X-Men: Apocalypse Review – The Best of the Recent Trilogy?

Sean Patrick reviews X-Men: Apocalypse, calling it the strongest entry in the recent X-Men trilogy, with standout performances from Michael Fassbender and Sophie Turner.

By Sean Patrick, Regional Media Film Critic

X-Men: Apocalypse, directed by Bryan Singer, is the latest chapter in the ever-evolving X-Men cinematic universe. Set ten years after the events of Days of Future Past, the film introduces a new timeline shaped by Wolverine’s time-traveling heroics. And in this revised history, a powerful ancient mutant named Apocalypse (Oscar Isaac) emerges with a grim plan to cleanse the world and build anew—with only mutants he deems worthy left standing.

The Plot

The X-Men must rally to stop him. Professor Xavier (James McAvoy), Mystique (Jennifer Lawrence), and Magneto (Michael Fassbender) return, alongside younger versions of classic characters like Jean Grey (Sophie Turner), Cyclops, and Nightcrawler, as students stepping into hero roles.

Apocalypse recruits his own Four Horsemen—including a lost and vengeful Magneto—and sets the stage for an all-out war between mutants that will define the future of their kind.

Why It Works

Among the recent trilogy (First Class, Days of Future Past, and Apocalypse), this is the most coherent and entertaining installment. The storytelling feels more focused, the tone better balanced, and the humor and pacing are much stronger than its predecessors.

Michael Fassbender gives a powerful, emotionally rich performance as Magneto. He’s given real stakes, and he delivers one of the best performances of the entire X-Men saga. Sophie Turner, as Jean Grey, is also a highlight—she brings subtlety and strength to her role and has several standout scenes that hint at the character’s future importance.

Mixed Performances

Unfortunately, Jennifer Lawrence as Mystique feels like she’s phoning it in. Her performance lacks energy and engagement, and at times it seems like she’d rather be anywhere else. It doesn’t ruin the film, but it does drag down some otherwise strong ensemble moments.

Final Verdict

Sure, there are plot holes you could nitpick, and some moments feel overly familiar for the franchise. But taken as a whole, X-Men: Apocalypse stands out as the most solid and satisfying entry in the recent X-Men reboot series.

Rating: ⭐⭐⭐⭐☆ (4/5)

If you’re a fan of the X-Men universe or just looking for a fun, action-packed weekend watch, I do recommend checking it out.

I’m Sean Patrick. Thanks for reading.

A Bigger Splash Review: A Brilliant, Twisting Drama with Career-Best Performances

Sean Patrick reviews A Bigger Splash, a standout film from 2016 starring Tilda Swinton, Ralph Fiennes, and Matthias Schoenaerts. A gripping, intellectual must-see.

By Sean Patrick, Regional Media Film Critic

A Bigger Splash is one of the best films of 2016—an elegant, cerebral, and emotionally intense drama directed by Luca Guadagnino. It stars Tilda Swinton, Matthias Schoenaerts, Ralph Fiennes, and Dakota Johnson in a complex story of passion, power, and disruption on a remote Sicilian island.

The Plot

Swinton plays Marianne Lane, a legendary rock star recovering from throat surgery. She's vacationing in quiet seclusion with her boyfriend, Paul (Matthias Schoenaerts), hoping to heal and avoid the outside world. But their peace is shattered by the unexpected arrival of her exuberant ex-lover and producer, Harry (Ralph Fiennes), who brings with him his enigmatic daughter Penelope (Dakota Johnson).

Harry is a whirlwind—imagine Ralph Fiennes channeling Robin Williams. His energy is explosive, his charm undeniable, and his presence destabilizing. Fiennes gives one of the most unique performances of his career—magnetic, obnoxious, and unforgettable. He’s a character you both cringe at and care about.

Standout Performances

Tilda Swinton is mesmerizing, playing Marianne with extraordinary subtlety, especially since her character is nearly mute due to the surgery. Her silence creates space for Fiennes to dominate scenes, and for tension to build through body language and expression.

Matthias Schoenaerts delivers the best performance of his career as Paul, a man caught between loyalty and discomfort. His internal conflict is palpable, as he tries to hold it all together while unraveling inside.

Dakota Johnson adds intrigue as Penelope—a mysterious and possibly manipulative presence. Her role becomes more layered as the story unfolds, and the film wisely avoids telegraphing her motivations too clearly.

Why It Works

A Bigger Splash is a film that rewards careful viewing. The plot is full of quiet symbolism, moral complexity, and unexpected twists. Rather than spoon-feeding its themes, the movie lets them simmer and unfold organically. There’s no hand-holding—just deeply intelligent filmmaking that respects its audience.

The direction, writing, and cinematography are top-tier. This is not just a film about relationships—it's about performance, control, desire, and the emotional residue of the past. And it builds to a finale that is both shocking and earned.

Final Verdict

A Bigger Splash is one of the most thoughtful, beautifully crafted films of the decade. With career-best performances from Ralph Fiennes and Matthias Schoenaerts, and yet another masterclass from Tilda Swinton, it’s a must-see for anyone who appreciates smart, layered cinema.

Rating: ⭐⭐⭐⭐⭐ (5/5)

I’m Sean Patrick. Thanks for reading.

A Bigger Splash, Movie Review, Tilda Swinton, Ralph Fiennes, Matthias Schoenaerts, Dakota Johnson, Luca Guadagnino, Best Films 2016, Psychological Drama, Indie Film, European Cinema

Alice Through the Looking Glass Review: Better Than the Original, But Still a CGI Mess

Film critic Sean Patrick reviews Alice Through the Looking Glass. It’s better than Tim Burton’s Alice in Wonderland, but still overwhelmed by CGI and odd performances.

By Sean Patrick, Regional Media Film Critic

Released in 2016, Alice Through the Looking Glass arrives as the sequel to Tim Burton’s 2010 Alice in Wonderland—a film I genuinely despised. I still do, six years later. That original outing was an irritating display of cloying whimsy, ugly CGI, and grating performances—particularly from Johnny Depp.

Fortunately, Alice Through the Looking Glass, directed by James Bobin, manages to rise above its predecessor—though only barely.

Plot Summary

This time around, the story hinges on the Mad Hatter (Johnny Depp), who is falling into a deep melancholy. He believes his long-lost family, presumed dead, might still be alive. When no one believes him, he begins to fade away both emotionally and physically. Alice (Mia Wasikowska) must travel back in time to uncover the truth.

To do this, she seeks help from Time himself, played by Sacha Baron Cohen. In one surprisingly moving scene, Cohen and Wasikowska manage a rare emotional connection—one of the only genuinely effective moments in the film.

Performance & Visuals

But one scene isn’t enough to save a movie so weighed down by excessive CGI. Nothing in this film feels tangible. Even basic set pieces—like handrails—are rendered digitally. The result is a visually exhausting film that offers little in the way of immersion or wonder.

Johnny Depp’s portrayal of the Mad Hatter continues to be aggressively grating. His performance, like much of the film, is loud, chaotic, and difficult to endure.

Final Verdict

Alice Through the Looking Glass is not a good movie. It is, however, a less bad movie than its predecessor. That’s the best I can say. While it has a moment or two of clarity, they’re quickly swallowed by the same garish spectacle that plagued the first film.

Rating: ⭐⭐☆☆☆ (2/5)

I’m Sean Patrick. Thanks for reading.

Alice Through the Looking Glass, Movie Review, Johnny Depp, Mia Wasikowska, Sacha Baron Cohen, Disney Movies, Tim Burton, Film Critic, CGI, Fantasy Films, Sequel Review