Directed by Mathieu Kassovitz
Written by Sebastian Gutierrez
Starring Halle Berry, Robert Downey Jr, Natasha Lyonne, Charles S Dutton, Penelope Cruz
Release Date November 21st, 2003
Published November 21st, 2003
The title Gothika seems curious even after you've seen the movie. Only after looking up the film’s website and consulting my dictionary for the definition of the word 'Gothic' does the film's choice of a title become clear. It relates in fiction writing as a horror mystery and in architecture as dark imposing stone structures, buttresses, arches and high ceilings. The title has a double meaning related to the film’s story and its choice of locations, but mostly it just sounds cool. In fact, everything about Gothika from it's super hot star to it's indie credible director sounds cool. Sadly the film never meets its cool potential.
Halle Berry stars in Gothika as criminal psychologist Miranda Grey. Dr. Grey works in a prison for the criminally insane treating female patients under the watchful eye of her husband Dr. Douglas Grey (Charles S. Dutton), the hospital's administrator, and alongside her good friend Dr. Peter Graham (Robert Downey Jr.). Dr. Graham seems to be harboring a rather obvious crush on Miranda.
After working late on a dark and rainy night, Dr. Grey is driving home when she swerves off the road to avoid a young woman standing in the middle of the road. When Miranda goes to help the girl, played by an almost unrecognizable Natascha Lyonne, the girl bursts into flames but not before touching Miranda's face. The next thing Miranda knows, she is locked up in her own hospital being treated by her own staff and her husband is dead.
What else can Miranda do in this situation other than break out of the hospital and investigate the situation herself in hope of finding out whether she actually did kill her husband and why she's being haunted by this ghostly girl? Mostly though, Miranda wants to know for herself if she really is crazy. There is also mystery surrounding her connection to one of her patients, Chloe (Penelope Cruz), who is also being haunted by a dark spirit that may be more real than Miranda's ghost.
Halle Berry is a terrific choice for Miranda because she quickly earns our sympathy and her understated performance early on perfectly sets the stage for her brief meltdown and finally for her more rational approach to accepting her situation and solving her problem. She plays her intelligence on her face with her eyes and her perfectly controlled emotions. Even as the film goes off the rails around her, you never question Ms. Berry's commitment to the role, she damn near saves the movie.
Sadly, no one in the supporting cast has much of an opportunity to make an impression. Robert Downey Jr. continues to be a welcome presence even in an underwritten role. I wished Downey Jr. had more to do in the plot. Mostly, he’s concerned about his friend and nurses his unrequited crush. He has a brief hero moment but the role is otherwise far too bland for someone as talented and charismatic as Robert Downey Jr.
A big failure of Gothika is how director Matthieu Kassovitz and writer Sebastian Guttierrez never establish the rules for the film. Obviously a film with ghosts isn't playing straight with logic but in a horror film, the filmmakers must establish film logic, a set of rules that govern the film’s created universe. In A Nightmare On Elm Street, Freddy could only come out of a dream if Nancy held onto him and woke up.
In the recent horror flick, Darkness Falls, you were only a target of the killer if you looked at her. That film repeatedly violated its own rules and thus failed. Gothika doesn't establish its own logic and without it, the story never feels grounded. Why, if the ghost can open doors and manipulate objects, does it need to possess a body? Why use Dr. Grey to begin with? Was it just because hers was the car that happened by at that moment? There are many more questions but they are spoilers. See the movie and see if you can answer those questions. A game might make the movie more interesting.
There is one moment in Gothika where I was willing to forgive the film’s lack of story logic. It comes when Dr. Grey herself questions the necessity of logic. It's a very funny line of dialogue because it’s a haphazard comment on this moment in the movie and about the movie itself. It’s not an intentional joke, but it is one moment when the need for story logic didn’t matter and I didn’t mind being subjected to Gothika, an oasis of unintentional charm in a desert of horror atmosphere and murky motivation.
Director Kassovitz does have the other important elements of filmmaking in place. He is terrific at manipulating the camera. The way he keeps the camera moving is hypnotic and unlike David Fincher in Panic Room, the camera moves never seem flashy. In the few moments when the camera isn't moving, Kassovitz finds interesting angles and visually interesting backgrounds.
Gothika makes excellent use of its gothic location though I would hope a prison for the criminally insane doesn’t look so frightening, the people inside are frightening enough.
Gothika has been compared with The Sixth Sense and The Ring but I found it had most in common with the Kevin Bacon ghost thriller Stir Of Echoes. Both films are about normal people driven to mental breakdown by ghosts. Both are about the mystery surrounding the deaths of the ghostly characters. The difference between the two movies is that Stir Of Echoes has the established film logic that Gothika lacked as well as stronger supporting characters. In addition, Stir Of Echoes has the Rolling Stones’ Paint It Black in a prominent role in the film. Gothika, on the other hand, features an awful cover of The Who's Behind Blue Eyes by Limp Bizkit. Ugh!
Then, as the movie was mercifully coming to an end, they teased a sequel. As if what came before wasn’t misguided enough, this nakedly commercial, ‘just in case this movie makes money,’ sequel tease is a rotten cherry on the rancid sundae that is Gothika.
No comments:
Post a Comment