Movie Review Terrifier 2

Terrifier 2 (2022) 

Directed by Damien Leone 

Written by Damien Leone 

Starring David Howard Thornton, Lauren LaVera, Elliott Fullam, Chris Jericho 

Release Date October 6th, 2022 

Published October 24th, 2022 

I went into Terrifier 2 with a chip on my shoulder. I had made many assumptions about the movie before seeing it and my cynicism was beginning to shape my perception of the movie without seeing it. What a surprise it was then to have walked out of Terrifier 2 having been turned into a huge fan of the movie. Rather than being edgy and perverted, Terrifier 2 is a triumph of both incredible DIY gore and a sense of the absurd macabre of the horror movie that is employed to make the movie watchable beyond the off-putting if groundbreaking approach to horror. 

Terrifier 2 stars David Howard Thornton as the terrifying horror villain, Art the Clown. I'm told that Art the Clown made his film debut in Terrifier 1 and became such a cult phenomenon that a sequel became a demand of the fans. The sequel over-delivers on the original in which, though I have not seen it, I've been told, Art has less personality and even more brutality. In Terrifier 2, writer director Damien Leone and star David Howard Thornton have fully realized the potential of Art the Clown by leaving him silent but giving him an even more terrifying physical personality. 

Opposite Art the Clown is our hero Sienna (Lauren LaVera). Sienna is a teenager dealing with the suicide death of her father with whom she shared a very special bond. Sienna's dad used to write comic books and dedicated his stories to her, especially a beautiful and strong female hero. On Halloween, Sienna plans to pay tribute to her dad by using her incredible cos-play skills to re-create the look of the female hero her father created. She may be the only one who knows the character, but regardless, the costume means the world to her. 

Sienna's little brother Jonathan however, he's another story. Jonathan's costume is an edgy homage to a massacre in their rural New York state town. Jonathan wants to dress as Art the Clown, something that infuriates both his sister and their mother, Barbara (Sarah Voight), who orders Jonathan not to wear his favored costume. This scene and another that comes up in the wake of a disturbing slaughter, play our love of Halloween blood and guts and serial killer obsessions against us, calling us out for turning real life terror into entertainment. 

That scene, the slaughter scene, is easily the most disturbing and illness inducing. You've perhaps heard stories about moviegoers becoming sick while watching Terrifier 2. Well, as much as that is merely a marketing campaign for the movie, I can see where this slaughter scene might cause people to become unwell. As Art scalps his teenage victim, cuts out their eyeballs, and is discovered playing with the victims' entrails, while the victim is still alive, we are kept at a distance by the absurd level of graphic visceral human destruction. Art's horrifying rictus grin casts a gaze directly at the audience as if accusing us of enjoying what he's done. It's chilling and farcical all at once. 

Click here for my full length review of Terrifier 2 at Horror.Media 

Documentary Review Louis Armstrong Black and Blues

Louis Armstrong's Black and Blues (2022) 

Directed by Sacha Jenkins

Written by Documentary 

Starring Louis Armstrong, Wynton Marsalis 

Release Date October 28th, 2022 

Platform Apple TV 

Published October 27th, 2022 

At some point, the phrase 'Do you like Jazz?' became a cheesy signifier of pretension and oddity. Jazz is still wildly popular but it's settled into a niche that rarely breaks into mainstream success these days. Years ago however, that was not the case. Indeed, in the 40s and 50s, Jazz was fully in the mainstream. Much of that success could be attributed to the popularity of 'Satchmo' aka, Louis Armstrong. Arguably the greatest trumpet player of all time, Satchmo crossed racial lines and united fans of Jazz at a time when unity among white and black Americans was far from the norm. 

The new documentary, Louis Armstrong's Black and Blues chronicles the life and career of Louis Armstrong in a way no other Armstrong project has. For years, Armstrong wore a big brave smile and stayed above the fray of American politics. It was his effort to remain as popular among all audiences but it came with the cost of many Black Americans believing that Louis Armstrong was selling out Black people to secure his own success in mainstream America. Through never before heard private recordings we find out how Armstrong really felt about his success, the racial divide, and other notable aspects of his life. 

Louis Armstrong grew up in New Orleans and developed his talent for playing the trumpet at a very early age. As a teenager he honed his skills playing in brothels. But Armstrong was far too talented and too charismatic to go unnoticed. Eventually, Armstrong was brought on board with a touring band and his huge smile and brazen trumpet playing were the undeniable draw. By his mid-twenties, Satchmo had become a headliner, even in areas of white America and the south where the stage was the only place he was allowed to be because of his race. 

Among Armstrong's earliest challenges was navigating the mob. Having moved to Chicago in the late 20s and 30s, Armstrong was forced to cope with connected club owners and promoters who used intimidation tactics to get him on stages but used the same tactics to take larger portions of Armstrong's earnings from those gigs. Eventually, Armstrong was forced to choose between gangsters who set his schedule and took his money and settled on one who took the lowest amount of his earnings. 

Always a canny self-promoter, Armstrong turned to Hollywood to pick up paychecks and to spread his popularity as a singer and trumpet player. Word of mouth and recordings of his trumpet playing had made him a pretty big star but appearances on the big screen let Armstrong show off his winning smile, his innate charisma and a performance style unlike any other modern American musician. That voice, that gravelly, sad, yet joyous voice became as indelible and iconic as his legendary trumpet thanks to his appearances in movies that exposed his uniqueness to a wide audience. 

What director Sacha Jenkins captures in Louis Armstrong's Black and Blues is Armstrong's uncanny talent for self promotion and his private struggle with racial injustice. Even being, arguably, the biggest Black American star in the country did not rescue Armstrong from the indignities of racial intolerance. One notable story, related in the documentary features the voice of rapper Nas reading a private letter that Armstrong wrote to a friend about his experience on a Hollywood movie set. 

Click here for my full length review of Louis Armstrong's Black and Blues 

Documentary Review Gratitude Revealed

Gratitude Revealed (2022) 

Directed by Louie Schwartzberg 

Written by Documentary 

Starring Louie Schwartzberg, Norman Lear, Deepak Chopra 

Release Date November 1st, 2022 

Published October 29th, 2022 

Available via Streaming Rental apps and Amazon Prime 

Bewilderment is the holiest of holy feelings - Deepak Chopra in Gratitude Revealed 

I realize that being a person who quotes Deepak Chopra is a recognized identity that I don't have. And yet, here I am, having heard the famed thinker, Deepak Chopra say something that struck deeply with me and forced to quote it. This is a quote that crystalized for me something I have often felt but could never quite say. Confusion, for all the terror and uncertainty it may engender, is an opportunity. To be bewildered, to be lost in a moment is a chance to discover something or solve a problem. It's an opportunity to overcome something. 

I was wandering around in that thought for a while as I enjoyed director Louie Schwartzberg's wonderful documentary, Gratitude Revealed. That's where the Chopra quote comes from, this odd, beautiful, thoughtful and incredible documentary that is really like 30 some odd documentaries all in one. In Gratitude Revealed, the famed director of Fantastic Fungi trains his eye for detailed camerwork and depth of patience, on a group of individuals, creators, artists, musicians, thinkers, a man who is called a Freestyle Philosopher, and Norman Lear. 

It's a melange but a wonderfully realized melange. The mixture of people and idea ideas may seem unrelated, but they are, in fact, united in the idea of gratitude, of living a grateful life. Each in their own way has followed a path in life that they are grateful for. Whether it is a life of art, or music, or surfing or cooking, they're engaged in grateful acts each and every day they enact their passion. It's simple and inspiring and I could not get enough of it watching this documentary. 

Through this exploration of gratitude, you are invited to search your own life, your mind and find the ways in which you connect to the people on screen, the thoughts that connect you to the universe, the meaning you find is all your own and yet is universal, you are sharing this realization with millions of people, each in a different way. Every experience of life is just like that, a new opportunity to experience something. When you think of it like that, isn't life kind of great. It may seem cliche to look at each day like another opportunity, but it really is. You just have to decide what that opportunity is. 

Gratitude Revealed is what we should be teaching young children in school. Schwartzberg's curriculum is a series of experiences, a series of handshakes with different people who share a little of their experience that creates a connection through compassion. The man identified in the documentary as a Freestyle Philosopher and proves through his several soundbites to be just that, touches on something that Roger Ebert talked about years ago, how movies are machines that generate compassion. He is referring to the very documentary that he's appearing in as an example of cinema that generates compassion through the shared experience of other lives. 

Click here for my full length review of Gratitude Revealed at Geeks.Media. 

Movie Review On the Air

On the Air (2022) 

Directed by Romuald Boulanger 

Written by 

Starring Mel Gibson, William Mosely, Alia Seror O'Neil

Release November 5th, 2022 

Published November 4th, 2022 

Separating the art from the artist is a concept that has been in vogue in the past several years. The question being address and opined upon is: How do we treat the art created by people accused of or guilty of doing awful things. Whether it is being accused of abuse or being convicted of a crime, what do we do with the art of terrible people. J.K Rowling is a good example. The Harry Potter creator has used social media to attack trans people and it has caused a reckoning for Potter fans who want to keep enjoying the Potter books but don't want to support Rowling's hate toward the trans community. 

Another example of this concept is actor Mel Gibson. More than a decade ago the actor known for the Lethal Weapon franchise and as the director of Braveheart and The Passion of the Christ, was caught on tape verbally abusing and threatening his then girlfriend. He was also captured by Police while drunk and is accused of having made horrific anti-Semitic remarks and making misogynistic remarks toward a female Police Officer helping to place him under arrest. How can we consume the art of Mel Gibson ethically? We can't. Simply put, if you choose to pay to see a Mel Gibson movie, you are putting money in his pocket and tacitly telling him that you excuse his behavior. 

This lengthy intro brings us to Gibson's latest movie, a low rent thriller called On the Line. The film stars Gibson as a man named Elvis, a Los Angeles radio host with a proclivity for saying things you can't legally say on the radio. Elvis 'tells it like it is,' to borrow a cliche, and his fans love him for it. Elvis's life and career is turned upside down when he's confronted by a caller to his radio show. This caller claims to have broken into Elvis' home and taken Elvis' wife and daughter as hostages. 

The unknown caller claims that Elvis is responsible for the death of a former employee of the radio station. The woman killed herself after having spent several months being berated on the air and off by Elvis as part of his edgy persona and his private Assholery. The caller wants Elvis to make things right by leaping to his death from the top of the high rise where the radio station is located. Naturally, not all is as it seems. The call is not coming from Elvis' home, it's coming from inside the radio station. Sinister stuff eh? 

I didn't forget to say spoiler alert, I just don't want you to bother seeing this movie so I told you want happened. I haven't mentioned the ending but you can probably figure it out just from my description. On the Line is not exactly trying to redefine the thriller genre. The direction and action of On the Line is dull and derivative as is Gibson's tough guy act. It borders on comic when the known bully Gibson is trying to play for our sympathies. His persona robs the movie of any sympathy it attempts to generate. Not that I wanted to see the man's family killed, I shouldn't have to say that's wrong, but I could not empathize with a character played by Mel Gibson on almost any level. 

Click here for my full length review of On the Line at Geeks.Media

Spoiler Alert: Let's Talk About the Ending of Tar

Tar (2022) 

Directed by Todd Field 

Written by Todd Field 

Starring Cate Blanchett, Nina Hoss, Noemie Merlant, Mark Strong 

Release Date October 7th, 2022 

Published October 31st, 2022 

In Theaters Now... 

What is writer-director Todd Field trying to say in his new movie, Tar? There are a myriad of readings currently being debated online and each seems to have some merit. There is, in the end, no right answer. If we separate the art from the artist, then what Todd Field is trying to say doesn't matter as much as how we interpret what he is saying. My interpretation of Tar is a mixed bag of evocative and provocative ideas and low humor that only occasionally lands. 

Tar stars Cate Blanchett as Lydia Tar, a famed conductor. Lydia is about to achieve a lifelong dream, to have conducted recordings of the work of Conductor Gustav Mahler. Sitting at the head of the table at the Berlin Orchestra, Lydia believes that conducting Mahler's 5th Symphony will cement a legacy built over a life time crawl to the top in merciless pursuit of the comforts and adoration of fame. Lydia Tar has cut metaphorical throats to get where she is and yet she doesn't realize how tenuous her grasp on power truly is. 

In this article I am going to wander around within several ideas and presentations in Tar that struck me after watching it. I will be employing spoilers and since I am recommending that you see Tar, if you haven't seen it yet, I urge you to jump off and come back after you see it. Tar is not so much a movie that can be 'spoiled' in the traditional sense but I do believe the experience of Tar is one better served by not knowing where the story is going. 

Lydia Tar is a conductor of an orchestra, specifically, the prestigious Berlin Philharmonic. The role of Conductor is an interesting one, rich with meaning and teeming with questions. What exactly is the function of a conductor? Why is a conductor necessary? Why do conductors get so much credit for directing the performance of people doing the actual, physical work of the orchestra? Tar is not direct about answering these questions though they are explored a little when we see Lydia in her work environment. 

The conductor of an orchestra brings order to chaos. It's a fantasy of power with a group of exceptionally talented people at the top of their field all at the mercy and direction of a wand wielding egotist. The musician may have the talent to make transcendent music from their instrument but no matter their talent, they are at the mercy and whim of someone not playing an instrument. Naturally, Lydia Tarr conducts her life as she conducts her orchestra, furiously exerting control, rigidly demanding conformity to her will. This, of course, is her downfall. 

The things that Lydia Tarr cannot control or conduct to her will, she ignores. Out of sight, out of mind is the substance of her worldview, especially when it comes to the discordant troubles in her life. One such trouble is a former student with whom Lydia may or may not have had an affair with. Lydia abruptly cut ties with the student and in doing so, harmed the woman's career and education. The former student is spiraling into depression according to glimpses of emails to Lydia's assistant, played by Noemie Merlant. 

Lydia cannot control this situation so she ignores it until a tragedy occurs. Even then, Lydia is unrepentant, and continues to avoid the problem, a privilege often conferred upon the powerful, the ability to turn their back on their problems via their privilege. A theme presented throughout Tar is Lydia's growing sensitivity to noise. The clicking pen of her orchestra colleague, a metronome left ticking in a cupboard, and other such seemingly insignificant noises become a torture to Lydia's psyche. 

Click here for my full length article at Geeks.Media 

Movie Review Spirited

Spirited (2022) 

Directed by Sean Anders 

Written by Sean Anders, John Morris 

Starring Will Ferrell, Ryan Reynolds, Octavia Spencer, Sunita Mani, Tracy Morgan 

Release Date November 11th, 2022 (Apple TV) 

Published November 11th, 2022

Imagine that the three ghosts that visit Ebenezer Scrooge in A Christmas Carol, are part of an elaborate business that specializes into scaring bad people into good people, all while singing very on the nose show tunes, and you have the movie Spirited starring Will Ferrell and Ryan Reynolds. This musical comedy posits that Ebenezer Scrooge (Will Ferrell) became the Ghost of Christmas Present after his life ended. Now, Scrooge along with his old pal Marley (Patrick Page), the Ghost of Christmas Past (Sunita Mani), and the Ghost of Christmas Future (Tracy Morgan), works to redeem those in needing redemption. 

For their latest case, the Ghosts and Marley are targeting a big fish, a so-called 'unredeemable' human being named Clint Briggs (Ryan Reynolds). Briggs is a bad guy. We meet him as he is making a presentation to owners of Christmas Tree Lots and he is encouraging them to demonize those that don't use real Christmas trees as hating Christmas. Briggs' job is all about creating chaos and division in order to sell narratives that protect brands and rich elite jerks. Marley is convinced that Briggs cannot be saved. Scrooge however, sees some of himself in Briggs and emotionally links his own redemption story to that of this awful jerk. 

From here we watch as Scrooge and company stage the life of Clint Briggs. They recreate his childhood home and bring his late sister to life. Clint has a lot of guilt and complicated feelings about his late sister, a saint who took care of him as a kid while their mom was a comical jerk. When the sister dies, Clint refused to take on her daughter, instead leaving the daughter to stay with his loving but bumbling younger brother, Owen (Joe Tippett). Naturally, Scrooge will use this moment to tug on Clint's heart strings but as happens throughout Spirited, Clint is not an easy nut to crack. 

For his part, Clint sets about sewing chaos in the meticulous plot to redeem him. He starts by seducing the Ghost of Christmas Past and then by twisting Ferrell's Ghost of Christmas Present/Scrooge into knots with endless questions about his past, why what he does is necessary and why Clint himself is happy to be seen as Unredeemable. Of course, we all know where this is headed. There is no surprise o be found in Spirited and thus the movie has to rely on gags, comical songs, and the strength of the cast to sell this overly complicated and yet predictable story. 

Spirited kind of works. This is undoubtedly Will Ferrell's best performance since 2010's The Other Guys, the last time he earned really big laughs on screen. In the last decade, Ferrell has made some of the worst movies going and thus I was happy to be able to laugh with him again. I've missed the Will Ferrell that wasn't a desperate, flailing, sweaty mess. His Scrooge is a strong combination of his Elf persona with his dramatic, adult performances in Stranger Than Fiction and Everything Must Go. The wistfulness and longing in this character give a genuine quality to his energetic, desperate for the joke side and that goes a long way toward making the performance tolerable and even entertaining. 

Ryan Reynolds sparks well with Ferrell as Scrooge. Reynolds' playful approach to being a massive jerk provides a strong arc for the character, even as it is a supremely predictable arc. Reynolds is funny, charming, angry, and rounds into genuine kindness in a real and enjoyable fashion. Strange as it seems for such a broad comedy, it's among the most genuine and enjoyable performances from Reynolds in some time. Somehow, getting to sing has enlivened Reynolds after several recent rather bored performances. 

Click here for my full length review at Geeks.Media. 

Movie Review Weird: The Al Yankovic Story

Weird The Al Yankovic Story (2022) 

Directed by Eric Appel 

Written by Weird Al, Eric Appel 

Starring Daniel Radcliffe, Evan Rachel Wood, Rainn Wilson, Toby Huss, Julianne Nicholson 

Release Date September 8th, 2022 (Roku Channel) 

Published November 11th, 2022 

As a connoisseur of one Weird Al Yankovic, the idea of a traditional Weird Al biopic had me perplexed. Why would anyone make an earnest biopic of one of the strangest, most ironic, and comic careers in history. I was genuinely confused with what the makers of the movie Weird were all about. Then I saw the trailer and it all began to make sense. Weird is a Weird Al biopic but it is, far more importantly, a send up of the various silly tropes of rock biopics. 

Biopics of rock stars seem to always go the same way. There is the rocket ride to stardom, struggling in the harsh light of fame, the inevitable fall from grace and then a rise once again or a death, one or the other. Biopics of rock stars do not tend to stray from this formula. Thus, the rock biopic genre is ripe for the kind of parody that Weird Al made famous with his music, an irreverent send up of the tropes combined with an over the top wackiness that is both hilarious and genuine. 

Weird kicks off in a universe where Polka is the equivalent of gangsta rap, a genre of ill-repute in the white washed Reagan era. Here we meet Al as he is berated by his working class father, Nick (Toby Huss) and coddled by his loving mother, Mary. Al's life is changed forever when a door to door salesman (Thomas Lennon) comes to Al's door selling accordions. While Al is taken with the instrument, his father will not have this filthy equipment in his home and sets about beating the salesman to death with his bare hands. 

In order to keep Nick out of jail for assault or attempted murder, Mary buys an accordion and gifts it to Al. This begins a life long love of the accordion and the start of his rocket rise to fame. Cut to college where Al is living with three friends and plays the accordion regularly. When challenged, Al invents a song on the spot, a parody of My Sharona called My Bologna. In an inspired sequence, Al is inspired for every single lyric by something he sees in the room around him. 

Biopics love to give every aspect of every rock star life an origin story. Thus, Al having an origin story for even the most mundane or outlandish lyric is a great bit. Big laughs are spun from this scene and the following scene where Al and his friends go to a local bus station bathroom to record My Bologna. That's a true story, Al really did record the song in a bathroom and took it to a record company meeting on the same day. They turned him down just as they do in this movie. 

Another inspired element comes when Al insists on writing original music only, only to then write his most famous songs, Eat It and Amish Paradise while calling them original songs. The meta of Michael Jackson calling Al for permission to write and perform Beat It, based on Al's Eat It, is another truly inspired gag. Throughout Weird, the movie finds wonderful little inventive ways to give Al a massive ego, something his fans know is certainly not a trait of Weird Al, arguably the most humble tunesmith in America. 

This being a Rock N' Roll biopic, a love interest must be involved, a woman of ill-repute who follows our star down to the depths of his despair. That woman in Weird is Madonna played by Evan Rachel Wood. Sexually voracious and wildly talented, Madonna sets her sights on Al because of the supposed Al Bump, a spike in sales following an artist being parodied by Weird Al and his band. Madonna wants the sales bump and will do anything she can to get it. 

Click here for my review of Weird at Geeks.media