Movie Review Law Abiding Citizen

Law Abiding Citizen (2009) 

Directed by F. Gary Gray

Written by Kurt Wimmer

Starring Gerard Butler, Jamie Foxx, Bruce McGill, Colm Meaney, Regina Hall

Release Date October 16th, 2009 

Few genres turn out the kind of mind numbingly dull-witted tripe that the action thriller genre does. It's the most prominent genre among the direct to DVD market because it's easy to script and craft. Take one all knowing baddie. Give him an unending budget. Give him a flawed but honorable adversary with less means but as much wit. Then just add explosions and a predictable ending and you're done.

Director F. Gary Gray sticks close to the formula with Law Abiding Citizen, a film that would be prime for the direct to DVD market if Jamie Foxx hadn't won an Oscar and if Hollywood weren't determined to convince us all how much we love Gerard Butler.

Butler is the ostensible star of Law Abiding Citizen as Clyde Shelton. One night as Clyde is hanging out with his wife and daughter there is a knock at the door. When Clyde answers he's met with a baseball bat to the skull. Two men invade his home, tie him up, stab him and leave him to watch as they do the same and worse to his wife and as he passes into unconsciousness, his daughter is killed.

Months later, the home invaders are under arrest but one arrogant, conviction rate concerned, ADA, Nick Rice (Jamie Foxx), decides that there isn't enough evidence to convict them both. He takes a deal that will send one man to the death chamber and the other to a stunningly brief sentence. Worst of all, the wrong one is going to his death.

Clyde is devastated and for the next ten years he dedicates himself to revenge. On the day that one of the attackers is to be executed, Clyde makes his move. Soon the other, nastier man, now out of prison, is also dead and Clyde isn't finished. Under arrest for murder, Clyde sets in motion revenge against Nick and anyone else who compromised justice.


There are effective moments in Law Abiding Citizen. One of those moments involves a deadly cellphone. Another is an unexpected use of a T-bone. Both moments are explosively violent, more in the vein of a horror film than your average action thriller. These violent moments are far more interesting than Clyde's exceptionally contrived gambits of revenge.

Let's just say don't piss off a gadget guy with unlimited funds and the muscled physique of Gerard Butler. Speaking of Mr. Butler, why do movies insist on having Butler speak with an American accent? He can't do it. He sounds ridiculous and having his natural accent would do nothing to change the character. If producers somehow think this mumbling American accent makes him more relatable, their very wrong. Indeed, it's quite off-putting.

Jamie Foxx is desperately miscast in Law Abiding Citizen. Restraining every comic instinct he has, Foxx deadens his natural charisma in favor of a stoic arrogance that damn near makes Butler's psycho look appealing in comparison. Much of the plot rides on Foxx's Nick being an egotistical idiotic who simply cannot admit when he's wrong. If that sounds thrilling to you, or at all compelling, maybe you'll like this movie.

I hated much of this movie. Aside from the brief, violent flourishes, Law Abiding Citizen is a slow witted, predictable action thriller that replaces nerve and guts with arrogance and psychosis. That may work for the direct to DVD market but I want more out of my theater ticket.

Documentary Review Good Hair

Good Hair (2009) 

Directed by Jeff Stilson

Written by Lance Crouther, Paul Marchand, Chris Rock, Chuck Sklar, Jeff Stilson

Starring Chris Rock

Release Date October 9th, 2009

Just what is good hair? Some might go with the simple answer that anything that looks good is good hair. However, among African Americans good hair describes hair that is relaxed and or extended. The process, the cost, and the origins, literally and historically, are explored by comedian Chris Rock in the terrific doc Good Hair.

Chris Rock has two daughters and they were the impetus behind Good Hair. Wondering whether or not he would advise his girls to straighten their hair or whether he should discourage them, Rock went out into the community and found something he might never have expected, an anthropological journey into a world of hair, products and styles; the beautiful and the bizarre.

The main setting for Good Hair is the hair salon and the barber shop. Hair for women is not merely a style, it is intricate to how they see themselves and how the feel about themselves. A multi-billion dollar industry has grown almost solely around the need for products related to a black woman's hair. At the Bronner Brothers hair show, a sort of comic-con for the hair obsessed, Rock finds a meeting of business and the bizarre that is something out of a Fellini film. 

At the hair show there is a competition among stylists that is kind of about styling hair and mostly about the fabulous ego-driven spectacles that are the stylists themselves. These scenes are as funny as or funnier than Rock's very funny convos with the denizens of his local salon and barber shops. The interaction with customers and cutters play as buffers between Rock and Director Jeff Stilson's three set pieces: The Bronner Brothers show, the science of hair care products, and the final, and most effecting set piece, a trip to the slums of India where hair is cut in a purifying ceremony and is then collected, sewn and sent to the US to be sold as hair extensions. The scenes in India have a sadness that is leavened well by Rock's sad, humorous commentary.


There are also interviews with famous men and women including Al Sharpton, Maya Angelou and R & B star Eve among others. There is insight and oddity found in these interviews that a more trained interviewer than Chris Rock might have missed. Rock has a way of putting his interview subjects at ease that allows for unexpected moments of humor and truth. If there is one thing missing from these scenes it is Rock breaking it to these women where their hair extensions came from?

If Good Hair lacks punch it is because Rock is trained to go for the laugh and not the jugular. There is an undercurrent of anger buried deep beneath Rock's good nature. He wonders why so many African Americans pay unseemly amounts of money essentially to placate white people. In the barber shop people joke about the product relaxer because it is relaxing to white people to see African Americans with straight hair. Rock is visibly irritated with this line of thinking. He understands it, but it still bothers him.

In moments when he examines the hair care products, exposing their dangers-relaxer can melt a coke can in just over an hour- Rock shakes his head with amused disgust. When he finds that the products are dangerous to make and a danger to the people administering and using them, he again shakes his head but doesn't push the issue.

In the end, Rock is entertaining and his subject is fascinating. The intent was never to be the Michael Moore of the hair care industry. He had an honest question. He explores it with his brand of good natured jabbing. The journey for the audience is fun and fascinating and judging the intent rather than the possibility of Good Hair, it's an easy doc to enjoy and recommend.

Movie Review Amelia

Amelia (2009) 

Directed by Mira Nair 

Written by Ronald Bass, Anna Hamilton Phelan

Starring Hilary Swank, Richard Gere, Ewan McGregor, Christopher Eccleston

Release Date October 23rd, 2009

For some the phrase 'old fashioned' has become a pejorative. Somehow it has evolved from a sensibility or way of thinking to be something to reject and rebel against. The biopic Amelia about the life of legendary flyer Amelia Earhart fully embraces being old fashioned and in doing so gains the grace and elegance of old Hollywood.

Hillary Swank takes the lead as Amelia Earhart the first woman to fly across the Atlantic. She didn't fly the plane; she was a passenger or in her words a sack of potatoes along for the ride. It was part of a publicity campaign in 1928 by celebrated showman and publisher George Putnam (Richard Gere).
Just after Lindbergh crossed the Atlantic solo Putnam was looking for ways to cash in after having made money publishing Lindbergh's book. He needed a new hook and found it with "Lady Lindy". All he needed was the right woman. He chose Earhart after interviews with several other women.

He wanted a woman pilot and he got one. Her first book was a hit but Amelia wanted to be more than a passenger. Soon she was planning her own Atlantic crossing minus the other pilots. In one magical night filled with stars and the occasional storm cloud, Amelia Earhart made her solo flight. While she was supposed to land in Paris and ended up in a field in Ireland, the flight was a major success.

George, and the need for publicity, pulled her away from the plane for a time but it wasn't long before Amelia was ready to fly again. And while she became the first woman to fly from Los Angeles to Hawaii and from Los Angeles to Mexico City, there was one goal she had in mind. Amelia Earhart wanted to be the first person to fly around the world.

Hillary Swank's performance in Amelia is a true delight. Her Amelia is infectious, unique, spirited and boyish. Like the characters she played in both of her Oscar winning turns in Boys Don't Cry and Million Dollar Baby, Amelia is almost asexual. Charming but not inviting in the typical ways of a woman.


It's no wonder then that of the three romances in Amelia the only one that truly resonates is with flying. Swank connects well with both Gere as George Putnam and Ewan McGregor as Gene Vidal, Amelia's flight instructor friend, future head of the FAA and father of Gore Vidal, but when she gets in a plane and looks out at the horizon there is an almost sexual atmosphere.

Director Mira Nair doesn't linger on that nearly orgasmic delight but merely introduces it and moves on. This is, after all, a classic, old fashioned biopic. Nothing too unseemly is welcome here. And that's okay. If you want salaciousness go watch a different movie. Amelia is a charming, engaging old school biopic that gets its juice from great actors delivering strong lines and building characters we come to care about.

There is no need for this film to plod through rumors about Amelia's sexuality. Her only real relationship is with the controls of her plane. The film hints at and wants you to believe that Amelia eventually loved George Putnam after his years of devotion to her. It would like us to believe there was passion in her dalliance with Gene Vidal and we can see the chemistry in each relationship, but watch Swank in the flying scenes and you see true devotion.

That is what makes Amelia Earhart's story so unique. Her love is something that you really cannot understand unless you share her passion for flying. She went for Gene Vidal because he was a flyer, they related on that level. She loved George Putnam because he indulged her flying and through money and publicity, made it all possible. 

That might seem strange or wrong to you but this movie understands it and presents it in a way that allows the audience to come around to it and eventually understand it as well. We all have passions that others may not understand. Amelia's passion was for flight. What a joyous notion that a movie could find a way to understand that so fully.

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