Movie Review Defense of the Realm

Defense of the Realm (1985) 

Directed by David Drury 

Written by Martin Stellman 

Starring Gabriel Byrne, Denholm Elliott, Greta Scacchi 

Release Date January 24th, 1986 

Published January 24th, 2016 

The age of the internet has made old-fashioned thrillers like 1985’s “Defense of the Realm” obsolete. This story of a crusading journalist wielding his typewriter for a just cause would only last about 10 minutes in this day and age with Gabriel Byrne’s heroic journalist posting his explosive expose of a government cover-up to the internet well before thugs could grab him and throw him in the back of a car to be potentially disappeared.

“Defense of the Realm” stars Gabriel Byrne as Nick Mullen, a slick, ambitious reporter who rushes headlong into a scandalous story about a politician, a call girl and a spy, failing to heed the warnings of a veteran journalist played by the wonderful Denholm Elliott. Needless to say, the stars in Mullen’s eyes prevent him initially from seeing the bigger, more dangerous story behind the scandal.

“Defense of the Realm” has a very old school charm to it. The quaint nature of a newspaper thriller is certainly part of that charm, we simply can’t make movies like this anymore. Modern audiences have a hard time accepting a story set before the time when their IPhone could have given Mullen’s explosive story a home online seconds after his editors conspired with the government to spike it.

Instead of having to play spy games with MI6 to get his story to the German and American papers, the Nicholas Mullen of today must simply hit send to send his story into the ether. A story like that of “Defense of the Realm” requires the kind of patience we no longer have today, the patience to wait and see what’s in the paper well after the news has happened.

Don’t get me wrong, modern Hollywood can still make a pretty good tick tock thriller but audience tastes now require a few more thrills than the site of Gabriel Byrne having a revelation over pictures in an old news story or clicking away on his beautiful old typewriter while knowing government spies are looking for any reason to bust down his door.

Director David Drury, then a first time director, now a veteran of British television, allows scenes to breathe unlike directors of today. Revelations are met with gasps and a flourish of score rather than camera and editing pyrotechnics. Everything about “Defense of the Realm” feels old school, and not merely because the film is now 30 years old.

“Defense of the Realm” was, according to TheNumbers.com, one of the first films released in 1985 and it was a great way to start a new year of 30 year movies. Be sure and check it out for yourself, it’s streaming on Amazon Prime, free to subscribers.

New this year in this 30 year feature, I’m going to attempt to recast these 30 year old movies for a more modern audience.

“Defense of the Realm”

Nicholas Mullen: played by Gabriel Byrne: re-cast: Eric Bana

Nina Beckman: played by Greta Scacchi: re-cast Julia Stiles

Vernon Bayliss: played by Denholm Elliott: re-cast Gabriel Byrne

Movie Review: X-Men First Class

X-Men First Class 

Directed by Matthew Vaughn 

Written by Matthew Vaughn, Ashley Edward Miller, Zack Stentz, Jane Goldman 

Starring James McAvoy, Michael Fassbender, Jennifer Lawrence, Rose Byrne, Kevin Bacon, January Jones, 

Release Date June 1st, 2011 

Published May 29th, 2011 

It's not a reboot or a re-imagination. Nor is it a sequel. "X-Men: The First Class" is that rare breed known as the prequel, a recap of events set prior to a previous story. In this case fans of the 'X-Men' movies get to go back in time and see where Professor X and Magneto came from and why they developed into mortal enemies.

A Traumatic and Dramatic Childhood

"X-Men: The First Class" takes us back to 1942 and recalls for us, as previous 'X-Men' installments have, Erik Lehnsherr's torturous childhood in which he survived a Nazi death camp. We've seen what happened when his parents were torn away from him, 'The First Class' shows us what happened next and the traumatic experience that created the monster Magneto.

Meanwhile, also in 1942, a young Charles Xavier, tucked safely away in his parents' upstate New York palace, begins to discover his talent for reading minds. It's a trick that comes in handy when a burglar somehow invades the home pretending to be Charles's mother. The intruder is actually a young mutant named Raven but we will come to know her as the assassin Mystique.

Erik Lehnsherr Nazi Hunter

Cut to 20 years later, Erik Lehnsherr (Michael Fassbender) is a Nazi hunter torturing and killing his way up a list of Nazis on the run on his way to his long time tormenter, Dr. Sebastian Shaw (Kevin Bacon.) Naturally, his search leads to Argentina, often thought of as a haven for ex-Nazis, and a scene for the former "Inglorious Basterd" Fassbender that evokes a little violent, Tarentino nostalgia, with the gore dialed down just a tad.

Charles Xavier (James McAvoy) and his adopted sister Raven (Oscar nominee Jennifer Lawrence) are together at Oxford when Charles is approached by a CIA Agent named Moira (Rose Byrne) who accidentally stumbled across Dr. Shaw and his assistant, a telepath named Emma Frost (January Jones), plotting the start of World War 3 and a worldwide nuclear annihilation that only mutants could survive.

A Nod to the Faithful Fanboys

It would take far too long to detail what comes next with the discovery other mutants and their powers and the founding of the first X-Men team and to be honest, none of the young mutants is remotely as interesting as Professor X, Mystique or Magneto. This is their origin story and it doesn't help that of the other mutants in 'First Class' only Beast plays a role in the sequels and that is only a minor role.

The main flaw of "X-Men: The First Class" is too many characters and not enough interesting things to do with them. Director Matthew Vaughn in a nod of faithfulness to X-Men comic book fans, I'm guessing, has kept these peripheral young mutants in the story because they were part of the first troop of X-Men in the comic but the reality of the movie is, these kids only seem to get in the way of the action and bloat the film's run time to a butt-numbing two hours and 25 minutes.

Putting aside the film's flabbiness, there are enough effective scenes and compelling performances in X-Men: The First Class for me to recommend it. I mentioned earlier Fassbender's scene in Argentina, an effective and exciting bit of violence. Also excellent is the scene of Kevin Bacon's malevolent Dr. Shaw forcing young Erik to use his talent through torture and the astonishing aftermath of his cruelty.

McAvoy and Fassbender

Those and just about every scene between James McAvoy and Michael Fassbender elevate "X-Men: The First Class" above many other comic book movies. When these two exceptional actors stare each other down the air around them is charged, even during a friendly exchange. McAvoy's Professor X and Fassbender's Magneto are so perfectly matched that a whole movie of them talking to each other about revenge, morality and murder could be worth the price of a ticket.

I am recommending "X-Men: The First Class" for McAvoy and Fassbender and for the terrific atmosphere of early sixties paranoia and excitement created by director Matthew Vaughn. Yes, Vaughn should have been a little less faithful to the fanboys and spent a little more time in the editing bay but what he captured in the history of the 'X-Men' movie universe and in the relationship between McAvoy and Fassbender is really really terrific and highly compelling.

Movie Review: Winter's Bone

Winter's Bone (2010) 

Directed by Deborah Granik 

Written by Deborah Granik, Anne Rosselini 

Starring Jennifer Lawrence, John Hawkes, Dale Dickey, Garret Dillahunt, Sheryl Lee, Tate Taylor 

Release Date June 11th, 2010 

Published July 4th, 2010

In the meth soaked outer reaches of the Ozarks, where cable TV and cell phones are out of reach, there lives a culture that remembers the Hatfields and McCoys not as cartoon caricatures but as blood relatives. Blood has mixed beyond where it likely ever should have in this area creating some uncomfortable familial bonds but the barriers that exist between families are still deeply protected and immersed in this conflict through birth is Ree (Jennifer Lawrence).

Ree Dolly has spent most of her 17 years trying to ignore the drug addled world around her. Ree lives day to day struggling to survive in a world without money or the comforts that money can bring. She lives by charity and wit; the gifts of a loving neighbor are accepted not with bruised pride but with a grateful resignation while when charity is not forthcoming hunting squirrels is a proper alternative.

This could be Ree's life for good until she meets the right meth cooking dealer and settles into her own life of addiction and solitude. No time to think about the future however as Ree has problems in the present. Her meth dealing dad has put their house on the line to get out of jail and has now gone missing. The law informs Ree that if dad does not show up for court the house will be taken away as collateral for his bond.

Now it's up to Ree to search the deep black heart of the Ozarks forest for her missing father all the while overturning stones that many don't want turned over. What begins as an impoverished character study evolves into an odd detective story where an amateur gumshoe stumbles into trouble investigating a crime that no one wants to see solved but them.

“Winter's Bone” holds a good deal of fascination throughout its 100 minute run time. Star Jennifer Lawrence gives Ree a hard won determination that captures the audience and holds it enthralled and in support John Hawkes delivers a character with born to lose tattooed on his very soul. Hawkes plays Ree's meth addicted uncle Teardrop and brings such an authenticity to this raw souled wretch that you feel his every appearance on screen like sandpaper on your skin.

Writer-director Deborah Granik captures these performances beautifully and matches the stark portrayals to her stark visual style in a marriage of overwhelming ugly truth. The muted colors match the muted wants of the characters in its desolation. Ree’s motivation is simple and straightforward, she just wants to not be homeless, as are the motivations of the people preventing her from what she seeks.

The background, the decaying trees and icy, windblown exteriors of home and pick-up truck alike match the lives of these characters in both their simplicity and minimalism. These characters aren’t going anywhere and are resigned to that fact but Ree at least will make the most of what little she has. Ree’s sad existence beyond this pseudo-detective story is communicated in devastating fashion by the barren surroundings. This will likely be the only important thing Ree ever does and the downcast settings underline that fact and give the film an all encompassing melancholy.

Yes, “Winter’s Bone” is as bleak as my description but that does not prevent it from being a gripping story told with exquisite skill and determination. Jennifer Lawrence is a revelation while John Hawkes has been an actor on the edge of a breakthrough as a character actor guaranteed to one day win Best Supporting Actor at the Oscars. This might just be his year and indeed Ms. Lawrence’s as well.

Movie Review Like Crazy

Like Crazy (2011) 

Directed by Drake Doremus 

Written by Drake Doremus 

Starring Anton Yelchin, Felicity Jones, Jennifer Lawrence 

Release Date October 28th, 2011 

Published November 12th, 2011 

My eyes welled up with tears when I first saw the trailer for the indie romance "Like Crazy." So, if even a jaded film critic can be this deeply affected by a movie trailer it's fair to imagine that this must be one terrific movie right? Wrong. "Like Crazy" is a mumbling, stumbling, indie bore-a-thon about two exceptionally uninteresting people going through one of the least interesting romances of the year.

Don't ignore your visa

Jacob (Anton Yelchin) and Anna (Felicity Jones) met at college when she left a note on the windshield of his car. She writes lovely poetry and he draws pretty pictures and together they have a chance to be a pretty couple doing pretty things. Jacob even makes pretty furniture for a living while Anna, in the US on a visa that's near expiration, is studying to become a writer. That expiring visa is an important plot point as are the vagaries of US immigration post-9/11 so pay attention.

Long distance relationship

As Jacob and Anna fall madly in love she decides to blow off the fact that her visa has expired and stays an extra three months to be with Jacob. It's Anna's suggestion that they spend the summer in bed and a cute, chaste montage shows them doing exactly that until Anna must leave the country for a family matter. Having overstayed her visa Anna is prevented from returning to America. The two lovebirds try to do the long distance relationship thing but this is a universe that is apparently devoid of Skype and the ability to figure out time zones and so they continually miss each other's calls.

Hey look, it's Jennifer Lawrence

Eventually, Jacob and Anna give up and start seeing other people. At about the 45 minute mark of "Like Crazy" Oscar winner Jennifer Lawrence pops up, seemingly from another movie, and for a moment things improve. It's as if the producers realized the film was getting stale and shoved Lawrence in front of the camera to save the day. It doesn't work; Lawrence's Sam is a sweetheart who with great effort falls for Yelchin's banal romantic lead but she can't compete with the memory of Anna who Jacob runs back to and marries before giving up again after just a few months.

Soul sucking banality

Watching "Like Crazy" is like being trapped in an elevator with a pair of angst-riddled hipsters attempting to overcome apathy long enough to actually break up. Will their effort lead to a resolution? I will leave you to discover that you should go against my recommendation and suffer your way through "Like Crazy." After watching the remarkable trailer for "Like Crazy" I was convinced that this could be the 2011 version of "Once;" a modest, heart-aches little indie romance that converses with our romantic souls. Then I saw the movie and I felt my soul being sucked from body by the utter banality of "Like Crazy."

A winner at Sundance

In fairness, maybe the expectations I placed on "Like Crazy" were too high. I have never before been choked up by a trailer and I allowed that fact to color my opinion of the film. With that said, the film was still a disappointment, a boring, full of itself master-class of indie self-indulgence. "Like Crazy" was a big winner at the Sundance Film Festival. If that makes you want to check it out don't say I didn't warn you. This is one of those movies where the disconnect between the festival audience and the general audience is vast.

Movie Review Passengers

Passengers (2016) 

Directed Morten Tyldum 

Written by John Spaihts 

Starring Jennifer Lawrence, Chris Pratt, Ray Liotta, Michael Sheen 

Release Date December 21st, 2016 

Published December 20th, 2016 

I really wanted to like Passengers, the new sci-fi adventure starring Chris Pratt and Jennifer Lawrence. I am a big fan of both Pratt and Lawrence, each of whom are veterans of the blockbuster genre having starred in Guardians of the Galaxy and The Hunger Games respectively. Unfortunately, Passengers sticks Pratt and Lawrence with one majorly flawed story choice that even their charm cannot overcome. 

Chris Pratt, dialing back on his usual Chris Pratt schtick to a welcome degree, plays Jim Spencer, a mechanic who has signed up to travel to a new space colony, a journey that is supposed to last 120 years. Jim is supposed to be in hibernation during the entire trip but a malfunction wakes him up after only 30 years. Alone, Jim at first tries to get his sleeping pod working again. When that fails he begins to get a tad stir crazy. 

With a robot bartender named Arthur (Michael Sheen) as his only friend, Jim begins to think about doing something terrible, waking up another passenger. He even has his eye on one in particular, Aurora, played by Jennifer Lawrence. After reading her file in the ship's archives, Jim begins to fall for Aurora but he knows that waking her up is basically a death sentence. 

I won't tell you whether it is Jim or some other circumstance that leads to it, but, indeed Aurora is awakened and after a short while of rehashing Jim's failed attempts at restarting the sleep pods, she resigns herself to Jim as her only companion and the two begin developing a relationship. Naturally, their idyll will have to be disrupted and when another pod fails we begin to find out just how much trouble our heroes are in for. 

The major flaw of Passengers is one that could have easily been avoided. A simple rewrite of the script, one simple decision by the writer or director, and a major flaw could have been corrected. Unfortunately, Director Morton Tyldum apparently preferred the forced and predictable drama of this flawed choice over something more satisfying and less damaging to one of our main characters. 

Sorry to have to dance around the problem so much but I don't feel it is my place to spoil this movie for people who still want to give it a chance. The film does still have two incredibly appealing leads and they are beautiful to look at, especially when they begin to fall for each other. There are other positives as well such as Michael Sheen's robot supporting player and the ship sets which have both a modern gleam and an old school Kubrickian-sci-fi majesty to them. 

In the end, Passengers is not a bad movie, just one that is ruined by one silly, kinda creepy, poor storytelling decision that leads to a lot of false, unnecessary and predictable melodrama, all of which could have been easily avoided. This movie could have played out in much the same way that it does without this one stupid plot contrivance.

Movie Review: Dark Phoenix

Dark Phoenix (2019) 

Directed by Simon Kinberg

Written by Simon Kinberg 

Starring Sophie Turner, James McAvoy, Michael Fassbender, Jessica Chastain, Jennifer Lawrence

Release Date June 7th, 2019 

Published June 6th, 2019

Dark Phoenix sadly, isn’t very good in the end. This latest adventure in the X-Men franchise has some quite good moments but the film fails in the end to sustain the good in the face of the bad. Former X-Men screenwriter and producer Simon Kinberg nails a few of the emotional beats, especially the bits about family, but his lack of experience with special effects and his often overly earnest beats are cringeworthy. 

Dark Phoenix picks up the story of the X-Men with the world in a form of detente between humanity and mutant-kind. The goals of Dr Charles Xavier (James McAvoy) have seemingly been achieved and mutants are allowed to live freely and thrive within society. Charles himself, even has a direct line to the President of the United States. Things look quite rosy indeed, even if Mystique (Jennifer Lawrence) remains uneasy about the current peace. 

The story kicks in when the space shuttle gets trapped in some sort of energy field in space and slowly begins to be torn apart. The X-Men are called upon to save the astronauts on board and while Mystique finds the mission to be far too big a risk, she goes along with it for the good of the team. Jean Grey (Sophie Turner), senses her friend’s unease but heeds the call of Dr X anyway as lives are on the line and time is short. 

In space, the astronauts appear saved by the X-Men until they realize they had forgotten one of them. In returning to the space shuttle Jean Grey is able to provide the chance for the astronaut and her fellow X-Men to escape but finds herself engulfed by this bizarre and explosive energy form. Despite the power of this energy, Jean is able to absorb it and keep the rest of the X-Men from being harmed. That she emerges seemingly unscathed only serves to set up our real plot. 

Aliens. Yes, aliens are the real plot of Dark Phoenix. Why aliens? Only director Simon Kinberg and a few comic book fans know for sure. All I can say is, this is one of the many missteps of Dark Phoenix. There is zero need for aliens in this plot. Not one bit of the alien baddie played by multiple time Academy Award winner Jessica Chastain, is necessary to the plot of Dark Phoenix. The aliens are perfunctory and dull villains that even Jessica Chastain cannot render intriguing. 

The problem here is that Dark Phoenix already had a really great villain: Jean Grey. The desire to not allow Jean to be the big bad of Dark Phoenix is a huge failure. There is no need for aliens, Jean has all of the conflict, all of the power-mad vengeance, all of the deeply personal demons to explore. Make Jean Grey become consumed by Phoenix, let her wreak havoc and divide the X-Men into factions of Jean needs to be stopped for the good of the world and Jean is not really bad and can be reasoned with. 

That plot has all of the complex emotions necessary for a strong dramatic arc. Have Nicholas Hoult’s Beast join forces with Michael Fassbender’s Magneto in the kill Jean side of the argument and have Charles and Cyclops on the ‘there is still good in Jean’ sde of the argument and see where this plot goes from there. Chastain and her alien buddies merely muddy the water and get in the way. The plot does not need them and the superfluous nature of these unneeded villains drags down Dark Phoenix. 

The other thing that prevents Dark Phoenix from soaring are some seriously silly looking special effects. The effects in Dark Phoenix are rubbery and exist on the wrong side of the uncanny valley. The effect that allows Lawrence’s Mystique and Hoult’s Beast, to morphe endlessly from human and mutant comes off as cheesy in Dark Phoenix. The effect looks like something Windows Paint might have produced in the early part of this decade. 

I realize that Dark Phoenix is set in 1992 but that doesn’t mean the special effects have to look like 1992. Our eyes and our expectations for CGI and practical effects have become more keen, jaded, desirous of things that make a movie appear seamless. Dark Phoenix is far from seamless. The rubbery texture of the effects of Dark Phoenix make the movie look low rent and, at times, make the movie look like a parody of itself. 

I’ve been awfully hard on Dark Phoenix so let’s wrap up by talking about a few of the good things about Dark Phoenix. I really enjoyed the backstory and the developing traumas of Jean Grey. Sophie Turner has come a long way from her rough and uneven performance in X-Men Apocalypse. Given a meaty role to chew on in Dark Phoenix, Turner is impressive. The fierceness of her charisma sells the agony at the heart of Jean Grey. 

I also enjoyed the psychology of Dark Phoenix, the ways in which the film depicts trauma in Jean is very real and complicated and quite moving at times. When Dark Phoenix forgets about the aliens and focuses the attention on Jean and the growing tensions among the X-family, Dark Phoenix begins to get good. What a shame then when the lame effects and those darn aliens swing back into the plot and mess things up. 

I don’t have a strong dislike for Dark Phoenix, Sophie Turner is far too compelling for me to completely dismiss the movie. Sadly, I can’t recommend Dark Phoenix because too much of the rest of the movie is laughably unnecessary, especially those cheesy aliens. We already have mutants, why do the producers of Dark Phoenix insist upon aliens? The story is Jean Grey, not Jessica Chastain acting well below her remarkable talent and stature. 

Movie Review It Chapter 2

It Chapter 2 (2019) 

Directed by Andy Muschietti 

Written by Gary Dauberman 

Starring Jessica Chastain, Bill Hader, Bill Skarsgard, Isaiah Mustafa, James McAvoy

Release Date September 6th, 2019 

Published September 5th, 2019 

It: Chapter 1 overcame my skepticism about Stephen King adaptations to become one of my favorite horror movies of recent memory. I went from dreading the idea of two movies based on a 1000-plus page Stephen King monstrosity to being excited to see which big name stars would be chosen to play the adult versions of these wonderful child characters. With the same creative team involved it seemed like everything was on track for another surprisingly great King adaptation. 

I should know better than to get my hopes up regarding Stephen King and the movies. Movies based on Stephen King novels tend to succeed despite the author and the book. The Shining, for instance, is a classic horror movie not because of the brilliance of Stephen King but because Stanley Kubrick is a masterful auteur and Jack Nicholson is an iconic performer. Other King adaptations that have attempted to remain true to King’s… unique… vision, have ranged from not bad to unwatchable. 

It: Chapter 2 falls squarely into the ‘not bad’ category. Not bad, but also, not very good. There are some really good things about It Chapter 2. The characters are easy to invest in and Pennywise is a well conceived villain and as played by Bill Skarsgard he resonates as a figure of menace even when he’s not on the screen. Bill Hader plays Richie Tozier and as every other critic on the planet has told you, Hader is terrific, he delivers the best performance in the film, among the protagonists known as The Losers. 

It’s 27 years after the action of It Chapter 1. Mike Hanlon (Isaiah Mustafa) has never left Derry. Maine. Mike made it his mission to remember everything that happened in the summer of 1989 having discovered that if you leave Derry, such memories slip away. As the unofficial conscience of Derry, Mike has waited for the evil clown Pennywise to return and when he does, Mike will be ready to call the rest of the so-called ‘Loser’s Club’ to carry out their blood oath to kill Pennywise. 

At a carnival in Derry a young, handsome, gay couple is lovingly enjoying each other’s company when they are menaced by a group of young thugs. The more outspoken of the couple is beaten severely and then tossed off a bridge into a raging river. As the thugs make their getaway, never to be heard from again in the movie, the young man’s boyfriend runs to the river bank to try to save his lover. On the opposite river bank he spots Pennywise who lifts the injured man from the water and... bad things happen. The living half of this couple is also never heard from in the movie again. 

Mike hears of the grisly murder and while an adult victim is not typical of Pennywise, he tends to prey upon children, Mike's curiosity is piqued. The brutality of the murder, as described by careless exposition cop over a police band radio, tips Mike off, this is the return of the evil clown. Mike goes to the scene where a red balloon confirms his fears and he begins to call the Losers back to Derry where they will confront their past, regain their memories, and battle the evil clown once again. 

Bill Denbrough (James MacAvoy) has grown out of his childhood stutter and narrow shoulders to become a handsome and henpecked author, screenwriter and husband. When Bill receives a call from Mike Hanlon he jumps at the idea of getting out of Hollywood, away from his demanding actress wife, and demandingly blunt director, Peter Bogdanovich, to head back to his childhood hometown, even as his memory of Derry has deteriorated.  

Stanley Uris is a little more reluctant than Bill to jump back into the Derry fray. So reluctant is Stanley in fact that when he receives Mike’s call, he forgoes his vacation with his loving wife to take his own life so as not to have to go back to Derry and battle Pennywise. Richie (Bill Hader), Ben (Jay Ryan) and Beverly (Jessica Chastain) are only slightly more amenable. Richie is eager to see his childhood friends again even though returning to Derry makes him violently ill. 

Ben is now a bored, super-rich architect who still pines for Beverly so of course he’s in. As for Beverly, she uses the trip to Derry as a good excuse to abandon her abusive husband. What about Eddie (James Ransone) you’re wondering? Honestly, I forgot about him. Eddie’s ‘arc’ in It Chapter is so forgettable that, well, I forgot to include him as I was setting the table in this plot description that has gone on far too long, not unlike the movie It Chapter 2 which also goes on far too long. 

It: Chapter 2 is an unnecessary 2 hours and 50 minutes long. The film is fat with scenes that could be cut from the movie to create a pace and story more amenable to the kind of pulse quickening, chest tightening horror that the movie is intended to inspire. The opening of the movie is a good example. I described the scene of the couple that is attacked and one of them is murdered by Pennywise, this scene does not need to exist. 

None of the characters in this opening have any bearing on the rest of the story. I guess you could argue that what happens to them informs a part of another character’s arc but It’s a long way to go for a point that could be made any number of more efficient ways. The opening scene becomes doubly inessential when the movie includes the murder of a small child that serves the exact same purpose of underlining and highlighting the return of Pennywise. 

The deathly inessential length of It Chapter 2 isn’t the film’s only problem. The performance of James McAvoy is a surprising and unexpected issue for the movie. From the moment he opens his mouth in It: Chapter 2, something is off about McAvoy. The attempt that he is making at an American accent is one thing but the main issue appears to be an attempt on his part to evoke Jordan Lieberher’s characterization of young Bill. It’s genuinely cringe-inducing listening to McAvoy struggle to add an authentic stutter and slightly higher register to his voice and the strain is evident in his stilted performance. 

Then there are issues with the special effects in It Chapter 2. A scene in the trailer for It Chapter 2 featuring Jessica Chastain’s Beverly being menaced by an elderly woman, plays, in the trailer, as terrifying and filled with creepy suspense. In the film, that same scene ends with an unintended laugh as the old woman morphs into a comically terrible special effect reminiscent of a low budget 80’s horror movie or the limits of special effects in the 80's as seen in, say, Ghostbusters, impressive in the 80's, silly looking in a modern movie. 

Later, in a scene dedicated to how incredibly bland the Eddie character is, even when he’s being menaced by Pennywise’s terrors, we get another comically bad effect of a CGI zombie-leper character. I believe this monster was also featured in It Chapter 1 and I recall that visual being more effective than what we get here but I don’t recall completely. Anything featuring Eddie tended to leave my mind almost as soon as it arrived. 

Eddie features prominently in yet another unnecessary bit of padding in It Chapter 2. Fans of the first movie recall the character of the bully, Henry Bowers. Henry is back here in a completely inconsequential fashion. Forget the book, if you can, and consider Henry Bowers. His arc really finished when he was defeated in Chapter 1. Bringing him back for Chapter 2 is a choice that is made only as a sop to fans of the book. Bowers does not matter in this story at all as far as the narrative of the movie is concerned. The movie plays out exactly the same whether he has a subplot or not. 

The fealty to the lengthy Stephen King novel appears to be a burden here that wasn’t part of It Chapter 1. That film relied heavily on the performance of Bill Skarsgard and the uniquely creepy images he helped create as Pennywise. Sarsgard is a wonder in the role. His vocal performance alone induces nightmares but it was his odd physicality that stood out in It: Chapter 1 and is slightly lacking in Chapter 2. Pennywise is sidelined far too often in It Chapter 2 in favor of characters like Bowers or old lady CGI or Eddie’s leper-zombie thing. Sarsgard remains brilliant and effective but the movie could have used more of him. 

I don’t hate Chapter 2. The movie does have moments of genuinely chest tightening, heart jumping suspense. Unfortunately, the bad of It Chapter 2 outweighs the good. It: Chapter 2 is overlong, overwrought and far too precious about mythology from a book that really should not matter in the making of the movie. The book is an inspiration, a jumping off point, but movies are very different, they serve different masters and remaining faithful to what works on the page comes at the detriment to what works on the screen as demonstrated in It Chapter 2 and its many failings. 

Movie Review Beauty Shop

Beauty Shop  Directed by Billie Woodruff  Written by Elizabeth Hunter, Kate Lanier, Norman Vance Jr.  Starring Queen Latifah  Release Date M...