Movie Review: Despicable Me

Despicable Me (2010) 

Directed by Chris Renaud, Pierre Coffin

Written by Cinco Paul, Ken Daurio 

Starring Steve Carell, Russell Brand, Jason Segal, 

Release Date July 9th, 2010 

Published July 8th, 2010 

Gru (Steve Carell), the star of “Despicable Me” is a super villain. We know this because he is dressed all in black. He has a bald head, pale skin and a villainous pointy nose. He carries a freeze ray which he uses to get to the head of the line at Starbucks and he's mean to children. If Gru were anymore the bad guy he would be petting a cat a la Blofeld and twisting his mustache.

When the Great Pyramid goes missing Gru's mother (Julie Andrews) calls to congratulate him and he is forced to reveal he wasn't the big bad guy who stole it. Turns out, there is a new Super villain on the scene and he is stealing Gru's headlines. Don't worry though, Gru has a plan to get his place on the front pages back, with the help of his evil assistant Dr. Nefario (Russell Brand) and his hundreds Banana Slug looking Minions, Gru plans to steal the Moon. All he needs are the funds.

In a scene that earns the biggest laughs in “Despicable Me,” Gru heads for the Bank of Evil to pitch his Moon stealing idea. Keep an eye out for one terrifically fun toss off sight gag at the Bank that is both timely and hilarious. To get his funds the bank needs Gru to first steal a top secret shrink ray that he can use to shrink the moon to carry on size.

Oh, but that new villain in town, he's on the trail of the shrink ray and the moon as well. His name is Vector (Jason Segal), really Victor, but he thinks Vector is much more evil and when he gets the shrink ray, he puts Gru in a desperate situation. Through some strange and evil circumstances, Gru hatches a plan to steal from Vector involving three cute little orphans.

You can guess where this story is going and likely where it will end up. Three cute girls humanize the heartless villain yada, yada, yada, Pixar level storytelling this is not. What “Despicable Me” lacks in intellect it more than makes up for with big laughs. The directorial team Pierre Coffin and Chris Renaud do a terrific job playing off of classic movie super villains from James Bond to Superman. 

Parody is “Despicable Me's comfort zone but a healthy amount of cartoon slapstick, often involving the mumbling, bumbling minions, also earns big laughs. The voice cast brings a few of their own laughs as Steve Carell's Eastern European growl, Russell Brand's throaty Brit, and Jason Segal's nerd voice each has a moment to gurgle a good line. 

”Despicable Me” doesn't have the ingenuity of the Pixar cartoons but it accomplishes the simple goal of earning big laughs. The film has heart, great characters and tremendous voice acting. It also has arguably the best soundtrack of 2010. Pharrell Williams of NERD engineers a big beat Greek chorus to Gru and the girls' adventure and it's the perfect score for the big laughs and big fun of “Despicable Me.”

Movie Review: Welcome to Marwen

Welcome to Marwen (2018) 

Directed by Robert Zemeckis 

Written by Robert Zemeckis, Caroline Zemeckis 

Starring Steve Carell, Leslie Mann, Merritt Wever, Janelle Monae, Eiza Gonzalez, Gwendoline Christie

Release Date December 21st, 2018 

Published December 20th, 2018

Welcome to Marwen is a cringe-inducing drama about a man who suffered a terrible, tragic beating and reclaims his identity through art. There is a good movie to be made of this concept, but this isn’t it. Perhaps the documentary made about this story, called Marwencol, is that movie. I haven’t seen that doc unfortunately, and so I can only judge this story based on this movie and ugh, it’s not an easy sit. 

Not long prior to when this story is set, Mark Hogancamp (Steve Carell), was brutally attacked outside of a bar in his small New York town. He was left in a coma and the subsequent traumas included losing his memory of anything that happened prior to the attack and losing the ability to draw, a long time passion. As we meet Mark he is indulging in his fantasy world, known as Marwen, wherein he is a heroic World War 2 pilot who is rescued from the Nazis by a group of gun toting women who are mythic representations of the real women in Mark’s life. 

Marwen is Mark’s at home art installation where he uses 12 inch dolls to represent himself and the women in his life. There is Roberta (Merritt Wever), a kindly hobby shop owner who helps Mark obtain his dolls and supplies, Julie (Janelle Monae), Mark’s former physical therapist, Carlalla (Eiza Gonzalez), a co-worker of Mark’s at a local bar, and Anna (Gwendoline Christie), Mark’s visiting nurse. There are also two other fantasy characters in Marwen but we will get to them as they are both troublesome. 

There will soon be a new character in Marwen. Mark has just gotten a new neighbor, Nicol (Leslie Mann), who Mark is immediately smitten with. After seeing her and briefly meeting her and finding her very kind and patient, Mark goes to the hobby shop and buys a doll on which he projects her image. He even names the doll Nicol and begins to position her romantically with his doll avatar Hoagie. Here’s where the cringing begins and does not let up in Welcome to Marwen. 

Welcome to Marwen is quite loosely based on the life story of the real Mark Hogancamp, a life that has already been rendered in a well-reviewed documentary. Much of the other details are inventions of Zemeckis and writer Caroline Thompson who might have been better advised to stick closer to the real story. The invented romantic aspirations of Mark are creepy and cringe-y and render him difficult to take. 

The real Mark Hogancamp never had a Nicol, he named his characters and his town after his ex-wife, who was long out of the picture before he was attacked and a good friend whom he had no romantic designs on. The real Mark Hogancamp, on some level, understands that he’s not in a place where romance is right for him. As portrayed in this movie, Mark is a true weirdo whose fixation on Nicol has the earmarks of creepy stalker behavior, something I am sure was not intended in this supposedly uplifting story. 

I will put it to you dear reader, a strange man you’ve only just met begins to fixate on you, purchases a doll that he makes to look like you, begins to have that doll in a romance with a doll that looks like him, are you cool with that? I haven’t mentioned that he also has a few pairs of Nicol's shoes that he likes to wear and that is arguably the least creepy thing happening here. Again, the movie doesn’t intend any of this to be creepy but the way it is crafted on screen makes it unintentionally, off-puttingly, creepy. 

The movie doesn’t do much of anything to make Mark likable. Other than casting the innately likable Steve Carell, the film portrays Mark as awkward, humorless, childlike, a poor dresser, prone to violent attacks of fantasy, and a hermit. The women in his life indulge all of these qualities and reinforce them to a degree that goes beyond kindness and into the realm of fantasy where most of them only exist. The female characters in Welcome to Marwen are mostly the invention of the filmmakers and are not part of the real story as portrayed in the documentary, or so I have been told. 

Speaking of fantasy characters, there is another controversial inclusion in Welcome to Marwen. Diane Kruger voices a character named Deja who is the one character in the film universe that is not based on any of the other characters in the movie. Mark describes Deja as the Belgian Witch of Marwen, a woman so deeply in love with Hoagie that she makes his other potential love interests vanish. 

Deja is a supremely clumsy metaphor for addiction. She wears a bright blue glove that is the same color as the pain medication that Mark has been abusing. It’s hinted that Mark’s drinking problem, another addiction, was what drove away the wife he can only recall from photographic evidence and the fact that Mark was drunk the night he got beat up is part of his notion that he may have deserved the beating he received. By vanquishing Deja, Mark is symbolically vanquishing his addiction. If only life were so simple as defeating a doll. .

I debated whether to include a discussion of the other character in Marwen but I will mention it. In yet another creepy and tone deaf detail, Zemeckis includes a scene of Mark indulging in his pastime of watching his favorite porno actress, Suzette, who is portrayed by Zemeckis’ wife Leslie (Eww!). Mark likes Suzette so much that he made her a doll character in Marwen and when Nicol asks about her, Mark is not hesitant about explaining her origin in yet another cringe-y bit of tin-eared dialogue. 

It’s a shame all of this goes down this way because some of Welcome to Marwen isn’t completely terrible. The film uses some wonderful technical wizardry to bring Mark’s art to life. Mark doesn’t just play with these dolls, he poses them and takes photos of them that are genuine works of art. The film even builds to Mark’s art exhibit. As we watch Mark work, his art is alive and moving around and having dialogue and it’s all rather inventive looking.

This could be a device that deepens the story and creates an artful insight into Mark’s troubled, damaged, mind but as played by all involved in Welcome to Marwen, the dolls are yet another clumsy metaphorical device. They are there to deliver exposition and give simple metaphoric representations of Mark’s mental state. It doesn’t help that Zemeckis uses the dolls to deliver yet another creepy punchline regarding Mark; he occasionally poses his female dolls topless. Bearing in mind that these are dolls based on people in his life, it plays as another creepy and entirely unnecessary detail that the filmmakers seem to think is charming and funny. 

From what I understand about the documentary, none of what Zemeckis puts into the movie is true of the real Mark Hogancamp. He might be a creepy pervert but from what I have read about the documentary, it appears more interested in him as an oddball character and a talented artist. The romantic plot that Zemeckis forces into the movie is a completely misguided nod to mainstream filmmaking that requires that all quirky male protagonists have a love interest, even if the character has no qualities that would attract said love interest. 

To be fair, the Nicol character, as played by Leslie Mann, never realizes she’s a love interest until a truly hard to watch scene in which she has to let him down easy. It’s a supremely hard to watch and misguided scene that had me squirming in my seat. Mark is a character that is hard enough to take without the movie so forcefully trying to be sympathetic to his misguided ideas of romance. It’s meant to be an insight into his struggle but it all just comes off as forcefully sad. 

Welcome to Marwen is a technical marvel in some ways but mostly, it’s just hard to watch. The characters are all offbeat caricatures, the dialogue is full of the kind of lazy exposition you expect from action movies not from character driven drama and while the technical wizardry is neat, it can’t make up for the many other deficiencies in the story and characters of Welcome to Marwen. 

Movie Review: Vice

Vice (2018) 

Directed by Adam McKay

Written by Adam McKay 

Starring Christian Bale, Amy Adam, Steve Carell, Allison Pill, Jesse Plemons, Sam Rockwell, Tyler Perry

Release Date December 25th, 2018 

Published December 22nd, 2018 

Vice is an attempt at a satire of the former Vice President Dick Cheney. Unfortunately, though Dick Cheney is a large enough target for satire, Vice doesn’t have the teeth to make the satire work. Limp jabs at his time running the White House and the straightforward presentation of Cheney’s life, from his time as an alcoholic lineman in Wyoming through his time in the White House and his final heart transplant, the satire is so weak that it never lands a single blow on the former VP.

Christian Bale stars in Vice as Dick Cheney and the transformation is remarkable. Bale, one of the more handsome men in Hollywood, turns seamlessly into Dick Cheney. Putting on weight and undergoing four hours a day of makeup, Bale enhances the look with his voice and manner which brings Cheney to life on screen better than you could imagine. In fact, Bale is so good that he’s part of the reason that the satire of Vice doesn’t land.

Vice proceeds to tell the life of Dick Cheney in a manner that mixes up the timeframes of Cheney’s life. We start with Vice President Cheney on September 11th, after he had been rushed to an underground bunker and took over calling the shots on how the United States responded to the terror attack. The scene reflects rumors of how VP Cheney was usurping Presidential powers and the machinations are vaguely treated as menacing but the movie goes on to, unintentionally, sell the idea that Cheney, being more experienced and prepared for this moment than was President Bush, was right to takeover from Bush in this moment.

Then we flash back to how Dick Cheney got his start. In the early 1960’s Dick Cheney appeared headed nowhere. Cheney was working as a lineman in Wyoming. We see Cheney working for unscrupulous phone company engineers who care little for the employees who have little to no training or safety equipment. Cheney worked and then spent hours in bars getting drunk and getting into fights and getting arrested. 

It isn’t until his wife Lynn (Amy Adams) has to bail him out after a DUI that Cheney’s life is finally turned around. Lynn demands that Dick get cleaned up or she will take their daughter and leave and from there, the film cuts to Washington D.C where Dick is now working as a congressional intern. In the time between when Cheney  was a drunken lineman until he began  working in Congress, Cheney graduated from college and discovered an appreciation for politics.

Cheney’s start in Washington D.C came when he fell in with then Congressman Donald Rumsfeld (Steve Carell). Cheney was Rumsfeld’s intern and it is unexpected to see the Cheney we know today as a toady for someone even more unscrupulous and crude than himself but these scenes aren’t humorous, they are just sort of there. These scenes lay in important details about Cheney’s history during Watergate, his fast rise in the ranks of the Ford Administration, and his machinations within the Reagan White House, but they are the least interesting parts of Vice.

Vice doesn’t pick up strong momentum until Cheney becomes George W. Bush’s choice to be Vice President in 1999. Sam Rockwell plays George W. Bush as the flighty fratboy that the left has always believed him to be. It’s not a bad performance but there are more laughs in Rockwell’s manner, his style, the charming way he plays Bush than from anything Bush and Cheney actually do. The scenes between Bale and Rockwell are rarely funny but they aren't dramatic either, they play off of media perceptions of both men without providing much insight. 

That said, it was during the Bush Administration when Cheney, the character we know from many books and profiles, begins to emerge. We see his moves on the Iraq war, the way he used the law manipulate the country into a place where torture was legal and the film does begin to satirize the Cheney of lore as a power hungry, no-nonsense, bully. Is it funny? Kind of, in the absurdly straight-forward way that McKay frames the scenes and uses history to reflect these as poor decisions, but it is in conflict with Bale's performance as Cheney who doesn't appear to be in the fact that he's supposed to be the villain. Playing Cheney as having strong convictions is not exactly the satire we are expecting. 

It is during the time when Cheney is deciding whether to become Vice President that McKay relies on an odd but surprisingly effective device similar to one that he used in his Academy Award nominated The Big Short. McKay uses fantasy sequences as punchlines to punctuate the life of Dick Cheney. The first is a fake out ending that has Cheney retiring quietly after having been George H.W Bush’s Defense Secretary and leaving politics to become the CEO of Halliburton and leaving politics behind forever. 

This scene only evokes a bit of a chuckle and not a big laugh but I did enjoy seeing the credits begin to roll at the start of what was to be the 3rd act of Cheney’s life. This fantasy moment plays like wish fulfillment for those who despised the Bush-Cheney team and the joke is well-timed with the credits rolling far longer than you expect them to before we cut back to Cheney taking a call from George W. Bush and arranging a meeting regarding the Vice Presidency.

McKay goes back to the well of the fantasy sequence once more not long after this. The film employs a mysterious narrator, Jesse Plemons, who makes brief appearances throughout the movie, setting up a surprisingly effective reveal near the end of the movie. The narrator explains that we can’t really know what Lynn and Dick talked about the night that he decided to become the Vice President so the film goes into a remarkable, and quite funny, Shakespearean sequence in which Bale and Adams banter in the words of Shakespearean villains planning to carve up the world in their image.

For a brief moment Vice achieves its satirical potential. Cheney as the over the top Shakespearean Machiavelli figure is the perfect portrayal of the former VP. This moment combines our perception of Cheney with a touch of the reality. It's the Cheney of leftist lore and reality. Cheney is seen in Vice as a nasty politician with the ability to snake his way through the halls of power, taking power where he can and biding his time until he could turn things to his advantage. Shakespeare offers the perfect comic template to combine the aspects of Cheney that have taken hold in the public imagination.

This, however, is only one scene. It’s quite a funny scene and exceptionally well performed but it can’t make up for what is lacking in Vice which is a stronger through line of humor. The film doesn’t push the envelope beyond these fantasy sequences. It’s fine if the filmmakers are intending for us to make up our own mind about Cheney but I was expecting something more forceful, more directly critical. At the very least, I expected the Darth Vader-esque take on Cheney that holds the public imagination but the film, and especially Christian Bale, fails to push hard enough on that villainous side of our perception rendering the intended satire a toothless quality.

Vice is far too dry for my taste. Cheney is a huge satirical target and Vice doesn’t land a glove on him. George W. Bush gets far more of a roasting in Vice than Cheney does. In the bare minimum of scenes Sam Rockwell gives us an SNL worthy roasting of the former President as the slightly dopey daddy’s boy who was President in name only, a persona that many left leaning audiences will enjoy. It’s more savagely critical than anything Bale does with Chaney though both performances are solid. I just don’t know what the filmmakers, specifically director Adam McKay, is attempting to say about Dick Cheney in Vice.

Movie Review The 40 Year Old Virgin

The 40 Year Old Virgin (2005) 

Directed by Judd Apatow 

Written by Judd Apatow, Steve Carell 

Starring Steve Carell, Paul Rudd, Seth Rogen, Romany Malco, Catherine Keener 

Release Date August 19th, 2005 

Published August 18th, 2005 

The vanguard of TV writing is now headed for the big screen in big ways. J.J Abrams the creator of "Alias" is directing the next Mission Impossible film. Joss Whedon the creator of "Buffy the Vampire Slayer" and the underground hit, "Firefly", has Serenity in theaters in September and is soon to tackle Wonder Woman. First up, however, is television's most under-appreciated comedy writer, Judd Apatow.

In two network series, "Freaks and Geeks" and "Undeclared", Judd Apatow has had two of the most critically beloved and audience ignored series in history. Two extraordinarily witty and charming shows about growing up and not growing up. Both shows can now be seen as warm ups for Mr. Apatow's switch to big screen comedy in The 40 Year-Old Virgin, another witty and charming story of arrested development.

Steve Carell stars as the title virgin, Andy Stitzer. Andy lives in perpetual teenager-hood. Living amongst his action figures and video games and riding a bike to work, Andy barely even looks his age. At work Andy is the subject of derision and beliefs that he may be a serial killer. When his co-workers, Dave (Paul Rudd), Cal (Seth Rogan) and Jay (Romany Malco) invite Andy to play poker with them, the conversation quickly turns to sex and Andy is outed as a virgin despite his best efforts to the contrary. The trio seem less than sincerely sympathetic to Andy's plight, but eventually they do try and help Andy to relative degrees of success.

Each of Andy's new friends has some very... interesting advice that works in weird ways but almost always to Andy's detriment. While Dave is pining desperately for an ex-girlfriend he thinks Andy can be helped with a big box of porn. Jay thinks the cure is "drunk bitches" and Cal has a surprisingly effective idea: emulate David Caruso in Jade and women won't be able to resist.

Eventually, despite and not because of his friend's advice, Andy meets a lovely woman named Trish (Catherine Keener).  The two spark an immediate connection and thus begins a romantic plot that is smart and adult even as it is conventional romantic comedy. Carell and Keener are very good together and you have to love the way Keener throws herself into this role. She is an outsider amongst the male ensemble, most of whom have worked together before, yet she fits right in.

Judd Apatow directs 40 Year-Old Virgin with a very steady hand. Very well paced and always clever, at times the film is extraordinarily funny and often very crude but in the funniest ways imaginable. The film earns its R-rating with its language and raunchiness but that is perfectly balanced by the wonderfully sweet romance at the center.

The 40 Year-Old Virgin could have gone entirely wrong were it not for the strong lead performance of Steve Carell. The former "Daily Show" correspondent and star of NBC's doomed "The Office" manages to make Andy's virginity more than just a one-note sex joke. The character could have been a caricature akin to Pee Wee Herman or some other outrageous over the top character who you would believe never had sex. Instead Carell paints a very sympathetic portrait of a shy introverted guy who was just unlucky in his youthful exploits with women.  Andy is never a pawn of the plot or of the characters around him. He is fully formed and totally genuine. The film works because we believe in Andy and we align ourselves with Andy.

The supporting cast of The 40 Year Old Virgin is amazing, especially Paul Rudd who gets more and more outrageous and courageous in every role. Here is a comedic actor of real chops and leading man looks who is willing to completely humiliate himself if it means a big laugh, a rare breed. Romany Malco and Seth Rogan round out the top supporting roles and manage to create fully formed characters with depth and humor. The interplay of the four guys is unforced and familiar and almost always hysterically funny. It's no surprise that they have worked together before and the joy they have working together comes off the screen and affects the audience.

The real revelation of 40 Year-Old Virgin however, is director Judd Apatow who takes his place as one of the leading voices in big screen comedy. In a genre that desperately needs a new voice, Apatow is a sight for sore eyes and ears. His talent for character development and ability to sustain big laughs without having to abandon his plot is something a lot of veteran comedy directors could learn from.

Movie Review Over the Hedge

Over the Hedge (2006) 

Directed by Tim Johnson, Karey Kirkpatrick 

Written by Len Blum, Lorne Cameron, David Hoselton, Karey Kirkpatrick 

Starring Steve Carell, Bruce Willis, Nick Nolte, Wanda Sykes, Garry Shandling 

Release Date May 19th, 2006 

Published May 18th, 2006 

The daily newspaper comic Over The Hedge is a smart, self aware, culturally savvy cartoon starring woodland creatures and their incisive observations of humans in suburbia. Though the 3 panel brains of Over The Hedge, Michael Fry and T. Lewis may not be ideal for the too often soft headed children's animation market, Over The Hedge does have the built in cuteness factor of talking animals that all children love. Leave your brains, and the brains of the comics themselves, at the door - Over The Hedge is the latest cute but forgettable CG tune from DreamWorks animation.

Bruce Willis stars as the voice of R.J, a mischievous raccoon with a bit of a self-destructive side. While foraging for some food R.J gets the brilliant idea to rob a hibernating bear. In the process of stealing the bear's entire store of mostly human snacks, R.J manages to wake the not surprisingly cranky bear and destroy the whole supply of food.

The bear, voiced with gruff annoyance by Nick Nolte, is not supposed to come out of hibernation for another week so being tired he cuts a deal with R.J, restore the food supply in one week or becomes part of the food supply. R.J is lucky to make it out with his hide but where will he get all of these mostly human snacks, chips, pop, candy and such. Luck smiles on R.J when he discovers a brand new human enclave that has sprung up over the winter, a brand new suburban subdivision has cut the forest in half.

This comes as a surprise not just to R.J but also to the hibernating creatures who have made this forest their home for years. Having spent months in hibernation, Vern the turtle (Gary Shandling), Hammy the squirrel (Steve Carell) and Stella the skunk (Wanda Sykes) - amongst a large star filled ensemble- find their forest cut in half and the potential food supply nearly gone.

Enter R.J who sees this clan of woodland pals as his chance to get some help in replenishing the bear's stock. All he has to do is lead the gang into suburbia where they can help him raid homes and garbage cans for the needed supplies and once he has what he needs simply steal it all away to the bear. What R.J could not count on with this group is finding the family he never had and never knew he wanted.

I gagged a little as I wrote that last line. That type of treacle is what most Hollywood studios think you must have in all family cartoons. That warm-hearted easily digested family friendly message is a prerequisite of the genre to most studios no matter how clumsily such a simplistic message is incorporated into the film.

The fun loving creatures of Over The Hedge chafe against the constrictions of this genre required plot strand. Not that the cute characters of Over The Hedge don't lend themselves to a simpleminded family friendly message. The characters are cute and cuddly like your average family cartoon character, and such the problem is really just a lack of subtlety. The film hammers home its homespun wisdom in thuddingly obvious dialogue.

Family friendly messages are certainly not a bad thing. Both Finding Nemo and The Incredibles, a pair of Pixar animated classics, deliver family friendly messages couched in terrifically funny adventure plots. There is a way to make it family friendly without pounding the message into the ground. It's just that only Pixar seems to understand the formula.

When not forced by genre convention to blast home a message, Over The Hedge has some inspired moments of humor and insight. A funny montage in which R.J introduces the gang to the various ways humans obtain and consume food is a terrifically funny and biting commentary. Another scene in which R.J shows insight beyond his animal nature is when he introduces the gang to an SUV. Vern asks how many humans can fit such a huge vehicle, R.J's snappy reply "Usually... just one".

Those good moments are surrounded by a strong adventure plot as the gang works to obtain food while avoiding an evil exterminator voiced by Thomas Haden Church and a witchy suburban resident voiced by Allison Janney. The film gets good mileage out of both these villainous characters.

Over The Hedge is a pretty good movie but in the genre of CG animation pretty good is not often good enough. The Pixar company has set the bar so high in this genre that non-Pixar films simply cannot compete. Pixar's lovely candy colored animation is one of the great artistic creations of the past century and while other company's have attempted to match it no one has come close.

As I say a lot in reference to CG animated films, Over The Hedge is good but it's not Pixar good. I am recommending the film but with reluctance. Over The Hedge is good but not great family entertainment.

Movie Review: Before the Devil Knows Your Dead

Before the Devil Knows Your Dead (2007) 

Directed by Sydney Lumet 

Written by Kelly Masterson 

Starring Phillip Seymour Hoffman, Ethan Hawke, Amy Ryan, Marisa Tomei 

Release Date October 26th, 2007 

Published November 5th, 2007

Sydney Lumet has already been given a lifetime achievement award at the Oscars. Those awards are given to artists whose best work is long behind them. Not Lumet who with his latest film Before The Devil Knows Your Dead crafts arguably the most engaged and fascinating work in his nearly 60 year directorial career. A thriller starring Ethan Hawke and Philip Seymour Hoffman as brothers trying to find some way to pay off their debts, Before The Devil Knows Your Dead unfolds from sleeze to tragedy and back again all the while holding the audience enthralled beginning to end.

Andy Hanson (Philip Seymour Hoffman) has the look of a successful man. His wife Gina is gorgeous and he's pulling down six figures a year in his high finance gig. On the other hand he has a serious drug problem and more than a little debt to take care of. Andy's brother Hank (Ethan Hawke) is far worse off. Even more in debt with an ex-wife (Amy Ryan) draining his bank account and a young daughter to support, Hank is in dire straits. Andy has a way to solve both of their problems but it won't be easy. It involves a robbery. To say much more than that would spoil a stunner of a plot.

Albert Finney plays the boys father and delivers a performance of devastating depth and conviction. It is some of the finest work in a multiple Oscar winning career. With Hoffman and Hawke in the lead and Rosemary Harris, Oscar nominee Amy Ryan and Oscar winner Marisa Tomei on board Director Lumet assembled a can't miss cast and unleashed them on a Greek tragedy of mismatched fates, fortunes and family ties. A debut script from Kelly Masterson invigorates the old master Lumet and with this cast in place Before The Devil Knows Your Dead becomes something beyond extraordinary.

Movie Review: Brooklyn's Finest

Brooklyn's Finest (2009) 

Directed by Antoine Fuqua 

Written by Michael C. Martin

Starring Richard Gere, Don Cheadle, Ethan Hawke, Wesley Snipes, Lily Taylor, Ellen Barkin 

Release Date March 5th, 2010 

Published March 4th, 2010 

There is sluggishness to the alpha male posing of Brooklyn's Finest the latest in a long line of troubled cop movies. Richard Gere, Don Cheadle and Ethan Hawke play a three headed monster of ethically compromised cops in one of the toughest precincts in New York City. Stop me if you've heard that story before.

Richard Gere plays Eddie in Brooklyn's Finest, a depressed cop seven days from retirement. An inveterate drunk, Eddie plans on not getting killed in his last week as a cop and if that means letting a few calls go by so be it. Bad luck for Eddie that he gets stuck breaking in rookies in a week in which his Brooklyn precinct is all over the headlines.

A cop has been arrested for robbing what he thought was a drug dealer but turned out to be an honor student. Meanwhile another cop, Sal (Ethan Hawke) has just murdered and robbed an informant (Vincent D'Onofrio) and is ready for more robbing and killing as he looks to move his growing family, 5 kids with twins on the way, out of a rickety row house.

While Eddie longs for retirement and Sal risks his life in more and more dangerous fashion, Tango (Don Cheadle) seems safe by comparison, working undercover on the streets hoping to take down a major drug gang. Sure, he's dealing with deadly thugs on a daily basis but his cover is so strong he seems impervious to the danger.

In fact, Tango's cover is so good one might wonder which side he's on, especially after he gets close with Caz (Wesley Snipes) a major drug dealer fresh out of prison. Caz saved Tango's life when Tango began his undercover stint in prison. Now, as Cas is getting acclimated to the streets again, Tango questions whether he can take him down.

There is drama to be found in director Antoine Fuqua's violence fueled narrative but not much of it resonates beyond what has come before it in other, better cop movies. Fuqua's own Training Day, with Ethan Hawke no less, is a far more interesting and daring film in comparison to the well worn path walked by Brooklyn's Finest.

Don Cheadle delivers a standout performance as the least conflicted of the conflicted cops. Cheadle is a compelling actor whose intense gaze brims with calculating intelligence. To look at Cheadle is to want to know what he's thinking and follow his every deliberate move.

Ethan Hawke and Richard Gere are far less successful. Hawke is among the least convincing Italian cops in movie history putting on accent only when calling out to his stereotypically named kids Vinnie and Joey. Gere's Eddie is merely pathetic. One can argue that he is pathetic with a purpose, his redemption will rely on rock bottom dwelling, but a scene in which he proposes to a hooker is more laughable than sad.

A mixed bag of cop movie clichés, New York stereotypes and the occasional bit of hardcore violence, Brooklyn's Finest holds promise for fans of Don Cheadle and little else. One would be better served picking up Cheadle's exceptional performance in Out of Sight for a similarly smart and more nuanced performance.