Death at a Funeral (2010)
Directed by Neil Labute
Written by Dean Craig
Starring Chris Rock, Martin Lawrence, Loretta Devine, Regina Hall, Zoe Saldana, Luke Wilson
Release Date April 16th, 2010
Published April 16th, 2010
Director Neil Labute has a terrific eye for human behavior. It's a very particular and often quite dim view of humanity that lead to brutal yet insightful films like In the Company of Men and his magnum opus of anger and inhumanity Your Friends and Neighbors. Yet, there is also a brilliantly whimsical side to the director of the dark side of humanity.
In Nurse Betty Neil Labute took the cute as a button Renee Zellweger and had her play a woman who falls in love with a soap opera character following a psychotic break brought on by witnessing the violent murder of her brutish husband. From there begins a road picture and a strangely romantic and wondrous performance from Morgan Freeman as the killer who falls for Betty from afar.
The strange comic sensibilities of Nurse Betty were a turn off for many audiences but for me it was a remarkable insight into a filmmaker who is tuned to a very different wavelength than most other filmmakers or other human beings in general. It is this quality that makes Neil Labute perfect for the new comedy Death at a Funeral. What other director could find so much wacky fun at a funeral?
Chris Rock stars in Death at a Funeral as Aaron the oldest son of a family that just lost its patriarch. Aaron is a tax attorney who longs to be a novelist and lives in the shadow of his slightly younger brother Ryan (Martin Lawrence) a successful writer of trashy novels. This however is the least of Aaron's troubles as he has his wife Michelle (Regina Hall) pushing to have a baby and his mother Cynthia (Loretta Devine) constantly on the verge of a meltdown.
Oh and then there is the issue of the funeral home delivering the wrong body. Yikes! Among the funeral guests are Aaron's cousin Elaine (Zoe Saldana) and her boyfriend Oscar (James Marsden) who dreads seeing Elaine's father (Ron Glass) who has made it clear how much he hates Oscar. They are joined by Elaine's brother Jeff (Columbus Short) a minor drug dealer whose pill concoction is set to make trouble at the funeral.
Family friend Norman (Tracey Morgan) and his pal Derek (Luke Wilson) each have a different purpose at the funeral. Norman is helping out by bringing cranky Uncle Russell (Danny Glover) to the funeral while Derek will be seeking out Elaine with whom he has a romantic past that he hopes to rekindle.
And then there is a mystery guest. Peter Dinklage plays Frank, the same role he played in the original British version of Death at a Funeral in 2007. Frank holds the key to a major subplot that drives the middle portion of the film to a wild climax that though it comes up a little short by being too easy, does not fail so completely as to sink the whole film.
Death at a Funeral brilliantly builds comic momentum from the opening scenes involving the wrong body in the casket to the reveal of Frank's secret to Oscar's wild drug infused ride to finally sitting everyone down for the actual funeral. It's remarkable how Labute keeps all of these comic plates spinning and pays off each set piece with a big, big laugh.
The cast of Death at a Funeral is first rate with Marsden stealing scene after scene with his acid trip wackiness while Chris Rock grounds the film by bringing the craziness back to earth with exasperated truthfulness. Rock is used to driving the comedy by prodding the actors around him with his in your face style. Here, Rock is more relaxed than ever before and it suits him. He may not be pushing the edges but his punchlines are just as strong.
Neil Labute worked from a script that is credited to original Death at a Funeral writer Dean Craig. Indeed the characters, set pieces and other aspects of the story are almost entirely unchanged from the 2007 film. What is different is the perspective Labute and his cast brings to the picture. There is more willingness by all involved to explore the black comedy side (not a racial observation) of a story that is after all a comedy set at a funeral.
Especially interesting is the exploration of gay panic, something that in African American circles is an especially touchy subject. This part will contain spoilers so skip to the last paragraph if you hate spoilers, Rock and Lawrence in the film's main plot deftly balance horror, acceptance and humor at the prospect of their father's homosexuality. I would have liked to see a little more attention paid to this subject, it's wrapped up a little too neatly in Rock's closing speech, but overall well handled and bold for merely being in the movie.
Death at a Funeral is wacky and smart, slapsticky but with an eye for the laughs that don't involve bodies being dumped out of caskets. I could have done without the gross-out moments with Tracey Morgan and Danny Glover, which I will not detail here, but it's not so horrible that it ruins the film. Nor does the relatively comfy wrap up at the film’s end take away from the big laughs and wonderful discomfort of Death at a Funeral.
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