Classic Movie Review Muriel's Wedding

Muriel’s Wedding 

Directed by P.J Hogan 

Written by P.J Hogan 

Starring Toni Collette, Rachel Griffiths

Release Date March 10th, 1995 

Published March 11th, 2025

Muriel’s Wedding stars Toni Collette in a debut performance that blows the doors off. It can come as no surprise that Collette has gone on to be one of our most reliable, beloved, and extraordinary leading ladies after she absolutely smashed this comic debut. Colette’s Muriel is a complicated mess of a character, a tangle of depression, bad decisions, low self esteem, and an agonizing longing for a different life. When she finally sparks the courage to search for a new life, the journey is incredibly funny, rewarding and heartbreaking. And all of this is playing through Collette’s extraordinary performance as framed by P.J Hogan’s deft direction.

Muriel is a mousy, wedding loving, dreamer. Her life centers on two things, loving the music of Abba, her pop culture comfort food, and dreaming about getting married. Muriel may, in fact, prefer the wedding to the actual marriage and companionship. Wedding dresses, bouquets, and the pageantry of a wedding procession are her true passion, even as she rarely outright says this. The film implies Muriel’s obsession while Muriel herself just tries to remain unnoticed. This is easy among her family where she’s one of several adult children with no job and few prospects.

Click here for my full length review at Geeks.Media.

Classic Movie Review Rear Window

Rear Window 

Directed by Alfred Hitchcock 

Written by John Michael Hayes

Starring Jimmy Stewart, Grace Kelly, Raymond Burr

Released September 1st, 1954

Published March 12th, 2025 

Alfred Hitchcock’s genius, for me, boils down to two elements: juxtaposition and perversion. Hitch takes a thing or a person associated with a specific characteristic and places that person or thing in a different context, one opposite to how we perceive it. The Birds (1963) is a great example. Before The Birds, no one associated birds with anything remotely dangerous. Hitchcock takes Birds and turns them into horror movie villains, convincing us through the use of storytelling and the tools of cinema that even the most innocuous animal can be used as a symbol of a battle between man and nature. 

He enjoys this kind of juxtaposition in his actors as well. Take, for instance, Cary Grant in North by Northwest. Here, Hitchcock takes this bastion of handsomeness, charm, and good manners and repeatedly renders him helpless, hapless, and narrowly avoiding dangerous schemes not by his unending charm or good looks but by sheer chance and good luck. This flies in the face of our collective, cultural memory of Cary Grant as a debonair, accented charmer, a man constantly one step ahead of anyone he’s in a scene with. He is certainly the hero of North by Northwest but he does not drive the action, action happens to him. A leading man is supposed to be the catalyst of a story, Hitchcock takes the ultimate leading man of his time and robs him of his agency, forcing him to be subject to a plot rather than driving it. It's a juxtaposition of our expectations, of Grant's persona, and of the concept a leading man in a movie.

Click here for my full length review at Geeks.Media 

Movie Review Ice Princess

Ice Princess 

Directed by Tim Fywell

Written by Hadley Davis 

Starring Michelle Trachtenberg, Joan Cusack, Kim Cattrall, Hayden Panettiere 

Release Date March 18th, 2005 

Published March 13th, 2025

If not for the far too young passing of actress Michelle Trachtenberg, the 20th anniversary  of the movie Ice Princess likely would have passed unnoticed. Though this is a quite good for what it is sports movie, it's not exactly a top of mid movie for anyone outside a few nostalgic millennials with failed dreams of winning Olympic gold in Figure Skating. In 2005 and thereafter, more than a few young girls lived vicariously through Trachtenberg's overachieving academic with Harvard in her future who develops a sudden interest in figure skating through the use of math. 

Casey (Trachtenberg) has been on her way to Harvard University from the womb. Her mother, Joan (Joan Cusack), isn't a maniac intent on forcing her daughter to go to Harvard, just very supportive of the idea and proud of her accomplishments. Thus, it is to Joan's dismay that Casey decides to get back into figure skating. Joan sees it as a distraction from her stated academic goals. Casey meanwhile, posits figure skating as a physics experiment, developing an algorithm that not only helps her become an incredible skater in mere weeks, it also helps the other girls building their figure skating dreams including Gen (Hayden Panettiere), an early rival and soon friend of Casey. 

Through Gen, Casey meets Gen's brother, Teddy (Trevor Blumas), and begins a tentative romance. Add this to Casey's summer job, and you an understand why Joan starts freaking out over Casey having little time to focus on her studies. A boyfriend, a job, figure skating practice and competitions pile up alongside Casey's Harvard project and everything seems to suffer, save for figure skating. Indeed, Casey has gotten so good that when it appears she may qualify for an advanced tournament ahead of Gen, Gen's mother and their coach, Tina (Kim Cattrall), sabotages Casey to assure that Gen gets to move on to the big tournament. 

Find my full length review at Geeks.Media linked here.