The Last Song (2010)
Directed by Julie Ann Robinson
Written by Nicholas Sparks
Starring Miley Cyrus, Liam Hemsworth, Kelly Preston, Greg Kinnear
Release Date March 31st, 2010
Published March 30th, 2010
Miley 'Hannah Montana' Cyrus, Nicholas 'schmaltz-merchant' sparks and the family friendly folks at Disney are a combination that invites snark, that malicious form of discontent expressed in sometimes angry, often biting sarcasm. Each of these three properties has earned their fair share of derision with weak in the knees pandering to the most simplistic of audience expectations.
That said, I will attempt to fight back the snarky beast waiting to strike the new Miley, Sparks, Disney movie The Last Song which, under the direction of newcomer Julie Ann Robinson, is not really deserving of the cannon fodder snark aimed in its direction. Ronnie Miller (Miley) is a recent High School grad forced to leave New York behind for her Dad Steve's (Greg Kinnear) beach house in Georgia for the summer before she goes off to, well, at the moment, nowhere.
Though Ronnie has been accepted to Julliard she has no plans of going, she gave up music several years ago when her parents split. Ronnie's main goal will be to do her time at dads and get back to her friends and her mild rebellion in New York. Along for the ride is Ronnie's little brother Jonah (Bobby Coleman) who, lucky for dad, is much more enthusiastic about the summer sojourn.
While avoiding her dad Ronnie encounters Will (Liam Hemsworth) and after some required tension the two begin a romance that begins to lead everyone to a better place. That is of course until the typical elements of a Nicholas Sparks melodrama emerge to submerge the story in hokum, predictability and a tragic passing. It wouldn't be Nicholas Sparks film if none of the principles weren't on the verge of croaksville. (Damn you snarkmonster!)
Sparks's script, commissioned by Disney specifically as a vehicle for Ms. Cyrus, is the weakest element of what is otherwise a rather charming little melodrama. Sparks cannot resist applying his trite formula of teen angst, overblown dramatics and cancer to the story and that leaves director Julie Ann Robinson room only to navigate around the many potholes created by Sparks and co-screenwriter Jeff Van Wie. In a rather remarkable turn of events, for the first 2 acts of The Last Song Ms. Robinson actually pulls it off.
The Last Song begins with a little mystery involving Dad's background, moves stiffly but effectively to Ronnie's unhappiness with the situation to her opening up to the surroundings, in the form of saving sea turtle eggs on the beach from predators and into her charming and effective romance with the too handsome Will. Through it all Ms. Cyrus pitches her performance at just the right level of teenage rebellion and little girl petulance.
The final act sadly coheres to the typicality’s of the Nicholas Sparks brand of forced drama and earns the first of more than a few groans. I should point out that on my patented Nicholas Sparks groan-meter The Last Song was a mere 6 groaner where his last effort, Dear John, was somewhere in the 30 to 35 range. So, that's quite an improvement really. (Snark!)
Even with the dithering final act, The Last Song remains a charming little teenage romance that demonstrates that when under the guiding hand of a director who cares Miley Cyrus has the talent to deliver something more than her pop star persona. The performance here is genuine and enjoyable and where I was once skeptical and dubious of Miley's acting aspirations I now must admit she may just have a future in film yet.
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