Movie Review Tron

Tron (1982) 

Directed by Steven Lisberger

Written by Steven Lisberger 

Starring Jeff Bridges, Bruce Boxleitner, David Warner, Cindy Morgan, Bernard Hughes

Release Date July 9th, 1982 

Published July 10th 2012 

Comedian Dennis Miller once satirized then Vice President Al Gore’s allegedly stony and boring persona by claiming that the VP’s favorite movie was “Tron.” If you have seen the original, 1982 version, of “Tron” you likely found that joke pretty funny, in 1999 when the joke was made and even today.

Yes, “Tron” is not the most exciting exercise in acting or dialogue or special effects (compared to what we see today). But, in its day “Tron” was cutting edge in terms of effects, if still stolid in acting and stumbling in dialogue. What looks remarkably cheesy through the prism of today was mind blowing in 1982.

Forget it Mr. High and Mighty Master Control

Kevin Flynn (Jeff Bridges) was once the top programmer at the Encom software company. But, hen his many ideas for new videogames were stolen by a fellow programmer, the slimy Ed Dillinger (David Warner), Flynn is devastated and then fired. Now, Flynn runs an arcade while secretly trying to hack Encom and get his games back.

Flynn has been battling Dillinger’s Master Control Program and mostly been losing until his former co-workers Alan (Bruce Boxleitner) and Lora (Cindy Morgan), Flynn’s former flame, approach him at the arcade. Alan’s Tron program has been locked up by the Master Control thanks to Flynn’s hacking. Flynn, however, has a plan to get Tron out and take down the MCP.

Derezzed

Once Flynn, Alan and Lora break into Encom, Flynn gets to work on invading the MCP. Unfortunately, for Flynn he finds himself on the wrong side of a laser beam that digitizes him and puts him inside the computer grid where the MCP uses programs like Sark (David Warner, again) to force programs into deadly videogame competitions. If Flynn loses he could be ‘derezzed’ a term you can take to mean killed inside the computer.

“Tron” is awkward and a little boring outside the computer world and strange and entertaining inside. The dialogue goes from oddly delivered to just plain odd with lines about ‘Micro-Sectors,’ ‘Bit Brains,’ ‘Users,’ and my favorite odd line “Who does he calculate he is.”

High gloss camp

Even the most diehard fan of “Tron” must admit how campy it all is. From the dialogue to the odd looking lighted costumes to Bruce Boxleitner’s wooden performance as both Alan and Tron, there is a heavy dose of unintentionally funny stuff in “Tron.” In fact, the kitsch is nearly overwhelming by the end of “Tron.”

So what makes “Tron” a classic? How does this admittedly goofy looking movie remain part of the pop culture ephemera? “Tron” strikes a lasting chord for being document of it’s time, a relic of a period before computer effects consumed movies. “Tron” was the first of its kind.

Tron invented at MIT

Director Steven Lisberger was an MIT graduate who worked on first generation computer animation while in school. Inspired by the video game “Pong” Lisberger came up with the idea to combine computer animation with videogame graphics and “Tron” was born. Lisberger took the idea to Disney who committed 12 million dollars to his visionary idea and the rest is movie history.

The cheese-factor is inescapable but so is the film’s place in movie history. “Tron” will be remembered forever for its visionary use of animation, computer graphics and videogame tech. Bruce Boxleitner will never live down his beyond wooden appearance and Oscar winner Jeff Bridges has a little to be embarrassed about as well, but mostly “Tron” is a movie classic.

Movie Review Arthur (1982)

Arthur (1981) 

Directed by Steve Gordon

Written by Steve Gordon 

Starring Dudley Moore, Liza Minnelli, Sir John Gielgud 

Release Date July 17th, 1981 

Published July 16th, 2011 

Arthur Bach has everything a man could want; millions of dollars and all of the toys it can buy. Arthur has been wasting his family money for decades but now his father is ready to insist that he grow up. The plan is for Arthur to marry a socialite named Susan Johnson and then take a grown up, responsible job with his father’s company.

If Arthur refuses to marry Susan he will be cut off from the family fortune, more than 750 million dollars. Arthur’s troubles are only increased when he meets Linda Marolla (Liza Minnelli) as she is caught shoplifting at a high end department store. Arthur steps in to rescue her and they both find that they have a terrific chemistry and attraction.

Arthur is smitten but of course he must marry Susan. Meanwhile, Arthur’s long time servant and best friend Hobson (Sir John Gielgud) is hiding a secret from Arthur while working to assure that Arthur and Linda will have some kind of connection. Can Arthur give up all of the money to be with Linda?

“Arthur” has somewhat odd charms. As written and directed by Steve Gordon, who sadly died just a year after the film was released, “Arthur” is essentially about a drunken, millionaire man-child who we are supposed to love. It’s not exactly a recipe for a sympathetic character but as played by Dudley Moore, in an Oscar nominated performance, it works. You just can’t help but like Arthur.

Dudley Moore makes you forget while you are watching “Arthur” that alcoholism is not supposed to be charming and funny. Somehow, Moore’s stumbling and slurring only make him more appealing. That is in part because we know it’s just a movie but also in part because Dudley Moore is so very funny and it’s easy to forgive funny.

Sir John Gielgud is the scene stealer of “Arthur.” Early on in the film Gielgud’s surprisingly tart tongue catches you off guard. As the film goes on Gielgud’s remarkably well timed insults and quips fall further into the background but never miss their mark. Gielgud was indeed very deserving of his 1981 Oscar for Best Supporting Actor.

“Arthur” also won an Oscar for the awful original song “Arthur’s Theme” the truly brutal pop tune written by Burt Bachrach and performed by Christopher Cross. Somehow, 30 years later, the lyric “When you get caught between the moon and New York City” remains the thing most remembered about this comedy classic. And to this day no one knows what that lyric means.

Regardless of the awful theme song “Arthur” is a comedy classic. Fans loved Dudley Moore so much in the role that we’ve all mostly forgotten about the abysmal sequel, “Arthur 2: On the Rocks.” Our collective amnesia on just how truly awful that sequel was is yet another testament to how much we love the original “Arthur.”

Movie Review Sideways

Sideways (2004) 

Directed by Alexander Payne 

Written by Alexander Payne, Jim Taylor 

Starring Paul Giamatti, Thomas Haden Church, Virginia Madsen, Sandra Oh 

Release Date October 22nd, 2004 

Published November 13th, 2004 

Wannabe novelist Miles (Paul Giamatti) is sweating the fate of his first novel as he heads off for a week long bachelor send off for his friend Jack (Thomas Haden Church), though to hear Jack tell it, Miles’ novel will be on store shelves in no time. Jack has always done little things such as this that has made Miles uncomfortable but as “Sideways” progresses it’s clear that Miles will put up with it, Jack seems to be his only friend. 

Divorced for two years, Miles cannot get over his last relationship and has more and more come to rely on his love of great wine to get him through a dreary week as an 8th grade English teacher. Is Miles an alcoholic? He would say no but the evidence seems to say otherwise. Miles’ drinking isn’t really the subject of “Sideways” but rather a sad subtext.

The text of “Sideways,” the story that drives the film, is Miles and Jack’s week long trip to California wine country in Solvang, California. On the trip Miles thinks that they are going to drink wine, play golf and get back to L.A in time for the rehearsal dinner before Jack’s wedding. Jack, on other hand, makes one thing clear; he’s getting laid on this trip one last time before he gets married.

There is an element of “Sideways” that plays like “American Pie” for the mid-life crisis crowd. Jack is an overgrown child, a slave to his sex drive and the needs of the moment in front of him. Miles is lower key but in the way that he allows himself to be dragged into Jack’s world he demonstrates that he isn’t much more mature than the friend he constantly looks down upon.

On their first night in Solvang Miles and Jack meet Maia (Virginia Madsen) that Miles had spent a little time with on previous trips but she was married then. She’s not married anymore and when Jack makes the acquaintance of a local girl named Stephanie (Sandra Oh) who happens to be friends with Maia, Jack’s plans to get himself and Miles laid kick in even as Giamatti and Madsen’s maturity plays heavy against such childishness.

This brings us to arguably, the most famous scene in “Sideways,” easily the scene that won Virginia Madsen an Academy Award nomination for Best Actress and should have one Best Actor for Giamatti. As Miles and Maia chat about wine they each reveal themselves in elegantly crafted speeches; Miles revealing parallels between himself and his favorite wine, how this particular grape used in Pinot Noir is thin skinned, temperamental and can only be cultivated by the most patient of growers.

As Miles continues the metaphor turns to lament as Miles describes the taste of a good Pinot in the same way one might have described Miles if he ever reached his potential, haunting and brilliant but only under just the right circumstance. The side references Miles makes to Cabernet and how it can thrive anywhere and that it is ‘prosaic’ in an inescapable description of Jack.

Yes, the scene is a little too self aware but it works because Giamatti is so sympathetic in this moment. Then as the scene turns to Virginia Madsen and she describes the life of wine with this look of warmth and great beauty you quickly realize that this is the woman who could coax Miles to his full potential. The scene ends as it only can as early as it is in the movie; in awkwardness as shy fumbling Miles blows the moment only to even more awkwardly attempt recapture it.

These are wonderfully human moments that draw us in and glue us to our seat for the rest of the ride that is “Sideways.” It’s a film about characters that do some awful things but are never caricatures, never merely types of characters. Paul Giamatti especially delivers a performance of deep pathos, a sympathetic portrayal of a pathetic man striving to no longer be pathetic, failing more often than he succeeds.

Wine is the life blood of “Sideways” and Miles’ love of wine is his one respite, an area of expertise that he can fairly be proud of and yet offers another layer to his character, pomposity. The oenophile Miles is arrogant and snobbish and yet his expertise in the realm of wine also gives this otherwise pathetic character an air of dignity and sophistication that no other hobby could bestow.

Did you know that the success of “Sideways” has in just a few weeks done such damage to sales of some brands of Merlot that industry insiders are calculating the potential damages to their brand? It’s just one throwaway scene, Miles vehemently refusing to drink Merlot and yet the impact was felt and is still being felt among those who produce Merlot and champion it. 

Ah, the wonderful quirks of our popular culture. 

Movie Review Death Proof

Death Proof (2007) 

Directed by Quentin Tarentino 

Written by Quentin Tarentino 

Starring Kurt Russell, Rosario Dawson, Vanessa Ferlito, Rose McGowan, Zoe Bell, Mary Elizabeth Winstead

Release Date April 6th, 2007 

Published April 5th, 2007 

Quentin Tarentino is the preeminent film artist of the modern era. A savant like talent who learned filmmaking by watching movies, Tarentino has turned applied knowledge into great art and even now in his tortured partnership with Robert Rodriguez on the twin bill Grindhouse, Tarentino takes his applied knowledge of low filmmaking and turns it into yet another masters class in filmmaking.

Death Proof is an homage to a certain kind of 1970's drive-in slasher movie that is actually still being made today on the fringes of the straight to video biz. The film stars Kurt Russell as Stuntman Mike a Hollywood stuntman well past his prime.

With the advent of CGI guys like Stuntman Mike are a dying breed and you can hear the resentment in his voice as he recounts his history in the business, back in the day, when he was a double for Lee Majors! He still works from time to time but he knows that his days are numbered. It is this resentment that may explain, in some odd way, why Mike takes his anger out on unsuspecting women. Luring them into his tricked out stunt car which he claims is death proof, Stuntman Mike intentionally crashes the car and kills his passenger. The car is only death proof if your in the drivers seat.

Setting his sights on a verbose group of women in a bar, a radio DJ and her three friends, Stuntman Mike first seems like just another creepy patron hitting on younger girls. When they end up rejecting his advances he takes it out on them in a horrifying car chase. Then the scene shifts to a diner in Tennessee where four different women; working on a film crew, are sitting around discussing movies and men. Abbie (Rosario Dawson) is the makeup girl, Lee (Mary Elizabeth Winstead) and Kim (Tracie Toms) and Zoe (Zoe Bell) are stunt women.

Zoe is visiting and has heard that a local man is selling a 1970 Dodge Challenger, just like the one Barry Newman drove in the movie Vanishing Point, in pristine condition, right down to the color and the four barrel engine. Zoe wants a test drive and something more. Little do the girls know that Stuntman Mike is nearby and wants a piece of the action.

That scene leads to one of the greatest car chases you have ever seen in a movie. Tarentino's filmmaking skills create a visceral, emotional, physical experience. These chases are as good or better than even his dialogue which is, as usual, dense and filled to overflow with pop culture bacchanalia.

The characters in the first half of Death Proof, aside from Stuntman Mike, are a verbose and intelligent lot who have interesting, involving conversations that sound mighty familiar. Peppered with references to the Acuna Boys (Kill Bill), foot massages (Pulp Fiction) and Red Apple Cigarettes (every Tarentino film), these conversations are so inside baseball they could make Kevin Smith Blush.

I'm not saying that Death Proof is for Tarentino fans only, it just deepens the experience if you get the references. This is a terrifically smart and entertaining and exciting movie regardless of whether you are a Tarentino fan. Besides, the chases scenes are essentially wordless and are the most entertaining and invigorating part of the film.

Everything about Death Proof works. This is among the best work of Tarentino's career and one of the best movies you will see in 2007.

Movie Review Run Ronnie Run

Run Ronnie Run (2003) 

Directed by Troy Miller 

Written by David Cross, Bob Odenkirk, Scott Aukerman, B.J Porter, Brian Posehn 

Starring David Cross, Bob Odenkirk, David Koechner, Jill Talley, Ben Stiller, Jack Black 

Release Date September 16th, 2003 

Published December 15th, 2003

Being a huge fan of the HBO series “Mr. Show with Bob & David,” I have been hearing for a very long while about the film based on one of the show’s best sketches, Run Ronnie Run. The story of the most arrested man in America, one Ronnie Dobbs, Run Ronnie Run went into production in November of 2000 and premiered at the Sundance film festival in 2001. So how come you have never seen it in theaters or on video? Because New Line Cinema decided not to release the film. The cynical bastards behind Dumb and Dumberer decided not to release Run Ronnie Run???

Maybe that is for the best, because though the film has some truly inspired hysterical moments, the compromised version that has seeped out through various sources is not quite what it's creators had hoped. Based on characters created in the first season of Mr. Show, Run Ronnie Run is the story of Ronnie Dobbs (David Cross), a Georgia redneck who enjoys getting drunk and raising hell. He occasionally lives in a trailer with his three illegitimate kids, all named Ronnie Jr., and his common law wife Tammy (Mr. Show regular Jill Talley).

Ronnie gains notoriety after his numerous drunken arrests on the faux Cops show Fuzz catch the attention of a British TV producer named Terry Twillstein (Bob Odenkirk). Terry immediately heads to Georgia and, after bailing Ronnie out of jail, brings Ronnie to Hollywood. Together they pitch a TV show in which Ronnie will travel the country getting arrested while being followed by a camera crew.

The show is an immediate smash, but fame gets the better of Ronnie. Before long he is holding big celebrity parties and sleeping with the model from his favorite beer commercial, rather than drinking beer with his old friends or watching a mangy dog eat vomit. As his friends say, “Ronnie, you've changed man.” Soon Ronnie has quit drinking and can't even get arrested.

It's a smart, funny satire of the classic rags to riches, fame corrupts story told in a surprisingly straight linear story. Whereas on Mr. Show both Bob and David play multiple characters in one episode, in the movie they generally remain as one character, save for a couple of dream sequences. The film does hint at other Mr. Show sketches, including a dream sequence music video of Bob and David's pop band send up 3 times 1 minus 1. There’s also a brilliant revision of their Ronnie Dobbs sketch "Fuzz: The Musical" with Mandy Patinkin as Ronnie.

There are a number of brilliant moments in Run Ronnie Run like Ronnie's uncovering of the worldwide gay conspiracy with an excellent cameo by Kids in the Hall star Scott Thompson and Seinfeld's Patrick Warburton. Also there’s an odd but brilliant outtake with Jack Black as the Dick Van Dyke character in Mary Poppins singing a song that has to be heard to be believed. F-CKING BRILLIANT!

That said, the cut I saw seems somewhat compromised and lacks the snap of the sketch version. Ronnie is a little more sweet and sympathetic, as is the character of Tammy. What made Ronnie brilliant on the show was his complete self delusion that encapsulated every Neanderthal, shirtless redneck in the history of the show, Cops. The guys on Cops are not sympathetic characters. They are often drunken, homophobic wife beaters, which Ronnie was in the sketch. But those traits are either excised or underplayed in the film version and that tames much of the satire.

Nevertheless, the worst of Run Ronnie Run is far funnier than anything in New Line's Dumb and Dumberer, and that thing was dumped into the theaters on 2000+ screens. They could at least put Ronnie out on DVD (Ed. Note – Run Ronnie Run will be released on DVD in September 2003). It may not be everything it's genius creators had in mind but it's as good or better than most modern comedies.

Movie Review The Yellow Handkerchief

The Yellow Handkerchief (2010) 

Directed by Udayan Prasad 

Written by Erin Dignam 

Starring William Hurt, Maria Bello, Kristen Stewart, Eddie Redmayne 

Release Date February 26th, 2010 

Published August 4th, 2010 

“The Yellow Handkerchief” is a great looking movie that relies on fabulous Louisiana scenery and a strong eye for locations to distract from what is a rather dull and inert bit of storytelling. Indian director Udayan Presad and writer Erin Dignam, like so many indie minded teams, mistake characters saying and doing inappropriate things for character development.

William Hurt stars in “The Yellow Handkerchief” as Brett a fresh from prison, oil rig working lummox who finds himself on a journey through Louisiana with a pair of emotionally damaged teenagers. Eddie Redmayne is the slightly mentally handicapped Gordie and “Twilight's” Kristen Stewart is the daddy issues having Martine.

For Gordie, Brett is an obstacle and oracle. Because Martine has an obvious affinity for Brett, he stands between Gordie and his crush on Martine even as Brett attempts to offer Gordie sage council on how to deal with her. For Martine, there is a mixture of wanting a father figure and the forbidden nature of being attracted to a stange, older man.

Throughout “The Yellow Handkerchief” we flash back to Brett's life before he was released from prison. Brett was once happily married until something happened and he ended up spending the next 6 years in jail. Maria Bello plays either his wife or his victim, you'll have to see the film yourself to find out.

The characters in “The Yellow Handkerchief” work very hard to make each other and us uncomfortable. They say oddly personal things and reveal things about themselves that normal humans might not reveal to close friends. Call it the comfort of strangers if you like but if a stranger spoke to me the way these characters speak to each other, I would run away screaming.

There is a worthy bit of filmmaking skill to “The Yellow Handkerchief.” Gorgeous scenery, a well managed pace that sinks perfectly into the film's hot southern exteriors; with a better sense of character, something more believable and far less off-putting, “The Yellow Handkerchief” could be extraordinary.

Sadly, the only thing likely to come from “The Yellow Handkerchief” is a solid audition reel for director Udayan Presad and cinematographer Chris Menges.

Movie Review The Chosen One

The Chosen One (2008) 

Directed by Chris Lackey 

Written by Chad Fifer, Chris Lackey 

Starring Laura Prepon, Chris Fifer, Chris Sarandon, Tim Curry, Danielle Fishel Lance Hendrickson

Release Date Unknown 

Published December 8th, 2008 

A WOC listener friend of mine gave me a DVD a while back. It's an animated movie directed by his son. I promised I would give it look. Now several months later I have finally watched the slacker meets religion flick The Chosen One and I wish I hadn't waited so long.

This irreverent little animated flick doesn't reinvent the wheel but it's a solid 80 minute distraction with humor along the irreverent line of the good folks at Adult Swim on the Cartoon Network. Snarky, talky, low budget satire with just a hint of blasphemy.

Our hero is Lou (Voice of Chris Fifer) a loser who just got dumped by his gal pal Rachel (Voice of Laura Prepon) and was fired from his job, cleaning test tubes for some science factory where his best pal Donna (Danielle Fishel) had moved earth to get him a gig that he promptly fumbled.

After losing his girl and his job Lou's luck goes from bad to worse when a Chinese satellite falls on his car and he's attacked by a bear. All of this bad luck leads Lou to join his buddy Zeb (Chris Sarandon), a senior citizen who share's Lou's apartment, at some scam religious gathering.

There Lou finds out that he is The Chosen One and he must travel to Kansas to stand on a mountain, more of a hill really, and hear the voice of god. So, with the help of Zeb and Donna, who's the only person he knows with a car, Lou sets out for Kansas

Trailing him are a team of super religious assassins and helping out is Satan voiced with liquid loquaciousness by Tim Curry. The Chosen One has wild, irreverent sense of humor that combines outlandishness, geek culture and blasphemy for a terrifically good time.

The animation is amateur at best but the low budget aesthete is not really all that important. The Chosen One flies on its rolling sense of humor. The college crowd will eat up the robot ninjas, the hot sci fi chick ex-girlfriend, and especially Tim Curry's devilish Devil.

General audiences will have to get past the religious stuff and if you can stand the impiety you will laugh frequently at the genial, good natured slacker humor of The Chosen One.

Now, where can you find this hidden gem? Try www.TheChosenOneMovie.com