Movie Review Melvin Goes to Dinner

Melvin Goes to Dinner (2003) 

Directed by Bob Odenkirk

Written by Michael Blieden 

Starring Michael Blieden, Melora Waters, Stephanie Courtney, Matt Price 

Release Date January 2003 

Published May 19th, 2003 

Bob Odenkirk is best known as half of the comic team behind HBO's cult comedy Mr. Show. With his partner David Cross, Odenkirk created some of the funniest sketch comedies ever on television. Now Odenkirk is venturing out into unknown territory directing his first feature film, and like Mr. Show, it's a risky comic sketch.

Melvin Goes To Dinner is a single, handheld camera following the twists and turns of a conversation between four semi-strangers. Like the classic My Dinner With Andre, Melvin is a fascinating experiment in comic dialogue and the ability of a director to hold your attention without resorting to trickery.

The Melvin of the title is Michael Bleiden, who wrote the script and performed the show as a stage play in Los Angeles. In the film, he and the original stage actors from the LA production, Annabelle Gurwitch as Sarah, Stephanie Courtney as Alex, and Matt Price as Joey, reunite in an LA restaurant. What unfolds is an hour-long conversation that twists from mocking discussions of ghosts in Alex's apartment to intriguing takes on religion, infidelity and strip clubs.

Alex is friends with Joey from business school. She is a man's woman, the type who will join the guys for a trip to the strip club. Joey, who fell into dinner after an accidental phone call, is also old friends with Melvin but they haven't seen much of each other recently. Alex has been friends with Sarah for years and just happened to bump into her on her way to dinner with Joey, forcing her to join them. That explains how everyone got there but there are deeper connections that are revealed during this marathon dinner conversation.

It is so rare to hear great dialogue in the age of Jerry Bruckheimer and Michael Bay. This makes Melvin a welcome change of pace from the majority of modern scripts that merely lend context to action scenes or gross out comedy. Melvin is the extremely rare film that doesn't just feature great dialogue, it is about great dialogue.

This material would be difficult for any director, especially for a first time director, yet Odenkirk manages the material very well. His observational, voyeuristic camera quietly shifts from shot to shot never getting in the way, never tipping off the story’s twists, never leading the audience by using tricks of perspective or showy camera movement.

As I mentioned earlier, the actual conversation is only about an hour long. The remaining 23 minutes of the film is made up of well-done flashbacks. Featured in cameos are Odenkirk cohorts like Jack Black as a mental patient and David Cross as a motivational guru to Odenkirk as one of Sarah's ex-boyfriends, a surprisingly poignant and revealing cameo that helps deepen Sarah's character. Maura Tierney also appears as Melvin's sister, and Melora Waters rounds out the cameos as Melvin's married girlfriend.

The script mines its best material from infidelity. Melvin is dating a married woman and has done it before. Joey is married and admits that he often considers cheating on his wife. Sarah, like Melvin, has been on the cheating side of a relationship while Alex admits to having been the victim of cheating boyfriends on more than one occasion. She claims to have come out unfazed, due to distractions at work.

The stories they relate about their relationships are funny, smart and touching. Not touching in that cloying movie way but in a more real human way that isn't with a major dramatic flourish or revelation but just comes from shared experience. This is a terrific movie, witty and smart with four very likable actors, well-timed cameos and flashbacks and well directed by first time Director Bob Odenkirk. The DVD for Melvin, courtesy of Sundance Home Entertainment, is in the style of Odenkirk's irreverent Mr. Show sense of humor. 

The DVD features two commentary tracks, including a very funny two-man commentary by Bleiden and Odenkirk and one with Odenkirk, Bleiden and Michael Penn who performed the film’s elegant film score. The DVD's best feature is a mock documentary about "The Frank Film Festival", a film festival put on by a guy named Frank in his basement with just one film. It is as much of a must see as the film itself.