Movie Review Fantastic Four

Fantastic Four (2015) 

Directed by Josh Trank

Written by Josh Trank, Simon Kinberg, Jeremy Slater

Starring Miles Teller, Michael B. Jordan, Kate Mara, Jamie Bell

Release Date August 7th, 2015 

Fantastic 4 is far from fantastic. (Yes, I know how cheesy that line is) This attempt to reboot the franchise following the disaster that was The Silver Surfer, assembled a terrific cast, a rising young director and arguably Hollywood's hottest screenwriter and somehow managed to make a movie that disappoints every audience, fanboys and casual moviegoers. This is a dull-witted origin story that fails that while successfully explaining the origins of the supposed heroes, waits until the final 10 minutes of the movie to make them heroic.

In many ways I feel bad for the team behind the new Fantastic Four. Director Josh Trank has stepped out and actually trashed the movie as it was being released. Trank claims that this isn't the movie that he made and that the movie he made was pretty good as opposed to the movie that we are getting in theaters this weekend. Trank's version of Fantastic Four is a movie we will never get to see. Indeed, Trank isn't wrong, this isn't a very good movie. That said, I wish there had been a slightly more diplomatic approach. 

It's a shame that this has gone the way it has because this Fantastic Four movie features some of the best actors of young Hollywood. The film stars Miles Teller as Reed Richards, Jamie Bell as his best friend Ben Grimm, Kate Mara as Reed's future wife, Sue Storm and the brilliant Michael B. Jordan as Johnny Storm, Sue's adopted brother. The film follows Reed as he and Ben invent a prototype for a matter transporter. The successful invention leads to them being recruited by Franklin Storm, the father of Johnny and Sue, and the head of a scientific firm. 

What Reed and Ben don't know about their invention is that it is actually a portal to a parallel dimension. When they find out they are disappointed to learn that Franklin intends to send a group of NASA astronauts into this dimension rather than allowing Ben and Reed the chance to go themselves. Being hotshot kids, they recruit Sue and Johnny along with another friend and scientist, named Victor (Toby Kebbell) to join them as they sneak into the lab and make use of their invention. 

The trip goes horribly wrong and results in all five of the young scientists to be mutated. Reed becomes elastic, his body able to stretch to a remarkable degree. Sue becomes invisible, capable of appearing and disappearing at will. Johnny takes on the ability to become fire. He can fly and throw fireballs and it's as cool as it sounds except that he can't yet control his abilities. Poor Ben gets the worst of it all. Ben has been turned to stone. He can still move and breathe, and speak, but he's covered in rock. It does give him superhuman strength but at the expense of his basic humanity. 

The plot then becomes about Reed's guilt over seemingly dooming himself and his closest friends to a life of mutations that they cannot control. After making it back from the other dimension, losing Victor in the process, Reed manages to escape from a military holding facility and runs off to South America. Located a year later, he's taken into custody by Ben who is seemingly Reed's sworn enemy. Sue and Johnny also aid in Reed's capture having had suits developed for them that enable them to control their powers. 

A return to the parallel dimension reveals that Victor not only survived, but he's also built himself a kingdom. His return to this dimension finds him looking to destroy the Earth as he sees it as a threat to his new home. Thus begins an all-out war between the newly teamed Fantastic Four and Victor on Victor's turf as he launches an all-out assault to destroy the planet. And all of it is shot with a muddy, gross, dark aesthetic that renders the action unpleasant to look at. It's also tonally all over the place as the team isn't fully established as a team and only starts to develop chemistry just as the movie is ending. 




Fantastic Four is a gigantic mess and whether that is the fault of a meddling studio or an insecure director deflecting blame is something we can't know for sure. What we can know for sure is the movie makes little sense, appears to have been cobbled together from disparate pieces and is a general embarrassment for all involved. Poor Kate Mara is perhaps taking the brunt of the bad press as the reshoots and her abhorrent wig have become emblematic of the many, many problems plaguing this doomed adaptation. 

But she's not alone, no one gets out of Fantast Four (2015) unscathed. For poor Miles Teller this was a first shot at super-stardom and it has fallen completely to pieces. For Jamie Bell, the chance to have a regular big paycheck from a popular franchise is lost, though being so thoroughly talented and easily employable on the indie film scene is likely a strong comfort for him. As for Michael B. Jordan, he'll probably be fine. Chris Evans survived a disastrous turn as Johnny Storm in this relatively young century, I'm sure Jordan will as well. 

As for director Josh Trank, none of this reflects well on him. While he valiantly proclaims himself the victim and the artist, he's also coming off as petulant, ungrateful, egotistical. He will likely be a hero in parts of the online world for his supposed integrity but that is unlikely to translate into regular work as a director, especially within a studio system eager to weed out the rebels and troublemakers. Having so openly made enemies while making a major franchise film, it seems unlikely we will see him back behind the camera any time soon. 

This review is becoming an autopsy so I will leave it here. This isn't a very good movie. I feel bad for all involved. 

Classic Movie Review Renaissance Man

Renaissance Man (1994) 

Directed by Penny Marshall 

Written by Jim Burnstein 

Starring Danny Devito, Mark Wahlberg, Gregory Hines, James Remar, Cliff Robertson

Release Date June 3rd, 1994

Published June 5th, 2024 

When I described what the movie Renaissance Man was about to my co-hosts on the I Hate Critics 1994 Podcast, they refused to believe that I was telling the truth. They refused to believe that Danny Devito plays an advertising executive who becomes a teacher on a military base and saves a group of at-risk soldiers by teaching them Shakespeare via hip hop. Reading back my description, I can understand the incredulous responses of my co-hosts. Reading back my own description, I can't really believe that the movie Renaissance Man exists. I also cannot believe that a movie this hackneyed and mawkish was directed by someone as talented as Penny Marshall. In fact, I choose to believe this was directed by her hack brother Garry as this is exactly the kind of tripe he always directed. 

Indeed, Renaissance Man stars Danny Devito as Bill Rago, a raging jerk of an ad-man who gets himself quite reasonably fired from his job for showing up late and generally bungling a big client meeting through his selfish, self-serving, arrogant, narcissism. Pro-Tip for screenwriters, how you introduce your main character is important, if you don't intend for us to hate your main character, come up with a way to introduce him that doesn't make us automatically loathe his presence. The fact this is Danny Devito and I cannot stand this character, says a lot. Devito is a beloved actor and seeing him in a lead role in a comedy should be welcoming. It's most assuredly not welcoming in Renaissance Man. 

Out of a job, Bill goes to the unemployment office were we get our third exposition dump in the first 15 minutes of this dreadful movie. Jennifer Lewis, a wonderful character actor, lays out the plot for us, does a bit of needless business that someone making this movie thought was funny, and then sends Bill on to the actual plot of the film. The unemployment office has found Bill a job on a military base. Since he has a masters degree, Bill will be teaching Basic Comprehension to a group of soldiers on the brink of being kicked out of the Army. 

The ragtag crew includes bumpkins and poor people of varying ethnicity. They bicker and bully and have no interest in saving their military careers until Bill decides to teach them Shakespeare. Apparently, learning and reciting Hamlet is somehow enough for these soldier to stay in the military after being on the brink of being kicked out? Who knows, this movie is so thoroughly idiotic that these soldiers could have watched a newsreel about venereal diseases and as long as they actually showed up, they would have been safe. So why does Bill even need to be here? Truly? The final exam for this 'Basic Comprehension' course that Bill randomly turns into a class on Shakespeare, is OPTIONAL. They don't have to take the final exam and they get to stay in the Army. What even is this movie? 

Find my full length review in the Geeks Community on Vocal. 



Movie Review In a Violent Nature

In a Violent Nature (2024) 

Directed by Chris Nash

Written by Chris Nash 

Starring Ry Barrett, Andrea Pavlovic, Cameron Love, Reese Presley 

Release Date May 31st, 2024 

Published May 30th, 2024

In a Violent Nature is a bit hard to describe. It's brutal horror slasher movie with some stomach-churning scenes of violence. A masked killer stalks the woods and kills campers or anyone else who gets in his way. It all sounds like a rip off of Friday the 13th. Indeed, In a Violent Nature is inspired by that legendary horror franchise, but this no mere Jason movie. Director Chris Nash has made a horror slasher at a lake that takes the tropey premise and used it as a vehicle for testing his filmmaking skills. 

The opening scene of In a Violent Nature reveals the style and patience of writer and director Chris Nash. The camera falls on a decrepit structure in the woods. There is no music score, just the sound of nature and a pair of male voices. The two men are arguing over something they've seen hanging from a broken piece of the structure. It's a gold locket. One of the unseen men says that the locket is there for a reason and that they should leave it be. The other argues in favor of taking it. After the first man leaves, the second man makes his move and steals the locket. 

This is a terrific piece of filmmaking and writing. It creates an expectation surrounding an object, a locket. The locket will become our McGuffin, the thing that is desired by our characters and essential to our lead actor. Meanwhile, the expectations of the horror genre are that this locket belongs to a backwoods, hillbilly, serial killer. We assume that he will soon return to this decrepit structure, see that his gold locket is missing and go on a killing spree and we're mostly right. But where we are wrong is a great piece of visual subversion. 

Here, director Nash cuts to a shot looking down at what we thought was a broken tree or perhaps a piece of this structure having fallen off and struck in the ground. What it actually is, is a piece of pipe with a hole in the top. Underneath the pole is a grave and from this grave emerges our killer. It's an incredible and disturbing reveal that upends our expectations, grabs our attention and kick starts the rest of the movie, the search and destroy mission to recover that gold locket and kill anyone who gets in the way. This is done in less than three minutes of screentime without us having seen the killer's face or any of his soon to be victims. 

Now, you might assume that In a Violent Nature will move in a more conventional and familiar direction, but no. The movie instead stays with our killer and patiently and methodically follows him as he stalks through the forest. The beauty and bounty of the verdant and vibrant forest is juxtaposed by our bloody, nasty, ugly killer and by the poor animals caught in traps surrounding the forest, carcasses left to rot in the sun. If our killer has an opinion about this, we won't ever know for sure. What we do know is that the traps will lead him to his next victim. All the while, the movie patiently and silently stays by the side of the killer. 

Find my full length review in the Horror Community on Vocal.Find my full length review in the Horror Community on Vocal. 




Lawless and Tom Hardy's Dichotomies and Paradoxes

Lawless (2012)

Directed by John Hillcoat 

Written by Nick Cave

Starring Tom Hardy, Shia LaBeouf, Gary Oldman, Mia Wasikowska, Jessica Chastain, Jason Clarke, Guy Pearce

Release Date August 29th, 2012 

'Lawless' and Tom Hardy's Dichotomies and Paradoxes

Sean Patrick

Sean Patrick, Yahoo Contributor Network

Aug 27, 2012

MORE:Tinker Tailor Soldier SpyLawlessTom HardyNick CaveThe Weinstein Company

FlagPost a comment

Tom Hardy returns to theaters this week in "Lawless." The story of legendary 1920's bootleggers The Bondurant Brothers, "Lawless" is the latest violent epic from the team of director John Hillcoat and writer Nick Cave ("The Proposition").

In an interview released by The Weinstein Company, the film's distributor, Tom Hardy talked about why accepted the role of Forrest Bondurant in "Lawless"

"I take characters as they come that interest me… that have scope and diversity; different ranges and colors and characteristics that are interesting and I find paradoxes and dichotomies of man."

Here is a look at how this philosophy has influenced Hardy as his star has risen in Hollywood; his most diverse and fascinating 'paradoxes and dichotomies.'

"Bronson"

Hardy's break out role is among the most fearsome and daring introductions of any actor, I have ever seen. "Bronson" is all about performance and Hardy commands the screen with such vigor that he damn near wins you over toward admiring his utterly psychotic character; based on a real life English criminal who's been in prison for nearly his entire adult life. Here Hardy finds a wonderful dichotomy a man of complete charm who is utterly incapable of putting that charm to good use and instead becomes a violent sociopath.

"Inception"

As a reaction to the grit of his "Bronson" character Hardy chose to show off his dashing handsome side in the brilliant, Oscar nominated Christopher Nolan movie "Inception." Hardy's Eames is a chameleon who in the world of this movie can enter people's dreams and become just about anyone. Here Hardy in a supporting role explores the paradox of a man who can become anyone yet is fully self-assured and comfortable with who he really is.


"Tinker, Tailor, Soldier, Spy"

In the quiet English thriller "Tinker, Tailor, Soldier, Spy" Hardy is once again a chameleon. As Ricki Tarr, a British spy charged with dangerous, often very violent tasks, Hardy plays the dichotomy of a man with no identity who finds himself in love for the first time and wishing he could reveal who he really is. When the love of Ricki's life is taken from him his identity becomes further fractured and he becomes even more dangerous. In any other movie this would lead to fights but in tight lipped, close to the vest style of British intelligence Ricki's dangerous side is expressed through the other characters and their concern for how his sanity might affect their well-being.

"Warrior"

The struggle for identity is once again central to Hardy's work in the family drama "Warrior." In the real life story of two brothers who rise through the ranks of Mixed Martial Arts to face each other for a championship prize Hardy plays a heroic former soldier who is eager for no one to know of his heroism. His reasons for hiding who is would constitute a spoiler so I will not delve to deeply there. That struggle however plays strongly opposite the other pain that drives him; the pain derived from his broken childhood. These two competing pains drive Tommy to feel little pain when he's fighting, yet another fascinating paradox.

"The Dark Knight Rises"

The paradoxes of Hardy's Bane in "The Dark Knight Rises" requires more spoilers than I am comfortable revealing even with a film that's already been seen most of the world. I can tell you that Hardy's unique magnetism and charisma shot through the prism of a sociopath every bit as dangerous as his 'Charlie Bronson' is a paradox every bit as interesting as the character touches the film adds to Bane late in the film.

"Lawless"

In his latest film, Hardy enjoys the notion of Forrest Bondurant as a naïve, almost childlike man who is capable of horrendous violence. At once innocent and dangerous, Hardy's Forrest is just the kind of mixture of warring characteristics that have driven Hardy throughout his rise to stardom.

Chasing Mavericks' and the Sad History of the Surfer Movie

Chasing Mavericks (2012) 

Directed by Curtis Hanson, Michael Apted

Written by Kario Salem

Starring Gerard Butler, Jonny Weston, Elisabeth Shue, Abigail Spencer

Release Date October 26th, 2012 

Fact, there has never been a great surfing movie. For all the popularity of the sport of surfing, Hollywood has never been able to take it seriously or treat with comic distance in any memorable. Sure, a few documentaries have approached the subject and come away watchable but when you have to go back to the late sixties hippy surfer doc "Endless Summer" to cite an example of a modestly entertaining surf movie, you're really proving the point of this article.

With the surfer drama "Chasing Mavericks" riding the curl into theaters this month it's a good time as any to reflect on the forgettable history of the surfer movie.

Frankie and Annette

The first inklings of surfing on the big screen came in the Frankie Avalon-Annette Funnicello beach movies of the early 1960's. Granted, it's a stretch to call these surf movies, as surfing as only glimpsed and not truly the subject, we can see the surfer archetype taking shape in these films and for that they are notable here.

Point Break

There is a fair argument to be made that "Point Break" starring Patrick Swayze and Keanu Reeves is the best-known surfing movie of all time. Yes, the film is really about bank robbers who happen to be surfers but ask a modern movie fan about surfing in movies and you will inevitably raise the topic of "Point Break." That "Point Break" is also best known as the smelliest of B-movie cheese only serves to underline my point about surfing movies.


Maudlin Drama

While I can't say for sure that "Chasing Mavericks" falls into the category of maudlin drama, the film's trailer does hue in that direction. The maudlin drama is a popular form for the surfing movie yielding the 1987 tear-jerker "North Shore" and the 2011, based on a true story, heart-tugger "Soul Surfer as well as the least interesting parts of the Kate Bosworth eye candy flick "Blue Crush." Notice that none of these movies rises immediately to mind even as they are the rare movies to take surfing seriously.

The Best Surf Movie?

The one film that ever approached being a good surfing movie happens to be an animated movie about penguins. "Surf's Up" featuring the voices of Shia Le Beouf as a wannabe surfer and Jeff Bridges as his grumpy yet goofy mentor is at the very least fun to look at with bright colors and fluid animation (pun intended). "Surf's Up" is probably the best surfing movie since "Endless Summer," even as that doesn't ring up as high praise. "Surf's Up" is achingly conventional and eye-rollingly predictable but in the surf genre it's not hard to set the bar.

Director Jeremy Regimbal Talks About His Thriller 'In Their Skin'

In Their Skin (2012) 

Directed by Jeremy Regimbal

Written by Joshua Close

Starring Selma Blair, Joshua Close, Rachel Miner, James D'arcy

Release Date September 11th, 2012 

The thriller "In Their Skin" evokes the cult thriller "Single White Female" and the creepy notion of envy turning to murderous obsession. "In Their Skin" stars Selma Blair and Joshua Close as a married couple recovering from a parent's worst nightmare, the loss of a child. In their first family vacation since the death of their daughter, they have taken their young son to a vacation home in the woods.

As horror film fans we know that a house in the middle of the forest is a recipe for disaster and when a family claiming to be neighbors, despite their being no neighbors for miles, happens by early one morning, the eerie stage is set for a horrific fight to the death. James D'Arcy and Rachel Miner are the bad guys eager for a new life, the lives belonging to Blair and Close.

Jeremy Regimbal directed "In Their Skin" and he was kind enough to sit for an interview to discuss the motivations of this story, the creepy setting, and his various sources that he drew upon for "In Their Skin"

Sean Patrick - Jeremy, thanks for joining us. Let's talk about "In Their Skin" talk about telling this story from the perspective of this troubled family.

Jeremy Regimbal - For sure, you know we wanted to focus on the relationship of the family you know and it just set it against a thriller, kind of horrific backdrop but the biggest, our big focus was to focus on this family's relationship going through these horrific events kind of making them become present and fall back in love.


SP - Let's talk about your cast. Selma Blair is terrific in this movie.

JG - Yeah absolutely, no she's, she was great to work with we were so lucky that she was one of the first people to become interested in the script which was, you know, amazing and helped us make it happen. Josh, I don't know how much you know about Josh, he was the writer of the screenplay and is a close collaborator of mine, he and Justin, his brother are both my business partners, we work very closely. Yeah, it was a great cast, we had 16 days to shoot so having such a great cast allowed us to be flexible and to try things and try things on the spot and that was great.

SP - Let's talk about your inspirations. In watching the film I can see a touch of Brian De Palma, what inspirations did you bring to the film?

JR - I don't know; it's funny I've had a lot of conversations about this. It's weird, me and the cinematographer (Norm Li) took a lot of stills from films and photography and different stuff that we really liked and that inspired us. But, I just in general, (David) Fincher is one of my favorites, I'm not saying this film is 'Fincher-esque,' you know because we tried to avoid camera movements at all cost, that was our goal going into it. There were lots of different (influences), "Little Children" was a film visually that we kind of referenced, "Seven," and I like Michael Haneke's style of sparse editing and stuff like that, but a lot of the behind the head stuff could have been inspired by "The Wrestler" and (Darren) Aronofsky, I love how he tends to do that as well.

SP - Lets' talk about that house in the woods; it's a terrifically creepy setting and almost like another character in the film in the way you use the space.

JR - We were so, so lucky with that location, you could really say that was anywhere. We lucked out that we found that in Canada, in the middle of nowhere, in this old school farm. The house was one of the most important characters of the film so it was really important that we found the perfect place.



SP - The film is very creepy in its simplicity….

JR - Definitely, I feel that makes it kind of relatable, that this set up could happen to anyone. I felt like Mark, part of his problem with his relationship and everything was that he was not very proactive and he doesn't take initiative so I felt that it (the story) was mirroring his relationship.

SP - Being in this situation forces Mark and his to re-engage in their life and family…

JR - Yeah absolutely, they're forced to come back together and work as a unit like they did when they were in love at the beginning of their marriage and that was a big focus of what we wanted to put them through is make them live in the present, make them live in the now and don't take what they have for granted because it could be gone very quickly.

SP - This is a genre film, a thriller what's your take on the genre?

JR - I'm a huge fan of thriller films. I love that kind of stuff and I think it's so important to slowly be revealing information whether it's the relationship or the danger and to slowly giving a little piece of information every scene and the way we did that, we had a great sound designer (Kirby Jinnah) and composer (Keith Power) and also the editor (Austin Andrews) did a great job, I'm an editor by trade so we spent a lot of time trying to under-edit the film.

"In Their Skin" opened in limited theatrical release on November and is available via Amazon Instant Video now. Yahoo Movies gives the film's title as "Replicas" though the title via the director and other sources is "In Their Skin."

A Handy Guide to the Villains of the DieHard Franchise

Published February 12th, 2012 

Bruce Willis is bringing one of the great action heroes of all time back to the big screen as John McClane battles terrorists alongside his son in "A Good Day to Die Hard." Of course, a great movie hero is only as great as his nemesis. In four previous outings John McClane has faced off against a who's who of terrific villains. Here's a closer look at John McClane's best bad guys.

Hans Gruber (Alan Rickman) "Die Hard"

When terrorists take over Nakatomi Plaza amidst a company Christmas party they playact the role of terrorists out to punish the Nakatomi Corp for its greed. The sinister reality as laid out by terrorist leader Hans Gruber is that the terror plot is merely cover for the theft of $640 million dollars in bearer bonds. Alan Rickman plays Hans Gruber as a brilliant but arrogant criminal with a barely concealed admiration for the New York City cop with the uncanny ability to disrupt his well-oiled machine of a plot. Rickman's well-dressed smarm and charm thief was the perfect foil for Willis's blue collar hero.

Colonel Stuart (William Sadler) "Die Hard 2: Die Harder"

One of the many reasons "Die Hard 2: Die Harder," aside from the awful subtitle, comes up far short of the original "Die Hard" is the lack of a great villain. No offense to character actor William Sadler who brings a veteran's capability to the sneering, sniggering traitor Colonel Stuart but he's no match for Rickman's Hans Gruber in the charisma department. The proof of Sadler's lacking is everywhere as two more villains are brought in on top of Colonel Stuart to try to make up for the deficit; Franco Nero's South American drug kingpin General Esperanza and John Amos as turncoat Major Grant. Even with three top villains, "Die Hard 2: Die Harder" remains the least of the "Die Hard" franchise.




Simon Peter Gruber (Jeremy Irons) "Die Hard with a Vengeance"

The true sequel to "Die Hard" came in 1995 with the release of "Die Hard with a Vengeance" featuring the return of the Gruber name as a worthy foe to Willis's John McClane. With the plot shifted to New York City, Simon Peter Gruber attempts to pull off the same heist his brother died trying in the original "Die Hard," a multi-multi-million dollar heist disguised as a terror attack. Of course, the plot is given a real edge by Simon Peter Gruber's intent to take revenge on John McClane for the death of his brother Hans. Jeremy Irons is expertly cast as Simon with an accented charm that perfectly evokes Rickman's Hans and a wealth of devilish charm; also reminiscent of the series seminal villain.

Thomas Gabriel (Timothy Olyphant) "Live Free or Die Hard"

Having abandoned any pretense of reality by having John McClane once again happen accidentally into a terror plot, the makers of "Live Free or Die Hard" nevertheless chose a timely, relevant villain for its outlandish action. Thomas Gabriel is a former State Department analyst turned cyber-terrorist who roils the national and world financial markets with cyber-attacks while paralyzing the seats of power in the U.S by tying up power and traffic grids. Timothy Olyphant is maybe a tad too handsome to be believed as a guy whose spent years at a keyboard but like Hans and Simon Gruber before him, he doesn't lack in the charm department. Gabriel is maybe a tad more strident and political than the Gruber's who were more defined by their greed, but he makes up for it by being a shade more evil than the Gruber's forcing McClane to ever more insane levels of action including flying a jet and driving a car into a helicopter.

Alik (Rasha Bukvic) "A Good Day to Die Hard"

"Taken" bad guy Rasha Bukvic is saddled with the task of living up to the standard set by Rickman and Irons as the big bad of "A Good Day to Die Hard." Bukvic plays Alik the top henchman of a high ranking Russian politico eager to murder a whistleblower who is under the protection of the CIA, led by none other than Jack McClane ("Spartacus" star Jai Courtney), son of our hero John. Can Bukvic bring the chilling charm and evil of Rickman and Irons, or at the very least, the handsome evil of Olyphant? We will have to wait and see when "A Good Day to Die Hard" opens on Valentine's Day across the U.S.

Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...