Movie Review Women Talking

Women Talking (2022) 

Directed by Sarah Polley 

Written by Sarah Polley 

Starring Jessie Buckley, Claire Foy, Frances McDormand, Rooney Mara, Ben Whishaw 

Release Date December 23rd, 2022 

Published December 22nd, 2022

Women Talking is directed by Sarah Polley with a script Polley adapted from a book by Marion Toews. The story is set inside a cloistered Mennonite community in 2010. After having endured sexual and physical abuse from the men in their colony for years, the newest assault has the women of the community questioning what to do to stop this from happening again. 8 women are assigned the task of determining what must be done, either staying and fighting the men or leaving and never returning, risking what they've been raised to believe would be God's wrath, eternal damnation. 

Regardless of the risks involved, a decision must be made and over the course of Women Talking we here the reasoning behind what must be done, staying and fighting or leaving. Each comes with its own peril. Fighting the men is going to be violent and result in grave harm or perhaps death. Leaving meanwhile, risks losing a place in the kingdom of heaven plus the fact that the women have no idea where they will go if they leave. 

That last bit is critical but you have to think about it for yourself. A less talked about aspect of abuse is economic or circumstantial abuse. This is abuse that occurs when one partner renders another partner helpless via their circumstances, physical, financial, et cetera. Essentially, because these women are cut off from the outside world, cut off from resources, they are left with no choice but to rely on their male partners. Leaving is a possibility but it comes with a grave uncertainty as to where to go and what will happen next. 

Add to that fact that these are women with small children or elderly women who've spent their whole lives in this community and it dawns on you just how massive this decision these women are making truly is. The competing emotions of anger, resentment, fear, uncertainty, the desire to be free of abuse and the years of indoctrinated servitude, these women are doing far more than just talking, they are facing a monolithic challenge. 

Among the eight women chosen to make this impossible decision are Ona (Rooney Mara), a rape survivor who became pregnant from her assault. Salome (Claire Foy), also a recent survivor who is eager to stay and fight. Mariche, a mother of several children who has suffered repeated abuse from her husband. Mariche wants to stay and cope with the problems though her coping seems to involve changing absolutely nothing about their circumstances. 



Movie Review The Old Town Girls

The Old Town Girls (2022) 

Directed by Shen Yu 

Written by Yujie Qiu, Shen Yu 

Starring Regina Wan, Li Gengxi, Jue Hwang

Release Date December 23rd, 2022 

Published December 22nd, 2022 

The Old Town Girls begins in a disjointed note. Co-writer and Director Shen Yu throws you immediately into chaos. Three adults are searching for two missing teenage daughters. One insists that they need to find the supposed kidnappers of their daughters to deliver a large ransom. One of the father's decides that waiting around isn't worth it and decides they should go to the police. At the police station with the intent of filing a missing persons report. That's when everything breaks down and suddenly we are thrown back in time. 

With little in the way of context clues we must determine that we are now a few weeks in the past, prior to the events of the opening scene. The two young women who are missing in the opening scene, presumed kidnapped, are High Schoolers and loosely they are friends. Shu Qing (Li Gengxi) is a desperately shy young woman, an outcast both at school and at home. In a heartbreaking scene, we watch as she arrives to her modest home only to be told by her step-mother that she needs to stay out while grandparents are there. Shu Qing is not there granddaughter and they don't want to dine with a stranger. Ouch. 



Movie Review All the Beauty and the Bloodshed

All the Beauty and the Bloodshed (2022) 

Directed by Laura Poitras 

Written by Documentary 

Starring Nan Goldin 

Release Date November 23rd, 2022 

Published December 21st, 2022 

All the Beauty and the Bloodshed is a powerful and haunting exploration of the work and life of a remarkable artist. The bold and brilliant Nan Goldin made her first impact on art culture in the 1980s with her sensational art piece, A Ballad of Sexual Dependency. That multimedia experience included explicit and deeply personal photographs depicting the many relationships in Goldin's circle, including brutally honest explorations of her own relationship. Though some told Nan Goldin that photographers don't photograph themselves or their own lives, she defied them and became a cult legend. 

Defiance is a strong quality in Nan Goldin. Defying conventional, suburban expectations of her life was a hallmark of Goldin's childhood. Following the all too early death of her older sister, Nan Goldin defied her parents by continuing to ask questions about why her sister died so young. And, later in Goldin's life, she became defiant of the corporate art world by leading a protest against one of the corporations that funded many of the biggest and most well-known museums around the world. 

The owners of Purdue Pharma, the Sackler Family, donated millions to museums around the world, including ones that were home to the work of Nan Goldin. Goldin however, never afraid to bite the hand that supposedly fed her, started a protest movement aimed specifically at getting the Sackler family name off of the walls of world of art. Why? Because Nan Goldin was a rare survivor of the opioid crisis, one who came out the other side of her addiction with her voice intact. 

Thousands of people have died from overdose and illness related to the Sackler family's pharmaceutical products, Oxycontin and Fentanyl. Over the years, the callous and cold-hearted statements made by the Sackler family regarding their deadly products have come to light and Nan Goldin uses those statements as part of her art and protest movement called "PAIN." PAIN targeted what they call 'Toxic Philanthropy,' essentially the uber-rich who use philanthropy to cover up for their unethical, immoral and or illegal business practices. 



Movie Review Stars at Noon

Stars at Noon (2022) 

Directed by Claire Denis

Written by Claire Denis, Lea Mysius, Andrew Litvack 

Starring Margaret Qualley, Joe Alwyn, Benny Safdie 

Release Date October 14th, 2022 

Published ? 

In the hands of any other director, Stars at Noon would be a taught, fraught, political-spy thriller filled with car chases, action, and excitement. In the hands of Claire Denis however, Stars at Noon is languid, sexy, dripping with sweat, and far from anything you would expect from  spy thriller. The film stars Margaret Qualley as a wannabe journalist caught up in the political unrest of Central America. Joe Alwyn co-stars as the ostensible spy in this spy story, an Englishman caught between American and Central American interests. 

The film begins with our protagonist referred to only as Journalist. We eventually hear her called Ms. Johnson but that's merely an indication of Denis' disinterest such mundane matters as peoples names. Identity is less important than getting to what is more interesting to Claire Denis, the politics of sex, the sexual marketplace, and the place her female characters occupy in that odd marketplace. In this case, Qualley's journalist has been placed in a unique position. 

After having written an article critical of the regime in charge, the Journalist has had her passport taken away and her journalistic credentials revoked. This places her at the whim of men who might be able to help her in exchange for her body. That's the case with a local official who took her passport and broke her phone and still demands sex from her. That would be the case for another high ranking official were he not impotent, though his willingness to help her is now waning. 

The journalist's relationship to the English spy also begins in a transactional fashion. The pair meet at a hotel bar. The spy mistakes the journalist for a sex worker and, being desperate for American currency, she doesn't disabuse him of this notion. She needs money to try and get back to the United States, a task that gets ever more difficult as the story progresses. The hook up with the spy initially seems like a one off but when she finds herself in even deeper trouble she seeks him out again only to find that he may be in even more trouble than she is. 

My telling of the plot is actually more concise than Denis' presentation. For Denis, the book on which this script is based is a hanger from which she can explore other ideas, visual and sexual ideas, power dynamics, and other things that capture her fleeting interests. Yes, there is ostensibly a thriller plot unfolding with our protagonists attempting to flee from the corrupt elements of government attempting to arrest the spy. 

Find my full length review at Geeks.Media 



Movie Review Corsage

Corsage (2022) 

Directed by Marie Kreutzer 

Written by Marie Kreutzer 

Starring Vicky Krieps, Florian Teichtmeister, Katharina Lorenz 

Release Date December 23rd, 2022 

Published December 20th, 2022 

Corsage stars Vicky Krieps as Empress Elisabeth of Austria. Obsessed with her looks and dismissive of royal duties, Empress Elisabeth cuts a strangely bad ass figure in Corsage. She's not quite punk rock but she's in the rebellious metaphorical realm. She was a Queen but, according to this movie, one who chafed hard against the crown her entire life. She was a devoted mother whose motherhood was taken from her by royal decree as she became disengaged from her children who were essentially brainwashed by royal formality with only a little of their mother's true spirit mixed in. 

We meet Empress Elisabeth as she is doing her royal duty. This means being trussed up in the tightest corset possible in order to meet a public obsessed with her weight, her looks, and her outfits. We watch with mouths agape as catty fellow royals and richies snarkily comment on her appearance in the most passive aggressive fashion before she steals back a modicum of self worth by faking her way out of the needless, thankless task of glad-handing. 

 Faking a fainting spell, Empress Elisabeth returns home to the comfort of her gaggle of servants, stylists and sycophantic family members. Most prominent in her circle are Elisabeth's closest friend, Countess Marie Festetics (Katharina Lorenz), Lady in Waiting Ida Ferenczy (Jeanne Werner) and her hairdresser, Fanny (Alma Hasun). With these women and her private servants, Elisabeth expresses her loathing of her royal duties and the various ways she subverts her station. 

Corsage unfolds as series of set pieces that give us a glimpse of Elisabeth's agonizing chafing against her station and the few desires she is able to indulge. One specific indulgence is a male friend whom she desires but is more than likely... not her type. Then there is another potential lover, George "Bay" Middleton, the Queen's favorite horse trainer. The two have remarkable chemistry but Bay seems to recognize how dangerous an affair with Elisabeth may be while she obliviously flirts and pouts. 

Drama surrounding Elisabeth's children involves the shifting allegiances of her son Rudolf. At once Rudolf warns his mother about indulging her flirtation with Middleton and then he turns around and becomes her biggest supporter, as he also launches a bit of a scandal with his rumored affair. Elisabeth's youngest daughter repeatedly antagonizes her mother over her improprieties in a subplot that doesn't really go anywhere but going nowhere is kind of the heart of Corsage. 

Writer-Director Marie Kreutzer is a skilled storyteller with a knack for knowing where to linger and where to surprise the audience. A good example are the highly charged scenes between Elisabeth and her husband, Emperor Franz Joseph (Florian Teichtmeister). The marriage is fraught with various dramas from Elisabeth's desire to be involved in state affairs, to her unwillingness to participate in the boring rituals of royal life. Naturally, both struggle with fidelity even as Elisabeth does make attempts to connect with her husband. 

As mentioned earlier, vultures surrounding the royal family consistently made Elisabeth's looks into a topic for scandal and speculation. Corsage examines those issues by not examining them at all. Rather, Kreutzer's script and Vicky Krieps' performance bring these issues forward in how Elisabeth dressed and her remarkably extreme approach to weight loss. The title, Corsage refers to the original use of that word, which described what we came to call a corset, the bodice of a woman's dress. Elisabeth was obsessed with the corsage she wore, wearing it as tightly as possible, painfully tight. 

It was an expression of her anxiety over her weight and a message to those in her court who thought to criticize her appearance. By showing off her extremely small waist, she hoped to head off criticism of her appearance. Sadly, then many began to speculate that she was sickly and pale, or even dying due to her extreme vanity. She truly could not win. Elisabeth's diet is another extreme demonstrated in Corsage in a scene where her dinner consists of a thin slice of an orange. Not the whole orange sliced, one thin slice from an orange. 

Find my full length review at Geeks.Media. 



Horror of 2022

Let's rank the Horror Movies of 2022!


Movie Review Avatar The way of Water

Avatar The way of Water (2022) 

Directed by James Cameron 

Written by James Cameron, Rick Jaffa, Amanda Silver

Starring Sam Worthington, Stephen Lang, Sigourney Weaver, Kate Winslet, Zoe Saldana 

Release Date December 16th, 2022 

Published December 19th, 2022 

It's not that Avatar The Way of Water is a bad movie, far from it, this is an incredibly accomplished movie. I just don't care. I can't get emotionally invested in the Avatar franchise. James Cameron's obsession with replacing human actors with CG creations leaves me cold. Without a human face to connect to, I'm left adrift amid the spectacle of Avatar The Way of Water. I can appreciate the technical accomplishment but I can't enjoy Avatar The Way of Water the way I have enjoyed so many more worthy, thoughtful. human movies such as Aftersun or Everything Everywhere All at Once, or even Women Talking, a movie that is more poignant than enjoyable but you get what I am saying. 

Where Avatar is a massive technical achievement, it's not a great movie. It's a machine tooled product and no matter how well made that product is, it's inert, it is as compelling as a really great looking appliance. I appreciate the beauty of a streamlined refrigerator with a neat LED readout and connection to my smartphone, but it's not something I am going to think about much beyond my purchase of it. Eventually, it recedes into the scenery, leaving no lasting memory. That's Avatar the Way of Water in a nutshell. 

Avatar The Way of Water is set nearly 20 decades after the first film. The story finds the Sully family, headed up by former human turned Na'vi leader, Jake Sully thriving in their forest home until the 'sky people' return. The sky people have come back to Pandora not to retrieve more 'unobtainium' but rather to conquer Pandora and make it the new Earth. That's the background story anyway, the main story involves reviving the late Col. Miles Quaritch (Stephen Lang), by placing his memories into a Na'vi Avatar and sending him to kill the biggest threat to humanity's plan, Jake Sully. 

Thinking that he can protect the Na'vi best by leaving, Jake packs up his family, including his wife, Neytiri (Zoe Saldana), sons, Netayam (Jamie Flatters) and Lo'ak (Britain Dalton), and daughter Tuk (Trinity Jo-Li Bliss). Also joining the Sully's will be their adopted daughter, Kiri (Sigourney Weaver), the miracle child of the late Dr. Grace Augustine (Also Sigourney Weaver). The fewer questions asked about Kiri's origin story, the better, I'm pretty sure not even James Cameron could explain it. 

The Sully's run off to live with the water dwelling people of Pandora, led by Tonowari (Cliff Curtis) and his wife, Ronal (Kate Winslet). Here, the Sully's will learn to swim and to live off of the bounty of the ocean. They will be treated as outcasts while slowly earning their place in the tribe and blah, blah, blah. There is nothing new here, every inch of this portion of the movie is a trope from other fish out of water movies about new people in new situations. 



Movie Review Megalopolis

 Megalopolis  Directed by Francis Ford Coppola  Written by Francis Ford Coppola  Starring Adam Driver, Nathalie Emmanuel, Giancarlo Esposito...