Case 39 (2009)
Directed by Christian Alvart
Written by Ray Wright
Starring Renee Zellweger, Callum Keith Rennie, Bradley Cooper, Jodelle Ferland, Ian McShane
Release Date October 1st, 2010
Published November 15th, 2010
There was really no good reason for “Case 39,” the horror thriller starring Renee Zellweger, to have sat on the shelf for 3 years. The film is no game changing original in the genre but compared to the kind of horror flotsam that slips into nationwide release on a regular basis in the US, “Case 39” is harmless and forgettable enough that it should have passed through theaters without issue several years ago.
Instead, “Case 39” arrives with the undue burden of a heavy coat of dust that muddies the perception of the film's inherent qualities. It's fair for an audience to wonder what the studio saw in the film that made them want to hold it back and that thought leads to the fair perception that “Case 39” is a royal stinker which it is not.
Emily Jenkins (Renee Zellweger) is a social worker with a lot on her plate. She has 38 open cases of potential child abuse and neglect to deal with when her boss Wayne (Adrian Lester) drops a 39th case on her desk. Naturally, Emily is put off by the new assignment but being the dutiful investigator she is soon at the home of the troubled little girl Lilith (Jodelle Ferland) and her disturbed parents Edward (Callum Keith Rennie) and Margaret (Kerry O'Malley).
Though her visit turns up no direct evidence of abuse, Emily's instincts are that Lilith is being abused and needs more attention and care. She moves the investigation along off the books with the aid of a friendly detective, Mike Barron (Ian McShane), and eventually catches the parents in the action of trying to kill Lilith.
Lilith immediately connects with Emily, even as Emily tries to make clear she has no instinct for parenting. Soon, Lilith has convinced Emily to bring her home to her modest suburban abode and just as soon afterward things start going from serene to weird to drop dead terrifying for Emily and any one in her life from co-workers to Mike the cop to her potential boyfriend, Doug (Bradley Cooper), who becomes a particular target.
It does not take a triple digit IQ to figure out where this story is going. Director Christian Alvart (Pandorum, Antibodies) directs “Case 39” with all of the nuance subtlety of a jackhammer. Alvart's direction of Ray Wright's insultingly simpleminded script signals each twist and turn of the plot with heavy-handed music cues and dimwitted direction.
This would be surprising considering that screenwriter Ray Wright also delivered the clever and thrilling screenplay for the 2010's update of “The Crazies.” Then, one remembers that “Case 39” is going on 4 years old and well before Wright had truly developed his talent. The same could be fairly said about director Alvart who followed up “Case 39” with the dull but efficient sci-fi horror flick “Pandorum.”
Renee Zellweger remains a talented and compelling actress who knows how to draw an audience to her. “Case 39”sadly is just too dopey for even someone of Ms. Zellweger's talent to work around. The plotting is clunky and perfunctory. The supporting players, no matter that they are played by talented familiar faces like McShane and Cooper, are little more than cannon fodder and Jodelle Ferland while cute, cannot carry the burden of a plot that is so poorly drawn.
All of that said, “Case 39”is better, more professionally crafted, than much of the garbage that has been playing to empty theaters in the time that “Case 39” has been gathering dust. I could name at least 100 films far worse than “Case 39” that did not have to carry the burden of being abandoned by it's studio for three years. Is “Case 39” good enough that you should buy a ticket? Maybe not, but if you've bought tickets for such lesser fare as “Piranha 3D” you may as well pledge a little money to “Case 39.”
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