previous films have an adventurous yet warm romantic humor. Jennifer Westfeldt, returning to screenwriting for the first time since her breakout screenplay Kissing Jessica Stein, also promises something warm, funny and quirky. So how did we arrive at this product placement laden, highly predictable and endlessly dull, dud of a rom-com. And how did they manage to fumble the radiant talent of Anne Hathaway? 

The Idea of You, a desperately forgettable title, stars Anne Hathaway as Solene, a 40 year old divorced mom. She's an artist and she runs a successful art gallery. As we meet Solene, she's bundling her teenage daughter, Izzy (Ella Rubin), and her two best friends, off to Coachella with Izzy's uber-rich daddy who has sprung for a big backstage package, one that will allow her to meet her favorite boy band. Well, they used to be her favorite boy band but she doesn't listen to them anymore. The boy band, known as August Moon, is headed up by Hayes Campbell, the Harry Styles of the group, played by Nicholas Galitzine. 

Circumstances conspire to have Solene have to take the kids to Coachella where she will end up backstage. In a comic misunderstanding, Solene ends up in Hayes Campbell's trailer, thinking it's the backstage restroom. Hayes is immediately smitten with Solene but she doesn't see it. After a brief exchange about art and her art gallery, they part ways. Later, Hayes shows up at Solene's gallery and buys all of the art as a ruse to spend time with Solene. She goes for this, after initially questioning his dedication to art, and the two end up back at her house sharing a moment over her piano. 

Once Solene's daughter is sent off to a summer camp of some sort, Solene takes up Hayes' offer to fly to New York to hook up and for a time, the pair enjoy hooking up. Naturally, we have roadblocks set up in Solene and Hayes' age gap, 16 years I think it is, and in the reaction of Solene's daughter to her mom dating her former favorite boy band guy, but the biggest obstacle is the predictable nature of romantic comedy structure. The typical beats of a rom-com are inescapable at this point, intractable. The only way to work around the genre strictures is to elevate the familiar with great performance and undeniable chemistry. 

Find my full length review in the Geeks Community Vocal. 

Classic Movie Review Dream Lover

Dream Lover (1994) 

Directed by Nicholas Kazan

Written by Nicholas Kazan

Starring James Spader, Madchen Amick, Bess Armstrong, Larry Miller

Release Date May 6th, 1994 

Published May 6th 2024 

Okay, so hear me out, this is my secret plan. I saw this guy who is really handsome and rich and has his own business. So, what I am going to do is steal his money. Here's how I am going to do it, stay with me, it's complicated. So, I am waiting for him to finalize his divorce. Then, several weeks or perhaps months, after he's been on a bunch of dates with a bunch of women he's not interested in, I will meet him at this art opening that he's supposed to be attending. 

At the art gallery, while he's talking to another woman he's not interested in, I will position myself behind him with a glass of wine. When he turns around, I will say he spilled wine all over me and then storm out without giving him my name. Then, the next day, I will follow him when he's grocery shopping and approach him. Then, he will follow me and ask me to dinner. I will let him take me to dinner but then, I won't tell him how to get in touch with me for another date. 

My plan indicates that he will be so besotted with me that he will start stalking me, not knowing that I am already stalking him. Then, he will see me come home with another man and when that man leaves, he will find a way to find which speaker is connected to my apartment. And then I will let him come in and somehow, I will have just been in the shower, even though I was just answering my door to let him in my building. Then I will have sex with him after he jealously berates me for information about the guy who just left. I will say that guy's gay, so I save this guy's ego. 

So, we have sex and then several months later of us dating and having sex, we will get married. And then, after we've been married for a few months, I will have a baby. And then, after we've been married a few years, I will have another baby. And then, a few months after that, I will start leaving obvious clues about having an affair. And when he gets super-jealous and punches me in the face, I won't have him arrested, I will have him committed and once he's deemed crazy, boom, divorce, I take his money and the kids. 

What do you think? Don't worry about the hitting thing, he will punch me in the face and slap me and I will still put on makeup to fool the doctors that I was abused. I mean, I will have been abused but I am crazy, so I have to make it look like I am lying for no good reason. Then it will only confuse my husband and father of my children even more. Because I am crazy. It's a foolproof plan, it can't fail unless he somehow tricks me into going to see him at the asylum on the ruse that he's figured out my dastardly scheme and then chokes me to death using the excuse that he's crazy as cover so he can get out of the hospital when he recovers. But really, what are the chances of that happening right? 

That mulit-paragraph plot is the actual plot of the 1994 movie Dream Lover, from the perspective of Madchen Amick's crazy wife character Mina. It's my interpretation of her plan and it hopefully illustrates just how desperately convoluted this plot is. Written and directed by Nicholas Kazan, the character of Mina marries and has kids and builds a perfect upper class New York life with Ray Reardon, played by James Spader, all so that after 5 years of wedded bliss, she can blow up the whole thing to steal his money. 

Find my full length review in the Geeks Community on Vocal. 

Movie Review Devil's Whisper

Devil's Whisper (2017) 

Directed by Andy Ripp 

Written by Andy Ripp 

Starring Luca Oriel, Tessie Santiago, Alison Fernandez, Marcos A. Ferraez 

Release Date October 19th, 2017 

I’m torn on the movie Devil’s Whisper. One side of me finds the film stylish, well-acted and some of its ideas daring. The other side of me, however, cannot abide yet another movie where a demon of dubious abilities opens doors, manipulates electricity, or other such nonsense via mind control or some sort of demonic form ESP. When will filmmakers tire of these moronic tropes? When will a movie that has some good ideas about how to couch evil in a horror form to discuss big issues? Devil’s Whisper approaches big ideas but can’t resist demonic silliness.

Alex (Luca Oriel) is only 16 years old, but he already believes that he wants to be a priest. Alex’s mentor, Father Cutler (Rick Ravanello), wants him to slow down and live a little but Alex takes his path very seriously. That is, until Alex stumbles across a strange box in a collection of his recently deceased grandmother’s belongings. Inside the box is a cross once warn by a grandfather that Alex doesn’t remember well. He passed away when Alex was just five years old.

When Alex and his father, Marcos (Marcos A. Ferraez), open the box and retrieve the cross, the evil begins to take hold but like any silly demon possession movie, Devil’s Whisper has a demon of dubious abilities, meaning that this demon has somehow opened this giant piece of furniture, adhered a key for Alex to find to a compartment that shouldn’t be found, that contains a box that the demon somehow is able to convince Alex to try and open it. If the demon is powerful enough to do all of this, why does it need Alex?

Find my full length review in the Horror Community on Vocal