Movie Review Harry Potter and the Half Blood Prince

Harry Potter and the Half Blood Prince (2009) 

Directed by David Yates 

Written by Steve Kloves 

Starring Daniel Radcliffe, Emma Watson, Rupert Grint, Helena Bonham Carter, Alan Rickman

Release Date July 15th, 2009 

Published July 14th, 2009 

The last decade has been dominated by franchise films from the return of Lucas's Star Wars to the supposedly unfilmable Lord of the Rings to Sam Raimi's greatest of all superhero series Spiderman and the wholly original Matrix films of the Wachowski Brothers. It is arguable however that the franchise with the greatest staying power in the minds of fans and even film aficionados may be that of J.K Rowling's Harry Potter. It helps that it is the longest of all of the franchises but there are also the wonderful characters, the extraordinary set design and fabulous effects.

Also there is the way Harry sort of encompasses elements of those other great franchises within itself. The parallels between Potter and Star Wars, LOTR and The Matrix become clearer in the latest installment in this ever increasingly epic film franchise.

In Harry Potter and the Half Blood Prince we are merely weeks removed from when Harry watched his beloved uncle Sirius Black (Gary Oldman) murdered by Belatrix LeStrange (Helena Bonham Carter) and then watched Dumbledore (Michael Gambon) battle the Dark Lord Voldemort (Ralph Fiennes) to what can only be described as a tie.

The Dark Lord is weakened but not defeated as Harry is confronted by Dumbledore in a muggle train station where he is hiding out. Dumbledore wants Harry for a special mission, they are to attract a former Hogwarts professor, Slughorn (Jim Broadbent) to come back to the school. Professor Slughorn has a particular piece of information that he is not wanting to give up. It's urgent that someone get it out of him because it is the key to stopping the Dark Lord whose evil intentions have begun to extend out of the magical world and into the muggle world.

Back at Hogwarts Harry is reunited with his friends Ron (Rupert Grint) and Hermione Emma Watson). Teenage hormones are beginning to run wild at Hogwarts. Sometime in the recent past Hermione has developed a crush on Ron while the thick headed Weasley misses all of the signals and goes out with a wacky little thing named Lavender (Jessie Cave).

Harry meanwhile has developed a crush of his own on Ron's little sister Ginny Bonnie Wright). The young romance is handled with delicacy and great care by director David Yates who does a masterful job of allowing the characters moments of childish fun while the ever deepening darkness continues to rise around them.

The stunning supporting cast continues to turn in stellar work as has been the case throughout the series. Especially good this time around are Alan Rickman's ominous Professor Snape and Tom Felton's Draco Malfoy. Felton's work prior to Half Blood Prince hasn't gone much beyond malevolent sniveling but in 

Half Blood Prince his surprisingly conflicted nature is among the most compelling elements of the film.

Director David Yates has become the unlikely auteur of the Potter series. Having never directed a feature before, Yates was an unlikely and controversial choice to direct Harry Potter and the Order of the Phoenix. That film quickly quieted fears of millions of fans and now with Harry Potter and the Half Blood Prince, Yates has come to own the franchise.

Yates and his exceptionally talented ensemble leave you wanting more and really that is what the film is supposed to do given that Harry Potter and the Deathly Hallows 1 and 2 are still to come in 2010 and 2011. Yet, despite being a table setter, Half Blood Prince offers so many wonders it really stands as a triumph of its own.

Where other franchises have lost steam after just three outings the Potter series looks stronger than ever headed to sequels seven and eight. It's quite a testament to the remarkable storytelling of JK Rowling who has taken elements of some of the greatest stories ever told and fashioned them into something wholly original and all her own. What a remarkable piece of work.

Movie Review One Missed Call

One Missed Call (2008) 

Directed by Eric Valette 

Written by Andrew Klavan

Starring Shannyn Sossamon, Ed Burns, Ray Wise, Azura Skye

Release Date January 4th, 2008 

Published January 4th, 2008

The movie One Missed Call starring Shannyn Sossamon and Ed Burns is brought to you by the good folks at Boost Mobile. Ok, admittedly, I can't prove that the tiny offshoot of Sprint and Nextel actually sponsored the making of this pale imitation of Japanese horror cliches but they are no doubt tacit endorsers. Boost is mentioned and their logo shown so often the company could apply for a SAG card. Of course, bitching about the soulless schilling behind this little horror movie is really just my way of dodging the ennui that this movie brought about within me. Indeed, I care so little about this film I can barely bring the strength to dislike it.

Shannyn Sossamon, so cute in 40 Days and 40 Nights and so tragic in Rules of Engagement, stars here as a listless college student whose friends keep dying. You may be quick to blame her, but no. In reality, the deaths are related to their cellphones. Each of Shannyn's college pals have received a phone call with a message depicting their mode of death and the exact time that death will take place. By the way, Boost Mobile, if you are considering this as a feature, please stop. Naturally, when Shannyn takes her concerns to the police only the most handsome and single of the cops is willing to take her seriously.

Ed Burns plays the cop in typically Ed Burns fashion, disinterested handsomeness. Burns was once a flavor of the month writer-director boy genius. His natural rhythms as a writer served to cover up his ineptitude as an actor. Burns is a sieve as an actor with lines that roll off his tongue with the thud of a 2 by 4 to the head. That said, with material less than the sum of his acting, you barely notice his usual oafishness. As it turns out, the fetching cop's sister died after receiving one the death messages on her phone. There's also a bit about red hard candy and child abuse but by the time the film got around to them I was busy doing my taxes, difficult in the dark of a theater but I had nothing better to do.

I was going to delve into the film's ill logic and discuss universe theory, the thing where I say if a movie can establish a universe for its own goofy logic then even the most outlandish plot can be logical in its own way. I was going to go into those things but One Missed Call is simply too forgettable for such conversation. It was adapted from a Japanese horror film by the same title, in Japanese, by French director Eric Valette. Working in America for the first time, Valette shows an obvious talent for pointing his camera AT his actors. It's getting those actors to do something worth filming that is the problem here.

I had once thought that former model Shannyn Sossamon was going to be quite a star. She was terrific as Heath Ledger's inspiration in A Knight's Tale and cute as a button opposite Josh Hartnett in 40 Days and 40 Nights. Unfortunately, like so many pretty faces before her, she just never found the right roles and has now been relegated to the B-movie squad. At the very least, I don't think the failure of One Missed Call is entirely her fault. I'm guessing no one told her that they were using her audition takes, before she actually knew her lines. Wait.... what? Those were real takes? My bad.

I know it sounds like I hated this movie but believe me, hating this movie would take far more effort than I am willing to offer here. So, I will say, One Missed Call is a movie to watch while you do other things. Get a haircut, read a book, play video games, smoke weed. Trust me, you'll barely even notice the movie is there.

Movie Review: Monsters, Inc.

Monsters, Inc. (2001

Directed by Pete Docter

Written by Andrew Stanton, Daniel Gerson

Starring John Goodman, Billy Crystal, Steve Buscemi, James Coburn 

Release Date November 2nd, 2001 

Published November 2nd, 2001 

What is the future of the animated film?

Many thought we would find out in Final Fantasy, but if beautiful computer graphics over the top of lame spiritual platitude and sci-fi conventions as old as time then animation is in trouble. My hope is the future of animation lies with the brilliant artists at Pixar who with Toy Story and Toy Story 2 and their latest Monsters Inc. are revolutionizing animation the way Disney did with Snow White. 

Monsters Inc. is the story of Sully and Mike a pair of workaday monsters whose job it is to scare children into screaming and thus providing electricity to the city of Monstropolis. Mike and Sully are voiced by Billy Crystal and John Goodman who are so brilliantly matched you would never guessed they have never worked together before. Steve Buscemi provides the voice of Randall the chameleon-like bad guy and Oscar winner James Coburn is there multi-legged boss. All the voicework is flawless with each actor finding exactly the right pitch for there character.

Monsters Inc. is hampered a little by a tendency toward sickening sweetness but the story is so wonderful that the sugar-shock is worth it. 

If you didn't like Toy Story 1 and 2 you don't have a soul, the same could be said if you didn't like Monsters Inc. Forget about that whole animation is for kids stigma and go see this movie and be a kid again. Monsters Inc. is one of the best movies of the year.

Movie Review: Domestic Disturbance

Domestic Disturbance (2001) 

Directed by Harold Becker 

Written by Lewis Colick 

Starring John Travolta, Vince Vaughn, Teri Polo, Steve Buscemi 

Release Date November 2nd, 2001 

Published November 2nd, 2001 

John Travolta has a history of redeeming bad movies. Look at movies like Broken Arrow, The General's Daughter and Swordfish all bad movies made better by having Travolta as the star. Through the sheer force of charisma and charm, Travolta takes bad material and makes it fun and entertaining. However, not even Travolta can save Domestic Disturbance, one of the worst films of 2001.

Domestic Disturbance is the story of a young boy who witnesses his stepfather, played by Vince Vaughn, committing a murder. Is the kid crying wolf? Only his father played by Travolta believes he's telling the truth. Of course none of this matters to the audience who are always 20 minutes ahead of the characters.

The film's marketing campaign pretty well gives away the story by touting Travolta as the good guy. If he's the good guy obviously there is a bad guy, and make no mistake you already know who that is too. 

Of course, a good movie could possibly overcome such a bad marketing campaign. Unfortunately, Domestic Disturbance is a terrible film. There are stock characters and situations seen many times before and numerous other lame thriller shortcuts. The most egregious of the cliched cheats in Domestic Disturbance is the use of the child in danger trope. 

The oldest and arguably worst trick in the suspense genre, placing a child in danger is a cheap way to involve the audience. We may not care about the adult idiot characters, but a good person may worry about a child, even in the least convincing thriller.  That's not to say that Domestic Disturbance is effective in any way. Rather, it's a baseline of involvement akin to, hey, don't hurt that small child you idiotic film director. 

Domestic Disturbance also features the classic dumb thriller cop. A movie like Domestic Disturbance couldn't live without the dumb cop who, despite all the evidence, remains completely ignorant. A competent cop would require the screenwriters to do a little more work to make their plot believable and that would be way way more work than anyone involved in Domestic Disturbance wanted to do. 

Ignorant, brain-dead, and insulting, Domestic Disturbance will be on my list of the 10 worst films of the year.

Movie Review: Thirteen Ghosts

Thirteen Ghost (2001) 

Directed by Steve Beck

Written by Neal Marshall Stevens, Richard D'Ovidio, 7 other writers 

Starring Tony Shalhoub, Embeth Davidtz, Matthew Lillard, Shannon Elizabeth

Release Date October 26th, 2001 

Published October 26th, 2001 

When was the last time you saw a scary movie that actually scared you? For me it would be 'Friday the 13th Part 2,' but what did I know I was nine years old when I saw that. For me horror films are like America's funniest home videos, some are painful to watch and some are truly hysterical. The 'Nightmare on Elm Street' series has provided me with some huge laughs some intentional, most not.

Sadly the newest addition to the horror genre 'Thirteen Ghosts' only has a few laughs one unintentional, a grisly murder meant for shock value that is made hilarious in execution; and one intentional laugh, a very funny line wondering what happened to the character whose murder provided the previous big laugh. That's all the joy one will take from Thirteen Ghosts. 

The film is otherwise populated with been there done that attempts at scares. One of the selling points for the movie is the much talked about house in the film. The house is impressive in design but we've seen it more lavishly done, quite recently, in 'The Haunting' and more interestingly done in the very funny 'House On Haunted Hill.' 

Meanwhile, the performances by Tony Shalhoub, Shannon Elisabeth and Embeth Davidtz are perfunctory, typical scenes of running and screaming. Elisabeth, who in commercials is played as a lead but only actually only appears in maybe a third of the film. I can say this about the acting; for the first time since 'Scream' I liked Matthew Lillard, his character provides a couple of good chuckles and his manic energy occasionally brings the film to life.

Of course I couldn't have expected 'Thirteen Ghosts' to be any good knowing, as I did, beforehand that it has been written by NINE different writers, yes, nine. I always thought four writers were the absolute kiss of death but NINE?

Movie Review Life As a House

Life as a House (2001) 

Directed by Irwin Winkler 

Written by Mark Andrus 

Starring Kevin Kline, Kristen Scott Thomas, Hayden Christensen, Jena Malone, Mary Steenburgen

Release Date October 26th, 2001 

Published October 27th, 2001 

Life as A House starring Kevin Kline and directed by Irwin Winkler has been universally praised by critics and fans which leaves me wondering: did I see the same movie they did? I watched Life as a House in permanent awe of how derivative, obvious, and faux-deep Life as a House is. This is a middle aged man's very obvious, up his own backside, conception of what makes a deep statement about life. Honestly, I am embarrassed for everyone involved. 

Life as a House is the story of George, a depressed divorcee with a son who hates him, and who loses his job early in the film and then finds out he has terminal cancer. Is this a movie character or a biblical tragedy? With all that has happened George decides it's time to build his dream house which, for those who are a little on the slow side, is a metaphor for his rebirth. Do you get it? His life is represented by the house? Does that resonate with you? 

The house he currently lives in is a rundown shack overlooking the ocean in a beautiful neighborhood. Don't even get me started on that implausibility, which, duh, is a metaphor for who he used to be. The screenplay doesn't trust us to figure the metaphors out ourselves. Instead there is dialogue to state the obvious. You see, the rundown house is who he is when we meet him and the new house is who he is going to be. Do you get it? Because the voiceover will explain this if you don't. GAH!!!!! 

Life as a House is filled with such trite dialogue that continuously states the obvious as if leading blind audience members through a story the screenwriter thinks is so deep we won't get it. And it's sad because the actors: Kline, Kristin Scott Thomas as his ex wife, and Hayden Christenson as his son, have the ability to communicate these emotions with subtle acting. But no, instead the film is filled with leaden dialogue and a couple of hundred direct lifts from American Beauty. Yes that's right dear reader not only is the film dull, it's unoriginal.

From the voiceover narration at the beginning and end to the score to George's 'Lesterlike' rebirth, including a kiss with an underage sexpot, Life as A House is like American Beauty filtered through TV's Hallmark hall of fame.

P.S.: I refuse to make any cute housebuilding aside. Honestly, if I hear another critic use a pun title like "House is built on a great FOUNDATION HA HA," I will scream.

Movie Review My First Mister

My First Mister (2001) 

Directed by Christine Lahti 

Written by Jill Franklyn 

Starring Albert Brooks, Leelee Sobieski, John Goodman, Carole Kane, Michael McKean 

Release Date October 12th, 2001 

Published June 3rd, 2002 

Albert Brooks has been around a long time but yet, he still seems to go unnoticed. The fact is though, Brooks is one of the great comic geniuses in the world. If you've seen his highly underappreciated gems Defending Your Life and The Muse as well as his brilliant guest voice work on the Simpsons, you know what I'm talking about. Brooks is a talented writer who is funny without having to obviously try to be funny. He just is. In My First Mister, Brooks' humor is on display as is his surprising knack for depth and poignancy.

My First Mister stars Leelee Sobieski as Jennifer, a suicidal Goth teen just out of high school and searching for a job. Jennifer's job hunt leads her to Randall (Brooks), the owner of a conservative men’s clothing store. For some strange reason, Jennifer and Randall click and Randall hires her to work in the stock room, and stay off the main floor because he fears her Goth clothes and multiple piercings may frighten his older upscale customers.

As unlikely as these two people are as friends, their connection is believable and the interaction between them is entertaining. They have few things in common, the biggest thing being they both don't have anyone else. Jennifer doesn't get along with her divorced parents (Carol Kane and John Goodman) and Randall has been divorced for 17 years. 

Kane is quite good as Jennifer's much-abused mother who, though she seems like an addled Donna Reed wannabe, is actually just a loving parent at a loss as to how to relate to her emotionally distant daughter. If Kane and the other supporting players (Goodman, Michael McKean and Mary Kay) seem like caricatures it's because we are seeing them through Jennifer’s warped perspective. As the film progresses and Jennifer begins to open up we begin to see these characters as they really are.

First time director Christine Lahti shows a skillful hand in directing two characters whose interactions could seem like a very creepy version of Lolita. Lahti makes sure we know the film isn't about sex or lust but about finding someone who understands you and accepts you for who are. Though towards the end Lahti allows the melodrama to get away from her, the performances of Brooks and Sobieski keep the film from drifting too far off the path.

There is an interesting comparison to be made here between Sobieski and Brooks in this film and Thora Birch and Steve Buscemi in Ghost World. It’s not just the age difference but also the uniqueness of each of the characters and the reasons why they came together. While My First Mister isn't as entertaining as Ghost World, it has the same emotional depth with a slightly less caustic humor. My First Mister isn't the masterwork that Ghost World is,  it is an entertainingly similar work and worth seeing at least once.