Movie Review The Assassination of Jesse James by the Coward Robert Ford

The Assassination of Jesse James by the Coward Robert Ford (2007)

Directed by Andrew Dominik 

Written by Andrew Dominik

Starring Brad Pitt, Casey Affleck, Sam Shepard, Mary Louise Parker, Jeremy Renner, Sam Rockwell, Zoey Deschanel

Release Date September 21st, 2007 

Published September 21st, 2007 

Few actors are as charismatic and in control as Brad Pitt. His handsomeness causes some to underestimate his talent. Pitt uses this to his advantage and almost constantly surprises. For his latest film, The Assassination of Jesse James By The Coward Robert Ford,  Pitt uses this audience bias to great advantage. As the legendary outlaw Jesse James, Pitt oozes charisma and draws us into this meandering, off-kilter art film.

That it doesn't quite work in the end is not Pitt's fault as much as director Andrew Dominic's overly ambitious artiness.

You could, if you were prone to being flippant, call The Assassination of Jesse James By The Coward Robert Ford -Jesse The E True Hollywood Story-. Jesse was among America's very first celebrities with his every move documented in front page headlines and in books. He was often received by fans when he arrived in a new town.

That Jesse was a thief and a cold blooded killer doesn't change his perception even in our modern culture filled with celebs who don't murder the innocent. In a day and age where serial killers receive repeated marriage proposals behind bars, Jesse James would likely be an even bigger star than in his own time as an infamous outlaw.

Another strange connection between Jesse and modern celebrity culture is how his celebrity played a role in his death. An obsessed fan, Robert Ford (Casey Affleck), took James' life after not finding the man a match for the legend he worshiped. Paranoid with an explosive temper and a deep dislike for anyone outside his family, Jesse was not really meant for worship. If that isn't the wrap up of an E True Hollywood Story then what is?

Add to this celeb culture stew the fact that Jesse James is played by uber-celebrity Brad Pitt and the mind reels with the synergy of such a cultural clash. All flippancy aside, for a moment, The Assassination of Jesse James By The Coward Robert Ford is quite a lovely looking movie. Director Andrew Dominik, with the aid of legendary cinematographer Roger Deakins, crafts a number of striking visuals. In fact,  throughout the film you can see where Dominik got lost in the scenery and forgot about telling his story.

There is so much fat on The Assassination of Jesse James that two movies likely could have been cut from what Andrew Dominik shot. Dominick's original cut of the film was actually over 4 hours long. He never planned on trying to release it at that length but that did not stanch rumors of a troubled production. In fact the film has been in the can since 2005 following battles between Dominik and the studio as to just how long the film could be. For once the studio was right and remained so even after the final cut which could be improved with a few more edits.

Brad Pitt remains, even in a meandering art-fest like this one, an electric presence. Jesse James has the lightning presence that was the legend of Jesse James but it is the anger, paranoia and frightening fragility in Pitt's performance that is truly riveting. As he did in Babel and to a lesser extent in Troy, Pitt captures the essence of heartache and turns it out at the audience in waves. On the other hand, there are also occasional flashes of that easygoing Ocean's 11 charm that shows how Jesse James could invite so much loyalty and worship.

Casey Affleck delivers quite ably in the very difficult role of the star struck Robert Ford. A perennial child, Robert Ford was the runt of his family. His defining characteristic was his desperate worship of Jesse James. His devotion won him a few moments in his hero's presence and the realization of the classic cliché 'be careful what you wish for'. Jesse James may not mind being worshiped but he was not above abusing that worship.

The Assassination of Jesse James By The Coward Robert Ford has moments that are rich and haunting and quite powerful. The problem is the journey which is overloaded with too much scenery and too little focus on what made these characters who they were. We get essences, ideas of who these men are. Unfortunately, Dominik is distracted by his scenery, overdose on a number of scenes and repeats others. A tighter edit could have made for a far more focused and fascinating film.

The Assassination of Jesse James By The Coward Robert Ford is a maddening mess of a movie. There is a very good film buried somewhere beneath the mountains of film that director Andrew Dominik shot. Sadly, Dominik just didn't have the distance from the material to step away and allow someone else to cut the film a little more closely.

There is a masterpiece buried somewhere in all of this celluloid though we will likely never see it. The Assassination of Jesse James By The Coward Robert Ford will go down as one of the great ambitious misfires in history.

Movie Review Race to Witch Mountain

Race to Witch Mountain (2009) 

Directed by Andy Fickman

Written by Matt Lopez, Mark Bomback 

Starring Dwayne The Rock Johnson, Alexander Ludwig, Anna Sophia Robb, Carla Gugino, Ciaran Hinds

Release Date March 13th, 2009 

Published March 12th, 2009 

The live action family movie is not an easy business. Getting past cheap laughs and cheese ball plots have been a challenge that few movies can stand. The best in the business are of course the folks at Disney. Sure they have as many misses (The Pacifier) as they have live action family hits (?) but they keep plugging away at it. And now they have a real home run hit.

Race To Witch Mountain is a reimagining of 1977's Escape To Witch Mountain. That film was a campy romp starring Eddie Albert, a motor home, and Bette Davis in one of the final roles of her career, long long long after her glory years. Escape and the sequel Return To Witch Mountain have cultivated a small but loyal fanbase over the years for both the earnest good nature of each and the high levels of kitsch.

The new Witch Mountain loses some of the kitsch but retains much of the camp, but most of all it captures the earnest popcorn movie entertainment that is likely to cultivate a whole new group of fans. Dwayne Johnson stars in Race To Witch Mountain as Jack Bruno, an ex-con gone straight arrow now working as a cab driver. One day, while a sci-fi convention takes over much of Las Vegas, Jack finds a couple of teenagers, Seth and Sara (Alexander Ludwig and Anna Sophia Robb), in the back of his cab. The kids ask him to drive them into the middle of the desert.

Once there, concerned for their safety, Jack follows them into a creepy secluded cabin where inside they are attacked by what looks like a spaceman. Once they are safe the kids break the news that indeed that was a spaceman and that they themselves are from outer space. Jack is naturally skeptical but he comes around after the kids use their unique powers to evade capture by government agents led by Agent Henry Burke (Ciaran Hinds). Think of Burke as the anti-Mulder, he is out to capture the kids for experimentation and possible extermination.

Eventually, Jack seeks the help of an alien expert, Dr. Alex Friedman (Carla Gugino) who helps them locate the one place in the country where the government could hide Seth and Sara's captured spaceship. With the government and the evil spaceman on their tail, Jack Alex and the kids have to get to Witch Mountain before it's too late.

What is so great about Race To Witch Mountain is the overall sense of wonder. The film treats aliens as a little kid might, with awe and wonder. While adults are long ago jaded by the idea of spaceships and aliens, kids' imaginations are still stoked by them and Race to Witch Mountain is the rare movie to keep that kid's awe and wonder intact.

The script by Matt Lopez and Mark Bomback is without cynicism and condescension. Sure, it's cheesy and often highly convenient but we aren't weighing the merits of a Coen Brothers Oscar contender here. Race To Witch Mountain is not Slumdog Millionaire or Milk. This is a live action kids movie that is out to satisfy the visceral energies of small children. We have to adjust our standards here. Director Andy Fickman directs Race To Witch Mountain at a high pitch and super quick pace. Fickman thrusts us right into the action and keeps this light and fun through car chases, alien fights and daring escapes. The energetic tone is reminiscent of the great action comedies from when I was a kid.

Movies like Goonies and Back To The Future and Raiders of the Lost Ark are part of how I came to love going to the movies and Race To Witch Mountain brought back those feelings for me. I can imagine an 8 or 9 year old kid in this day and age watching Race to Witch Mountain and making that same thrilling discovery. I'm not kidding folks, Race To Witch Mountain is that much fun.

A huge part of that fun is Dwayne Johnson. He was once called The Rock but a better nickname would be the natural. Ever since making the leap from wrestler to movie star, Dwayne Johnson has just gotten better and better. The man oozes charm and charisma from every pore.

Johnson's talent for action heroics and self deprecating asides are unmatched by any actor of his genre. Without Johnson in the lead, Race To Witch Mountain would likely wilt under the glare of its many plot conveniences and cheese ball action and stunts. With Johnson those same elements are glossed over by the fact that we are having such a good time with him.

Race To Witch Mountain is a pure joy. It's Goofy and good natured popcorn movie fun that the whole family will love. Ugh, I know, that sounded like a quote for the poster but so be it, this film is worth the price of the cliché.

Movie Review Reno 911 Miami

Reno 911 Miami (2007) 

Directed by Robert Ben Garant

Written by Robert Ben Garant, Thomas Lennon, Kerri Kenney Silver 

Starring Thomas Lennon, Robert Ben Garant, Dwayne The Rock Johnson, Kerri Kenney Silver 

Release Date February 23rd, 2007 

Published February 23rd, 2007 

Thomas Lennon and Ben Garant are the team behind some of the worst screenplays in the past decade. The Pacifier, Taxi, Night at the Museum, Let's Go To Prison amongst others, ugh. The screenplay is simply not their forte. As they demonstrate on Comedy Central's inspired improv series Reno 911, Lennon and Garant's talent lies in spontaneity and invention. In the comic moment they know where to find the joke.

Now, with Reno 911 Miami, Lennon and Garant finally have an example of their talent on the big screen. Now if we can just convince them to stop writing screenplays.

The cops of the Reno police department are incompetent goofs whose days are spent chasing naked meth freaks and shooting at loose chickens. This ragtag bunch has never been a respected group of cops which makes their invitation to the national police convention in Miami something of a surprise. That is until they get to the part where it says every cop in the country is invited.

Hopping a bus to Miami the Reno sheriff's arrive to find they have no reservations and end up at a flea pit motel where... well the less said about what happens in the following scene the better. The following day when our heroes attempt to attend the cops convention they find the building sealed off by homeland security. Every cop in Miami is inside that building leaving only the Reno cops to step in and patrol the streets.

That is the setup of what is, essentially just an extended episode of the TV series. The cops get cool new Miami Sheriffs uniforms, new vehicles to destroy and wholly new ways to demonstrate their incompetence. Directed by Garant with scenarios written by Lennon and fellow cast member Kerri Kenney, Reno 911 Miami is not exactly groundbreaking but it is pretty funny.

Sloughing off the strict rules of cable television the Reno crew indulges their basest instincts. From foul language to nudity to some truly horrifying sexual situations, the Reno crew really indulges in the freedom of the R-rating, something they can't take full advantage of on TV.

The best moments of Reno 911 Miami are the star cameos. Dwayne 'The Rock' Johnson, comedian Patton Oswalt and a nearly unrecognizable Paul Rudd each are allowed some of the biggest laughs in the film. Rudd especially has a few big moments as a Miami drug lord who randomly kidnaps the Reno cops to warn them not to investigate him, something they had not been doing anyway.

Reno 911 is a funny TV show that really didn't need a theatrical feature. As a feature it's just as funny as an average episode of the TV show only with a little extra on the bathroom humor and the language. The R-rating isn't exactly a plus, often on the TV show the bleeping was as funny as any curse that might be uttered.

Fans of the TV series will be more than satisfied with this feature length version. For the uninitiated, Reno 911 Miami will provide a few big laughs but nothing they couldn't see on Comedy Central 3 or 4 times a week.

Movie Review Rampage

Rampage (2018) 

Directed by Brad Peyton

Written by Carlton Cuse, Ryan Engle, Ryan J. Condal, Adam Sztykiel

Starring Dwayne The Rock Johnson, Malin Akerman, Jeffrey Dean Morgan, Naomie Harris 

Release Date April 13th, 2018 

Published April 12th, 2018 

Rampage stars Dwayne ‘The Rock’ Johnson as Primatologist, Dr. Davis Okoye. A former military officer, Davis specialized in battling poachers in Africa. That’s where Davis met his best friend, George (Jason Liles, in full motion capture), a giant white ape. Davis brought George to America to keep him away from poachers who would pay a hefty price for such a rare creature. Over the years, George became a leader and he and Davis developed communication via sign language.

The plot kicks in when a plane carrying an experimental serum belonging to an evil corporation that specializes in… being evil, crashes, it exposes George and several other animals to the evil serum and causes them to grow out of control. Aside from George, the evil serum affects a wolf that develops the ability to fly and a crocodile that eventually swims across the country, even where there isn’t a large body of water, to enact destruction upon Chicago. 

The evil corporation, I assume, intends to weaponize the animals afflicted by the serum. When they turn on a beacon on top of their evil skyscraper it sends out a signal to the now monstrously over-sized animals that causes them to go crazy and make a mad dash for Chicago. Only Davis and a former scientist for the evil corporation, Dr. Kate Caldwell (Naomie Harris), can stop the animals from destroying Chicago… in a Rampage. Ha! 

Rampage sounds like a lot of fun, in description. Unfortunately, as directed by Brad Peyton, director of the equally forgettably competent, San Andreas, it’s merely a movie that exists. Rampage has no personality, no life, no charm. Everything in the movie is in frame, it looks professional and the CGI is well-produced. Competency however, is only part of a good movie and Rampage is missing those other essential qualities. 

Dwayne ‘The Rock’ Johnson is one of the most entertaining movie stars of recent times and yet even his charm can’t bring Rampage to life. Like his performance in the recent flop Skyscraper, The Rock’s performance is muted, he doesn’t go for the jokes and appears to be taking the silliness of Rampage far too seriously. There are too many scenes that appear to be going for action movie suspense when they should be going for the kind of goofball, comic thrills The Rock gets in his Fast and Furious franchise. 

Malin Akerman, Jake Lacy and Jeffrey Dean Morgan, who plays a wacky CIA Agent, on the other hand, as opposed to The Rock, appear to know what movie they are in. Though they don’t achieve much flying in the face of the overly serious direction and score, the three supporting players try hard to bring laughs to their roles. These three get that a movie with giant animals on a ‘Rampage’ in a big city is not something to be taken too seriously. 

Morgan is unquestionably the best thing about Rampage, aside from the terrific creature effects. Morgan is grinning and giggling throughout Rampage and affects a bizarre drawl that is laughably over the top. Morgan’s looseness and giant grin are a clear port in a storm of boring exposition and tepid, acceptably well produced action. It’s a wonder Morgan isn’t a bigger star, he’s got personality to spare and as seen in Rampage, he can steal scenes from both The Rock and giant CGI animals. 

The biggest problem with Rampage is an approach that takes the material way too seriously. I get that giant animals attacking a large city would be something we would have to take seriously were it to ever happen but let’s be real here. This is a silly premise that needs to be treated as such for the movie to work. The supporting players get that and act accordingly comic, with Akerman twirling an absent mustache and Lacy being slimy and weaselly and Morgan making a joke of the whole thing. 

Sadly, The Rock, the most charismatic star in the world today, fails to get the joke of Rampage and in the star missing the joke, the movie fails. Director Brad Peyton especially needed to get the joke of Rampage and he completely misses the boat by going for genuine action movie suspense rather than amping up the goofiness ala The Fast and Furious franchise or the recent Jurassic World movies. That kind of approach could have made Rampage a classic. As it is, I don’t even recommend it as a time wasting rental.

Movie Review Skyscraper

Skyscraper (2018)

Directed by Rawson Marshall Thurber 

Written by Rawson Marshall Thurber 

Starring Dwayne The Rock Johnson, Chin Han, Roland Moller, Neve Campbell, Pablo Schreiber

Release Date July 13th, 2018

Published July 12th, 2018 

Releasing Skyscraper on the same weekend time frame when Die Hard was released 30 years earlier was a bad idea. Tributes abound this weekend to the staying power and quality of Die Hard and those who revisit the Bruce Willis classic will not look favorably upon the similarly plotted but far less accomplished Skyscraper. Just how bad is Skyscraper? Not even Dwayne ‘The Rock’ Johnson and his megawatt smile can save it.

Skyscraper stars The Rock as Will Sawyer, a former Army Ranger turned FBI Agent and now family man and entrepreneur. After retiring from the FBI following a mission that ended tragically, Will started a family with his wife Sarah, who happened to save his life after he nearly died in that failed raid I just mentioned. Will has also just launched his own security firm. Will’s pal Ben (Pablo Schreiber) has even gone to great lengths to get him his first client and what a client he is.

Zhao (Chin Han) has just opened the world’s largest building; he calls it ‘The Pearl’ for the giant pearl design that sits above the 200th floor. Before he can open the residential section of ‘The Pearl’ however, Zhao needs to get insured and that means a full security systems check and that leads him to Will. Unfortunately, for both Zhao and Will, a group of terrorists want something that Zhao has locked away inside ‘The Pearl’ and they will go to extreme measures to get it.

Director Rawson Marshall Thurber is best known for the Ben Stiller comedy “Dodgeball.” He could have used some of that film’s sense of humor and good nature as Skyscraper is a dry, joyless exercise in simple minded, plot-heavy idiocy. The script, also by Thurber, is bursting at the seams with clumsy, forced, exposition to the point where characters communicate plot points by speaking out loud to no one but the movie watching audience.

I’m not kidding, at one point, the main baddie of Skyscraper, played by Roland Moller, talks to no one in particular and makes mention of something important to the plot of the movie. Later, The Rock is also alone and also expositing plot points to no one but us and the scene is so forced and clumsy that even Rock’s billion dollar charisma can’t sell the line. The Rock could sell ice cubes in the arctic but the awful dialogue of Skyscraper fully defeats him.

I’m a huge fan of Dwayne Johnson and I have been since his early days in the WWE. He’s always had an air about him, a swagger, a star presence that, even in subpar efforts, still shined through. Until now, I thought The Rock was invincible, the kind of actor who unfailingly elevated the movies he chose to star in. Here, however, with Skyscraper, even The Rock’s magnetism is defeated by a terrible script and subpar direction.

This Skyscraper should be condemned! Is what I would say if I were a terrible critic looking to score a cheap giggle. Instead, I will say that Skyscraper is one of the worst movies of 2018, a flat, dull-witted bit of action nonsense that can’t hold a candle to its undoubted influencer, Die Hard which, even 30 years later, feels fresh, fun and exciting and more so when compared to the dreck of Skyscraper.

Movie Review The Condemned

The Condemned (2007)

Directed by Scott Wiper

Written by Scott Wiper, Rob Hedden 

Starring Stone Cold Steve Austin, Vinny Jones, Robert Mammone, Rick Hoffman

Release Date April 27th, 2007 

Published August 16th, 2007

WWE owner Vince McMahon is still ticked off that Dwayne ‘The Rock' Johnson managed to become a major movie star without Vince's help. Ever since The Rock left the WWE for Hollywood Vince has been determined to make movie stars of his wrestlers while they are still working for him. Thus, last year audiences were treated to WWE star Glen 'Kane' Jacobs in the forgettable horror flick See No Evil.

That film was followed by WWE champion John Cena in The Marine in early 2007. Both of those films tanked at the box office but that is not slowing down the WWE owner's determination to make movies. McMahon and company have gone back to the well one more time with the action movie The Condemned.

WWE superstar Stone Cold Steve Austin stars in The Condemned as Jack Conrad, a navy seal left behind in a South American prison after a black ops mission gone bad. Sentenced to death, Jack is plucked off of death row by an American millionaire with some ugly intentions. Ian Breckel (Robert Mammone) is creating the ultimate high stakes reality show and Jack Conrad is going to be the star attraction.

The Condemned is a competition in which 10 condemned prisoners are transported to a remote island filled with cameras. The premise is to have the former death row inmates from around the globe battle to the death. The last man or woman left standing will be released with some money in their pocket. The whole show will be filmed and broadcast worldwide on the net.

It's a premise that's been used a number of times in films as varied as The Running Man and Death Race 2000 to more artful examples like the indie Series 7: The Contenders or the Asian classic Battle Royale. So The Condemned and writer-director Scott Wiper are not exactly treading new ground here. What is different about The Condemned is the oddball way in which The Condemned comes out against the very violence it portrays and intends to thrive upon.

The Condemned is a hard R-rated action movie with some brutal violence and a high body count. It's also a movie with a moralist message that condemns the very violence it proliferates. It's a very strange combination because the movie plays out in such an earnest, straightforwardly violent fashion. The Condemned plays as if the filmmakers were entirely unaware of the irony.

There is a goofy charm in the way The Condemned unfolds it's moralist plot with hardcore violence. Director Scott Wiper is either a madman genius who gets it so well that he can make you think he doesn't. Or he is so blissfully ignorant that the irony of using hardcore violence to condemn hardcore violence is lost on him in the same way Ed Wood could ignore the strings holding the fake flying saucer in his Plan 9 From Outer Space.

The only really knowing aspect of The Condemned comes from star Stone Cold Steve Austin whose performance is so completely in the know it damn near doubles back on itself and becomes a severe parody. Stone Cold bites into every line with relish and extra cheese. He delivers one-liners with the skill and precision of a Schwarzenegger in one scene and with deathly Stallone/Rambo seriousness in others.

The Condemned is a bizarre combination of hardcore violence and oddball moralizing. It's a film whose premise condemns the very violence it thrives upon and does so with such earnestness that you almost appreciate the naivete of the creators. Their seeming lack of awareness of the irony of their plot is strangely endearing. I can't recommend The Condemned, it's just not a very good movie overall, but for the brave irony appreciators out there, those of you with a strong stomach and stronger sardonic nature, you may find something to enjoy in The Condemned.

Movie Review Gridiron Gang

Gridiron Gang (2006) 

Directed by Phil Joanou

Written by Jeff Maguire

Starring Dwayne The Rock Johnson, Xhibit, Leon Rippy, Kevin Dunn

Release Date September 15th, 2006

Published September 14th, 2006

Gridiron Gang is yet another formula sports flick with all of the beats, lyrics and tear jerker elements the genre is known for. So how does it manage to be better than most similar formula sports flicks? It's all about the star power. Dwayne 'The Rock' Johnson is a rising star whose massive wrestlers frame is matched by a thousand watt smile, a self deprecating sense of humor, and the kind of charm only seen in the biggest movie stars. The Rock's presence turns the simplistic, slightly tacky, recycled plot of Gridiron Gang into an inviting, entertaining piece of formula filmmaking.

At Camp Kilpatrick, on the outskirts of affluent Malibu, California, guard Sean Porter (The Rock) is fighting a losing battle. Year after year he watches in futility as his teenage prisoners repeat the mistakes that got them to Camp Kilpatrick after they get released. Kilpatrick is a youth facility where criminal teens kill time till they turn 18 and are returned to the street. The stats say that nearly 80 percent of the kids released from Kilpatrick will either find themselves in adult prisons or dead.

One day, as Porter is visiting his sick mother, he passes a High School football practice and is struck with a slightly crazy idea. He thinks he can start a football team at Camp Kilpatrick. In pitching the idea to his boss, Paul Higa (Leon Rippy), Porter points out that the problems these kids have with discipline and working well with others can be addressed by playing football.

Higa is dubious but allows Porter and fellow guard Malcolm Moore (rapper Xzibit) to go ahead with forming a team. Porter takes it a step further by approaching a league of Christian High Schools about allowing the newly formed Kilpatrick Mustangs to play a full schedule of games in their league. Can he get the team to come together in a very short time? Can he get these mostly gang affiliated criminals to put aside their street affiliations and play as a team? These are the questions that drive the plot of Gridiron Gang.

Gridiron Gang is based on a television documentary from the husband and wife team of Lee and Linda Stanley who discovered the story of Sean Porter while researching a documentary on juvenile detention facilities. The story they discovered was one of the few true success stories in the often heart rending system of juvenile detention. As the film explains, the football program at Camp Kilpatrick managed to help 75% of the kids who played on that team to avoid returning to their criminal ways after leaving the camp. That is an extraordinary accomplishment, worthy of having made a movie about it.

Director Phil Joanou, best known for his work on some innovative U2 music videos, brings a documentary feel to Gridiron Gang. The aesthetic is often difficult to square with football scenes that go right inside the huddle and on the field (places where obviously documentary cameras could not go) but it is nevertheless an eye capturing visual approach that does work in non-football scenes.

The most important element of Gridiron Gang however, is the lead performance of Dwayne 'The Rock' Johnson. The former WWE superstar is an imposing physical presence, more than filling the intimidating presence of a prison guard, but it is his charm that really makes this role so surprising and entertaining. Coming from the often meat headed world of professional wrestling; it is quite extraordinary to find someone like The Rock with such natural charisma, presence and talent.

Rather than just be intimidating The Rock also shines in his dramatic scenes in Gridiron Gang. The Rock has a natural rapport with his young co-stars and their obvious admiration for him comes through in their performances. Amongst the strong group of young actors Jade Yorker stands out as Willie Weathers a roughneck young gangster who lost his cousin in a drive by and lives for the chance at revenge. Forced to play football with members of the rival gang involved in his cousins death, Willie becomes a difficult charge. His transformation is slow and painful and the film makes good use of this dramatic device.

I've said it before and I will say it again; there is nothing wrong with formula filmmaking. The key is how the formula is applied. The creators of Gridiron Gang apply this formula with eye catching documentary style camerawork and most importantly; by taking advantage of the star power and charisma of Dwayne 'The Rock' Johnson. The Rock is a true star in the making whose obvious physicality is made even more impressive by his jovial expressiveness and terrific sense of humor. The Rock raises the formula of Gridiron Gang from typical to entertaining.