Movie Review Hustlers

Hustlers (2019) 

Directed by Lorene Scafaria 

Written by Lorene Scafaria 

Starring Jennifer Lopez, Constance Wu, Julia Stiles, Keke Palmer, Lizzo, Cardi B 

Release Date September 13th, 2019

Published September 12th, 2019 

On the one hand, the strippers of the new movie Hustlers are criminals, unquestionably, they are criminals. However, it’s fair to also state that they are not the villains of this movie either. Hustlers operate in a most amazing gray area where we are able to sympathize with criminals and lustily boo the victims who are stand-ins for the real criminals who tanked the American economy in 2007 amid the housing crisis. 

Hustlers capitalizes on some of the tastiest schadenfreude you can imagine by positing a story wherein: too rich for their own good Wall Street criminals get taken for thousands of dollars of the money they stole from others by those who would otherwise be on the other end of the economic spectrum, a diverse collection of women and specifically single mothers in J-Lo and Constance Wu’s characters. 

It’s hard not to take pleasure in watching these skeevy, criminal pigs get taken by the very people they intend to victimize with their ill-gotten gains. It’s not justice that would be found in creating a just and fair economic system free from the kind of thumb on the scale manipulation that these men have championed, but it’s a tasty bit of minor karmic retribution that feels good, like a cookie for the soul. 

Constance Wu stars in Hustlers as Dorothy or, on stage, Destinee. Dorothy is struggling to get by as one of the new girls at a high roller strip club in New York City. Her commute is barely worth the pittance in tips she walks away with after management and the rest of the support staff take their cut. Then, Dorothy meets the club’s Queen Bee, Ramona Vega (Jennifer Lopez). Ramona has the place wired to the point where she merely has to point her prominent backside in any direction and the room rains with money. 

Dorothy dreams of being like Ramona and after introducing herself, the two become inseparable. Ramona takes Dorothy under her wing, they perform together, and they begin making incredible amounts of money together. Dorothy and Ramona start living an extravagant life off of the money tossed at their feet by Wall Street jerks for whom such money is meaningless compared to the horrific lies they tell to earn it. 

Then, the housing crisis hit in 2008 and the gravy train came to a screeching halt. The club, once wall to wall with Wall Street money, is now nearly empty. Dorothy leaves to have a baby and get married, only to find her baby daddy is nearly as worthless as the Wall Street bros she once danced for and both she and Ramona are on the streets trying to find jobs in a real world that doesn’t exactly fit their very specific skill set. 

Then, Ramona hits on a plan: what if there were a way to get what’s left of the high rollers back to the club? Her idea? High end, designer drugs that ease the inhibitions and open the high rollers to suggestions such as allowing a stripper to run your credit card unmonitored. Using her vast connections, Ramona, with Dorothy in tow, recruits two other struggling dancers, played by Lily Reinhart and Keke Palmer, to drug rich men, carry them to the club, take their credit cards to the limit and send them home with the bill. 

That’s the premise of Hustlers but the payoff you will have to see for yourself. It’s not the destination that really matters in Hustlers, it’s the execution and the execution of Hustlers is top notch. Writer-director Lorene Scafaria has just the right touch for this material, lightly comic at times, self-serious when necessary, with just the right mix of dark comedy, sex and drama. It’s not a perfect movie, but it gets a strong point across. 

Jennifer Lopez has not been this great in a movie in years. Playing the heavy support to Constance Wu’s more meaty lead role, Lopez’s megawatt star power hasn’t been this notable since her pre-Gigli, pre-Jersey Girl, Jenny from the Block days. It’s refreshing to see Lopez so confident and relaxed on screen after suffering through years of her downplaying her remarkable beauty and presence in forgettable romantic comedies. 

Constance Wu, if she can get out from under her own ego,- note her tantrum over her TV show not being canceled and ugly demands on her place on the Hustlers promotional material- will be a big star one day. She has dramatic chops that can turn quickly and wittily comic. She’s a natural screen presence and quite a beauty when she gets out from under a bad wig. She’s overshadowed plenty by Lopez but few actresses would not be. That said, she doesn’t get lost in the glare of Lopez’s star power and proves herself as the dramatic lynchpin of this incredible and well told story. 

Hustlers is better than I expected from a movie that, in the wrong hands, could have been merely titillating. Instead, Hustlers is weighty, satirical, dramatic and quite funny, often within the range of a single scene. Don’t believe me? See Hustlers and watch the Usher Raymond cameo and you will get what I am saying about the remarkable range of this diverse and exciting movie. Hustlers is the great surprise at the movies in 2019.