Movie Review: Valkyrie

Valkyrie (2008) 

Directed by Bryan Singer 

Written by Christopher McQuarrie, Nathan Alexander 

Starring Tom Cruise, Kenneth Branagh, Bill Nighy, Tom Wilkinson, Terence Stamp

Release Date December 25th, 2008 

Published December 24th, 2008 

Why? Why did Bryan Singer, Christopher McQuarrie and Tom Cruise attempt to turn Valkyrie, the story of a failed attempt to kill Hitler in 1944, into a suspense thriller? As stated in my brief description, it's a FAILED attempt to kill Hitler. Anyone who thinks that is a spoiler needs a history class and not a trip to the movies. The choice to frame the story of German hero Claus Von Stauffenberg as a thriller is a damning choice that dooms Valkyrie from beginning to end.

Tom Cruise essays the role of Klaus Von Stauffenberg as a man who was already disillusioned with Hitler's Germany before he was approached about killing the Fuhrer. Having been sent to North Africa to fight on a losing front of Hitler's war expansion, Stauffenberg urged a higher ranking official to contravene orders and get the soldiers out of Africa.

Before he can give the order the higher ranking officer is killed and Stauffenberg is badly wounded. He lost his right eye and right hand in the attack and was returned to Berlin. There he is approached by Major-General Tresckow about joining a group of Generals and politicians who want to overthrow Hitler.

They think they can get the job done politically. Stauffenberg however, has a more permanent idea. He and others advocate the idea that Hitler must die if there is to be change in Germany. And, he even has a political plan as a backup. It's called operation Valkyrie and if executed perfectly it could allow for an orderly change of power once Hitler is dead.

We know going in that Stauffenberg was executed for attempting to kill Hitler with a bomb at the Fuhrer's Wolf's Lair hideout. The complicated plot was ingenious and the resistance lead by Stauffenberg has been deified by those in Germany desperate for the rest of the world to know that not all Germans followed in lockstep with the evil dictator.

There is more than enough drama in the ideas behind Stauffenberg and company's plot to make an interesting, historic epic. Unfortunately, the path chosen by those involved in the movie Valkyrie is to make a thriller based on the timing and execution of the Valkyrie plot, the one we already know fails. Worse yet, the failure is a piece of forced dramatics involving the weak will of one of the conspirators. 

How much of what we see is history and what is fiction is unknown but what is onscreen fails to be thrilling, suspenseful or even modestly compelling. I am one of the rare few admitted big fans of Tom Cruise. It has become quite fashionable to despise the former biggest star on the planet. I do not subscribe to that fashion. I think Cruise is one of the most charismatic and compelling leading men in Hollywood history.

That makes Valkyrie all the harder for me to watch. To play the Teutonic Stauffenberg Cruise dials down his most compelling aspect. He drowns his charismatic persona in a pool of dense concentration and the tightest sphincter this side of Nurse Ratchet. Generally, Cruise does uptight better than anyone. However, the schtick as in Jerry Maguire or Vanilla Sky is going from being uptight to allowing himself to lose control and go with the flow. Valkyrie calls for Cruise to be intense and stay that way and quickly that becomes stifling.

With his charisma dialed back Cruise's intensity becomes a serene mask of seriousness that just isn't suitable to him. It's the kind of ferocious inner fire that an actor like Joaquin Phoenix exudes with every breath. Cruise is more effective when he mixes aggravation with charm. Stauffenberg as written is charmless and Cruise is ill-suited.

Bryan Singer is too good a director for the film to fail in craftsmanship and there is nothing wrong with the construction of Valkyrie. Where the film fails is in the choice of trying to make it a suspense thriller. It's a simple question - how can you have suspense and thrills when you already know how everything turns out.

As Stauffenberg races from the Wolf's Lair thinking he has killed Hitler we aren't breathing heavy as he is because we know he failed. The scene is tragic but only in our minds. It's as if Singer and McQuarrie don't know it's tragic. To pretend that the outcome isn't known is an act of foolishness that undermines the tragedy and drama of the Stauffenberg plot.