Horror in the 90's Jacob's Ladder

Jacob's Ladder (1990) 

Directed by Adrian Lyne 

Written by Bruce Joel Rubin

Starring Tim Robbins, Elizabeth Pena, Danny Aiello

Release Date November 2nd, 1990 

Box Office $26.9 million 

Director Adrian Lyne is known best for his sexy, sweat-soaked thrillers about cheating husbands, scheming women, and rich guys who pay for sex. So, seeing that he's also the director of a gritty, Vietnam era horror movie like Jacob's Ladder is a little jarring. Now, of course, he does throw in needless nudity, Elizabeth Pena's breasts are lovingly captured on screen for no particularly good story reason, but otherwise, Jacob's Ladder is a grand departure for the tawdry director of admittedly zeitgeist grabbing sex thrillers. 

Jacob's Ladder tells the story of a deeply haunted Vietnam vet named Jacob, played by Tim Robbins. Jacob nearly died in Vietnam after his unit was the subject of a violent surprise attack. Jacob himself was stabbed in the gut and had to have his intestines pressed back into his body before he could be taken back to the base hospital. Jake remembers being gutted by a bayonet but he also has another memory that he cannot quite reconcile. Just prior to his being stabbed, Jacob's unit seemed to be having severe hallucinations and overdoses. 

Is it a dream or a memory? Jacob cannot tell. However, when Jacob survives a pair of attempts on his life and compares notes with some of the members of his unit, it appears that there may indeed have been more to this firefight than a surprise attack. Meanwhile, Jacob isn't sleeping, he's in desperate pain from a back injury. Thankfully he has a benevolent chiropractor named Louie (Danny Aiello) who acts as friend, confessor, therapist and guardian angel. Louis is seemingly the only one able to comfort the ever-tormented Jacob. 

On top of his traumatic near death in Vietnam, Jacob lost a son before the war. Gabriel (Macauley Culkin), was struck and killed while riding his bike. Jacob's life has been a mess ever since. Despite having two other children, Jacob fell apart, his marriage to his wife, Sarah (Patricia Kalember) fell apart and then Jacob nearly died. It's no wonder that he can barely function and gave up life as a Park Avenue Shrink for a relatively more peaceful and less stressful job as a postal worker. Boomers and Gen-X'ers are making dark jokes right now, millennials are a bit confounded and thinking yes, being a postal worker would be less stressful.  Both sides are right. 

Anyway, that's Jacob's Ladder. Jacob barely functions, survives a few attempts on his life, has a couple more near-death experiences and begins seeing demons. He has meltdowns at any function he attends, when he's not sick he's obsessed with his time in Vietnam. He's slowly destroying his relationship with his girlfriend, Jezzie (Elizabeth Pena), while she may have a secret related to what is happening to Jacob. What is real and what is a hallucination begins to intermingle into a confusing mélange of disconnected horror images that all mean nothing when the ending is revealed. 

Find my full length review at Horror.Media 

Documentary Review Filling in the Blanks

Filling in the Blanks (2023)

Directed by Jon Baime 

Written by Jon Baime 

Starring Jon Baime, Phillip Schafer 

Release Date August 15th, 2023 

Published August 14th, 2023 

Who are you? What makes you, you? Is it your name? Your parents? Your genetic makeup? What do you know about you for sure. An in-built anxiety that many have is related to the fact that, though, obviously, we were there when were born, we didn't start developing and saving memories for several more years. We are entirely reliant upon our parents and other family members, to piece together the portions of our childhood where we were not yet fully developed enough to remember anything. That's a big deal, not having those memories can have a profound long term effects. 

Imagine if you had the building blocks of your own life toppled by a secret from before you had awareness enough to know what happened? All that you have relied on your parents, grandparents, or siblings to recall for you was a lie. Foundational truths about who you are can be brushed away by a breeze when a major lie is revealed. Case in point, documentary filmmaker Jon Baime. He has first hand experience of having the formative years of life explode before his eyes. Jon took a DNA test and found out that his father is not his biological father. 

All those years of formative memories, questions about why his brothers don't look like brothers. Questions about his mother's experience of childbirth, about whether or not he can trust anything his parents have ever told him in his more than 50 years on Earth is now in question. Jon's brothers are also not biologically related to their father. The oldest of the siblings also seeks out his bio-family while Jon finds himself welcomed by half-siblings and cousins that he never knew existed. He even finds his biological father is a man named Hesh, who also welcomes Jon like family. 

Find my full length review at Humans.Media 

Movie Review The Last Voyage of the Demeter

The Last Voyage of the Demeter (2023) 

Directed by Andre Ovredal 

Written by Bragi Schut Jr, Zak Olkewicz 

Starring Corey Hawkins, Aisling Franciosi, Liam Cunningham, David Dastmalchian 

Release Date August 11th, 2023

Published August 13th, 2023 

The Last Voyage of Demeter is the second attempt this year by Universal Pictures to tap the Dracula I.P for box office dollars. The first attempt, Renfield, was a disaster business-wise. Whether you enjoyed Renfield or not, the movie cost $65 million dollars and made $26.7 million at the box office. The Last Voyage of Demeter cost Universal and Amblin Entertainment more than $45 million dollars and on its opening weekend, Demeter made a meager $6.5 million. This is no reflection on the quality of The Last Voyage of Demeter but rather on the marketing of the movie which failed to convey the horror elements of the movie well enough to rope in that often very loyal market. 

As for the movie, it's far better than the reputation the film now has another Dracula related box office failure. The film stars Corey Hawkins, a tremendous young actor who appears doomed to supporting roles after his leading man play here failed at the box office. Hawkins plays a man named Clemens who purports to be one of the first black doctors to graduate from Cambridge University. However, because of the severe racism of the time, Clemens was unable to find work after his graduation. He then accepted a position in Romania only to find that he'd been offered the position by someone who didn't know Clemens was black. 

Now, having been stranded in Romania for an unspecified amount of time, Clemens finds a potential way to get home to England. A ship called Demeter is set to transport cargo around the Horn of Africa and back to England, a two and a half month trip. They need hands and after locals refuse to board the ship, having seen carvings and symbols on the cargo that they recognize as evil, Clemens finds himself hired as Ship's Doctor and Deck Hand. He's also getting a share of a small fortune that the crew of the Demeter has been given for this trip, a sum large enough to get the Captain (Liam Cunningham) and his first mate, Wojchek (David Dastmalchian) to ignore the many, many red flags going up regarding this trip. 

It should not be very hard, nor should it be considered a spoiler, to know that the cargo is, in fact, the body of Count Dracula (Javier Botet), his many possessions, and a young woman, Anna (Aisling Franciosi), who is set to be Dracula's traveling snack until he starts chowing down on crew members. Plans change when the box containing Anna breaks during the trip and she's rescued by Clemens. Dracula then is forced to start feeding on livestock and then step up to eating the crew while leaving just enough of them alive to finish the journey to England. 

Find my full length review at Horror.Media 

Classic Movie Review The French Connection

The French Connection (1971) 

Directed by William Friedkin 

Written by Ernest Tidyman

Starring Gene Hackman, Roy Scheider, Fernando Rey, Tony Lo Bianco 

Release Date October 7th, 1971 

Published August 11th 2023 

I don't get it. I don't get what anyone sees in The French Connection. I've tried. I've seen The French Connection a half dozen times. Each time I watch I try and see what so many others, including my idol, Roger Ebert sees in this beloved action movie. For the life of me, I just don't see it. The characters are thin, the action that is supposedly pulse-pounding feels plodding as I see it, and that car chase that has been raved about for more than 50 years is only impressive because it looks genuinely dangerous. I guess we're lucky no one was killed. That's supposed to be impressive. 

I do believe that the elements of The French Connection should work. William Friedkin is a very good director. I have recently written about his exceptional work much later in his career on a pair of outlandish but artful and exciting movies, The Hunted and Bug. I also have a great deal of love and respect for Gene Hackman. Hackman is one of the greats of 1970s cinemas, an icon who kept up his remarkable legacy of great work through to the end of his career via well-earned retirement just as Friedkin returned to the big screen. Roy Scheider, the cinematography, the dirty, grimy milieu, all add up to what should have been a really great movie. So why do I find The French Connection so mind numbingly dull? 

The French Connection tells the wide-ranging story of a drug deal. It begins in France where, presumably, an undercover cop is brutally gunned down. The opening scene of The French Connection lingers for ages as we watch the cop watch his targets, a French businessman named Alain Charnier (Fernando Rey), and his henchman, Pierre (Marcel Bozzuffi). He follows them from one location to another, and then goes for a walk and buys a baguette and appears to be calling it a day. He grabs his mail, and he gets shot in the face. 

Then we head to New York City where Detective Popeye Doyle is dressed as Santa Claus and talking to some kinds. Out of the corner of his eye, Doyle is watching a bar nearby where his partner, Cloudy (Roy Scheider) is undercover and waiting for a perp to make a move. When the perp does make a movie, a chase ensues. Eventually, in a back alley, after Cloudy gets stabbed in the hand, the perp is caught, and Doyle purposefully confounds the suspect by asking him if he 'Picked his toes in Poughkeepsie. Why? Who the hell knows. It never comes up exactly why Doyle does this. I had to google it to find out that it was a nonsense phrase intended to cause confusion during an interrogation. 

Toes aside, we then watch as Doyle and Cloudy get on the scent of a new player in the local drug business. Sal Boca (Tony Lo Bianco) is a small-time shop owner who dreams of moving up in the drug racket. He's become connected to a top guy, a money man and Kingpin named Weinstock. Having made another connection with the aforementioned French guys, Sal has positioned himself to potentially pull off the biggest international heroin smuggling operation in history. Millions of dollars of the purest heroin on the market being brought into the country via a French movie star named Devereaux (Frederic de Pasquale). 

Find my full length review at Geeks.Media 

Classic Movie Review The Fugitive

The Fugitive (1993) 

Directed by Andrew Davis 

Written by Jeb Stuart, David Twohy 

Starring Harrison Ford, Tommy Lee Jones, Julianne Moore, Selma Blair, Joe Pantoliano

Release Date August 6th, 2023

Published August 7th, 2023 

The story behind the movie The Fugitive is much crazier than I would have ever expected. The movie is so tight and so uniquely performed, I assumed that it must have been a terrifically assembled piece of work behind the scenes. Then, I read an incredible thread on Twitter from a user named @ATRightMovies. This person lays out a behind the scenes story that, on the surface, you would assume led to the creation of a complete disaster of a movie. Script problems, a star who was halfheartedly interested in making the movie, and assumptions on the set that everyone was making a bad movie, somehow led to the creation of a film that was nominated for 7 Oscars, with one Oscar win. 

The Fugitive is based on a popular 1960s television series starring David Janssen as Dr. Richard Kimble, a man wrongly accused of murdering his wife. Harrison Ford takes on the role of Dr. Kimble in the movie which finds him returning to his well appointed home to find a one armed man had assaulted and murdered his wife (Sela Ward). Kimble fought the one armed man but he managed to mistake. When Police arrived, they found Dr. Kimble covered in his wife's blood, he'd tried to perform CPR and ended up clutching her dead body in his anguish over her death. 

The blood and Kimble's story about a one armed man are too much for the Chicago Police Investigators to buy. They arrest Kimble and charge him with murder. Found guilty, Richard is facing life in prison when fate intervenes. While being transported to a Federal Prison, other inmates on the transport initiate a plan for escape. They attack and stab a guard, the driver of the bus is shot and killed, and the bus crashes on train tracks. In a spectacular sequence, a train is headed toward the bus on the tracks. Kimble picks up the injured officer and saves his life. Then, in a moment that has been shared among the best action sequences of the past 30 years, Kimble leaps from the broken bus seconds before the train strikes it, leading to a train derailment. 

Read my full length review at Geeks.Media

Movie Review Teenage Mutant Ninja Turtles: Mutant Mayhem

Teenage Mutant Ninja Turtles: Mutant Mayhem 

Directed by Jeff Rowe

Written by Seth Rogen, Evan Goldberg, Jeff Rowe, Dan Hernandez, Benji Samit 

Starring Micah Abbey, Shamon Brown Jr., Hannibal Burress, Rose Byrne, Nicolas Cantu, John Cena, Seth Rogen, Paul Rudd, Jackie Chan, Ice Cube, Post Malone

Release Date August 2nd, 2023 

Published August 6th, 2023 

I watched the 1990 live action Teenage Mutant Ninja Turtles recently for a review timed to the release of the latest attempt to rebuild the Turtles as a viable movie franchise. What I found was a movie that I absolutely loved. I was too old when Teenage Mutant Ninja Turtles was released in 1990, I was 14 and I thought it was for much younger kids. Look back now, with the wisdom of more than 30 years, I can say, yes, it is a product for young children, younger than 14 even, but it's a wonderful product. Teenage Mutant Ninja Turtles 1990 is a ridiculously fun movie. It's filled with wonderful invention and kid friendly action. 

Everything that came after that movie, not counting the television shows that I've never seen, has been a dreary slog. Each new film iteration of the Turtles has carried with it the very obvious burden of corporate exploitation. Each of the various filmmakers who tackled the franchise appeared to be doing so with a studio held gun to their head that dictated exactly how the movie should be geared toward selling merchandise and creating sequels was the only reason these movies existed. Thus, we got a series of joyless, unpleasant live action and animated attempts to leverage a popular I.P into a cash making machine. 

I say all of this to demonstrate the bias that the latest iteration of the Turtles on the big screen was up against in my mind. To say that I was cynical about seeing the Teenage Mutant Ninja Turtles on the big screen again would be a grave understatement. What a lovely surprise it is then to report that the newest Teenage Mutant Ninja Turtles adventure, subtitled Mutant Mayhem, doesn't completely suck. In fact, it's actually pretty alright. The team of Seth Rogen, Evan Goldberg and director-co-writer, Jeff Rowe have found a tone and spirit that does well to hide the high level corporately leveraged truth behind its creation. 

Mutant Mayhem is yet another Turtles origin story. We have the back story courtesy of a flashback to the origin of our antagonist, a fellow mutant named Superfly. Superfly was the creation of mad scientist Baxter Stockman. Baxter created the ooze but was killed not long after by an evil organization who wanted to steal his ooze and use it to create their own mutant army. A very young Superfly fought off the baddies, rescued his fellow mutant babies, and fled into the night. He left behind one last tube of ooze which breaks and drips into the sewer. There, it finds the Turtles who are rescued by Splinter (Jackie Chan) who gets into the ooze himself. 

Splinter is rightfully afraid of humans. His first time taking his turtle babies to the surface world nearly ends with them being killed. Thus, Splinter becomes deeply overprotective. He spends the next decade training his Turtles, Leonardo (Nicolas Cantu), Donatello (Micah Abbey), Michaelangelo (Shamon Brown Jr.) and Raphael (Brady Noon), to fight. Using old, abandoned VHS tapes, Splinter trains his Turtles to be able to defend themselves against humans. As the Turtles grow up into their mid-teens however, they've only become more and more curious about humans. They wonder if humans arent't as bad as Splinter claims. 

Read my full length review at Geeks.Media

Classic Movie Review Jaws 2

Jaws 2 (1978) 

Directed by Jeannot Szwarc 

Written by Carl Gottlieb, Howard Sackler

Starring Roy Scheider, Lorraine Gary, Keith Gordon, Murray Hamilton 

Release Date June 16th, 1978

Published August 9th, 2023 

If there is ONE movie in the long history of movies that does not need a sequel, it's Jaws. Jaws, as crafted by Steven Spielberg, is a perfect movie. That doesn't mean it's the greatest movie of all time or even my favorite movie. When I say Jaws is a perfect movie, I merely stating that as the story is told and the film is executed, it's perfectly crafted in and of itself. Jaws, as it is, cannot be improved upon and requires no expansion upon its story. The characters, action, and ending, all play out in the best possible fashion for this movie. Jaws, as it plays, doesn't need to be expanded upon nor does it lend itself to being expanded upon. 

Thus, the only reason anyone would be ridiculous enough to make a sequel to Jaws is money. It's a purely mercenary effort to separate audiences from their money. There can be no art, no pure joy of creation to this endeavor, it's only about using something powerful as a brickbat with which to beat money out of audiences. Jaws is a money pinata and greedy Hollywood executives wanted their candy by any means necessary. That means that if they needed to force actor Roy Scheider to star in the sequel by holding him hostage to his contract, they would do it. And they did do that, Scheider didn't want to be in this movie. 

If it meant backing up a brinks truck to try and get Steven Spielberg and Richard Dreyfuss back, they would do it. It's a sign of great integrity that both Spielberg and Dreyfuss refused big money deals to compromise their integrity. Studio executives likely tried to drag up the corpse of Robert Shaw's Quint but thankfully stopped short of that. But would you be surprised that the idea was floated? It would not surprise me if that happened. Anything remotely familiar was going to be exploited for the chance of wacking that Jaws pinata. For instance, one person who did compromise his integrity is composer John Williams who did return and provided one of his most forgettable pieces of work for Jaws 2. 

So, why am I ranting about Jaws 2? The movie isn't exactly timely or relevant. Well, Jaws 2 was the classic on our latest episode of the Everyone's a Critic Movie Review Podcast. We paired Jaws 2 with The Meg 2: The Trench and what we found is that both of these movies stink out loud. Both The Meg 2 and Jaws 2 are miserable, overlong slogs that fail to remotely capture what made the first film something worth watching. The Meg, of course, doesn't compare with the genius of Jaws, it's merely the first of two Meg movies. But, The Meg is certainly better than its sequel and that's where the sequel relates to Jaws 2, which is a vastly inferior film to its original. 

Read my full length review at Horror.Media