Movie Review Hancock

Hancock (2008) 

Directed by Peter Berg 

Written by Vince Gilligan 

Starring Will Smith, Charlize Theron, Jason Bateman, Eddie Marsan

Release Date July 2nd, 2008 

Published July 1st, 2008 

It's the fourth of July weekend and that means Will Smith is back in theaters. This time the world's biggest box office draw is playing a drunken superhero with a major image problem in Hancock. Directed by Peter Berg, Hancock is not your typical Will Smith movie. Playing against type as a charisma free jerk, Will Smith is still funny and fun to watch but also slightly off.

Laying on a bus bench in Los Angeles, with liquor bottles laying at his feet, Hancock (Smith) looks like a homeless guy. However, he happens to be a superhero who makes it his business to get the bad guys and protect the innocent, regardless of the damage he does along the way. Hancock causes as much or more destruction saving lives and protecting property as the bad guys do committing their crimes.

No wonder then that the people of LA despise their superhero savior. Media savvy image consultant Ray Embrey (Jason Bateman) decides he will try and change that negative image. Hancock rescued Ray when his car became trapped on railroad tracks with a train bearing down. Naturally, Hancock stopping the train may have saved Ray's life but derailing the train damaged hundreds of other cars and will no doubt cost millions in clean up and other such costs.

At Least Ray is grateful, he even invites Hancock home for dinner with his family, wife Mary (Charlize Theron) and son Aaron (Jae Head). Mary is exceptionally uncomfortable around Hancock while Aaron is the rare kid who sees Hancock as a hero. Ray makes it his goal to turn Hancock from a pariah into a hero by making people miss him. The plan involves Hancock actually going to jail for all of his destructive behavior before being sprung by the very people who put him away after they realize how much they need his help. 

Meanwhile, Mary is holding back something she knows about Hancock; a revelation that eventually becomes an important bit of plot. But the less said about that the better.   

Anyone who has read the Watchmen comics or saw Pixar's The Incredibles will recognize elements of each that combine to create Hancock. Alan Moore's Watchmen series with its jaundiced view of flawed, failing heroes no doubt informs Hancock's flawed alcoholic act. Fans of the Incredibles on the other hand will recognize a major plot point of that film where heroes were forced to give up saving the world from evil after being sued too often and blamed for the damage caused in their effort to serve and protect.

Hancock is nowhere near as special as its influences but with a terrific cast it manages to be consistently entertaining. Smith, playing against type as a charisma free jerk, manages a star performance unlike any he has delivered before. I particularly enjoyed the way Hancock dealt with his anger in ways only a superhero could.

When it comes to bringing the funny in Hancock Jason Bateman is the comic relief. Bateman's nonplussed facial reactions and wry comments on Hancock's brutish behavior are terrifically timed and quite reminiscent of his wonderfully sly Arrested Development character Michael Bluth whose constant astonishment at the depths of his family's ruthlessness was one of the great running gags in TV history.

In an interesting coincidence it was during Arrested Development that Bateman first met and sparked great chemistry with Charlize Theron. Now Theron and Bateman are together again and the chemistry remains strong. Theron's Mary is unfortunately underwritten and suffers from a mid-movie twist that seems to exist only to justify hiring an Oscar winning actress such as Ms. Theron. 

Still, despite the way Theron's Mary is treated by the plot, Theron sparks with Bateman and in a different way with Will Smith. Though you will find the plot hard to believe, Theron's penetrating gaze aimed in Smith's direction communicates a great deal of emotion without words because Ms. Theron is such a terrific actress. Unfortunately, by the fifth time she stands and stares Hancock down, you will want to scream at the screen for her to just say what she is thinking already.

Hancock is entertaining and involving if more than a little uneven and lacking in depth. There are a wealth of possibilities for a story such as this but with little care for creating believable back stories, or as the comics call'em, origin stories for the hero and his various nemeses, Hancock becomes merely a series of well planned effects and stunts and not much more.

Those effects and stunts are fun but not entirely satisfying and thus Hancock is only good and not quite great.