Movie Review Spirited

Spirited (2022) 

Directed by Sean Anders 

Written by Sean Anders, John Morris 

Starring Will Ferrell, Ryan Reynolds, Octavia Spencer, Sunita Mani, Tracy Morgan 

Release Date November 11th, 2022 (Apple TV) 

Published November 11th, 2022

Imagine that the three ghosts that visit Ebenezer Scrooge in A Christmas Carol, are part of an elaborate business that specializes into scaring bad people into good people, all while singing very on the nose show tunes, and you have the movie Spirited starring Will Ferrell and Ryan Reynolds. This musical comedy posits that Ebenezer Scrooge (Will Ferrell) became the Ghost of Christmas Present after his life ended. Now, Scrooge along with his old pal Marley (Patrick Page), the Ghost of Christmas Past (Sunita Mani), and the Ghost of Christmas Future (Tracy Morgan), works to redeem those in needing redemption. 

For their latest case, the Ghosts and Marley are targeting a big fish, a so-called 'unredeemable' human being named Clint Briggs (Ryan Reynolds). Briggs is a bad guy. We meet him as he is making a presentation to owners of Christmas Tree Lots and he is encouraging them to demonize those that don't use real Christmas trees as hating Christmas. Briggs' job is all about creating chaos and division in order to sell narratives that protect brands and rich elite jerks. Marley is convinced that Briggs cannot be saved. Scrooge however, sees some of himself in Briggs and emotionally links his own redemption story to that of this awful jerk. 

From here we watch as Scrooge and company stage the life of Clint Briggs. They recreate his childhood home and bring his late sister to life. Clint has a lot of guilt and complicated feelings about his late sister, a saint who took care of him as a kid while their mom was a comical jerk. When the sister dies, Clint refused to take on her daughter, instead leaving the daughter to stay with his loving but bumbling younger brother, Owen (Joe Tippett). Naturally, Scrooge will use this moment to tug on Clint's heart strings but as happens throughout Spirited, Clint is not an easy nut to crack. 

For his part, Clint sets about sewing chaos in the meticulous plot to redeem him. He starts by seducing the Ghost of Christmas Past and then by twisting Ferrell's Ghost of Christmas Present/Scrooge into knots with endless questions about his past, why what he does is necessary and why Clint himself is happy to be seen as Unredeemable. Of course, we all know where this is headed. There is no surprise o be found in Spirited and thus the movie has to rely on gags, comical songs, and the strength of the cast to sell this overly complicated and yet predictable story. 

Spirited kind of works. This is undoubtedly Will Ferrell's best performance since 2010's The Other Guys, the last time he earned really big laughs on screen. In the last decade, Ferrell has made some of the worst movies going and thus I was happy to be able to laugh with him again. I've missed the Will Ferrell that wasn't a desperate, flailing, sweaty mess. His Scrooge is a strong combination of his Elf persona with his dramatic, adult performances in Stranger Than Fiction and Everything Must Go. The wistfulness and longing in this character give a genuine quality to his energetic, desperate for the joke side and that goes a long way toward making the performance tolerable and even entertaining. 

Ryan Reynolds sparks well with Ferrell as Scrooge. Reynolds' playful approach to being a massive jerk provides a strong arc for the character, even as it is a supremely predictable arc. Reynolds is funny, charming, angry, and rounds into genuine kindness in a real and enjoyable fashion. Strange as it seems for such a broad comedy, it's among the most genuine and enjoyable performances from Reynolds in some time. Somehow, getting to sing has enlivened Reynolds after several recent rather bored performances. 

Click here for my full length review at Geeks.Media. 

Movie Review Weird: The Al Yankovic Story

Weird The Al Yankovic Story (2022) 

Directed by Eric Appel 

Written by Weird Al, Eric Appel 

Starring Daniel Radcliffe, Evan Rachel Wood, Rainn Wilson, Toby Huss, Julianne Nicholson 

Release Date September 8th, 2022 (Roku Channel) 

Published November 11th, 2022 

As a connoisseur of one Weird Al Yankovic, the idea of a traditional Weird Al biopic had me perplexed. Why would anyone make an earnest biopic of one of the strangest, most ironic, and comic careers in history. I was genuinely confused with what the makers of the movie Weird were all about. Then I saw the trailer and it all began to make sense. Weird is a Weird Al biopic but it is, far more importantly, a send up of the various silly tropes of rock biopics. 

Biopics of rock stars seem to always go the same way. There is the rocket ride to stardom, struggling in the harsh light of fame, the inevitable fall from grace and then a rise once again or a death, one or the other. Biopics of rock stars do not tend to stray from this formula. Thus, the rock biopic genre is ripe for the kind of parody that Weird Al made famous with his music, an irreverent send up of the tropes combined with an over the top wackiness that is both hilarious and genuine. 

Weird kicks off in a universe where Polka is the equivalent of gangsta rap, a genre of ill-repute in the white washed Reagan era. Here we meet Al as he is berated by his working class father, Nick (Toby Huss) and coddled by his loving mother, Mary. Al's life is changed forever when a door to door salesman (Thomas Lennon) comes to Al's door selling accordions. While Al is taken with the instrument, his father will not have this filthy equipment in his home and sets about beating the salesman to death with his bare hands. 

In order to keep Nick out of jail for assault or attempted murder, Mary buys an accordion and gifts it to Al. This begins a life long love of the accordion and the start of his rocket rise to fame. Cut to college where Al is living with three friends and plays the accordion regularly. When challenged, Al invents a song on the spot, a parody of My Sharona called My Bologna. In an inspired sequence, Al is inspired for every single lyric by something he sees in the room around him. 

Biopics love to give every aspect of every rock star life an origin story. Thus, Al having an origin story for even the most mundane or outlandish lyric is a great bit. Big laughs are spun from this scene and the following scene where Al and his friends go to a local bus station bathroom to record My Bologna. That's a true story, Al really did record the song in a bathroom and took it to a record company meeting on the same day. They turned him down just as they do in this movie. 

Another inspired element comes when Al insists on writing original music only, only to then write his most famous songs, Eat It and Amish Paradise while calling them original songs. The meta of Michael Jackson calling Al for permission to write and perform Beat It, based on Al's Eat It, is another truly inspired gag. Throughout Weird, the movie finds wonderful little inventive ways to give Al a massive ego, something his fans know is certainly not a trait of Weird Al, arguably the most humble tunesmith in America. 

This being a Rock N' Roll biopic, a love interest must be involved, a woman of ill-repute who follows our star down to the depths of his despair. That woman in Weird is Madonna played by Evan Rachel Wood. Sexually voracious and wildly talented, Madonna sets her sights on Al because of the supposed Al Bump, a spike in sales following an artist being parodied by Weird Al and his band. Madonna wants the sales bump and will do anything she can to get it. 

Click here for my review of Weird at Geeks.media 

Movie Review Black Panther Wakanda Forever

Black Panther Wakanda Forever 

Directed by Ryan Coogler 

Written by Ryan Coogler

Starring Letitia Wright, Angela Bassett, Winston Duke, Lupita N'yongo 

Release Date November 11th, 2022 

Published November 11th2, 2022 

Black Panther Wakanda Forever begins jarringly without warning. We begin in the moment of the death of King T'Challa. His heart is still beating as his sister, the brilliant scientist, Shuri (Letitia Wright), forgoes being by her brother's side in favor of desperately trying to save him by perfecting a potion. T'Challa dies before Shuri can find the right combination of elements for her life saving potion, the same potion he'd taken when he'd become Black Panther, the masked protector of Wakanda.

Shuri is plagued by both guilt and grief as her mother, Queen Ramonda (Angela Bassett, as regal as ever), tries to comfort her. Jumping ahead by one year, Shuri remains consumed by guilt and since she doesn't believe in the elders or life after death, she refuses the comfort that such ideas can bring. Her guilt and sadness are slowly curdling inside her just as we find out that the leader of an underwater kingdom, Namor (Tenoch Huerta), is convinced that Wakanda has designs on attacking the kingdom of Atlantis. 

This is not the case. Rather, the Americans have created a machine that can locate Vibranium, the super powerful element that was once believed to only exist in Wakanda. The truth is that Vibranium also exists in Atlantis and the Americans want it. Namor's misguided belief that Wakanda is after the vibranium, sets off a chain of events that includes kidnapping Shuri, and the young American scientist Ri-Ri (Dominique Thorne), who created the incredible Vibranium locating machine. Namor believes that killing the scientiss will keep enemies from locating Atlantis. 

Naturally, Queen Ramonda sees this as an act of war against Wakanda and the two sides begin a slow roll toward war. Shuri is caught in the middle, wanting nothing more than to protect Wakanda while also understanding Namor as someone who has lost people and as someone simply trying to protect his people from the incursion of the outside world. King T'Challa's decision to share Wakanda with the world has had consequences and those consequences are directly confronted in Wakanda Forever. 

Director Ryan Coogler has an extraordinary command over the story he is telling in Black Panther Wakanda Forever. Keep in mind the tight rope walk Coogler is making in trying to honor his friend Chadwick Boseman and not exploiting his death for cheap emotion. He has to show love and respect for Boseman while also moving the Wakanda story into the future and provide comic book thrills along the way to satisfy mainstream audiences. 

Most directors in Coogler's place would have fallen back on easy, maudlin ploys for sympathy. Not Coogler, he smartly dispatches with performative grieving to the long term effect that the loss of a loved one can have on those loved ones. No one seems ready to move on from T'Challa but they are also always prepared to defend themselves as circumstances require. The vulnerability of Wakanda without the Black Panther, is a major subplot of Black Panther Wakanda Forever and it is remarkably well handled under the circumstances. 

That said, the key to making this plot work is Letitia Wright. Wright's Shuri has the impossible task of taking up the mantel as Wakanda's protector and she is not ready for it. She's not ready to let herself grieve fully for her brother and only the circumstance of Namor's arrival in Wakanda, exposing the Wakandan defenses in the process, thrusts Shuri out her longing and grief and into a place where she is driven by rage and revenge and her journey morphs from grieving to vengeance and on to maturity. 

Wright does a wonderful job throughout of giving Shuri an inner life, an intellectual and emotional life that feels real under these outsized circumstances. The script does take shortcuts to get Shuri to Black Panther but these shortcuts are typical of all Marvel adventures where the dictates of blockbuster cinema often requires a shortcut to keep the pace and action up while the emotional aspects of the story linger in the background. 

Read my complete Review at Geeks.Media.