Movie Review: A.X.L

A.X.L (2018) 

Directed by Oliver Daly

Written by Oliver Daly 

Starring Alex Neustaedter, Becky G, Dominic Rains, Thomas Jane

Release Date August 24th, 2018 

Published August 29th, 2018

That A.X.L even exists is rather baffling. Just who thought this was a good idea: A dirt bike racing teen befriends a robot dog and attempts to save him from the evil corporation that created him. It’s a concept that might have worked in a 1970’s Disney movie but in 2018 it comes off like an idea we’d poke fun at for being like a 1970’s Disney movie. A.X.L is a deeply, painfully, earnest story without wit or consciousness.

 A.X.L stars Alex Neustadter, a star of such magnitude that he is listed third in the credits on IMDB despite being the star of the movie, aside from the CGI. Miles, as the character is named, is a dirt bike racer without a sponsor who is befriended by Sam (AlexMacNicoll), a big time racing star from the same hometown in California. Through Sam, Miles meets and falls for Sara (YouTube sensation and pop star Becky G, top-billed on IMDB) whose mother works for Sam’s family.

The three form a love triangle that will be tested when Sam and Miles are pitted against each other on the dirt bike track. Or, at least, that was the plot to one of the movies that someone cobbled together into A.X.L. The other movie is about a robot dog created by an evil corporate operative played by Dominic Rains and his lackey played by Lou Taylor Pucci. Thomas Jane and Ted McGinley round out the cast as ineffectual parents or actors just picking up a paycheck.

A.X.L is one of the most misguided movies I have seen come along in some time. The plot is utter nonsense, Short Circuit meets The Dirt Bike Kid perhaps, and the performances are irredeemably bland. Poor Alex Neustadter looks like he’d rather be anywhere else than pretending to be acting in front of a robot dog and Thomas Jane appears to be on hand to have a beer and get paid for the privilege.

None of the cast appear to be all that interested in the movie with everyone seeming to adopt the same wide-eyed, gape-mouthed expression to communicate every emotion of every scene. No joke, try watching this movie and not noticing the number of blank-eyed stares. It’s rather humorous but I wouldn’t recommend it as a drinking game. Then again, I don’t recommend anything about A.X.L.

One last note, A.X.L has the dubious distinction of having brought down its studio. Global Road Entertainment, according to industry magazine Variety, is trying to off-load the last of its movies after falling into the hands of lenders. It wasn’t all of A.X.L’s fault, the studio also released the pricey bombs Midnight Sun, Hotel Artemis and Show Dogs, but A.X.L with its CGI robot puppy, could not have helped matters, especially after opening to less than 3 million dollars opening weekend at the box office. Woof!

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