Directed by Paul Haggis
Written by Paul Haggis
Starring Russell Crowe, Elizabeth Banks, Brian Dennehy, Olivia Wilde, Liam Neeson
Release Date November 19th, 2010
Published November 18th, 2010
Paul Haggis loves a story that examines fate and chance and the seeming randomness of life. Bringing order to the chaos of life was part of what made his “Crash” such a fascinating drama. It was messy in the ways it brought characters together, crashing them together emotionally and sometimes physically, yet there was fate seeming to shine down on each character and reveal that there may have been no other way for these things to happen.
”Crash” is a remarkable film filled with powerful performances and emotions that deepen with repeated viewings. It's the opposite experience of Mr. Haggis's latest film, “The Next Three Days.” Ostensibly a prison break thriller about a husband trying to save the life of his accused murderer wife by busting her out of jail, “The Next Three Days” is, in reality, a gutless exercise in thriller machinations and not the kind of emotional, thoughtful examination of fate that Haggis would like you to think it is.
Russell Crowe stars in “The Next Three Days” as Community College English teacher John Brennen. John is a great dad to 3 year old Lucas and a loving husband to Lara (Elizabeth Banks), his workaholic wife who, when we meet her first at a dinner with John's brother and overly flirty fiancée, has just left a rather confrontational day at the office. Lara and her boss were seen to have a wild screaming match just before each left for the day. The next day, as John is getting his son breakfast and mom is leaving for work the police burst through the door and Lara is arrested, charged with murder. Lara's boss was found dead in the parking lot and Lara's car was seen leaving the scene and her fingerprints are on the murder weapon.
Three years later, John and Lara have exhausted her appeals. Lara is going to spend the rest of her life in prison unless John does something drastic. He could appeal to the Supreme Court but without new evidence that won't help. His only real option, once Lara has attempted suicide, is to break her out of prison and get her and Lucas out of the country. Oh, but how will an average, pudgy, College professor plan a prison break?
My plot description is limited to portions of the first act. The second act, featuring a stellar cameo by Liam Neeson, is where “The Next Three Days” moves from sad family drama to attempted thriller. Where Haggis's talent for examining fate through the actions of characters in extreme emotional distress, The Next Three Days becomes a boilerplate thriller with very little interest in examining the motivations of the characters or allowing them depth beyond the function they perform in the hackneyed thriller plot.
This is not the fault of Russell Crowe who pulls off quite an acting challenge in “The Next Three Days.” Crowe first has to convince us that he is not an action hero and then turn John Brennen into enough of an average action hero that he can do the things needed to break Lara out of prison. Given Crowe's movie born reputation as a tough guy whose characters could easily be capable of attempting a prison break it is remarkable to see Crowe show such vulnerability and then morph that vulnerability into desperate necessity.
If only the rest of “The Next Three Days” had Crowe's determination. Sadly, director Paul Haggis lacks his star's nerve. Surrounding Crowe's tour de force performance is a soporific movie that cannot bear the ambiguity needed to really give the thriller stuff a charge. Never for a moment are you allowed to see John as anything but heroic nor are you allowed to wonder too much about Lara's guilt or innocence.
A more daring film would allow John to do things less than heroic in order to achieve his goal. A more daring film might have asked some more daring questions about Lara's guilt or innocence. Instead we get a scene at the movie's end that removes all doubt and lets the characters and the audience off the hook. Rather than pushing us to question what we would do in a similar situation Paul Haggis keeps his questions superficial and easy to answer.
“Crash” could be dismissed as superficial but Haggis introduced an idea behind the heavy emotions on display; the idea of fate and that of the randomness of life a destiny, for good or for ill, could emerge. There are few, if any, challenging ideas behind the facile thrills of “The Next Three Days” and the film suffers mightily for it.
In the end, “The Next Three Days” has the compromised feel of a very Hollywood production, the kind of market tested drivel that is meant to leave audiences reassured that there values haven’t been challenged. Were it not for Mr. Crowe, I would call it boring, but with him and his determined performance, “The Next Three Days” is merely a failure.
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