A Haunting in Venice (2023)
Directed by Kenneth Branagh
Written by Michael Green
Starring Kenneth Branagh, Tina Fey, Kelly Reilly, Jamie Dornan, Michelle Yeoh, Jude Hill
Release Date September 15th, 2023
Published
I want to like A Haunting in Venice, but I just can't. I've written and rewritten this review several times, each with a different take on the movie. I tried to find what I liked about the movie and leaned into that for a while. Then I went hard on the movie and tore it up and erased that. I don't know why I am struggling with a movie that is not really so complicated as to require such mental machinations. But here we are with a film critic having seen a movie and still trying to decide if he liked it or not. Do I like A Haunting in Venice? Yes or No?
A Haunting in Venice returns Kenneth Branagh behind the camera into the role of famed detective Hercule Poirot. In this adventure, Poirot is several years retired from his experience in Death on the Nile. Now living in Venice, Poirot has hired a former police detective, Vitale (Riccardo Scamarcio), to keep away those that would draw him back into the detective role he's trying to leave behind. And yet, Vitale makes way for one of Poirot's old friends, Ariadne Oliver (Tina Fey) to get in to see him. Oliver is the author who created the legend of Poirot by basing her bestsellers on his cases.
Naturally, she has an interest in getting her friend back to solving murders and she's got just the thing for him. On this night, Halloween night in Venice, she's attending a seance. She intrigues Poirot by admitting that though she's a skeptic, she can't seem to figure out how famed psychic Joyce Reynolds (Michelle Yeoh) does what she does. Oliver wants Poirot to help her debunk Reynolds or confirm that there is something real to her and thus a confirmation of something beyond life. Poirot dismisses her notions of the fantastic and agrees to debunk the psychic.
Attending the seance alongside Oliver, Poirot, and Poirot's security man, are a rogue's gallery of potential murder suspects, per usual for a Poirot mystery. First, there is the host of the event. a former opera singer and celebrity, Roweena Drake (Kelly Reilly). Roweena set up this event on the notion that Reynolds could contact her late daughter, Alicia, who died under mysterious circumstances a year before. She's invited her family doctor, Leslie Ferrier (Jamie Dorner) and he has brought his young son, Leopold (Jude Hill). Already on hand is Roweena's maid and caretaker, Olga (Camille Coltin), and uninvited but arriving regardless is Alicia's former fiancee, Maxime (Kyle Allen).
Though Leopold is excluded, for obvious reasons, the rest will gather in Alicia's bedroom as Reynolds attempts to contact Alicia. In the process, Poirot will expose Reynolds as a fraud, survive an attempt on his life, and then Reynolds will end up dead. Her death is the true catalyst for the film's central mystery, one that will grow to encompass at least one more body and connect back to Alicia's death, tying everything up in a neat little bow. It's all very clean and efficient and there is absolutely nothing wrong with that except, if you're like me, and you guess the plot at hand early on, the fun drains out of the proceedings quickly.
Find my full length review at Geeks.Media
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