Sky Captain and the World of Tomorrow (2004)
Directed by Kerry Conran
Written by Kerry Conran
Starring Jude Law, Gwyneth Paltrow, Angelina Jolie, Giovanni Ribisi, Bai Ling, Michael Gambon
Release Date September 17th, 2004
Published September 17th, 2004
Call me a Luddite if you wish, but I just don't like the way computer technology is encroaching on modern filmmaking. With the release of Sky Captain and The World of Tomorrow, we have our first example of a movie made with real actors and no real locations. We are not far from a film with no real actors. Final Fantasy was technically speaking animation, I am speaking more of technology of the kind used in the little seen Pacino movie Simone where America's top actress was entirely created on a computer.
This is disturbing to me because when you pay so much attention to technology, what most often gets lost is real art. Dialogue, characters and acting are the casualties of too much technology. Look at Bruckheimer films, so much attention paid to blowing things up and not nearly enough attention to creating plots, dialogue or characters. Some could point to Pixar's animated features as an example of great plot and dialogue combined with top of the line computer technology and they have a point. Still, an animated character will never replace a great human character like Indiana Jones or The Bride from Kill Bill, at least not to me.
That brings us back to Sky Captain and The World of Tomorrow, which is technologically well realized. However, when it comes to dialogue, plot and characters, the film is shallow and conventional.
Gwyneth Paltrow stars as intrepid reporter Polly Perkins. Polly has stumbled upon the story of the century, the world's top scientists are disappearing and Polly has the inside track toward finding the supervillain behind the kidnappings. Her story is interrupted when giant metal robots invade New York City and only Joe Sullivan (Jude Law) a.k.a. Sky Captain can stop them.
Joe and Polly have a personal history, they used to be an item years earlier but broke up badly. Now because Polly has information Joe needs and Joe has the story Polly needs, the two are reunited and bickering like a divorced couple. Regardless, they must work together to find the missing scientists who will lead them to the supervillain known as Totenkopf. They are aided by Joe's sidekick and gadget man Dex Dearborn (Giovonni Ribisi) and British flying ace Frankie Cook (Angelina Jolie) who, like Polly, has a personal history with Joe.
For a film as unconventional in its technological creation, its plot is actually rather mundane. It's an adventure lifted directly from a 1940's Errol Flynn movie. A nice homage but it fails to hold up for a full-length modern feature. The plot is highly predictable and relies on any number of contrivances to arrive at its predestined outcomes. The technology has evolved but the ability to create a screenplay that doesn't rely on an obviously stupid decision by a character that should know better still persists.
The acting is a little off, likely because of the technology. There is a big difference between acting on a set and acting against a blue screen. You’re reacting to things that aren't there and when you're forced to remember exactly where you're standing or where the fake tree is or the fake animal attacking you is, it's difficult to concentrate on delivering lines and reacting to real flesh and blood co-stars.
The technology has improved so that acting against a blue screen is not as awful looking as it was in the 60’s drive-in movie era. However, just because everything looks seamless onscreen doesn't make the acting any easier and the strain is evident on each of these actors.
Jude Law, who I believe is in every movie being released this fall, has the kind of glamorous good looks to play the heroic Sky Captain but there is something in his performance that is just a little off. Law has this mischievous glint in his eye, he's always had it and it's always been an asset. However, in a role that calls for earnest heroism, that glint seems out of place. There is just a hint of irony to everything he says, an irony that is out of place in a film that is so ingrained in its faked time period.
Gwyneth Paltrow, one of my favorite actresses, also is just slightly off. Her trouble comes more from the script than from her performance. Her Polly Perkins is required to do things that keep the plot going, things that if the character were as smart as she's supposed to be, she wouldn't do them. She does these stupid things because if she didn't, the movie would be over. If you can't make the plot work without compromising your characters then you need to keep working on it. Of course, when you have so much technology to worry about you just don't have time to devote to your plot.
In a recent column, I wrote of how disturbed I was about Sky Captain using the image of the late Sir Laurence Olivier as a character in the film. I am happy to report that my concerns were greatly overblown. The film does not employ Sir Laurence's image in any way that is overly disturbing or abusive. I don't want to give anything away about how he is used because it might reveal too much, but it's not as bad as I thought it would be.
The computer technology of Sky Captain is impressive. Some of the imagery is quite striking. I especially enjoyed the flying British aircraft carriers and the blimps. Very impressive stuff. I also enjoyed the film’s gauzy look that makes it feel aged to its 30’s. The film looks like one of Ted Turner's colorized black and white movies, and although colorization is blasphemy, this film just has a similar look.
Writer-Director Kerry Conran is clearly a fan of classic sci-fi of the 30's and 40's and if you share that love you are going to like Sky Captain a whole lot. There are numerous homages to old movies like King Kong or Errol Flynn's numerous adventure movies. The Wizard Of Oz is used effectively in more ways than one. This love of film classics is admirable and quite enjoyable if you know your history. Keep your eyes open for a number of visual references to classic films.
With the technology and the homages to classic films, I can't be surprised that some things would get lost in the shuffle. Unfortunately, what gets lost is characters, dialogue and plot. There is no doubt that if you’re into technology you will be blown away by what you see in Sky Captain and what could possibly be done with this technology in the future. For me though, no amount of technology can replace the thrill of charismatic characters delivering smart dialogue inside a complicated plot.
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