Movie Review Hocus Pocus 2

Hocus Pocus 2 (2022) 

Directed by Anne Fletcher 

Written by Jen D'Angelo 

Starring Bette Midler, Kathy Najimi, Sarah Jessica Parker, Sam Richardson

Release Date September 30th, 2022 

Disney Plus Sequel to Hocus Pocus 

The cult of The Sanderson Sisters is far more vast and wide than I ever would have imagined. For me, 1993's Hocus Pocus was a completely forgettable experience. It wasn't that the movie was bad, it merely wasn't for me. Watching it again as I got older I was never very impressed by the over top acting of Midler, Najimi and Parker or the wooden blocks posing as human supporting characters. The story was rather mundane, family friendly Disney stuff that to this day holds no interest for me. 

What shocks me however is the impact the film had on so many women, my age and younger. Something about the high camp aesthetic reached an audience that immediately become loyal and dedicated to the preservation of Hocus Pocus in popular culture. The cult of The Sanderson Sisters has grown over the past 29 years to such a degree that the fans have willed a sequel into existence nearly three decades later. It's a sequel that is just as camp and formulaic as the original but perhaps a little more energetic thanks to a supporting cast that can actually keep up with Midler, Najimi and Parker. 

Returning to Salem at Halloween The Sanderson Sisters are still the talk of the town. The legend of the Sanderson Sisters has become something of a tourist attraction thanks in part to the work of Gilbert (Sam Richardson), who has taken over the former cabin of the Sanderson Sisters and turned it into a magic shop. He also happens to be in possession of Book, the enchanted spell book that made the Sisters into a powerful witches coven. The book is under lock and key but, secretly Gilbert has plans to let the book free. He wants to bring the Sanderson Sisters back, unaware that the legends about them eating children and generally being evil are true. 

His plan is coming to fruition on this Halloween night because a teenager named Becca (Whitney Peak) is about to turn 16 and with her dalliance with magic as part of a trio of witch loving friends including lovable Izzy (Belissa Escobedo) and Cassie (Lilia Buckingham), Gilbert believes she is the key to raising the Sandersons. As a birthday gift, Gilbert gives Becca a black flame candle. What she doesn't know is that this is the same black flame candle, returned to life by Gilbert, that brought the Sanders son sisters back to life nearly 30 years ago. 

The improvements over the original Hocus Pocus are many, as far as I am concerned. It starts with the look of the film. Hocus Pocus 2 is filled with crisp bright colors even as it remains loyal to a classically fall color palette. The costumes pop, the locations are lovely and the detail on the production design demonstrates the higher budget that clearly has been dedicated for this sequel. That budget in part coming from product placement for Walgreens that, though it is immensely tacky, it does get used for several quite good gags and an important plot device. If you're going to do such naked advertising in your movie, at least make it appear necessary. Hocus Pocus 2 does that at least. 

Click here for my full length review of Hocus Pocus 2 at Geeks.Media. 



Documentary Review Lynch/Oz

Lynch/Oz (2022) 

Directed by Alexandre O. Phillippe 

Written by Documentary

Starring Amy Nicholson, Karyn Kusama, John Waters, Justin Benson 

Release Date Unknown

Currently Showing at Fantastic Fest 

I love a good niche documentary and topics don't get much more niche than the cross-section between the work of director David Lynch and the movie The Wizard of Oz. Director Alexandre O. Phillippe gathered together fellow filmmakers and critics and pondered the surprising number of ways in which David Lynch used The Wizard of Oz as a reference or a template within the stories he was telling. Whether it was something as crazed and exciting as Wild at Heart or something as somber and meditative as The Straight Story, visual or dialogue references to Dorothy, Toto, The Wicked Witch and, of course, The Wizard, can be found in the work of David Lynch. 

The brilliant critic Amy Nicholson delivers the first essay on the Lynch/Oz crossover, from the perspective of a historian and critic. Nicholson, a vibrant speaker and insightful podcaster is a terrific mind for a work that requires a strong voice and rigorous attention to detail. Nicholson notes a choice made in The Wizard of Oz to evoke the sound of the wind via chorus rather than a wind sound effect came back around when Lynch used a similar trick in, of all movies, Eraserhead. The specificity of this observation and Nicholson's poetic lyricism is lovely and thoughtful all at once. 

As much as I love what Nicholson brings to Lynch/Oz, the two best segments involve directors offering insights into a directors perspective on using homage and incorporating influence into their work. The witty and ingenious John Waters puts his typically acerbic wit on hold to gush about his directorial contemporary, Lynch and how he himself often referred to The Wizard of Oz both consciously and unconsciously. It's Waters who points out how a character acting as a gatekeeper to the goal of a protagonist relates to the gates of Oz and the goal of reaching the Wizard only to find just a man. 

Find my full length review of Lynch/Oz at Geeks.Media



Movie Review: The Greatest Beer Run Ever

The Greatest Beer Run Ever (2022) 

Directed by Peter Farrelly

Written by Peter Farrelly, Peter Currie, Pete Jones 

Starring Zac Efron, Russell Crowe, Viggo Mortensen, Bill Murray 

Release Date September 30th, 2022 

Apple TV 

Leave it to Peter Farrelly to take a great story and pull its teeth. In fairness, he was awarded a Best Picture statue for doing just that to the life of Jazz music legend Don Shirley and his longtime friend Nick Vallelonga. There however, Vallelonga takes much of the blame for the mediocrity. It was Vallelonga who wrote the self-serving screenplay, much at the expense of the story of Shirley which was lost amid the eye-rolling, uplifting pap in Vallelonga's script and Farrelly's bland direction. Of course it won Best Picture, Hollywood loves to reward uplifting pap. 

The proof of concept for my theory about Farrelly being the go-to director for taking a good story and rendering it supremely mediocre however, comes with his latest directorial effort, The Greatest Beer Run Ever. Here we have a story so insane, so unbelievable, it should make an amazing movie. The true story has a guy from New Jersey deciding that he's going to take cases of Pabst Blue Ribbon to his buddies fighting in Vietnam in 1967. John 'Chickie' Donahue really did this! It's impossible to believe right? It should be an amazing movie. 

Sadly, The Greatest Beer Run Ever is directed by Peter Farrelly, a director whose movies could be sold as baby-proof for their remarkable lack of hard edges. That's not to say that Farrelly's movies aren't controversial, rather they are controversial for all the wrong reasons. Green Book is an almost complete fabrication, a vile white washing of the life of Don Shirley in favor of burnishing the egotistical legend of Nick Vallelonga. Similarly, The Greatest Beer Run of All Time should be a sharp elbowed rebuke of America's involvement in Vietnam. Instead, it's a soft headed comedy about friendship and bravery, tempered with being sad for a few people who didn't come home. 

Chickie Donahue (Zac Efron) is beloved in his small New Jersey neighborhood though not so much at home. A Merchant Marine by trade, Chickie tends to only work when he feels like it and spends most nights getting drunk in a bar owned by The Colonel (Bill Murray). Chickie and his buddies are former military men who went through Korea as kids while the specter of World War 2 hangs over the heads. While at the bar watching brutal footage of the war in Vietnam on the news, Chickie and his friends are upset that the media only shows the horror and seems to dismiss the soldiers who are fighting and dying. 




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