Movie Review Living

Living (2022) 

Directed by Oliver Hermanus 

Written by Kazuo Ishiguro 

Starring Bill Nighy, Aimee Lou Wood, Alex Sharp, Tom Burke 

Release Date December 25th, 2022 

Published December 9th, 2022 

Living stars Bill Nighy as Mr. Williams. His name is kept very formal as a reflection of how he's lived his entire life by the standards of formality. Mr. Williams is the head of a non-descript Public Works office in a big English city, never identified. He's known among his employees as a quiet yet authoritative man. He manages the office efficiently, never makes waves and just tries to keep his part of this bureaucracy from gaining any kind of attention. 

Mr. Williams' arrival at work everyday is like clockwork, as is his end of the day routine. He rides the train to and from work but stays apart from his employees so as to maintain his authority. He appears to have done this job all his life without ever making much of any impact. Stacks of papers top every desk, each a request that Public Works kicks from one part of bureaucracy to another, as if their product were making sure nothing ever changes. 

Naturally, the life of Mr. Williams is about to change drastically. In an uncharacteristic moment, Mr. Williams rises from his desk one day and announces that he will be leaving early. We will come to find out that this is do to a doctor's appointment. At this appointment, Mr. Williams is told that he has maybe six months to live. The following day, Mr. Williams' clockwork arrival at work doesn't happen. He tells no one and simply doesn't show up. 

Instead, Mr. Williams has removed his life savings from his bank and has traveled to a seaside location in order to find someone who can teach him how to live. Encountering a drifter cum author, Mr. Sutherland (Tom Burke), Mr. Williams tries out a night of debauched partying and what happens from there will reveal a great deal about both Mr. Williams and Mr. Sutherland. This sequence is lovely and sad and brilliantly revealing. It's a bravura sequence in a terrific movie. 

Two more characters exist in this story and their story underlines the story of Mr. Williams. Alex Sharp plays Mr. Wakeling, a new man in Mr. Williams' department.  The name ,Mr. Wakeling, it's as if his name is intended to demonstrate that he lingers in the wake of others, carried along by the tide. Not a bad metaphor for a for a young man at the start of a new and confusing journey. Sharp gives Mr. Wakeling a wide-eyed eagerness that soon mellows into a healthy competence at his job and a general good nature. 

Mr. Wakeling stands out as he is immediately taken with a fellow co-worker, Miss Harris (Aimee Lou Wood). Miss Harris has also caught Mr. Williams' eye though it's not a creepy infatuation. Mr. Williams admires the life he's witnessed from Miss Harris, her positive attitude and warmth. She makes the office a little brighter and in her he sees someone else who might be able to help teach him what it is like to be alive after having spent so many years merely functioning. 

That's the magic of Living. Bill Nighy's performance is about learning to live and choosing the people who can guide you on that journey. It's a somber reminder of the ways you make an impression on people whether you are aware of it or not. Miss Harris made the world a little brighter without knowing she did it and, even from his cloistered space a functioning cog in a bureaucratic wheel, Mr. Williams noticed it, admired it, and comes to praise it with hopes of learning more from it. 

That's a beautiful idea and it is well explored in the patient and thoughtful direction of Oliver Hermanus and the insightful script of Kazuo Ishiguro. Hermanus adopts a look for Living early on that evokes 1950s Hollywood, and the work of director Nicholas Ray, that incredibly humanistic director, brilliantly known for his interior dramas. Like Ray, Hermanus uses interiors to reveal his characters. For instance, Mr. Williams' well dressed and mannered persona juxtaposed against the rowdy, grimy, seaside pubs, home to the debauched and delightful, Mr. Sutherland's of the world. 

Click here for my full length review at Geeks.Media 

Movie Review The Mean One

The Mean One (2022) 

Directed by Steven LaMorte

Written by Steven LaMorte, Flip Kobler 

Starring Krystle Martin, David Howard Thornton, Chase Mullins 

Release Date December 9th, 2022 

Published December 8th, 2022 

The Mean One is a fully unauthorized horror parody of The Grinch that skirts the law by never actually saying the word 'Grinch.' How willing you are to accept this is a strong measure of how you will take this movie. The film takes the concept of How the Grinch Stole Christmas and turns The Grinch into a monster who accidentally murder's Cindy Lou's mom while he steals Christmas. Thus a begins a long term effort to destroy Christmas by killing anyone who exhibits even the faintest form of Christmas cheer. 

The Mean One, aka The Grinch, is played by Terrifier 2 star David Howard Thornton who essays yet another brilliantly physical and silent performance. He's a truly incredible physical performer, even as much of his performance in this very silly film is a parody of Jim Carrey's 2000's live action Grinch, crossed with a little bit of Art the Clown. It's mimicry but, at times, it's quite darkly funny mimicry. Thornton is the best thing about this very silly, extremely low budget horror flick. 

As mentioned, The Mean One proceeds from an accidental murder. Cindy Lou, played as an adult Krystle Martin, interrupts The Grinch as he is stealing Christmas. Her mother enters the scene to protect her daughter and accidentally dies. Years later, The Grinch has been stealing Christmas from this small town, and killing to do so, while Cindy and her father fled the town. Returning years later to sell their home, they find a town that has banned Christmas and harbors The Grinch as a deep dark secret. 

Find my full length review at Horror.Media 

Movie Review The Whale

The Whale (2022) 

Directed by Darren Aronofsky 

Written by Samuel D. Hunter 

Starring Brendan Fraser, Hong Chau, Sadie Sink, Samantha Morton 

Release Date December 9th, 2022 

Published December 7th, 2022 

One of the biggest anxieties in my life is having food on my face. It's a fear of humiliation, I get triggered by being embarrassed. Logically, intellectually, I know this is not something worthy of serious concern and that it is an unavoidable fact of life, food on your face is normal, wipe it off and move on. But, my brain won't let it be that simple. Thinking of this aspect of my anxiety has me triggered. My eyes are welling up and I can sense that if I linger further in this space, I will become quite inconsolable. 

I've rarely seen this type of emotional reaction, this type of triggered anxiety in a movie. It's quite difficult to capture this kind of internalized emotional struggle, the rigorous internal battle to stop yourself from crying over something not worthy of crying about. The Whale comes the closest I have seen in some time of seeing this kind of emotional turmoil, a roiling mass of embarrassment and shame, on screen. Brendan Fraser's Charlie captures this feeling in all of its internalized horror. If only the rest of the movie were capable of capturing anything remotely as genuine. 

Charlie is a dangerously obese man who gets by as a literature professor at an online college. The shame over his weight causes him to conduct his classes with his camera on, using only his voice to instruct his class. Charlie's only friend is his caregiver, Liz (Hong Chau). They were friends before she became his caregiver. In fact, Liz is intrinsically linked to Charlie's past. She was connected to Charlie's late boyfriend, a man whose death changed both of their lives. 

Throughout The Whale we will slowly unpack Charlie's backstory as a man who was once married and had a daughter, Ellie (Sadie Sink), who he would like to reconnect with. Charlie was pushed out of Ellie's life after he fell in love with one of his male students and embarked on a new life with this man. Ellie doesn't know that Charlie had wanted to be in her life but wasn't allowed to be. She only knows that he appeared to choose being with this man over being her dad and she harbors a deep, and justifiable resentment. 

Much of the plot of The Whale centers on Charlie trying to reconnect with Ellie before his weight problem, and his unwillingness to get help for it at a hospital, takes his life. Ellie, however, proves to be far more difficult to reconnect with than he imagined. Ellie's bitterness has hardened into an almost sociopathic cruelty. Despite Charlie's attempts at dressing up her cruelty as a kind of blunt curiosity, Ellie is rarely anything less than bitter to a toxic degree. 

This toxicity is explored in her relationship to a strange young man named Thomas (Ty Simpkins), who is insinuating himself into Charlie's life. Thomas claims to be a missionary from an extreme offshoot of Mormonism called New Life. He goes door to door with literature and, after meeting Charlie, and seeming to save his life, Thomas makes it his mission to save Charlie's soul before his weight kills him. Thomas is harboring a deep, dark secret that Ellie will spend some time drawing out of him. 

This is the portion of The Whale that is the most poorly developed. The idea appears to be to establish Ellie's empathy and care, qualities that she has worked hard to hide. How they choose to portray this is strange, misguided, and simply doesn't track with what we see on screen. In fact, it takes a late monologue from Charlie to explain that what Ellie did was kind and helpful. Realistically, it appeared she was trying once again to do something cruel, and it happened to turn out well. 

Find my full-length review at Geeks.Media.