Movie Review The Two Faces of January

The Two Faces of January (2014) 

Directed by Hossein Amini 

Written by Hossein Amini 

Starring Viggo Mortensen, Oscar Isaac, Kirsten Dunst 

Release Date August 28th, 2014 

Published November 17th 2014

I feel as if I missed something essential in “The Two Faces of January.” For the life of me, I don’t know why the film is called “The Two Faces of January.” I feel the film must have introduced this information at some point but I don’t recall it. I could speculate that the two faces are those of stars Viggo Mortensen and Oscar Isaac as they seem to be counter-weighted to each other throughout the film but what was the ‘January’ bit? It’s not a reference to the month, it’s a not a name, unless that’s what I missed. It nags at me that I missed this or if I didn’t miss it and am puzzling over something that doesn’t matter.

“The Two Faces of January” is an adaptation of a Patricia Highsmith novel. Thus, it is set in Europe, in this case Greece, among beautiful, vacationing Americans. Oscar Isaac is Rydal Keener, an ex-pat con man and tour guide with aspirations to be rich. For now, he’ll settle for not being at home at his father’s funeral. Rydal’s con is to find fellow Americans who don’t speak the language and don’t understand foreign currency. It’s an almost victimless crime as his victims have plenty to spare and he’s really only skimming off the top.

Viggo Mortensen and Kirsten Dunst are Chester and Colette MacFarlane. At first, we’re to wonder if they are set to be Rydal’s next meal ticket. Director and screenwriter Hossein Amini however, has something more sinister in mind. Like Rydal, Chester is something of a conman, an American stock swindler. On the run with Colette in Europe he has conned his young wife into a game of pretend; pretending they’re going to go home and he isn’t going to be sent to prison or worse.

The game ends when an American private eye finds Chester and Colette and sets about a shakedown for the missing money of one of his clients. The detective dies and when Rydal arrives at the wrong moment to return a lost bracelet, he’s roped into a life-changing plot. Using his connections as a conman Rydal will attempt to get his new friends out of Greece without their passports. Phony documents take time however and with Grecian police acting efficiently to ferret out the plot, a road trip is undertaken to remain under the radar.

That’s the crux of the plot. What’s left is spoiler filled so consider yourself warned.

Ok, fine, I decided to look up the title of the movie to see what I missed. It turns out that it is a reference to the Roman God Janus which is said to have had to faces, one to see the future and one to see the past. Janus was the God of beginnings and transitions. That, naturally, is quite fitting for this story as the past plagues the future of all three characters. Janus by the way was eventually honored by the first month of the year, as January.

Throughout the introductory portion of “The Two Faces of January” we come to see Rydal admire both Chester and Colette. We can see his envy for Chester but also a deep respect for his station. We can sense a desire to usurp Chester even as Chester becomes a father figure. Yes, it’s all very Freudian and Shakespearean with the son who wishes to replace the father at the side of the mother. Yada, yada, yada. Here however, is where our director smartens up. By removing Colette via the film’s second accidental murder the dynamic shifts and what was beginning to be a draggy psychological thriller shifts gears to become a noir thriller.

Having failed to also kill Rydal in the wake of his murder of Colette, Chester finds himself chained to his new ‘friend’ as he attempts to leave the country. Each man has it out for the other but the game playing brings them together, as does the revenge each seeks on the other. Rydal is driven to avenge Colette and his having been framed for her murder. Chester, on the other hand is seeking escape but also to redeem the manhood he lost in his cuckolding.

That’s the psychological motivation for the action of the the final act of the film. Mr. Amini however, has by this point, as much as we have, has lost interest in psychology. The final act  of “The Two Faces of January” is instead played almost entirely in the language of film noir camerawork and staging.

As each man evades capture by police the cobblestone streets of Crete are alive with moonlight. Narrow corridors like those out of Carol Reed’s “The Third Man” shimmer with moonlight illuminating a path toward inexhaustible death. That Chester is to die is not in question here but the style with which his death arrives is classically crafted and elevates the film. We also get a very unusual and soulful moment as the dying father figure gives back to his son his life with a helpful confession of his crimes.

Much like the God Janus looking forward and backward at once, “The Two Faces of January” looks to be two movies at once. One movie is a pop-psych thriller with a little Shakespeare for flavor. The other is a tribute to the noir mysteries of the 40’s and 50’s complete with the mistaken identities, the wrongly accused man and the wet, reflective streets that always seemed to await a chase and a death.

That is the film’s beauty and its curse. It is two movies in one and neither is enough to satisfy in full. I loved the ending but the pop-psych stuff plods and the chemistry of the stars never bring it to life. The ending is almost good enough for me to recommend the movie but I wonder how many of you will last that long once the film is available on home video and you can simply stop and do other things.

Movie Review Ouija

Ouija (2014) 

Directed by Stiles White 

Written by Juliet Snowden, Stiles White 

Starring Olivia Cooke, Darren Kagasoff, Bianca Santos 

Release Date October 24th, 2014 

Published October 25th, 2014 

Ouija, based on the Hasbro board game about contacting the dead, is one of the laziest movies I have ever seen. There is not a single original moment in the entire barely feature length of the film. The only redeeming thing about Ouija is it's potential role in a new game I created in my head while watching it called Horror Movie Cliché Bingo. Each time you see a Horror Movie Cliché that matches a cliché on your card, mark it off. When you have five in a row on your card, stand up in the theater and yell Bingo. I had Bingo about 45 minutes into the movie.

Movie Review The Other Woman

The Other Woman (2014) 

Directed by Nick Cassavetes 

Written by Melissa Stack 

Starring Cameron Diaz, Kate Upton, Leslie Mann, Nikolaj Coster-Waldau 

Release Date April 25th, 2014 

Published January 2nd, 2024 

Cameron Diaz is back in theaters this weekend with "The Other Woman," a comedy that casts her as the the unknowing mistress of Nikolaj Coster Waldau who falls into an unlikely friendship with with his wife played by Leslie Mann and his other mistress played by supermodel Kate Upton. "The Other Woman" doesn't look like much from its trailer but the movie is quite good featuring a strong central performance from Diaz and a scene-stealing comic performance from Leslie Mann who's best known for her work in husband Judd Apatow's comedies. 

Leslie Mann, Cameron Diaz, and Kate Upton, have one thing in common, Game of Thrones star Nikolaj Coster Waldau, in the movie, The Other Woman. All three are the 'other woman' in their relationship with Waldau. Leslie Mann plays the wife, Cameron Diaz is mistress number one, and Kate Upton is the youngest and hottest of the the trio of woman whose lives revolve around this one narcissistic man fooling around on all of them. 

Once our trio of hero ladies come together, The Other Woman takes on a comic revenge plot as the trio takes revenge on Waldau's ladies man. It's a lot more fun than that description sounds. Leslie Mann, for one is having a ball as the wronged wife who meets and bonds with her husband's mistresses. In a rare leading role, outside of the work of her comic legend husband, Mann is a treat in The Other Woman, throwing herself headlong into physical comedy and into this comic revenge plot. 

Cameron Diaz is in the role of the straight man. Diaz reacts to Mann's craziness and Upton's hotness all while grounding the movie in a recognizable reality. It's certainly farfetched that any man could be with three woman as attractive as Mann, Diaz, and Upton in a single lifetime, but Diaz manages to make this unbelievable scenario work. She's such a pro and, when called upon, she can be just as funny as Mann and hotter than even Upton, once named the sexiest woman on the planet. 

The Other Woman is much sharper than the plot would indicate. This trio of female stars has such incredible chemistry that it doesn't matter how seemingly impossible it would be for one man to have bedded down with these three women in one lifetime. Nick Cassavetes' direction is breezy and the tone always remains fun and funny. The jokes are good and Leslie Mann earns some of the biggest laughs of her career in a career best performance. 

Classic Movie Review The Pelican Brief

The Pelican Brief (1993) 

Directed by Alan J. Pakula 

Written by Alan J. Pakula 

Starring Denzel Washington, Julia Roberts, Stanley Tucci, John Lithgow, Hume Cronyn 

Release Date December 17th, 1993

Published December 27th, 2023 

The Pelican Brief stars Julia Roberts as Tulane Law School student, Darby Shaw. Darby is your average 23 year old who happens to be sleeping with her law professor, played by Sam Shepherd. After a pair of Supreme Court Justices, Rosenberg and Jensen, are assassinated, Darby develops a theory as to why these to seemingly opposing judges were killed. It turns out, the two Justices, had one thing in common, the environment. Each voted regularly against major corporations that risked polluting the environment or those that did pollute the environment received significant penalties for doing so. 

Taking out Rosenberg and Jensen reshapes the court in someone's favor and that someone is likely the person who arranged two assassinations of Supreme Court Justices within hours of each other. For some reason, only 23 year old law student who is sleeping with her professor, is capable of figuring out this conspiracy. So, Darby writes a legal brief and gives it to her professor boyfriend. The boyfriend passes it to his pal at the FBI, played by John Heard. From there, what comes to be known as The Pelican Brief, reaches the desk of the President's Chief of Staff, played by Tony Goldwyn, who takes it to the President, Robert Culp, and a conspiracy unfolds to kill Darby and bury the brief.

On a second track of story, Washington Post reporter Gray Grantham, played by Denzel Washington, is following his own theory on the assassinations. Gray has connected with a Washington lawyer who claims to have seen a memo implicating his bosses at a big time law firm in the deaths of Rosenberg and Jensen. The lawyer, calling himself Garcia, reaches out to Grantham for help but ultimately backs out of a meeting with the reporter out of fear for his life. In the midst of trying to follow the bread crumbs left by Garcia, Gray meets Darby and the two begin working together to solve this conspiracy while running for their lives from ruthless assassins. 

There is something ever so slightly off throughout The Pelican Brief. While the film is perfectly watchable, it feels weightless for a movie about the assassination of TWO Supreme Court justices and a college professor. Oops, spoiler alert. There's actually an even bigger body count than that but I don't want to give everything away regarding this 30 year old blockbuster. The Pelican Brief never feels like anything more than a trashy beach read, perhaps because that is exactly what the movie was based upon. Legendary author John Grisham may have had the pretense of a law professor, but his books were straight melodrama inflated with legal jargon. 

That said, I expected a little something more from writer-director Alan J. Pakula. After all, he's the director behind two iconic 70s movies, one of which is the gold standard of political thrillers, All the President's Men, and the other is the remarkable mystery, Klute. Pakula was more than capable of making throwaway blockbuster style movies, even in his heyday, but, paired with the two most radiant stars of the day and a book that had a solid base for an exploration of corruption and politics, I got it in my head that The Pelican Brief should be more than it is. That's on me. The Pelican Brief, away from my expectations and desires, is fine. It's breezy, it moves quickly, and it doesn't overstay its welcome. 

Read my full length review at Geeks.Media 

Movie Review The Zone of Interest

The Zone of Interest (2023) 

Directed by Jonathan Glazer 

Written by Jonathan Glazer 

Starring Sandra Huller, Christian Friedel 

Release Date December 15th, 2023 

Published 

The Zone of Interest is a devastating work of art. It's an unflinching and horrific movie but not because it depicts the holocaust in any direct fashion. Rather, The Zone of Interest places the horrors in your mind all while an affluent family headed up by the Nazi Commandant of the Auschwitz concentration camp goes through the daily routines of your average suburban family. It's the casualness of it all that drills the horror of the holocaust into your subconscious. I should not have been so gobsmacked by seeing the family of a Nazi casually carrying on as if what their father does is just like any other job but it just kept hitting me again and again how horrific this all is. The normalization of the systematic murder of six million people leads you the revelation of how we normalize the horrors of the world every time we turn a blind eye to suffering and death. 

The Zone of Interest centers its story on Commandant Rudolph Hoss (Christian Friedel) and his wife, Hedwig (Sandra Huller). As he goes off to work, she attends to the house staff and gets the kids off to school. It's all so familiar and normal. You see this tableau unfold in every suburb. Except for the part where Rudolph is wearing a crisply detailed Nazi uniform and is walking next door to his job as the commandant at Auschwitz where he's charged with finding the most efficient way to murder Jewish people while keeping just enough of them alive for slave labor for the camp or industry. His approach to his job is no different from your average middle manager holding meetings with higher ups while filing efficiency reports on the number of people he's able to brutally murder. 

Meanwhile, his wife is entertaining friends and family in their well appointed home. The film unfolds a number of callous and cruel scenes as packages are delivered to the home and it slowly dawns on us that the various pieces of clothing and personal items are those of Jewish people being murdered next door. For example, Hedwig receives a package containing a mink coat. She tries it on and poses in front of a mirror. She finds a lipstick in the pocket and starts applying it. She's as carefree as if she'd just purchased these items and they belong to her. If she cares at all where these items came from or how she's taking things that belonged to people her husband is murdering, you can't see it on her face or in her eyes. There is a sociopathic level of not caring in Hedwig. Her sense of cruel entitlement is soul shaking for anyone with a conscience. 

In a later scene, Hedwig's mother comes to visit and they have a conversation about a former neighbor, an elderly Jewish woman. The conversation casually discussed the woman's curtains and how the mother envied those curtains before wondering if the woman had been murdered next door. The mother indicates that she's far more upset that she wasn't the one to end up with those curtains than she's bothered by the fate of her former neighbor. Director Jonathan Glazer does not flinch in his presentation of these scenes. The mundanity of this conversation, the casual disregard for the lives of Jewish people is chilled my spine and that's the point. If you don't find this monstrous, there is something horrifically wrong with you, just as there is something absolutely wrong with these characters. 

Find my full length review at Geeks.Media 

Movie Review Maestro

Maestro (2023) 

Directed by Bradley Cooper

Written by Bradley Cooper, Josh Singer

Starring Bradley Cooper, Carey Mulligan. Maya Hawke, Matt Bomer 

Release Date November 22nd, 2023 

Published ?

There are many things to like about Bradley Cooper's Maestro. This biopic of legendary composer Leonard Bernstein is incredible to look at. Cooper and his cinematographer, Matthew Libatique, and production designer, Kevin Thompson, have put exceptional craft into the movie. Several of the films scenes simply pop off the screen in composition, detail, and the use of color. There is no denying that Bradley Cooper has a wonderful directorial eye aided by an exceptional team behind him. Where Maestro falters, sadly, is storytelling where the tenets of the movie biopic restrict and restrain. It's as if there was simply too much life in Leonard Bernstein to be constricted to the film form. 

Maestro begins its story with Leonard Bernstein being interviewed about his life and reflecting mostly on his beloved wife Felicia. Then we are thrown into a flashback, black and white, a young and eager Leonard Bernstein gets the phone call that will change his life. The main conductor of the New York Philharmonic is ill and cannot perform. His replacement is snowed in upstate. The 25 year old Bernstein with no rehearsal time, will have to fill in. He crushes it, he delivers an incredible performance that skyrockets his career. 

Meanwhile, in his private life, Bernstein is enjoying life as a gay man in New York, collaborating on various musical projects and spending time with his lover, David Oppenheim (Matt Bomer). These moments are brief but show a playful and wildly creative Bernstein constantly in creative mode, in the flower of his youth. Soon after however, he's met a woman at a party. Her name is Felicia (Carey Mulligan) and the two spark immediate chemistry. It's never stated that Bernstein is bisexual and the movie is remarkably vague on this point, perhaps because, until late in his life, Bernstein himself was vague on this point. 

The two undergo a whirlwind romance accompanied by Bernstein's remarkable successes on the stage, screen and as a composer of numerous symphonies. A lovely scene has Bernstein take Felicia to the stage where a musical he's working on with Jerome Robbins is rehearsing. The two get swept up in the dance rehearsal before being pulled apart. The symbolism rages aloud in this scene as the two sides of Bernstein's sexuality are pulled in different directions, one toward Felicia, one away from her. Dancers keep pulling both in different directions with Felicia imagining a man who might have taken her from Bernstein earlier in their life. It's an exceptional and exciting sequence that demonstrates Cooper's terrific direction. 

Find my full length review at Geeks.Media 

Movie Review American Fiction

American Fiction (2023) 

Directed by Cord Jefferson 

Written by Cord Jefferson 

Starring Jeffrey Wright, Tracee Ellis Ross, Issa Rae, Sterling K. Brown 

Release Date December 15th, 2023 

Published December 23rd, 2023

American Fiction is the sharpest American comedy of 2023. This brilliant deconstruction of writers, writing, society, and popular culture from Cord Jefferson fearlessly points an accusing finger at the audience while not letting its main character off the hook either. Featuring one of our finest actors, Jeffrey Wright, at his absolute best, American Fiction takes elements from classic literature and mixes them with a touch of the angsty self-analogizing of the formerly great Woody Allen, and crafts a near perfect comedy. 

Monk, played by Jeffrey Wright, is a dyspeptic college professor and long struggling author. Despite having published several books, he cannot escape the specter of being a 'black author' and he's desperately frustrated. After suffering a loss in his family and the decline of his mother's health, Monk gets drunk and writes the kind of novel that he despises. It's a novel filled with stock characters from popular culture centered on the supposed 'black' experience. 

It's written in broken English and Monk's fictional author, Stagg R. Lee, is supposed fugitive from the law. He hopes to use the book to shame those that claim this kind of book is 'important' and 'raw' and explores the 'black' experience. It centers on a gang member with a deadbeat dad and no mother. The book is cobbled together from every 'important' piece of black popular culture aimed at white liberal guilt of the late 20th and 21st century. And in what should come as no surprise, it becomes a massive hit when Monk's agent sends it out to white publishers. 

Faced with the conundrum of having written a book he despises and being offered big money to publish the book he despises; Monk begrudgingly takes the money. With his mother being in declining health and needing round the clock care and his brother, Cliff (Sterling K. Brown), being of little help as he drugs and sexes his way through a nasty divorce, Monk needs the money, even if it is coming at the cost of his self-respect. Where this story is headed, you will need to see for yourself. I can only tell you that it is an exceptionally smart and funny journey to get there. 

Writer-Director Cord Jefferson has written one incredibly nimble and lithe comic script. It bubbles with wit and a contempt for a culture that reduces people to stereotypes. At the same time, the keystone of the movie is revealed in a terrifically awkward and deeply uncomfortable opening scene. Here, Monk in his job as a professor is teaching about the work of Flannery O'Connor. When he writes the title of one of O'Connor's short stories on the board, the title of which I can't comfortably write in this review, the student, a young white woman objects. The title contains the N-word and while the young white woman expresses her discomfort at having to see the word, Monk becomes frustrated and berates her. 

Find my full length review at Geeks.Media 

Movie Review Ferrari

Ferrari (2023) 

Directed by Michael Mann

Written by Troy Kennedy Martin 

Starring Adam Driver, Shailene Woodley, Penelope Cruz 

Release Date December 25th, 2023 

Published December 21st, 2023 

There is no question from me that Michael Mann is an exceptional director. His talent is undeniable but if you need proof, check his Oscar nominations for The Insider and for being a Producer on The Aviator. His films have seen remarkable success and shown incredible staying power. Take, for instance, his beloved classic Heat which still gets rapturous reviews from new audiences who discover it year after year. You can sense that I am setting you up, right? It's not entirely what you think. Michael Mann's newest film, Ferrari, starring Adam Driver, features exceptional direction, superb cinematography, and exceptional effects and stunt driving. 

I just can't make myself care about the subject. Is that a failing of Michael Mann as a filmmaker or, is it merely that the problems of a rich, philandering, man obsessed with car racing just isn't relatable or compelling as the lead character in a movie. Adam Driver invests the character of real life car magnate, Enzo Ferrari, with charisma, personality, and a not terribly distracting Italian accent but, he's still playing a character that defied my ability to care about him. I don't care about car racing. And, I supremely, assuredly do not care about the supposed problems of a very rich man on a journey to remaining a rich and troubled man despite being responsible for multiple deaths in the pursuit of his love of race cars. 

Ferrari picks up the story of Enzo Ferrari, founder of the famed Ferrari car company, in 1957, in the immediate aftermath of his beloved son and heir, Dino Ferrari. The death of his son has driven a wedge between Enzo and his wife, Enzo's mother, Laura Ferrari (Penelope Cruz), a turbulent personality expressing her pain and grief via explosions of vitriol toward the husband she feels is responsible for their son's death. By Laura's reasoning, Dino stretched himself to the breaking point pursuing his father's love of car racing, causing him to die at 24 from Duchenne Muscular Dystrophy. 

The rift between husband and wife has grown to such a degree that Enzo has started a new family with his mistress, Linda Lardi (Shailene Woodley). Enzo has purchased a villa for Linda and their son, Piero, where he comes to stay regularly while somehow not letting on to Laura that he's been cheating. This is a lot padding and not particularly compelling. Woodley is fine but exists mostly as a device to strain Enzo and Laura's marriage, regardless of how true the story of Enzo and his mistress may be. Michael Mann doesn't appear to be very interested in developing Laura as a character or giving her a function in the film beyond being a plot device. 

Find my full length review at Geeks.Media 

Movie Review The Color Purple

The Color Purple (2023) 

Directed by Blitz Bazawule 

Written by Marcus Gardley 

Starring Fantasia Barrino, Taraji P. Henson, Colman Domingo, Danielle Brooks 

Release Date December 25th, 2023

Published December 20th, 2023 

The Good Lord Works in Mysterious Ways. That's what the opening song in the new musical adaptation of The Color Purple tells us. Oftentimes, people use this phrase to excuse or explain the seeming whims of the almighty God. When something unpredictable happens, god works in mysterious ways. The opening of the movie is setting us up for the notion of the unpredictable nature of fate. The fate that separates two loving sisters. And, perhaps, the same fate that will eventually reunite them. God works in mysterious ways and we can't no until we reach a conclusion, what God's intent was, what lesson God was imparting, and how the journey through God's various mysterious ways will help us learn, grow, change or merely adapt. 

Oh I know, she be mine is the next song. After having given birth, featuring a distracting cameo by Whoopi Goldberg, star of the Spielberg adaptation of The Color Purple, Celie sees a baby in her father's store. The baby has the same name as one of the babies that her father has forced her to immediately give up after their birth. This leads Celie to visualize a sequence in which she walks through a series of convicts breaking rocks before she walks into a gorgeous scene set in a small creek bed, clear, clean water, a small shimmering waterfall, and a series of women who are cleaning clothes in washtubs. 

The sequence is gorgeous, especially the dance sequence in front of the waterfall, spectacular visuals that are beautifully captured. Young Phylicia Pearl Mpasi, playing the young Celie that will eventually give way to Fantasia Barrino's take on the adult Celie, sings beautifully. Her voice is superb. It's a standout sequence, a lovely fantasy and a moment of joyous escape for a character who will spend so many of the next years of her life imprisoned, first by her abusive father and then by the husband she never asked for or wanted. 

Find my full length review at Geeks.Media 

Movie Review Perfect Days

Perfect Days (2023)

Directed by Wim Wenders,  

Written by Takuma Takasaki, Wim Wenders

Starring Koji Yakusho 

Release Date November 10th, 2023 

Published December 19th, 2023

The story behind Perfect Days, as Wikipedia tells it, is that friends of filmmaker Wim Wenders invited the director to Japan to view the remarkable new public restrooms that have been built in Tokyo. Each of these public restrooms was designed by an artist using remarkable design, modern tech, and extraordinary design. Not many people get a specific invitation to come and look at arty toilets but not everyone is Wim Wenders. These friends of Wenders hoped that by inviting the filmmaker to see these art installations that happen to be working public toilets, he would be inspired to make a short film about them. Instead, Wenders was inspired to make a two hour feature length movie about a humble man who takes pride in cleaning these incredible works of art, that happen to be public toilets. 

The work of art inspired by Tokyo's remarkable art-toilet project is one of the most lovely, gorgeous, and inspiring movies that I have seen in my more than 20 years as a film critic. Perfect Days stars Koji Yakusho as Hiroyama. Hiroyama asks for little and doesn't expect much. He goes to work everyday for Tokyo Toilet Service and painstakingly cleans every inch of every public restroom on his route. He takes pride in his hard work, even as the people who make the mess take little care to make Hiroyama's job easier. The pride that Hiroyama takes in his job is inspiring and shows a man who may not appear special from a glance is a great deal more than the sum of your perceptions of him. That's true of everyone you meet but it feels special in this case because it's in a movie, a communal experience like few others in the world. 

When Hiroyama isn't diligently assuring that every public restroom on his route is as clean as possible, he's listening to his collection of classic rock and underground cassette tapes. Dear reader, the soundtrack to Perfect Days is utterly sublime. The Velvet Underground, Patti Smith, The Animals, Otis Redding, the music of Perfect Days is a series of amazing needle drops that celebrate the greatest music of all time and appreciating that remarkable music and how it enriches our lives. The music and art we love and consume makes our lives better and when you consider that the public restrooms that Hiroyama takes such care to clean, the movie is a whole is about an appreciation of art of all kinds, diligent dedication appreciating the beauty of the world. 

Find my full length review at Geeks.Media 

Movie Review Fallen Leaves

Fallen Leaves (2023) 

Directed by Aki Kaurismaki 

Written by Aki Kaurismaki 

Starring Alma Poysti, Jussi Vatanan 

Release Date November 17th, 2023 

Published December 18th, 2023 

Continuing to catch up on movies of 2023, I've recently had the pleasure to enjoy Kelly Reichardt's Showing Up, and Justine Triet's engrossing, Anatomy of a Fall. I've still got a few titles to go but I'm making great progress toward my best of 2023 list. The hard part is going to be having so many great movies to decide between. It would honestly be easier this year to create a top 20 but nevertheless. Making my end of year list is a joy, even as I will have to wrestle with where to put Aki Kaurismaki's new movie Fallen Leaves on my list. Fallen Leaves is a lovely, sincere, slice of life drama set among the poor of modern Finland. 

Ansa (Alma Poysti) lives a solitary single life in a tiny apartment in Finland. She survives mostly on taking home out of date food from her job at a local grocery store. Sadly, she will soon lose that job. An over zealous security guard sees her letting another poor person take some out of date food that she was throwing in a dumpster. As she's leaving work, the security guard and an officious store manager make her empty her bag and inside they find a piece of expired food that was to be her dinner that night. She's fired on the spot and two of her co-workers choose to quit in solidarity. They too had been taking expired food to survive on. 

In a parallel story, Holappa (Jussie Vatanan) is working a menial job cleaning rust off of metal with a high powered hose. It's just him standing and spraying for endless job. It's mind numbing and to cope with the dreariness of the job, Holappa has developed a drinking problem. He hides a bottle near his work station and regularly grabs a swallow in between spraying pieces of metal. As you can imagine, this won't last. Eventually, Holappa will get caught drinking on the job and he will be fired. Before that happens however, Holappa meets Alma and in a world of dreary, lonely, desperation, the two find a bit of a spark. 

Holappa buys Ansa a cup of coffee and takes her to a movie, things she could not do on her own as she's still looking for a new job. His kindness is touching and their tentative flirtation is sweet. The film even gives them a romantic comedy complication as Alma promises to tell Holappa her name if they go on a second date. She gives him her number and he loses it, and that sets up the rest of their story together. It's a complication that would be just as at home in a Hollywood rom-com but it feels more meaningful and heartbreaking in the context that writer-director Aki Kaurismaki places it in. 

Two sad, lonely people struggling at the bottom of the economic ladder find each other and give each other comfort only to seemingly lose their one chance of finding comfort in a cold and uncaring world, that's poetry. Great art from great sadness. Kaurismaki doesn't inflate the importance of this moment, if anything, it's merely just an incident on our way to somewhere else in this story. The brilliance of Kaurismaki is using something as simple as a rom-com complication and using it to magnify the sadness and heartache of his characters in a way that feels honest. 

Find my full length review at Geeks.Media 

Movie Review La Chimera

La Chimera (2023) 

Directed by Alice Rohrwacher 

Written by Alice Rohrwacher 

Starring Josh O'Connor, Carol Duarte, Vincenzo Nemolato 

Release Date December 6th, 2023 

Published December 15th, 2023 

The great catch up continues with a film that made a splash at the Cannes Film Festival back in May of this year. La Chimera tells the story of an English Archaeologist who falls in with a group of grave robbers in a small Italian village. As we join the story, the archaeologist is fresh out of jail after having been arrested for robbing a grave and selling the stolen treasure. Arthur, the archaeologist, played by Josh O'Connor, wants to leave the life of a grave robber behind but finds himself drawn back into this criminal world out a lack of being able to do anything else. 

Arthur is disgraced, an ex-pat, the only people he knows are the grave robbers who recruited and befriended him years ago. Without them, his only tether to the world is the loving mother of his late, missing, ex-girlfriend Beniamina. Is Beniamina dead? Has she just wandered off on her own, as her mother hopes and believes, the movie will answer this question eventually. Meanwhile, as Arthur tries to find a way to avoid going back to jail, he finds himself drawn to Italia (Carole Duarte), a student of Beniamina's mother who also acts as a servant to the elderly woman and her gaggle of unforgiving daughters. 

Italia is carrying a secret. While staying in this decaying mansion as student and servant, she's also hiding her two children in one of the many, many rooms in this ancient home. She has a baby and a pre-teen and seems to pick up strays as the movie goes along. Arthur, being a bit of a stray himself, might have a place to land with Italia if he can give up his grave robbing. Arthur seems to want to quit but he's also drawn to the remarkable and incredible works of art that are buried with those who died in the Ancient Italian Etruscan era. Even while he was imprisoned, Arthur dreamed about the items he'd pulled out of the ground and kept for himself, his last connections to his time as a legitimate archaeologist. 

That Arthur returns to the life of a grave robber out of a sense of inertia. He desires change but his grief and his disconnection from the world as he hoped to have it, leads him to the path of least resistance, a life that welcomes him, favors him, a rare place in the world where he is respected. Arthur has a strange talent. He can locate a grave filled with treasure using dowsing. Dowsing is a mostly debunked form of locating things underground. For the purpose of the movie, whether Arthur is a bit of a con man or if he genuinely has a magical talent, he using a stick to point to a place in the ground where treasure is located. It just also happens to a place where death is located. 

Find my full length review at Geeks.Media

Classic Movie Review Willy Wonka and the Chocolate Factory

Willy Wonka and the Chocolate Factory (1971) 

Directed by Mel Stuart 

Written by Roald Dahl 

Starring Gene Wilder, Jack Albertson, Peter Ostrum, Roy Kinnear 

Release Date June 30th, 1971 

Published December 15th, 2023 

"We are the music makers and we are the dreamers of dreams" Gene Wilder as Willy Wonka in Willy Wonka and the Chocolate Factory. 

The wrong man named Gene won the Oscar for Best Actor at the 44th Academy Awards. Heck, the wrong man named Gene was nominated for the Academy Award for Best Actor. Gene Hackman was the wrong Gene, rewarded for his okay but not spectacular performance as Popeye Doyle in The French Connection. The right Gene was Gene Wilder, the star of Willy Wonka and the Chocolate Factory. Wilder didn't even merit a nomination and that itself is crime enough. No actor eligible for Best Actor at the 44th Academy Awards delivered the kind of nuanced, strange, and funny performance that Wilder did in Mel Stuart and Roald Dahl's visionary cautionary tale. 

Willy Wonka and the Chocolate Factory opens with loads of exposition. We meet Charlie Bucket (Peter Ostrum), a poor kid who can't partake in the ludicrous and excessive opening number dedicated to a candy man who appears to give away as much candy as he sells. As this candy retailer regales the kids with the wonders of one Willy Wonka, the greatest chocolatier in the world, Charlie Bucket watches from the outside looking in. He can't stick around or go in as he has to get to work, delivering newspapers and making just enough money to provide a loaf of bread for his family, including his hard-working mother, and his four layabout grandparents. I'm kidding, I'm sure that Grandpa Joe (Jack Albertson) and the rest of the grandparents laid up in a bed in the middle of the Bucket home are there for a good reason, being very very old. 

The plot of Willy Wonka and the Chocolate Factory kicks in when it's announced that the reclusive Willy Wonka has started up his factory again and will open the factory to a group of people who win a contest. The contest involves buying chocolate bars and finding the one that has a golden ticket inside. After an exhaustive introduction to four winners of the contest, four specifically spoiled rotten little kids who will, nevertheless, get a chance to win a lifetime supply of chocolate and a tour of the secretive Willy Wonka Chocolate Factory. The tour will be led by Willy Wonka himself, played by the brilliant and insouciant, Gene Wilder. 

Find my full length review at Geeks.Media 

Movie Review Showing Up

Showing Up (2023) 

Directed by Kelly Reichardt 

Written by Jon Raymond, Kelly Reichardt

Starring Michelle Williams, Hong Chau, John Magaro, Maryann Plunkett, Andre Benjamin, Judd Hirsch 

Release Date April 7th, 2023 

Published December 14th, 2023 

The Great Catch Up of 2023 continues with Kelly Reichardt's festival favorite, Showing Up. Teamed with her muse, Michelle Williams, Reichardt crafts a portrait of loneliness, disconnection, and art that feels a little like Reichardt's take on Chantal Akerman's Jeanne Dielmann, a languid, observant, sometimes bleak comedy about a disconnected woman longing to be seen and cared for while also nursing a mostly combative relationship with most other human beings. For Williams' Lizzy, other people are mostly a functional element of life that she must navigate while trying not to be bothered. 

Lizzy is an artist who crafts remarkable, fragile statues out of clay and fire and paint. Her work is abstract but painstaking. When she isn't making art in her garage, Lizzy also works as a secretary at an artist commune or art school, depending on how dismissive you want to be regarding art and artists. Lizzy got the job because her mother is in charge of the college and hired Lizzy as her top assistant. Lizzy does a good job while spending most of her time creating new ideas for her art. 

This would normally where I would launch into a thumbnail sketch of the plot, spoiler free, of course. However, Showing Up is not a movie that lends itself to such an easy boiling down. Kelly Reichardt's film is very much a slice of a relatively mundane life. Lizzy has few friends and a troubled family but she spends most of her time alone making art and feeding her cat. The biggest incident of any average day for Lizzy is badgering her fellow artist and landlord, Jo (Hong Chau) to repair her hot water heater which hasn't worked in weeks. 

Find my full length review at Geeks.Media 

Movie Review Sanctuary

Sanctuary (2023) 

Directed by Zachary Wigon

Written by Micah Bloomberg

Starring Christopher Abbott, Margaret Qualley 

Release Date May 19th, 2023 

Published 12-13-2023

Playing some late in the year catch up with movies I missed and what luck, Neon sent me a copy of Sanctuary. I've been looking forward to this movie since I saw YouTube Amanda the Jedi rave about this movie coming off of its festival run. Christopher Abbott and Margaret Qualley are two of the terrific young stars on the rise, with Abbott being among the most adventurous and courageous actors working today and Qualley only just starting to come into her own as an actress. Sanctuary is a single set drama about sex, kink, and power dynamics that is darkly comic and insightful. 

Hal (Christopher Abbott) is the heir to a hotel fortune who is about to ascend to the top of the family business. Hal's well respected and revered father has recently passed away and Hal is dealing with conflicting emotions about the idea of being a CEO and trying to live up to the impossible standard set by his father and the unrealistic expectations of his mother. Meanwhile, Hal is maintaining a secret that could endanger his chances of taking over the company. He likes to have a woman come to his various hotel room homes and dominate him. 

Rebecca (Qualley) enters the movie as someone who appears to be a lawyer. She's well coiffed, wearing an expensive suit, and she's here to ask Hal a series of questions that are seemingly coming from the perspective of people who operate his hotel empire. Soon however, the ruse is exposed as the questions become more and more intimate and finally, Hal breaks the the growing tension by accusing Rebecca of going off the script. It turns out, Rebecca is a dominatrix. Her job is to place Hal into humiliating or subservient situations that he gets off on. 

Find my full length review at Geeks.Media

Movie Review Anatomy of a Fall

Anatomy of a Fall (2023) 

Directed by Justine Triet 

Written by Justine Triet, Arthur Harari 

Starring Sandra Huller, Swann Arlaud, Milo Machado Graner 

Release Date August 23rd, 2023 

Published December 11th, 2023 

A man is found dead in a pool of his own blood lying outside of his home. Tragically, the first person to find his body is his young son, a boy who was partially blinded in an accident several years earlier. He can see up close and it's not until he's up close to the body of his late father that the gravity of what he can see really hits him. Boy screams for his mother who comes running. The police are called and a grueling investigation is set to occur to determine how the man got from the attic of the home where he was installing insulation to being dead on the ground outside of his home. 

Suicide is the story that Sandra Voyter (Sandra Huller) is going with but there are questions about her account of what occurred. Sandra has lied about key details of what led to her husband's death. She lies about how close they were, she lies about having had a screaming argument with him. Caught in the midst of all of this is the boy, Daniel (Milo Machado-Graner) whose memory of that day will be the key to unlocking what happened that day. Did Sandra murder her husband after a particularly nasty argument? Did dad take his own life by throwing himself out of a third story window? That's the mystery that drives Anatomy of a Fall. 

Directed by Justine Triet, Anatomy of a Fall is a gripping courtroom thriller. Featuring an icy and fierce leading performance by Sandra Huller, Anatomy of a Fall separates itself from the legal drama genre by taking what is familiar and doing it better. It helps a great deal that we are in a French courtroom and not an American one. The French, according to this movie, my only reference point, follow a much more loose structure. Lawyers for the prosecution and defense are allowed to linger over theories and converse with people who are not currently on the witness stand. It's strange to watch if you've never seen a court room thriller in France and that raises the bar for this relatively creaky genre. 

I was captivated when the prosecuting attorney turned from the person who was testifying and began addressing Huller's Sandra directly to get her reaction in real time to what the witness had alleged. In an American courtroom this would be out of line and would like get a contempt citation. In France, this is normalized behavior and Sandra is forced to address the evidence presented as it is presented. The prosecutor can turn heel and speak to Sandra as if she were on the witness stand at all times. This does give Sandra a chance to respond to all of the evidence presented but it's also intentionally jarring as Sandra is given no chance to be ready when the spotlight falls on her. 

The court structure of Anatomy of a Fall is enough to create a gripping legal story but it takes a truly great lead performance to bring it all together and that is certainly what we get from Sandra Huller as author Sandra Voyter. Though she maintains her innocence throughout the movie, you can sense that she's holding things back, hiding things away, and that leads you to, at the very least, wonder whether or not she could have killed her husband. The film smartly lays out the case of how the murder could have happened while deftly avoided a deliberate recreation that might tip the hand of the movie. 

Triet doesn't want us to see Sandra as the killer, even in a dream scenario. Rather, she allows the court case to frame our feelings about Sandra and allows the room for Huller to reveal the character, her flaws, and the reasons that might make her appear guilty. The court scenes in Anatomy of a Fall are so well done that you need little more than hearing about what is happening, placing you in direct connection with Daniel, the only fully innocent character in the movie. Torn between believing his mother and hearing horrible things about his mother and how she has slept around during her marriage to his father, Daniel struggles with the adult task of deciding what is true and not true about his mother. 

Find my full length review at Geeks.Media 

Movie Review It's A Wonderful Knife

It's a Wonderful Knife (2023) 

Directed by Tyler McIntyre 

Written by Michael Kennedy

Starring Jane Widdop, Jess McLeod, Joel McHale, Justin Long, Katherine Isabelle 

Release Date November 10th, 2023 

Published December 5th, 2023 

Do you ever see a movie character, most often a side character, whom you adopt as your own? This happened to me as I watched the new holiday horror movie, It's A Wonderful Knife. The introduction of the character Bernie, played by Jess McLeod, won me over immediately. The adorable, shy, sad, outcast that McLeod plays is called Weirdo by everyone she meets but her actual name is Bernie and she's wonderful. My mantras became, as It's a Wonderful Knife played out, became "Protect Bernie at All Cost" and "If Bernie Dies, the Movie is Over." McLeod is just that good at being lovely, sweet, and sympathetic. My heart rose and fell with Bernie. 

That's not to take anything away from the star of It's a Wonderful Knife, Jane Widdop's Winnie, she's also terrific. It's just that I identified far more with Bernie's struggle than anyone else's. Outcasts stick together. Once you have seen It's a Wonderful Knife you can begin to understand why my adopting Bernie as my favorite character made the movie a rollercoaster of jump scares and cathartic surprises as Bernie's role grows in the 3rd act in the most unexpected and wonderful ways. Ways that actually use her as a way to honor the beloved holiday classic that lends its premise to this holiday horror flick. 

It's a Wonderful Knife stars Jane Widdop as Winnie, a teenager from a happy family with a great brother, Jimmy (Aiden Howard) and two loving parents, David (Joel McHale) and Judy (Erin Boyes). It's Christmas Eve and the family is supposed to be together but David is called to go to work. His boss, Henry Waters (Justin Long), is the richest man in town and feels no guilt about separating David from his family on Christmas, especially when a shady deal needs to get done. Henry needs to demolish one historic home to get his massive mall project up and running and he needs David to help lean on the elderly homeowner, something David doesn't want to do. 

That same night, Winnie decides to attend a party with her boyfriend Pete and her best friend, Cara (Hana Huggins). It's a fateful choice as a serial murderer is suddenly on the loose. He's dressed all in white and he's murdered the old man whose house was coveted by Henry Waters. The killer then tagets Cara who happens to be the granddaughter of the old man. Cara was to inherit the house that Waters wants and so she ends up brutally stabbed to death along with her boyfriend. Winnie's brother, Jimmy is nearly killed after confronting the killer and keeping him from killing Winnie. Jimmy survives because Winnie uses jumper cables to murder the serial killer. 

Find my full length review at Geeks.Media 

Movie Review Eileen

Eileen (2023) 

Directed by William Oldroyd 

Written by William Oldroyd, Luke Goebel 

Starring Thomasin McKenzie, Anne Hathaway, Shea Whigham 

Release Date December 8th, 2023 

Published December 8th, 2023 

Someone is sitting in a car on the side of a lake with smoke filling the vehicle. Someone is apparently committing suicide by smoke inhalation. The scene shifts back in time, the owner of the car, whom you presume is the person committing suicide in the opening scene. We meet our main character, Eileen (Thomasin McKenzie) as she's in this same car, sitting next to this same lake but this time she's surrounded by other cars. She's alone in her vehicle while watching other cars where people are making out. She starts to touch herself but thinks better of it. Opening her car door, Eileen grabs some dirty snow and stuffs it down the front of her dress, seeming to quell her burning loins. 

Sexual repression and inexperience has a big role to play, or so you assume, in Eileen as our mousy protagonist comes out of her shell when basking in the glow of an older and more worldly woman. Eileen works as an assistant secretary at a prison somewhere in Massachusetts. Her days are the same, working, going unnoticed, suffering from sexual frustration, and going home to her drunk bully of a father, a former cop named Jim (Shea Whigham). Having been retired or fired from being the chief of police, he now spends everyday getting drunk and waving his service revolver around. 

Only Eileen appears capable of calming him down though her means of doing that is to fetch him a fresh bottle. Eileen's life is altered forever when she meets to the prison psychiatrist, Rebecca (Anne Hathaway, in full Hitchcock blonde mode). Rebecca seems to adopt the mousy and shy Eileen as the only person close to her in age and attractiveness. Eileen seemingly seduces the inexperienced Eileen who realizes that she doesn't mind having an older woman attracted to her romantically. This doesn't go anywhere but, it does provide motivation for a third act twist that's intended to be shocking but feels more random, as if the story needed to create drama that just hadn't emerged to that point. 

Find my full length review at Geeks.Media 

Movie Review The Boy and the Heron

The Boy and the Heron (2023) 

Directed by Hiyao Miyazaki 

Written by Hiyao Miyazaki 

Starring Soma Santoki, Masaki Suda, Aimyon, Yoshino Kimura 

Release Date December 8th, 2023 

Published December7th, 2023 

In 2013 it appeared that the gorgeous and utterly brilliant film, The Wind Rises, would be the last animated feature film from Hiyao Miyazaki. It appeared that at the age of 72, Miyazaki was ready to step away from his home studio, Studio Ghibli and spend his days curating the Studio Ghibli catalogue and museum presentations. Three years into his retirement however, Miyazaki got a story in his head and he could not shake it. In 2016, Miyazaki began working in secret on what would become The Boy and the Heron, another lovely, graceful, and gorgeous exploration of childhood grief, sadness, and recovery. No surprise, it's another work of genius from perhaps the finest director of animated features ever. 

The Boy and the Heron features the voice of Somo Santoki as Mahito, a boy who lost his mother in World War 2. The hospital where Mahito's mother worked was bombed and she was killed in the blast. Soon after, Mahito's father moves himself and his son out of Tokyo to a village on the outskirts where he has a factory. More importantly, this is where his wife's sister, Natsuko (Yoshino Kimura), is living and preparing to have a baby. Natsuko will provide a motherly presence for Mahito at a time when he needs such an influence. 

Of course, this won't be an easy transition. The relationship between Mahito and Natsuko is troubled early on, especially with Mahito's father spending most of his time at his factory where he is manufacturing parts for planes that will be going to war. As Mahito and Natsuko struggle to find common ground, Mahito's attention is captured by a Grey Heron (Masaki Sudo), who cryptically keeps showing up in the house and seemingly trying to capture Mahito's attention. The Grey Heron eventually speaks to Mahito and promises that he can take Mahito to a place where he can see and speak to his late mother. 

A strange tower on the family land leads to a mystical and often frightening realm somewhere in between life and death. Traveling into this mystical realm, Mahito will get a chance to see his mother again and interact with her. But, he's also drawn here because Natsuko has been drawn here as well and is being held captive. Mahito wants to save the woman who has become a new mother to him and is about to give birth to a child who will be Mahito's new little brother or sister. Assisting Mahito in this strange realm is Kiriko, one of Natsuko's elderly hand maidens who is returned to her youthful self in this world. Here she oversees the beginning of new life while protecting pre-born souls from from desperate pelicans somehow trapped in this realm. 

Find my full length review at Geeks.Media 

Classic Movie Review Black Christmas

Black Christmas (1974) 

Directed by Bob Clark 

Written by A. Roy Moore 

Starring Olivia Hussey, Keir Dullea, Andrea Martin, Lynne Griffin, Margot Kidder, John Saxon 

Release Date December 20th, 1974

Published December 4th, 1974 

A static shot of a home at night greets as our entry point to Black Christmas, Bob Clark's legendary holiday slasher movie. Clark holds the shot of the house throughout the credits, which include the title of the film in a lovely script known, according to find my font, as the Pamela Font created by Dieter Steffman, a German designer with a long history of creating unique fonts used by The Rolling Stones for their album covers, among many other iconic pop culture fonts. The font is not important but, it's a minor fascination for me and I love the idea that there are people in the world who are famous for creating fonts. 

Following the end of the credits we cut to the front door of the house. The Greek letters on the outside of the home and the fact that a young woman enters the front door, lead us to the correct assumption that this is a Sorority House, home to a number of young college aged women. After we've seen the woman enter and a camera pan to a nearby window communicates what appears to be a party underway, we cut back to the front door but things are different now. Instead of a steady camera pan or a static shot, we are now in a perspective shot. We are in the perspective of someone approaching the sorority. As Christmas music plays inside, the soundtrack is dominated by the heavy breathing of the person whose perspective we have assumed. 

The subtle shift in camera style is skillfully played by director Bob Clark and his cinematographer, Reginald H. Morris. Even someone who doesn't pay close attention to such things as the way the camera is used in a particular scene, will understand the shift from a standard series of shots establishing a place and a status quo, will recognize that the camera perspective has shifted from a passive to an active participant in the scene. The Christmas music falls away, replaced by a subtle, deep bass, slightly unnerving. The breath of this new character is underscored by a chilling wind sound effect, the cold underlining the chill you feel as this heavy breathing individually slowly makes their way to the door of the Sorority. 

Without a word spoken, Bob Clark has amped up the tension and placed you in the perspective of an unseen character who may or may not be a dangerous killer. If you know the movie you are watching is a horror film, the title Black Christmas, is pretty good lead in that direction, then you can infer that you, the audience, are the killer. Clark here is commenting on the horror movie in general. Placing the audience in the perspective of the killer is an indictment of an audience who comes to a horror movie to watch people die. In the span of less than 2 minutes, Clark has demonstrated a mastery of film form that will play out further as he introduces actual dialogue, characters, and incident into Black Christmas.

The scene then transitions as the unseen heavy breathing person steps forward and the camera returns to its previous status as an observer of events. The shadow of this unknown individual crowds the frame, seeming to move forward toward the windows of the Sorority House and as this person slowly approaches the house, the camera recedes until we jump inside the house and a Sorority member, we will come to know as Barb (Margot Kidder), descends the stairs. Inside the house, the front door is open, presumably having been opened by the unseen man but, he's still outside, the open door is a red herring of sorts, a distraction. We are thrust back into first person perspective soon after as the unseen character climbs a trellis to an open window in the attic. 

Find my full length review at Horror.Media