BlacKKKlansman (2018)
Directed by Spike Lee
Written by Spike Lee
Starring John David Washington, Adam Driver, Topher Grace, Laura Harrier Ryan Eggold
Release Date August 10th, 2018
Published August 9th, 2018
BlacKKKlansman is one of the most ambitious and daring movies to come down the pike in quite some time. This story about a real-life Colorado Springs, Colorado cop who decided to take on the Ku Klux Klan is bold, audacious, funny and deeply compelling. That is is also a biting satire of our current political climate also serves to remind us why Spike Lee remains one of the most vital and necessary filmmakers.
BlacKKKlansman stars John David Washington, Denzel’s son, as Ron Stallworth, a man fresh out of college and eager to become a police detective. His ambition brings him to Colorado Springs, Colorado where he seizes his opportunity to quickly move up the ranks by volunteering for undercover work. Whether intentional or not, Ron takes advantage of the racism of the department as they need someone young and black to go undercover at meetings of so-called black radicals.
After succeeding in his first undercover gig, Ron is fully promoted to detective in the Intelligence division. It is here where the story of BlacKKKlansman kicks into gear. Seeing an ad in the paper for the Ku Klux Klan recruitment drive, Ron decides to pick up the phone and find out how the Klan recruits. Ron quickly ingratiates himself to the local Klan leader, Walter (Ryan Eggold) who invites him to a meeting.
Naturally, Ron himself can’t go undercover at the meeting, so, he’s partnered with Flip (Adam Driver). Together they will catfish the Klan into believing that Ron Stallworth is a former Vietnam veteran eager for the chance to be part of the coming race war on the side of ‘The Organization’ as they call themselves when in public so as not to arouse suspicion and maintain the anonymity that comes with their traditional hood and shroud.
Where the story goes from there you will need to see for yourself. I will tell you that the scope of the story includes the longtime Grand Wizard of the KKK, David Duke, here played by Topher Grace in a performance that truly takes the piss out of Duke and his self-righteous attempts at mainstreaming his hateful rhetoric. Grace is terrific at being the butt of the film’s best gags, especially the final payoff laugh which sends the crowd home happy.
This is however, J.D Washington’s show and boy is this kid ready for stardom. Yes, you can definitely hear some of his dad’s voice, his unique inflection, coming from J.D but he demonstrates here, with the help of Spike Lee, that he is fully his own man. This is a breakout, charismatic, a star is born, kind of leading man performance. Washington is funny, confident, bold and sympathetic and yet far from perfect, still wet behind the ears but eager to learn in charming fashion.
Adam Driver as well is fantastic in BlacKKKlansman. Driver’s choice of roles is so smart, always seeming to choose roles that play to his unique strengths. Many of BlacKKKlansman’s best scenes are played in Driver’s eyes, with the thinly veiled control he has over the contempt he feels for the Klan he’s pretending to be part of and for himself for having to spout the racist nonsense back at these redneck losers. It’s a performance of measured cool and Driver is phenomenal.
Spike Lee hasn’t felt this much like the Spike Lee of old since 2002’s 25th Hour. This is Spike once again on an epic scale. This is Spike indulging his style once again rather than pushing his instincts aside to make something mainstream ala 2006’s Inside Man, a fine movie, but not a Spike Lee movie, and 2013’s Oldboy, a film idea doomed at conception. BlacKKKlansman takes us back to when Spike Lee was more than just a director, he was a creative life force.
BlacKKKlansman is vital and angry, funny and dangerous. The film engages and repels audiences, it challenges you and ingratiates you. If you are uncomfortable with political movies, BlacKKKlansman is not for you as it is a film that challenges you with parallels to today’s politics and the dangerous attempts too many people in the political realm have made to equate the hate of bigots and racists with the anger of people suffering from the hate of bigots and racists.
BlacKKKlansman is bold and fearless filmmaking filled with style and humor, fiery polemical rhetoric and damn good storytelling. BlacKKKlansman is a Spike Lee Joint as vital and exciting as anything he’s made since Do the Right Thing, arguably his one true masterpiece. BlacKKKlansman is also simply one of the finest movies of 2018.
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