Movie Review The Pale Blue Eye

The Pale Blue Eye (2022) 

Directed by Scott Cooper

Written by Scott Cooper 

Starring Christian Bale, Harry Melling, Gillian Anderson, Lucy Boynton, Robert Duvall 

Release Date December 23rd, 2022 

Netflix Release Date January 6th, 2022 

Pale Blue Eye stars Christian Bale as Detective Augustus Landor. Detective Landor lives in upstate New York, not far from the famed campus of the West Point Military Academy. It's 1830 and as we join the story, Detective Landor has received guests at his cottage. The visitor is Captain Hitchcock (Simon McBurney) and he has distressing news. There has been a murder on the campus and the leadership at West Point, headed up by Superintendent Player (Tim Spall) wishes to hire Landor to investigate. 

At the scene of the crime a West Point cadet is hanging from a tree. One might assume a suicide but one important detail removes that possibility. The young victims heart has been cut from his chest. Stranger still, a young cadet who found the body claimed that the body had been hanging there when he arrived but the victim's heart hadn't yet been removed. Landor accepts the job of investigating the death and sets to work with minor aid from a West Point physician, Dr. Daniel Marquis (Toby Jones) who performs a perfunctory autopsy. 

The case takes a strange detour when Landor meets an odd young cadet named E.A Poe, Edgar Allan Poe (Harry Melling). The awkward and melancholy Poe has a theory that the murderer must be a poet as the cutting out of the heart could only be symbolic. Landor is dubious about Poe's theory but keeps the young man around, hiring him as a junior investigator. It will be Poe's task to do the investigating that Landor cannot do himself, get close to the cadets who knew the victim, and report back to Landor. 

This leads to a surprising supernatural connection to the death that brings Landor in contact with an old friend. An almost unrecognizable Robert Duvall plays Jean-Pepe, a Professor with a taste for the supernatural and the macabre. He theorizes that the taking of the heart and an occult symbol found in a barn near the murder may indicate a ritual killing, an attempt by someone to communicate with the dead via a sacrifice and a human heart. 

Meanwhile, Poe begins to fall in love. Lucy Boynton stars as Lea, the daughter of Dr. Marquis, and Dr Marquis's imperious wife, Julia (Gillian Anderson). Lea has a disease that is slowly killing her but that doesn't stop Poe from falling deeply in love with her. This came as he investigated Dr. Marquis' son, Artemus (Harry Lawley) who appears to have connections to the supernatural. The Marquis Family, Poe and Detective Landor are all at the center of the mystery at the heart of Pale Blue Eye. 

Pale Blue Eye is not based on a real story. Rather, it's based on a legend that Edgar Allen Poe helped to spread around the time he began his famed writing career. It's a story that Writer-Director Scott Cooper has been eager to tell since he broke through with his debut feature, Crazy Heart. You can sense the care Cooper is taking to tell this story and he is a skilled storyteller. That said, Pale Blue Eye doesn't quite live up to Cooper's passionate presentation. 

The film is absorbing and the mystery is quite intriguing. That said, the final act of Pale Blue Eye goes just a step too far. A bizarre twist unfolds that makes you look back at the rest of the movie with confusion. Character decisions that seemed logical earlier in the story become weirdly questionable after the twist is revealed and since the twist isn't satisfying enough on its own  to justify all that it corrupts in the rest of the telling of the story. 

Christian Bale cuts a strong figure as Detective Landor. His chemistry with Harry Melling's Poe is the strongest aspect of Pale Blue Eye. The amused way Landor takes in the oddball Poe is quite entertaining and Melling's broad theatrical performance bounces wonderfully off of Bale's more naturalistic performance. Melling might be overly broad if not for the way Bale's Landor grounds him and makes him appear more human, drawing him out from his theatricality toward more genuine, honest moments. t's a good dynamic. 

Find my full length review at Geeks.Media 

Movie Review Candy land

Candy Land (2023) 

Directed by John Swab 

Written by John Swab

Starring Olivia Luccardi, William Baldwin, Sam Quartin, Owen Campbell, Eden Brolin

Release date January 6th, 2023 

Published January 2nd, 2023 

Candy Land is a nasty, gritty, sexy horror movie about sex workers at a southern truck stop who meet a young woman named Remy (Olivia Luccardi), after she has either escaped from or been turned away from the religious cult she was with. Taking her in, they become her friends and, eventually, they initiate her into sex work. Little do they know that Remy is more dangerous than she looks. The mousy former cult member carries with her a cross with a deep dark secret related to her past and the cult from which she's supposedly escaped. 

Among our characters is Sadie (Sam Quartin), Sadies' girlfriend, Liv (Virginia Rand), Riley (Eden Brolin) and Levi (Owen Campbell), a gay for pay sex worker. Helping the younger women with a place to stay and frequent customers is Nora (Guinivere Turner), a relatively kindhearted version of a pimp. Rounding out the cast is Sheriff Rex (William Baldwin) who looks the other way as the sex workers ply their trade. In exchange, he spends time with Levi whom he has become deeply enamored. 

Once Remy becomes part of their crew people start dying. First is a random John who is found in the men's room with an eye cut out and his arms posed over his chest. Soon after, another customer, a trucker is killed. And then we get to the main cast, one of whom finds Remy cleaning her knife in the ladies room. Remy kills them to keep her murders quiet and then kills another random woman who comes in and that murder provides her with a cover story, this rando killed our friend, by Remy's estimation

Read my full length review at Horror.Media 

Movie Review Scare Package 2: Rad Chad's Revenge

Scare Package 2: Rad Chad's Revenge 

Directed by Aaron B. Koontz

Written by Anthology 

Starring Zoe Graham, Jeremy King, Rich Sommer, Shakira Ja'nai Paye

Release Date December 22nd, 2022

Scare Package 2: Rad Chad's Revenge is an anthology horror comedy that takes the framing device of a Saw movie and uses it as a hanger for a series of short films deconstructing horror tropes. Overseen by director Aaron B. Koontz, it's a chaotic package of hits and misses, good ideas and bad ideas, and, most importantly, wildly inventive strangeness. There is a particular charm to the low budget aesthetic, one that painstakingly recalls 80s horror movies, and Saw, of course, and that charm worked on me, for the most part. 

A group of friends has gathered for the funeral of the late, great Rad Chad (Jeremy Buckley), horror movie lover and video store owner. Chad died from having a demon nearly explode his face with a punch. His funeral is attended by the 'Final Girl' of the original Scare Package, Jessie (Zoe Graham), her new girlfriend, Kimmie (Shakira Ja'Nai Paye), and Jessie's mother (Kelly Maroney), and several other faces familiar from the previous Scare Package film. 

In the midst of the mourning of Rad Chad, the guests find themselves incapacitated by gas and kidnapped. Trapped in some eerie basement, the group finds out via exposition video tape that they are to be part of Rad Chad's game of death. Much like a Saw movie trap, they've all been poisoned and must look for clues, escape room style to find the cure. But first, the must watch a short horror movie which may or may not contain clues for their survival. 

Click here for my review at Horror.Media 

Movie Review Women Talking

Women Talking (2022) 

Directed by Sarah Polley 

Written by Sarah Polley 

Starring Jessie Buckley, Claire Foy, Frances McDormand, Rooney Mara, Ben Whishaw 

Release Date December 23rd, 2022 

Published December 22nd, 2022

Women Talking is directed by Sarah Polley with a script Polley adapted from a book by Marion Toews. The story is set inside a cloistered Mennonite community in 2010. After having endured sexual and physical abuse from the men in their colony for years, the newest assault has the women of the community questioning what to do to stop this from happening again. 8 women are assigned the task of determining what must be done, either staying and fighting the men or leaving and never returning, risking what they've been raised to believe would be God's wrath, eternal damnation. 

Regardless of the risks involved, a decision must be made and over the course of Women Talking we here the reasoning behind what must be done, staying and fighting or leaving. Each comes with its own peril. Fighting the men is going to be violent and result in grave harm or perhaps death. Leaving meanwhile, risks losing a place in the kingdom of heaven plus the fact that the women have no idea where they will go if they leave. 

That last bit is critical but you have to think about it for yourself. A less talked about aspect of abuse is economic or circumstantial abuse. This is abuse that occurs when one partner renders another partner helpless via their circumstances, physical, financial, et cetera. Essentially, because these women are cut off from the outside world, cut off from resources, they are left with no choice but to rely on their male partners. Leaving is a possibility but it comes with a grave uncertainty as to where to go and what will happen next. 

Add to that fact that these are women with small children or elderly women who've spent their whole lives in this community and it dawns on you just how massive this decision these women are making truly is. The competing emotions of anger, resentment, fear, uncertainty, the desire to be free of abuse and the years of indoctrinated servitude, these women are doing far more than just talking, they are facing a monolithic challenge. 

Among the eight women chosen to make this impossible decision are Ona (Rooney Mara), a rape survivor who became pregnant from her assault. Salome (Claire Foy), also a recent survivor who is eager to stay and fight. Mariche, a mother of several children who has suffered repeated abuse from her husband. Mariche wants to stay and cope with the problems though her coping seems to involve changing absolutely nothing about their circumstances. 

Click here for my full length review at Viva.Media 

Movie Review The Old Town Girls

The Old Town Girls (2022) 

Directed by Shen Yu 

Written by Yujie Qiu, Shen Yu 

Starring Regina Wan, Li Gengxi, Jue Hwang

Release Date December 23rd, 2022 

Published December 22nd, 2022 

The Old Town Girls begins in a disjointed note. Co-writer and Director Shen Yu throws you immediately into chaos. Three adults are searching for two missing teenage daughters. One insists that they need to find the supposed kidnappers of their daughters to deliver a large ransom. One of the father's decides that waiting around isn't worth it and decides they should go to the police. At the police station with the intent of filing a missing persons report. That's when everything breaks down and suddenly we are thrown back in time. 

With little in the way of context clues we must determine that we are now a few weeks in the past, prior to the events of the opening scene. The two young women who are missing in the opening scene, presumed kidnapped, are High Schoolers and loosely they are friends. Shu Qing (Li Gengxi) is a desperately shy young woman, an outcast both at school and at home. In a heartbreaking scene, we watch as she arrives to her modest home only to be told by her step-mother that she needs to stay out while grandparents are there. Shu Qing is not there granddaughter and they don't want to dine with a stranger. Ouch. 

Click here for my full length review at Geeks.media 

Movie Review All the Beauty and the Bloodshed

All the Beauty and the Bloodshed (2022) 

Directed by Laura Poitras 

Written by Documentary 

Starring Nan Goldin 

Release Date November 23rd, 2022 

Published December 21st, 2022 

All the Beauty and the Bloodshed is a powerful and haunting exploration of the work and life of a remarkable artist. The bold and brilliant Nan Goldin made her first impact on art culture in the 1980s with her sensational art piece, A Ballad of Sexual Dependency. That multimedia experience included explicit and deeply personal photographs depicting the many relationships in Goldin's circle, including brutally honest explorations of her own relationship. Though some told Nan Goldin that photographers don't photograph themselves or their own lives, she defied them and became a cult legend. 

Defiance is a strong quality in Nan Goldin. Defying conventional, suburban expectations of her life was a hallmark of Goldin's childhood. Following the all too early death of her older sister, Nan Goldin defied her parents by continuing to ask questions about why her sister died so young. And, later in Goldin's life, she became defiant of the corporate art world by leading a protest against one of the corporations that funded many of the biggest and most well-known museums around the world. 

The owners of Purdue Pharma, the Sackler Family, donated millions to museums around the world, including ones that were home to the work of Nan Goldin. Goldin however, never afraid to bite the hand that supposedly fed her, started a protest movement aimed specifically at getting the Sackler family name off of the walls of world of art. Why? Because Nan Goldin was a rare survivor of the opioid crisis, one who came out the other side of her addiction with her voice intact. 

Thousands of people have died from overdose and illness related to the Sackler family's pharmaceutical products, Oxycontin and Fentanyl. Over the years, the callous and cold-hearted statements made by the Sackler family regarding their deadly products have come to light and Nan Goldin uses those statements as part of her art and protest movement called "PAIN." PAIN targeted what they call 'Toxic Philanthropy,' essentially the uber-rich who use philanthropy to cover up for their unethical, immoral and or illegal business practices. 

Find my full length review at Geeks.Media 

Movie Review Stars at Noon

Stars at Noon (2022) 

Directed by Claire Denis

Written by Claire Denis, Lea Mysius, Andrew Litvack 

Starring Margaret Qualley, Joe Alwyn, Benny Safdie 

Release Date October 14th, 2022 

Published ? 

In the hands of any other director, Stars at Noon would be a taught, fraught, political-spy thriller filled with car chases, action, and excitement. In the hands of Claire Denis however, Stars at Noon is languid, sexy, dripping with sweat, and far from anything you would expect from  spy thriller. The film stars Margaret Qualley as a wannabe journalist caught up in the political unrest of Central America. Joe Alwyn co-stars as the ostensible spy in this spy story, an Englishman caught between American and Central American interests. 

The film begins with our protagonist referred to only as Journalist. We eventually hear her called Ms. Johnson but that's merely an indication of Denis' disinterest such mundane matters as peoples names. Identity is less important than getting to what is more interesting to Claire Denis, the politics of sex, the sexual marketplace, and the place her female characters occupy in that odd marketplace. In this case, Qualley's journalist has been placed in a unique position. 

After having written an article critical of the regime in charge, the Journalist has had her passport taken away and her journalistic credentials revoked. This places her at the whim of men who might be able to help her in exchange for her body. That's the case with a local official who took her passport and broke her phone and still demands sex from her. That would be the case for another high ranking official were he not impotent, though his willingness to help her is now waning. 

The journalist's relationship to the English spy also begins in a transactional fashion. The pair meet at a hotel bar. The spy mistakes the journalist for a sex worker and, being desperate for American currency, she doesn't disabuse him of this notion. She needs money to try and get back to the United States, a task that gets ever more difficult as the story progresses. The hook up with the spy initially seems like a one off but when she finds herself in even deeper trouble she seeks him out again only to find that he may be in even more trouble than she is. 

My telling of the plot is actually more concise than Denis' presentation. For Denis, the book on which this script is based is a hanger from which she can explore other ideas, visual and sexual ideas, power dynamics, and other things that capture her fleeting interests. Yes, there is ostensibly a thriller plot unfolding with our protagonists attempting to flee from the corrupt elements of government attempting to arrest the spy. 

Find my full length review at Geeks.Media