Movie Review The Zone of Interest

The Zone of Interest (2023) 

Directed by Jonathan Glazer 

Written by Jonathan Glazer 

Starring Sandra Huller, Christian Friedel 

Release Date December 15th, 2023 

Published 

The Zone of Interest is a devastating work of art. It's an unflinching and horrific movie but not because it depicts the holocaust in any direct fashion. Rather, The Zone of Interest places the horrors in your mind all while an affluent family headed up by the Nazi Commandant of the Auschwitz concentration camp goes through the daily routines of your average suburban family. It's the casualness of it all that drills the horror of the holocaust into your subconscious. I should not have been so gobsmacked by seeing the family of a Nazi casually carrying on as if what their father does is just like any other job but it just kept hitting me again and again how horrific this all is. The normalization of the systematic murder of six million people leads you the revelation of how we normalize the horrors of the world every time we turn a blind eye to suffering and death. 

The Zone of Interest centers its story on Commandant Rudolph Hoss (Christian Friedel) and his wife, Hedwig (Sandra Huller). As he goes off to work, she attends to the house staff and gets the kids off to school. It's all so familiar and normal. You see this tableau unfold in every suburb. Except for the part where Rudolph is wearing a crisply detailed Nazi uniform and is walking next door to his job as the commandant at Auschwitz where he's charged with finding the most efficient way to murder Jewish people while keeping just enough of them alive for slave labor for the camp or industry. His approach to his job is no different from your average middle manager holding meetings with higher ups while filing efficiency reports on the number of people he's able to brutally murder. 

Meanwhile, his wife is entertaining friends and family in their well appointed home. The film unfolds a number of callous and cruel scenes as packages are delivered to the home and it slowly dawns on us that the various pieces of clothing and personal items are those of Jewish people being murdered next door. For example, Hedwig receives a package containing a mink coat. She tries it on and poses in front of a mirror. She finds a lipstick in the pocket and starts applying it. She's as carefree as if she'd just purchased these items and they belong to her. If she cares at all where these items came from or how she's taking things that belonged to people her husband is murdering, you can't see it on her face or in her eyes. There is a sociopathic level of not caring in Hedwig. Her sense of cruel entitlement is soul shaking for anyone with a conscience. 

In a later scene, Hedwig's mother comes to visit and they have a conversation about a former neighbor, an elderly Jewish woman. The conversation casually discussed the woman's curtains and how the mother envied those curtains before wondering if the woman had been murdered next door. The mother indicates that she's far more upset that she wasn't the one to end up with those curtains than she's bothered by the fate of her former neighbor. Director Jonathan Glazer does not flinch in his presentation of these scenes. The mundanity of this conversation, the casual disregard for the lives of Jewish people is chilled my spine and that's the point. If you don't find this monstrous, there is something horrifically wrong with you, just as there is something absolutely wrong with these characters. 

Find my full length review at Geeks.Media