Deuces Wild (2002)
Directed by Scott Kalvert
Written by Christopher Gamble
Starring Brad Renfro, Stephen Dorff, Fairuza Balk, James Franco, Johnny Knoxville, Matt Dillon, Norman Reedus, Deborah Harry, Frankie Muniz
Release Date May 3rd, 2002
Published May 3rd, 2002
The troubles of actor Brad Renfro are well documented. Renfro has had multiple run-ins with the law and is also notoriously difficult to work with. What gets lost in Renfro's problems is the fact that the kid is one hell of an actor. Renfro has a Brandoesque persona, handsome with deep soulful eyes that emit a piercing gaze that cuts like a knife. Sadly, Renfro's troubles have kept him from the acting status his work aspires to and is likely the reason he is relegated to such B-release fare as Deuces Wild.
In Deuces, Renfro plays Bobby, a street tough who runs with a gang called the Vipers. The film begins in flashback with Bobby's brother Leon (Stephen Dorff) carrying the limp lifeless body of their brother Al. Al is dead from a drug overdose administered by rival gang members Marco (Norman Reedus) and Franky (Balthazar Getty), members of the Vipers.
Three years later Leon is the leader of the Deuces and Bobby is his thuggish enforcer. The Deuces are dedicated to keep drugs off their block. This comes into conflict with the Vipers and their leader Marco, fresh from jail and looking for revenge against Leon for sending him there. Neither gang can make a move without the approval of a local mobster named Fitzy and played semi convincingly by Matt Dillon.
Deuces Wild is as much a gang movie as it is a love story, as Bobby falls for a Vipers girl named Annie (Fairuza Balk). The courtship between Bobby and Annie would be sweet if it weren't steeped in cliché and bad 50's dialogue. In fact, the whole film is buried under clichés from West Side Story, The Outsiders, Lords of Flatbush and whatever greaser gang movie you can think of.
It gets worse, even with the problems of the ridiculous attempts to ape 50's lingo, the film introduces and dismisses subplot after subplot. Marco seeks revenge on Leon for sending him to jail, while we in the audience find out in a dream sequence that it wasn't Leon who did the deed, a piece of information that makes no difference whatsoever and is never resolved. Then there is Leon's romance with Betsy (Soprano's actress Drea Demateo), which exists solely to provide Leon with something to do while not beating the crap out of people in fistfights.
And why does Leon feel so bad about everything he does? Where is the commitment to the cause? In one scene he watches as the Vipers burn down his block. In another scene he admonishes his gang for acting against a pair of drug dealers moving into their territory. It was interesting to note that gangs of 50's Brooklyn only controlled one block. Literally one block! So, the Deuces kept drugs off of one city block, but if drugs were sold right around the corner, it was all good.
Renfro for his part is uncomfortable with the lame attempts at 50's dialogue, but still communicates with body language and his laser stare. This kid is a contender, as he showed in Apt Pupil and his Tour De force performance in Bully. With Deuces Wild, Renfro signals an attempt to move into mainstream Hollywood roles. Here's hoping he develops the same eye for Hollywood material as he has for his indie work, and that Deuces Wild is just a minor annoyance on the way to an Oscar nomination.
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